Don't like ads? PRO users don't see any ads ;-)
Guest

Rarity Re-written History

By: unwantedmlp on May 11th, 2013  |  syntax: None  |  size: 14.89 KB  |  hits: 30  |  expires: Never
download  |  raw  |  embed  |  report abuse  |  print
Text below is selected. Please press Ctrl+C to copy to your clipboard. (⌘+C on Mac)
  1. >Been dating Rarity for a few months now
  2. >You two have a solid relationship, the lovey-dovey phase is over and you're at that blissful, enjoying each others company no matter what stage
  3. >It's really great, she's a bit of a sugar mama but you take care of her in other ways
  4. >Even Spike has stopped vandalizing your home and grown to accept you two
  5. >There is just one oddball thing about it
  6. >Every relationship has its little quirks, Rarity's is she cannot go to the bathroom in public without an escort
  7. >The first few times you were a little puzzled, but were polite and did as she asked
  8. >Since then you've grown to accept it but never worked up the nerve to ask her just why you need to be on guard duty when she uses the restroom
  9. >Although, and by no means on purpose, you've heard some of the symphonies she's conducted atop the porcelain orchestra
  10. >Maybe she uses the fact you're the only human around to create a larger distraction than what she potentially could?
  11. >Regardless, one night you decide enough is enough
  12. >During dinner, right between the main course and dessert, she has a very familiar blush and sets her napkin down
  13. "Anon, I need to use the little fillies room"
  14. >She says in her slightly embarrassed but still proper voice tone, but her expression adds a very stern 'now' to the sentence
  15. "Oh, go right ahead. I'd like to order us dessert. I'd like to surprise you with something special"
  16. >She stares, not expecting a refusal, even if it was for a slightly romantic reason
  17. >You hear a very low groan come from her stomach
  18. >Her face goes red
  19. "B-but, Anon....its polite for a gentleman to escort his date to the.....facilities"
  20. >Her eyes are actually pleading with you
  21. >Maybe this is a little more than just a high maintenance quirk of hers?
  22. >Another rumble comes from her side of the table
  23. >Her cheeks flush red and her forelegs begin to quiver
  24. >You nod OK and lead her to the bathroom
  25. >The door is barely closed before the jazz club opens in the restroom
  26. >Standing outside the restroom
  27. >Doing your usual, lean against the doorframe and keep eyes to the ground, routine
  28. >Trying to ignore what Rarity is doing in there, but the sound is hard to drown out
  29. >Begin to whistle
  30. "Anon....deary?"
  31. >The door opens a creek
  32. >Rarity peaks through the crack
  33. "I...we're....there's no..."
  34. >She's so embarrassed its kind of adorable
  35. >You figure out there's no toilet paper and finish the jumble of a sentence for her
  36. >She nods vigorously and closes the door
  37. "Do be a dear and find some with a degree of urgency, honey"
  38. >Least she got her composure back
  39. >Shake your head and head to the colt's room and retrieve a roll
  40. >On your way back, you see another mare enter the other bathroom
  41. >You can't walk in now
  42. >You knock and a completely different voice yells "occupied!"
  43. >So now you're standing there, with the toilet paper, in front of the ladies room, no idea how to get it to her
  44. >Not that you're making a point to listen for them, but Rarity's noises have stopped.
  45. >You look back to your table, its still empty
  46. >Is the poor girl holding it all in till the other mare leaves?
  47. >Standing out there, holding toilet paper
  48. >Few patrons look at you weirdly and you shrug and smile awkwardly
  49. >Meanwhile, the other mare in the bathroom is trying to talk to Rarity
  50. >You can't quite make out what she's saying but she's in no rush to do her business and leave
  51. >You can only imagine how badly Rarity is suffering trying to--
  52. >A very loud release comes from inside
  53. >The other mare stops talking
  54. >You quietly leave your post to pay the bill
  55. >You know Rarity, the second she's done she'll wanna run out the back door than potentially have the other mare ID her
  56. >The bill paid (and the the waiter tipped well to not ask about the toilet paper or why you want to leave via the kitchen) you return to outside the mare's room
  57. >You hear a toilet flush, you know better than to think it's Rarity
  58. >The other mare exits, looking slightly embarrassed herself, but classy enough to say nothing about it
  59. >You wait for the inevitable...
  60. "ANNOoooooooonnnnnnnnnnnnnnnnn!!" You were supposed to guard the door!!!"
  61. >Her whines are laced with her sobbing
  62. >You decide now isn't the time to argue that she's the one who sent you away
  63. >You apologize and say you have the toilet paper
  64. "NOT SO-----Not so loud!! Just...come inside....and lock the door behind you! And by Celestia's mane, hurry!"
  65. >Your logical side screams to just talk her through this
  66. >But you know Rarity better than that
  67. >With a quick glance to be sure nobody is looking, you go into the bathroom
  68. >As soon as you step in, a mortified Rarity reiterates the door needs to be locked
  69. >You comply and toss the roll of toilet paper over the stall door
  70. >She still takes a moment to scold you for throwing something at her.
