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Subject 23: Chapter 2

By: Thelonious on Jul 15th, 2012  |  syntax: None  |  size: 6.53 KB  |  hits: 135  |  expires: Never
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  1. >The first night was hell.
  2. >After Pinkie's session, you passed out from the pain.
  3. >You woke up in a small cell.
  4. >Rations were sitting on your bed.
  5. >Your wounds were mostly healed, which was odd to say the least.
  6. >They still hurt like hell though.
  7. >The cell was small, with a door made of iron bars.
  8. >No window on the opposite wall.
  9. >Just dirt.
  10. >There were other cells across the hall from you.
  11. >You could only really get a look at three of them.
  12. >At first glance, it didn't look like any of them were filled.
  13. >Upon closer inspection, however, you notice the shapes of more small horse-things.
  14. >The one in the room across from you was hiding under it's bed.
  15. >The other two from the adjacent cells were peeking around the corner.
  16. >They looked... worn.
  17. >Beaten.
  18. >And much smaller than Pinkie or Twilight.
  19. >They were scared, dirty, and bruised.
  20. >And, apparently, children.
  21. >They seemed terrified of you.
  22. “It's alright. I'm not going to hurt you.”
  23. >Silence as the three of these young ones disappear from sight.
  24. “I'm a friend. My name is...Anonymous.
  25. >Something's not right here.
  26. >One of the small ones -faded orange in color - walks forward a bit, showing itself completely.
  27. >It seems to have small wings.
  28. >There's a collar around it's neck with a red light on top.
  29. >The light's not on at the moment.
  30. >It looks terrified.
  31. >You crouch down, attempting to get closer to eye level.
  32. >You are still much taller than the poor creature.
  33. “Can you talk, little one?”
  34. >The horse being shakes its head slowly.
  35. >You point at your neck, then at the horse.
  36. >It nods it's head slowly, tears rolling down it's cheeks.
  37. >Apparently, whatever has you here doesn't want the others talking to you.
  38. >You smile at the little horse.
  39. >These creatures apparently suffer as much as you do.
  40. >How many more are here in these cells?
  41. >You don't have much time to ponder before you hear hoofsteps coming down the hall.
  42. >At this sound, the orange horse ducks back into it's cell.
  43. >”Were the fillies giving you any trouble, Subject 23?”
  44. >You stand up to your full height.
  45. >You remain silent.
  46. >Twilight stops in front of your cell, facing away from you.
  47. >”Well, they can't possibly be causing anymore trouble than they already have. Can you, girls?”
  48. >Twilight procures a remote from her lab coat, pressing a large sized red button.
  49. >Screams emanate from the three cells.
  50. >”Perhaps you shouldn't communicate with the subjects, Scootaloo. You know what happ-”
  51. “Stop!”
  52. >You shout, filling the halls with the echoes of your command.
  53. >Twilight pauses, letting the girl's screams turn into steady, low weeping.
  54. “Whatever you want from me, whatever your quarrel is, take it out on me. These children did nothing wrong.”
  55. >Twilight turns to look at you.
  56. >”What makes you think that, Subject 23?”
  57. >Without goggles on, you get a good look at her face.
  58. >Gray? You could have sworn that before, she was purple...
  59. >Is it a trick of the lighting?
  60. “They're children, for Christ's sake! How could you torment them like that? What could they have possibly done to-”
  61. >”They released the beast, Subject 23.  And they are the reason YOU are here.  I keep them across from my subject's cell to remind them of that fact daily.”
  62. >You have a hard time believing that three children placed you in this cell.
  63. >You have a harder time believing that strange horse beings are torturing you.
  64. “This blood is on your hands, not theirs. Do not twist their minds any further with your lies.”
  65. >”They all start off like you. Soon, you will relish in their pain. They all do. They all learn.”
  66. >Twilight grins at you as her horn begins to glow.
  67. >Then you appear back in the chair.
  68. >And day two starts.
  69. >Then day three.
  70. >Then day ten.
  71. >Twilight, as is her apparent name, would take notes and “condition” you during the day.
  72. >Pinkie would take out whatever strange cosmic frustrations she had upon you at night.
  73. >Day after day, week after week, you endured the cuts, the shocks, the beatings, the torment.
  74. >You would come back to your cell and try to tell the little ones stories about your home.
  75. >Tales of old heroes, fairy tales, books you'd read.
  76. >Anything to give them some sort of hope.
  77. >But as time wore on, this... this torture began taking its toll on you.
  78. >Twilight would run tests on you during the day.
  79. >Physical tests, mental capacity tests - no two tests were ever alike.
  80. >It seemed random to you, as though there were no real rhyme or reason to these tests.
  81. >Like they were just being done to see how long it took until you couldn't do them anymore.
  82. >And the nights...
  83. >”What is your name?”
  84. “Anony-”
  85. >Your head goes into the ice water again, this time being held under for a minute before being let out.
  86. >”You need to speak louder, Subject 23! I can't hear you!”
  87. “Anon-”
  88. >You'd often black out during these sessions, only to wake back up to do it all over again.
  89. >One night, you almost did it.
  90. >It was your one hundred and sixtieth day in Equestria.
  91. >Day one hundred and sixty in your own little slice of hell.
  92. >From what you gathered from Twilight, you had lasted longer than all of the other subjects had thus far.
  93. >Apparently being cut up at night and shocked during the day took its toll on most people.
  94. >You weren't most people.
  95. >”Oh Subject 23, you have to be my favorite subject so far! I've never been able to have so much fun with just one of you before!”
  96. “Glad to know.”
  97. >”That's why I'm going to go easy on you tonight! You just have to do me one eensie weensie favor.”
  98. >You knew where this was going.
  99. >You humored her anyway.
  100. “What's that, Pinkie?”
  101. >”Well, I don't like not knowing a... person's... name. And you still haven't told me yours! Just say your name, silly filly!”
  102. “We do this every night. I've told you my name.”
  103. >”You did? I must not have heard it.”
  104. >Will she really go easy on you?
  105. >Months have gone by.
  106. >Months of being cut, losing limbs, bleeding out.
  107. >Only to have it all be “better” the next day.
  108. >Just to have it all start again.
  109. >Your cracking mind begins to race.
  110. >What would it hurt to be called Subject 23?
  111. >Hurt your pride?
  112. >No sense in having pride if you're dead.
  113. >Why not just give in?
  114. >Why not just...
  115. >In your mind, you see images of the three fillies you've begun to grow attached to.
  116. >You give them stories of better days.
  117. >You give them stability.
  118. >You give them hope.
  119. >And if you give in now, where do you stop giving in?
  120. “Alright. I'll tell you my name.”
  121. >Pinkie leans in, grinning.
  122. “My name.”
  123. >You can't be Subject 23.
  124. “Is.”
  125. >You need to be Anonymous.
  126. “Anonymous.”