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Circles and other strange tales #3

By: lifeandmusic on Oct 1st, 2012  |  syntax: None  |  size: 14.00 KB  |  hits: 34  |  expires: Never
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  1. >You don't really know firsthand exactly what 'culture' is, but ponyville certainly had it
  2. >Twilight finally stops in front of a large, slightly lopsided tree
  3. >"here we are!"
  4. >...
  5. "You live here..? It's an oversized tree Twilight"
  6. >"Yes, that's right anon! It's also the local library and it even has a telescope"
  7. >A telescope? You barely refrain from snorting out loud
  8. >As Twilight turns, you notice a tattoo on her side
  9. >A tattoo that looks suspiciously like the centre of the NGC 2264 or the cone nebula.
  10. >In fact it looked exactly like it
  11. >But what was it doing on her side
  12. >You decide against asking about the cone nebula - no need to spill too much information before you know what you're dealing with
  13. "Twilight, what is up with the image on your thigh?"
  14. >"oh, it's just my cutie mark. Everypony gets a cutie mark when they discover their special talent - and mine's magic. I got it whe-"
  15. >You tune out once again, you were too tired to discuss this any further
  16. >Entering the tree-house (?) you scan around briefly
  17. >Yes this was definitely where you first awoke
  18. >You start slowly making your way towards the back of the tree-house
  19. >You cut across Twilight mid-story
  20. "Twilight, how and where did you discover me exactly?"
  21. >"I didn't, Rainbow saw a flash of light just beyond Applejack's orchard and when she went to investigate she found you lying in a massive crater. Then with the help of Applejack and Big Mac she brought you here”
  22. "And tha-"
  23. >Your left forearm suddenly starts bleeping
  24. >Huh
  25. >This is perhaps the most peaceful place you have ever visited, what could possibly be wrong
  26. >You flick up the hidden panel
  27. >You notice Twilight trying to peek her head in from behind
  28. >You re-read the information twice, before closing the panel
  29. >You remain very silent
  30. >"a- Anon? What's wrong?"
  31. >You round on her fiercely
  32. "What is this place? What is it really, Twilight? Is that even you name? ANSWER ME!"
  33. >She starts backing away, evidently afraid
  34. >And oh she should be
  35. >"It.. it's just a lib-library Anon. I am Twi- Twilight. I-"
  36. "No" you snarl
  37. >She flinches at the word
  38. >You gesture at the room
  39. "No, this very room is teaming with temporal overlays and distorted time energy. Now what are you, because I SWEAR if you're a time ag-"
  40. >Seeing her again, you pause
  41. >She is now curled up in a ball crying softly
  42. >Oh shoot you may have messed this up slightly
  43. >"I... I don't know Anon. Please, I'm ju- just Celestia's student. I write letters about friendship and I study a bit of magic. Please don't hurt me"
  44. >You back away, disgusted with yourself
  45. >These kinds of outbursts had originally started it all
  46. >She's still cowering in the corner
  47. "no... no of course. I'm sorry Twilight, please forgive me"
  48. >No answer
  49. "What I mean to say is that the time here has been altered. Where I am from that is an extremely dangerous thing to do, do you know what happened"
  50. >Twilight looks up and blinks
  51. >"Well this one time I tried a time-travelled using a spell.."
  52. >Hmm so you weren't completely wrong then
  53. "But why did you?"
  54. >"To warn myself not to worry about the future"
  55. >...
  56. >You'll let that slide, it doesn’t make a whole lot of sense and even if it did you struggle to believe that such an innocent creature could do such a thing
  57. >"But, why is travelling in time dangerous?"
  58. >So she had room to be curious whilst afraid. She could have been a knight of the round in another reality
  59. "Because time is more than just something that passes by. Time is a vital part of the universe, it's almost like the glue that keeps reality stuck together"
  60. >You pause, unsure how to phrase this to someone who obviously had no experience in the matter
  61. "Travelling in time does not only risk causing paradoxes, but it can un-ravel space. Like taking all the cement out of a building can cause it to fall"
  62. "and time can never end, time can never exist in circles. Because circles have no end and no beginning, they can only iterate themselves for eternity”
  63. >You glance up to see Twilight wide-eyed and staring intently
  64. >"Oh, don't worry Anon I promise not to do anything like that again"
  65. >You smile
  66. >"But.."
  67. >She looks almost afraid to speak
  68. >"please don't shout again... that's not how you make friends"
  69. >There's that word again
  70. >Friends
  71. "so what is 'friends' Twilight?”
  72. >She turns around and her head slightly tilts to the side, giving you a quizzical look
  73. >She must be thinking that you're pulling her leg
  74. >hoof?