  71. >You ask if she wants you to leave and she nearly screams "NO"
  72. >So you awkwardly wait in the women's room
  73. >The faucets begin to turn on and the other toilets start to flush
  74. >Why would she be using magic to--
  75. >You're answered with a loud release of gas from Rarity's stall
  76. >She's literally that desperate to cover up the noise
  77. >You try and tell her that its no big deal but she won't have any of it
  78. >She can't even properly argue, considering the circumstance she's in
  79. >Deciding the best thing to do is be quiet, you start counting bathroom tiles
  80. >Although Rarity's intestinal distress distracts you a few times, you get to about 83 when you finally hear a toilet flush
  81. >Rarity leaves the stall and walks right to the sink, not making eye contact, and washes her hooves
  82. >You tell her about the paid bill and the arrangements to leave through the kitchen
  83. "The Kitchen!? Oh no-no-no! Anon, we can't be seen leaving a restaurant of this caliber with the....help! We're not musicians!"
  84. >You suggest walking out through the front but that's met with even more resistance
  85. >She finishes washing and gestures to the bathroom window
  86. >She uses her magic to unlatch the lock and open it
  87. >She can't be serious
  88. "Lift me up, Anon, I'll go out this way and meet you in the park across the way! Then we both maintain our dignity"
  89. >You ponder how her going out the window and you leaving the ladies room alone is somehow more dignified than the kitchen but she's already tucking her dress in and tying her hair back
  90. >She positions her fore hooves on the windowsill and instructs you to give her a boost up
  91. >You've resigned to this plan of hers by now and do as you're told
  92. >You grab two squishy handfuls of her rear and push her up
  93. >Despite everything, she giggles and and playfully comments on your eagerness
  94. >You've played with her ass under much nice circumstances but you have to admit even now and even under a layer of silk its still nice
  95. >You get her about halfway through the window when it becomes a bit more difficult
  96. >She wiggles and twists, trying to get the rest of her through
  97. >You give her marshmellow rear another shove
  98. >She must not have been expecting it because that releases a hug blast of gas right into your face
  99. >All movement stops
  100. >She's frozen with embarrassment
  101. >You turn away, glad she can't see your reaction to being farted on
  102. "P....pardon me?"
  103. >You play it off and insist she pay more attention to getting through the window
  104. >She agrees and resumes her squirming and wiggling
  105. >There is a knock at the bathroom door and a rattling of the lock
  106. >Someone's trying to get in
  107. "Occupiiiiiiied!"
  108. >Rarity yells back and begins to panic, her legs kicking and scraping at the wall trying to get through
  109. >You give her rear another push and it replies with another release of gas
  110. >This continues for another minute, every inch she gets further through the window comes with an announcement from her silk covered rear
  111. >She's practically crying she's apologizing so much
  112. >The knocking at the bathroom door gets louder
  113. >You're trying very hard not to laugh at how ridiculous this is all is
  114. >Finally, with one more push and one more long release of wind, she's through
  115. >She hits the ground and runs faster than you've ever seen her move before toward the park
  116. >Leaving you standing in the bathroom alone
  117. >You hear a key go into the bathroom door
  118. >You'd take a deep breath but the air is a little...funky
  119. >You close the window just in time for the bathroom door to swing open
  120. >Its the waiter from earlier and a very confused old mare
  121. >You nervously explain they were out of toilet paper
  122. >The waiter is now equally puzzled and inquires about your date
  123. >You and Rarity are regulars after all
  124. >The old mare absently asks if this is the right bathroom
  125. >You blurt out she went for a walk before pushing your way out of the bathroom and leaving the establishment
  126. >Won't be going back there for awhile
  127. >Oh who are you kidding, knowing Rarity the whole street will be off limits for the next century
  128. >Speaking of Rarity, you head to the park to look for her
  129. >You find her on a park bench
  130. >She sees you and trots over
  131. >You wonder how this is going to go
  132. >She's not crying, that's a good sign, though her makeup is a mess
  133. >You keep that bit of information to yourself
  134. "It's a beautiful night, Anon! You should walk me through the park, it would be a fabulous way to end our evening!. Anything to take our minds off that dreadful main course we suffered through...ugh, we shall not set foot in that rat hole ever again!"
  135. >Dreadful main course?
