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A Guy, A Lyre, and a Park Bench -Chapter 1-

By: PaleNarrator on Jun 17th, 2012  |  syntax: None  |  size: 6.80 KB  |  hits: 1,105  |  expires: Never
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  1. >The water from the sink was making your hands a bit soggy as you washed the dishes from tonight's meals.
  2. >Luckily for you, ponies hadn't figured out the glory that is the man-which, so the most you were cleaning up were salads and flower sandwiches.
  3. >Such is life as a bus boy in Ponyville.
  4. >The day was grinding away slowly, but your shift would end pretty soon and you had plans.
  5. >Well, what could pass for plans, anyway.
  6. >You look over your shoulder at the sketch pad on the counter behind you.
  7. >You couldn't wait to get out of here and just relax.
  8. >Another hour passes, and your morning shift finally ends.
  9. >You wipe the soap and suds from your hands and onto your apron, which you then toss off as you grab the sketch pad and pencils you had brought.
  10. >As you leave you give your boss a wave and make your way to the park.
  11. >It was a beautiful day, that couldn't be argued with.
  12. >You make your way through the park, the sun shining high in the afternoon sky.
  13. >No clouds out.
  14. >The Pegasi must have moved tomorrow's shower further down the week.
  15. >Spotting a lone bench, you sit down and open up the sketch book, your pencil in your mouth.
  16. >What to draw.
  17. >What to draaaaaw...
  18. >You had countless still lives of trees and shops, even a few sketches of various townsponies.
  19. >You'd call what you do "people watching" but, well, ponies.
  20. >You spot a few bluejays singing in a tree nearby and decide that they would be your muse for the day.
  21. >You get the basic shape of them down, and start to flesh out the picture when you hear someone clear their throat next to you.
  22. >When you pick up your head, you're met by a pair of gold eyes staring back at you.
  23. >"Hey."
  24. "Oh. Hey."
  25. >She's a unicorn, that much is evident from the horn on her head.
  26. >"You uh... you're kinda..."
  27. >She keeps looking from the bench to you.
  28. "What?"
  29. >"Where you're sitting. It's kinda my... I mean I usually..."
  30. >Oh, you thought you recognized her from somewhere.
  31. >What with her mint-green fur, you're embarrassed for not recalling her sooner.
  32. "Sorry, sorry. This is your spot, right? I mean, you come to this park often."
  33. >She lets out a sigh of relief and nods.
  34. >"Yeah, that's me. The bench-sitter."
  35. >You laugh and get to your feet.
  36. "Well I didn't mean to take up your space."
  37. >She looks at you confusedly.
  38. >"Uhm, you don't have to, you know, leave or anything. Just... like, scoot over, man."
  39. >Oh.
  40. >Right.
  41. >You scoot down the bench and make room for the unicorn, as she hops onto it and sits down in an... unusual, fashion.
  42. "Heh."
  43. >"What?"
  44. "Hm?"
  45. >"You laughed."
  46. "Oh... no I didn't."
  47. >"You going 'heh' isn't laughing?"
  48. "...uhm..."
  49. >"Because I'm pretty sure that 'heh' sounds an awful lot like laughing."
  50. "No I just-... what I mean is I... you sit like me."
  51. >"What?"
  52. "You, you sit like- I mean most ponies lie down when they-... you and I sit like each other."
  53. >"Oh."
  54. "Yeah."
  55. >...
  56. >You quickly look away from her and bring your attention back to your sketch pad.
  57. >The unicorn shrugs and lifts a small lyre that she brought with her onto her lap.
  58. >Okay, you got most of the basic form down, now on to the feathers.
  59. >You look back to the tree, but to your disappointment the bluejays are long gone.
  60. >Crap.
  61. >Now what?
  62. >You start to contemplate leaving the park, when your attention is drawn to a sound next to you.
  63.  
  64. http://www.youtube.com/watch?v=QYQmJM3r3Bs
  65.  
  66. >She's playing a song.
  67. >You don't know what song it is, hell maybe she made it up on the spot.
