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Rarity x Anon Arranged Marriage (EQG Humanized)

By: KingpinKronos2 on Nov 9th, 2013  |  syntax: None  |  size: 9.90 KB  |  hits: 44  |  expires: Never
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  1. >Today was the day.
  2. >You gave a sharp gulp, looking in the mirror as you adjust your tie properly.
  3. >It fit in snug as a bug, your colour-drained face a disconcerting contrast to the sharp-looking suit.
  4. >The suit had gold-thread trim marking a path down the sleek sleeves of your arms.
  5. >Your mother always was a woman of expensive tastes; while your father was a complete jew when it came to cash.
  6. >Opposites attract, it seems.
  7. >However, your hands are shaky; unsure whether it was your diabetes or your nerves telling you to eat something.
  8. >You pillage your fridge for a quick pre-wedding snack.
  9. >A few slices of lasagna are still wrapped in aluminum foil.
  10. >Fuck it, you'll have to eat this on the go; you pick up a plastic fork and plate.
  11. >Less than an hour until it starts.
  12.  
  13. >You weren't the best-liked kid in school.
  14. >Had your heart broken so many times, the only thing holding it together right now was your rather frayed nerves and African children's tears.
  15. >Don't try to think about that, Anon; surely this girl will be different.
  16. >Hopefully.
  17. >With one hand, you haphazardly jump over the door on the driver's side of your '76 Eldorado; the convertible was your pride and joy.
  18. >You never ate in it since you and your father restored it on your 19th birthday.
  19. >Fuck, this was a sexy car.
  20. >Wish you were getting married to this thing than the woman you've only obscurely heard about.
  21. >You don't even know her real name
  22. >Just her small nickname, a moniker or some shit.
  23. >"Rarity"
  24.  
  25. "Rarity."
  26.  
  27. >You keep repeating that name to yourself, your car soaring down the highway.
  28. >The improvised wiring allowed you to connect your phone to the interior's sub-modern radio.
  29. >You let various songs play through your speakers; only pausing at red lights to take a good glomp out of your cold lasagna.
  30. >God, you should've microwaved it first.
  31. >It's making you a little less nervous; always had to eat when you were nervous.
  32. >It lead to some.. weight problems, here and there.
  33. >You finally burned off the fat, but your self confidence was frayed because of it.
  34. > Damn it, brain. Going back to being self-conscious.
  35. > You finished your meal, licking your fingers so they don't stain your porcelain white interior.
  36. > Doing a double-take to assure you didn't, you crumple up the lasagna plate and toss it in the nearby garbage bin.
  37.  
  38. >Well, it was a recycling bin.
  39. >But you don't care, you seen that little fucked up triangle; before.
  40. > Anyhow, you were right on time, it seems.
  41. > The casual wedding music plays; you give a half-power walk down the aisle, past the pews of your family and hers.
  42. > Looked rather aristocratic, from your point of view.
  43. > You can only imagine the glamour of your mother's eyes, and the stiff sense of dread dwelling in your old man.
  44. > You wait at the altar, subsequently as the pallid bride holding her bouquet came onto the scene.
  45. > She's pale.
  46. > Like, REALLY pale.
  47. > You might ask if she was Irish, you hear they never did too well in sunlight.
  48. > Clenching your teeth inside your mouth to keep from chattering, you lift up the veil of your bride.
  49. > A dark azure gaze adores her visage; sleek raven-purple hair come out in a shapely brim, ending in curls beneath her hemmed bridesveil.
  50. > You pause, looking her over as she does you, some calculating gaze-gandering taking place.
  51. > You're fairly thrilled about your results, you were expecting some buck-toothed hick-chick beneath the veil, everything went a lot better than expected.
  52. >Unfortunately, your mystery fiance' doesn't seem to share your sentiment; as a light quirk of a brow avails. You've seen that look before, right after they..
  53.  
  54. "Shall we proceed?"
  55.  
  56. >The scathing voice of the minister breaks you from your self-doubt; looking back to him, and then your to-be wife.
  57.  
  58. "I, Anon. Y. Mouss'e, take you, Rarity, to be my lawfully wedded wife. To have and hold, from this day forward; for better or for worse; for richer or poorer; in sickness and in health; until death do us part."
  59.  
  60. >People didn't seem to notice or care that you used her nickname.
  61. >Thank goodness for that, at least.
  62. >The recession went on as planned, you and Rarity had a -- however awkward -- conversation about your lives.
  63. >She was a fledgeling fashion designer, hoping to make it big in the city.
  64. >You had a much less ambitious goal as a barber; though the two seemed to go hand-in-hand.
  65. > Then you two talked about music tastes.
  66.  
  67. >Your music tastes was more newer rock and similar; Chuck Berry here, Contours there; simple blue-collar type music.
  68.  
  69. >Her music tastes were a lot more sharper, refined. She went on about numbers of symphonies and other stuff that you didn't know what the fuck was.
  70. >You didn't pay too much attention, you were far more focused on her eyes, her almost unnaturally pale flesh, her bust, everything else.
  71.  
  72. >You knew what you had to do.
  73.  
  74. >By nightfall, when most of the people had already left; you took your new wife out to your car.
  75.  
  76. >She seemed fairly impressed with the model, and how much care you've put into it.