  136. >Her eyes are pleading with you
  137. >You get it now, the last 20 minutes of the night never happened
  138. >Not the first time Rarity re-written history when things don't go well
  139. >You agree with her about the food and suggest they look for a new place
  140. >She gives you a hug and whispers "thank you" in your ear
  141. >You hug her back, careful not to squeeze her too tightly
  142. >The two of you walk through the park, enjoying the night air
  143. >Its not long before you begin to chat about other restaurants
  144. >You can't help but notice every one of Rarity's suggestions is on the opposite side of town
  145. >At least she's not suggesting you move to another town
  146. >It was only a little ways into the middle of the park when you hear another low, but loud, churning groan coming from Rarity's stomach
  147. >freezing in place, she put a hoof to her middle, biting her lower lip
  148. >though when she caught your stare, she immediately put her hoof down and forced a smile
  149. Anon, dear......do you think we can find another....restroom?
  150. >you remember that the nearest one is on the other side of the park
  151. >Rarity tries to keep her composure as another rumble ripples through her stomach, tapping a hoof on the ground
  152. Ohnonono darling! Thats simply too fa.....I mean......too unsanitary! There must be a restroom much closer if we cut through the park and find another restaraunt!
  153. >Without another word, Rarity walks stiffly off the main park trail, and starts walking through the grass, with you following closely behind.
  154. >though you felt for Rarity, you were getting increasingly more annoyed with how unreasonable she was being
  155.  
  156. >crickets chirped in the bushes and grasses as you trudged along, making your way past some trees
  157. >Rarity was walking increasingly slower and slower, her bottom in a constant state of clenching as multiple gurgles issued from her insides
  158. >you make a passing remark about using a bush....
  159. ANON! What do you t..take me for, some sort of b..barbarian? It just so happens that I only wish to fix my makeup, and I need a mirror to....
  160. >Rarity was silenced when a gaseous explosion rippled from her bottom, amplified by the clenching of her cheeks and the quietude of the park
  161. >it was as though someone had violently depressed a whoopie cushion that had it's edges coated with pudding
  162. >in the split second that it happened, there wasn't a single cricket that could be heard chirping
  163. >Rarity squealed in horror as she fwipped her tail down, holding stock still as the malodorous aroma permeated the one fresh, crisp night air, refusing to dissapate
  164. >even in the moonight, you could catch her face glowing like hot coals
  165. >she looks at over you, the expression on her face only comparable to someone who looked like they were sitting on a lit pile of dynamite
  166.  
  167. >approaching, you knelt down to her, her buttocks twitching in the moonlight, fighting a fruitless battle to contain the load behind it
  168. >you say her name once, softly, but with a slightly stern tone, like a knowing mother trying to get her daughter to fess up to spilling juice on the carpet
  169. >W..w..well, maybe the park b-bathroom isn't such a bad choice. I'm j..jus....just fixing my makeup after all.
  170. >another fart slips past her clenched butt, wet and offensive, a prequel to the things to come
  171. >you repeat her name again, a little louder, and a little more sternly
  172. >that was all it took
  173.  
  174. OKAY! Anon I desperately DESPERATELY need to get to a restroom! This h-haahhhh....happens to me q-quite often andifIdontfindonerightnowitsGONNACOMEOUT!
  175. >well, she isn't in denial anymore, that's a start
  176.  
  177. >however the last part came out a jumbled, frantic rush as Rarity's stomach made a massive, protesting gurgle
  178. >her shapely, toned backside immediately projected a sound that you could only compare to a badly waterlogged tuba
  179. >Rarity's legs came together, as if she was balancing on a pinpoint
  180. >she redoubled her effort to clench her buttocks shut, which was accompanied with a soft squelch
  181. >her mouth was tightly closed, as if she was holding her breath, though here eyes looked up at you pleadingly, begging you to do something before she soiled herself any further
  182. >immediately, you grabbed her front, her whole body as stiff as a statue, and took her to a bush, thankfully only a few yards away
  183. >dropping to your knees, and aiming her like some sort of explosive device, you gave her the nod, but Rarity could only shake her head frantically, her lady's pride simply not allowing for it
  184. >nope, this had to happen, for her own good
  185. >you grabbed a handful of her tail and yanked upward gently, eliciting a shriek from her that unleashed the demons within
  186. >you closed your eyes at the last second, partially to give her a small scrap of privacy, but also not wanting to observe the horror that was about to take place
  187. >the pure fury, the sheer awesome power of what came from Rarity's behind was an audible symphony of destruction, equaled only by the sloppiest idle of the most poorly tuned top-fuel funny car in existence
  188. >Rarity buried her face into your stomach, her front legs wrapped around you and holding on for dear life and squeezing the breath out of you, as her body took control, shivering as waves of relief washed over her body
  189. >the deadly aroma blanketed the surrounding area, and you tried to breathe as little as you could, Rarity's crushing grip assisting in this
  190. >with the last few wet explosions, the worst was over, and Rarity looked up at you, humiliated, but far less tense, and with a glimmer of gratefulness in her eyes
  191. Do....do you have any tissue, anon? I may need to....clean up....
  192. >well shit
  193.  
  194. >you had nothing on you except your personal effects, and your clothes
  195. >you looked down at your crisp, clean, white button up shirt
  196. >you sighed, and started to unbutton it
  197. >the things you do for love...
  198.  
  199. Fin