  68. >But it's pretty... calming.
  69. >She plucks each string with her right hoof, you don't even bother asking how ponies do these things without hands, and has a serene expression on her face while doing so.
  70. >As you stare at her while she plays, an idea pops into your head.
  71. >You turn towards her a tad and ready your pencil, starting our slow.
  72. >With each stroke you capture more and more about her form on the paper before you.
  73. >The music seemed to move your hand as you fleshed her out on the pad in your lap.
  74. >Her song ends, and she glances over to you.
  75. >You were in the middle of trying to draw her mane, so you're both now staring at each other.
  76. >"Were... were you drawing me?"
  77. "What?"
  78. >"Were you drawing me?"
  79. "Uh... no?"
  80. >She stares at you, deadpan.
  81. "Maybe?..."
  82. >More deadpan.
  83. "Yes."
  84. >She looks at you quizzically, then down to your sketch pad, but you tilt it towards your chest so she doesn't see.
  85. >She cocks an eyebrow at you, and you give in.
  86. >You flip the pad and show her the drawing.
  87. >"Why am I bald?"
  88. "Excuse me?"
  89. >"I'm bald, in the picture you drew me with no hair. I have hair."
  90. "Well I'm not DONE yet. I was actually about to draw your mane when you caught me... staring."
  91. >"Oh."
  92. >...
  93. "You're good."
  94. >"Hm?"
  95. "The lyre. You're good at playing it, I mean."
  96. >"Oh. Thanks."
  97. >She smiles at you, genuinely thankful for the compliment.
  98. >"I'd say the same for your drawing of me, but... well, not bald."
  99. >The two of you laugh and you nod.
  100. >...
  101. >"Sooo... you gonna keep drawing me, or are you too embarrassed to keep going?"
  102. "Oh. right. Sorry."
  103. >She giggles and shakes her head in bemusement before continuing to play her lyre.
  104.  
  105. http://www.youtube.com/watch?v=LACZaf3zT_I&feature=plcp
  106.  
  107. >Time passes, and the two of you have been sitting in the park for some time.
  108. >The sun starts to make it's may West, and the sky begins to darken ever so slightly.
  109. >She never stopped playing, and you never stopped drawing, for that matter. Two whole pages are littered with doodles and sketches of this one mint-green pony.
  110. >As she plays, she looks up to the sky and sighs.
  111. >"Well, seems like it's getting late."
  112. >You nod, leaning back on the bench and massaging your wrist.
  113. "I should probably get back home before it get's late."
  114. >"Mmhmm."
  115. >The two of you look to the gold and bronze sky, and let out a collective sigh.
  116. "Damn if that's not gorgeous."
  117. >"Yup."
  118. >...
  119. >"Lyra."
  120. "Hm?"
  121. >"My name."
  122. "Oh. Anonymous."
  123. >She hops of the bench, the lyre hovering next to her in a soft aqua glow.
  124. >"Well, 'Anonymous,' I think this is where we depart."
  125. "Seems that way. Here."
  126. >You carefully tear out the page that has your original drawing on it and hand it to her.
  127. >"Huh. Thanks."
  128. "Anytime."
  129. >She smiles.
  130. >"Okay, how's next week?"
  131. "What?"
  132. >"You, me, the park bench. Next week. We could make this a 'thing.' You know, just a sit and make art sort of thing."
  133. >You fumbled it over in your mind, then smile back at her.
  134. "Deal."
  135. >"Cool. Well uh... see you next week?"
  136. "Yeah. Yeah, see you."
  137. >She waves, then trots off out of the park.
  138. >You sit up, crack your back, then head in the opposite direction to your apartment.
  139. >Today had been a pretty good one.
  140. >Sure, work sucks, but you had a great evening if that meant anything.
  141. >And you made a new friend, to boot.
  142. >Weekly meet ups, huh?
  143. >A grin cracks across your face.
  144. >Things were looking up.
  145. >Then you find the eviction notice on your apartment door.
  146. >Oh.
  147. >Well.
  148. >Shit.
  149.  
  150. ~END~