  77. >"It's almost as if you treated this car better than you would a real woman!"
  78. >You both laugh, her genuinely, you.. not so much.
  79. "..Heh.. Yeah."
  80. >Fortunately it went mostly unnoticed.
  81. >You don't know how she'll react to this, but dammit, you have to try.
  82. >This place was important to you, and you'd like to share it with your beloved.
  83.  
  84. >By nightfall, when most of the people had already left; you took your new wife out to your car.
  85.  
  86. >She seemed fairly impressed with the model, and how much care you've put into it.
  87. >"It's almost as if you treated this car better than you would a real woman!"
  88. >You both laugh, her genuinely, you.. not so much.
  89. "..Heh.. Yeah."
  90. >Fortunately it went mostly unnoticed.
  91. >You don't know how she'll react to this, but dammit, you have to try.
  92. >This place was important to you, and you'd like to share it with your beloved.
  93.  
  94. >"So Anon.. where might we be going?"
  95. "Someplace special."
  96. >"Oh..?"
  97. "Yeah, you'll see when we get there."
  98. >She looked rather uncomfortable at your ambiguity, and you wouldn't really blame her.
  99. > Doubt you'd be thrilled to get in a car with someone who has been a loving stranger -- and you've barely known for a day, to add -- take you on some night-time stroll in the dark.
  100. >Just thinking it from her perspective gives you second thoughts on if you should go through with it.
  101.  
  102. "We're here."
  103.  
  104. >You finally pulled up in front of a large building, wood and concrete you observe from the outside.
  105. >You open your car door, and quickly went around to open it for her, like a gentleman.
  106. >Last thing you do before leaving the car is activating the convertible's hard-top and locking it.
  107. >God, you hope it doesn't get stolen or broken into.
  108. >This is a bad neighborhood, you're kicking yourself as-is for bringing he here while still in moderately well-dressed clothing.
  109. >Would be absolutely fine to get gunned down when you leave.
  110. >It'd be like the beginning of Batman, but without Batman.
  111. >Because his parents would be fucking dead before they even thought of conceiving him.
  112.  
  113. >You two went through the dark alley.
  114. >Eeriness intensifies.
  115. >She practically clutches onto your side, the woman doesn't like dark allies than you do.
  116. >Just around the corner and..
  117. >Music was bleating outside the pseudo-entrance.
  118. >In the darkest places, just how you remember it.
  119.  
  120. >You went to turn the knob, hearing it click; smiling as it revealed the same sights as always.
  121. >The song is now louder, turned full blast as the scene erupts in a flash of colours and movement.
  122. >Dozens of couples; some swingers, some not; coddled together in a large basemented corridor. (subject related)
  123. >They were acting out a bastardized mix of erotic and ballroom dancing.
  124. >Heh, ball-room.
  125. >Rarity seems taken back from this, though you turned to her.
  126.  
  127. "Would you care to try?"
  128.  
  129. >"Wh- NO!"
  130. > Some of the couples looked at her.
  131. >At least have an indoor voice, damn.
  132. > She appeared fairly incline to leave, and almost certainly would if there wasn't the aspect of prowling a dark alley alone to get out.
  133. >She cringed at the shockwave of attention that she made.
  134. >"Oh uh.. no! I don't feel comfortable showcasing myself!"
  135. >Her cheeks turned a pale red, almost pink, blush.
  136. >God DAMN that's adorable.
  137. >Makes you try all the harder.
  138.  
  139. "C'mon, dear. Let's just try, hm? I'll help you with the steps if you don't feel confident, alright?"
  140.  
  141. >Reluctantly, she agrees.
  142. >Picking up a bottle of cheap wine from the owner, you guide Rarity to a less crowded part of the corridor; easing up her feelings about messing up in front of people.
  143. "We work like a single being, pushing ourselves into eachother and pulling out at a time."
  144. >You press yourself against her, she seems to not get the concept.
  145. >Even when she does, her own movements are a lot more modest, passive compared to yours.
  146. >She goes with your movements, like a ripple in the water, spreading the 'energy' out.
  147. >At the very least, she knows how to ballroom dance; so she's taking what she's learned with this.
  148. >Feels a little less awkward, though she doesn't have that 'soul' for it.
  149. >Jesus, the hell are you, a barber or a hippie?
  150.  
  151. >She had finally gotten the hang of one dance until another song blared through the aging speakers.
  152. http://www.youtube.com/watch?v=RoDPPgWbfXY
  153.  
  154. >Oh SHIT
  155. >This was your jam
  156. >Taking Rarity in-hand, you get your shit together in the corridor.
  157. >Taking off your shoes, as she does her high heels; swaying your shoulders, she immediately follows suit.
  158. >Her dress flutters in her awkward attempt to follow your own movements; only much more passive.
  159. >It wasn't horrible, then again you aren't doing much better.
  160. >You twirled her hand over her head, the rhythym of the song begins to match your repetitions.
  161. >Step, twirl, left-right; twirl, twist, switch, repeat.
  162. >The swaying of her curves, however starved for by wearing a borderline Cinderella-esque Victorian dress, keeps your attention here and there.
  163. >The woman, no your WIFE, is starting to get some soul in her.
  164. >Whatever the hell that means.