  75. >after a pause, she answers
  76. >"Friends, or friendship is a mutual relationship between two ponies who enjoy each other's company. They will always want what is best for their friend. They trust each other and will help each other through whatever problems"
  77. >She pauses again
  78. >"Friendship is the best way of gaining experience and enjoying life Anonymous - in fact it is magic. It is only through friendship that the elements of harmony defeated Nightmare moon and Discord!"
  79. >Interesting, you imagine the closest thing you had to a friend was your old tutor and fellow knights
  80. >Although that was almost definitely more duty than anything else
  81. >You ask Twilight what she thinks of this
  82. >Another unsure look before
  83. >"Well, I suppose that may be friendship Anonymous. Maybe you'll get a better idea after you spend a while in ponyville"
  84. >May not be a bad idea, it's not like you had a home to go back to anymore anyway
  85. >Besides, you had plenty of experience with collapsing stars, space pirates, political interspecies relations and mortal combat. Surely this could only improve you as a person.
  86. "Very well Twilight Sparkle, I accept your terms"
  87. >"What terms? The whole point of friendship is that it is reciprocative"
  88. >You glance down at the little purple unicorn
  89. >No one had ever dared to answer you back in a very long time
  90. >This was new
  91. >Well if friendship was mutual you could hardly be her superior in this
  92. >You remain quiet
  93. >"Anyway, I think we should turn in. It is only a few hours until sunrise"
  94. >She shows you to your 'room'
  95. >It was a little study just off the main room, with no door
  96. >Two mattresses had been stuck together to form one that may accommodate your taller frame
  97. >Having been stuck on an overcrowded cargo ship for the better part of 3 months, you'd seen worse
  98. >You mutter some thanks for her hospitality and sleep claims you almost as soon as you hit the floor
  99. >You watch in horror as every single display starts hitting 0
  100. >You furiously mash at the closest control array, sending another huge omega pulse towards the centre of the planet
  101. >But the dying planet simply does not respond, flashing in and out of existence
  102. >The region was literally un-happening
  103. >You rip open the array, and jam a knife directly into the outlay system core
  104. >The sirens blank off, leaving the events below to unfold in a deafening silence
  105. >Ideas. You needed ideas. How can you correct phase without direct contact?
  106. >40m behind, you hear the lift door ‘bing’ open
  107. >You freeze
  108. >Access to the lift was denied to most personnel
  109. >You were meant to be alone here
  110. >Something had been fishy about this entire trip from the very start
  111. >You lower your left hand towards the knife as you slowly, yet purposefully turn to face the lift doors
  112. >"Well of course he's in here Spike”
  113. >You spring into action immediately, your hand striking and clamping on the throat of the intruder
  114. >something feels wrong
  115. >Where had the metal walls gone
  116. >You look forward
  117. >Why were you choking Twilight?
  118. "Oh fuck" You stammer, dropping Twilight immediately
  119. >Oh fuck was right
  120. >You stammer, still slightly in shock
  121. "I'm really, really sorry Twilight"
  122. >She's backing away, her eyes bloodshot with fear and mouth trembling
  123. "Twilight I-"
  124. >She opens the door and runs off
  125. >A wave of emotion rush over you as you watch her run away
  126. >Guilt? It was unfamiliar whatever it was. It drove into your throat, suddenly making you feel much smaller than her
  127. >You gulp, doing the thousand yard stare into your shaking hands
  128. >That last mission was traumatic, but you had never expected that to happen...
  129. >Where had Twilight run off to? You should probably explain that outburst
  130. >You start towards the door, when a voice travels down from behind
  131. >"I would leave her be for a while"
  132. >You turn to see a pile of books with two scaly feet walking down the staircase
  133. "Oh, okay"
  134. >Spike puts down the pile and sighs
  135. >"You really are quite new to this stuff aren't you?"
  136. >Briefly enraged, you pike up
  137. "Hey, I'll let you kno-"
  138. >You catch yourself
  139. >Way to irony anonymous
  140. >You correct yourself in a quieter voice
  141. "Yeah, I guess I am..."
  142. >Spike gives a half smile, and turns back up the staircase to get more books
  143. >"I wouldn't worry too much about it; Twilight was going to wake you so you could read those books she chose for you. Why not read them until she returns?"
  144. >The little guy does talk a large amount of sense
  145. >You return to your room, now noticing the small pile of books near the doorway
  146. >You pick a few up
  147. >'Equestria: a history' by G. Tomkink
  148. >'A history of Equestria' by Baggy Bagshot
  149. >You pause at the last title
  150. >'The cycle of day and night: Equestria's beginnings'
  151. >Cycle? You needed to keep a better note on these coincidences, even if that was all they were
  152. >Should you give the books a go?
  153. >Well a little information can hardly hurt now, can it?
  154. >You remove the bulky outer shell of your armour, as well as your gauntlets, and sit back against the bedroom wall
  155. >Book in hand, brain in gear
  156. >You hadn't read many paper books... back at home one in such fine condition would be considered an antique
  157. >You turn the page, and start reading
  158. >It's much later in the day when you finally hear the front door open
  159. >Strangely, the sunlight was just as intense as it was when you woke up
  160. >You had now finished 6 of the books, leaving out the one on anatomy
  161. >Basic Biology was a module of your combat training
  162. >The books had raised more questions than they had answered though
  163. >You were also feeling increasingly uneasy about this world. Or this reality as it were
  164. >Conjecture 1: You [for some inexplicable reason] and been blasted to an alternate dimension
  165. >If this was true - then this dimension was worryingly similar to you own
  166. >In fact, for the most part, the culture and history here was incredibly similar to Earth's past
  167. >For instance, why were there pony-pulled chariots for ponies to ride in?
  168. >There were differences yes, it was almost as if someone had re-written history and removed most of the violence and strife
  169. >But it did seem there is more to this world than just ponies
  170. >Of course, trying to explain or reason for any such links to your own world would be difficult
  171. >Which leads you to your second conjecture
  172. >Conjecture 2: You were in a coma
  173. >Conjecture 2 had some very refreshing simplicity
  174. >Nonetheless, it would be best to assume the worst is true and that your actions do have consequences
  175. >"Anonymous?" a familiar voice calls
  176. >Speaking of consequences
  177. >You get up and walk out, following Twilight's voice
  178. >She's standing in the doorway, looking at the floor, and a few paces behind Rarity
  179. >Rarity has a scrawled up face that must be an attempt at disapprovement
  180. >The overall effect just made her look like a cross, moody bunny rabbit
  181. >You chuckle, as if bunnies could possibly be cross or moody
  182. >This chuckle does not seem to amuse her however
  183. >"You. You get in there. I'm having a word with you mister"
  184. >You would love to feign mock terror
  185. >Best to keep on the straight and narrow for now, you don't need to mess up again today
  186. "Yes Ma'am"
  187. >You back into the room, Rarity herding you in with her disapproving face
  188. >She shuts the door after her
  189. >"You."
  190. >She jabs you with a hoof
  191. >"You can't just do that to a pony. I don't care where you are from, but that is my friend and no-one hurts my friends!"
  192. "Listen Rarit-"
  193. >"Don't interrupt a Lady mid speech! Now I don't want to hear about anything like this again, Twilight took you into her house and you should show some respect!"
  194. "Serious I ju-"
  195. >"Gosh, you really don't listen do you?"
  196. >She suddenly stops, looking at your neck in surprise
  197. >"Darling, black, red and yellow don't work on collars. Honestly, who designed that?"
  198. "what? I don't know, it's standard edition"
  199. >Rarity gives out a noise somewhere in between a "humf" and a gasp
  200. >"Well we certainly don't do standard here. Now, Anonymous, go and apologise to Twilight. And promise her this won't happen again"
  201. "Yes Ma'am"
  202. >She opens the door, and you walk out to a still semi-timid Twilight
  203. "Twilight"
  204. >She gulps
  205. >"y... yes anonymous?"
  206. "I'm very sorry for what happened this morning"
  207. >Rarity clears her throat
  208. "And I promise not to intentionally hurt you again"
  209. >Don't push the issue Anonymous
  210. >Twilight gives a smile, and Rarity takes that as her cue to leave
  211. >But before she leaves
  212. >"And one more thing anonymous"
  213. "What is it?"
  214. >"Make sure you come to visit sometime so I can sort you out with some -proper- apparel"
  215. >Well, no prizes for guessing what her profession is
  216. >She exits
  217. >You turn to Twilight
  218. >She looks a little better, although you should probably keep the surprises to a minimum in the next few days
  219. "oh, and Twilight, I've read the books you brought in earlier"
  220. >She almost gives a half-smile at that
  221. >"Yo- you did! That's wonderful Anonymous, why don't we discuss the content? It's been ages since I had a good book conversation"
  222. >You're not exactly in a position to refuse right now
  223. "Of course" You smile
  224. >She smiles too, levitating the books out of your room and walking to the top floor of the library
  225. >She turns to see you motionless
  226. >"well come on Anon - we haven't got all day!"
  227. >You kick your brain back into action and follow her up
  228. >You wonder whether you could have forgiven yourself as quickly as she just forgave you
  229. >Probably not
  230. >Well, that might be something to do with this 'friendship' concept then
  231. >You sniff, reaching the top of the stairs and finding Twilight already reading 2 of the books
  232. >You lower yourself onto the rustic floor
  233. >It was a strange feeling to sit down in half-armour without any worries or dangers lurking
  234. >But a better feeling than the guilt trip this morning
  235. >twilight points a hoof at an annotated picture in one of the books
  236. >And you talk the rest of the day away