Pastebin launched a little side project called HostCabi.net, check it out ;-)Don't like ads? PRO users don't see any ads ;-)

King of the Caribbean - Breaking the News (Vinyl, unfinished

By: FingerbangingMLP on Oct 18th, 2013  |  syntax: None  |  size: 38.76 KB  |  hits: 470  |  expires: Never
download  |  raw  |  embed  |  report abuse  |  print
Text below is selected. Please press Ctrl+C to copy to your clipboard. (⌘+C on Mac)
  1. >You flip open your notepad to a new page as you make your way through the virtually empty computer lab
  2. >No one here but a few geeks, and the person you're here for
  3. >You are Anonymous
  4. >Journalist extraordinaire
  5. >Teller of the truth
  6. >Voice of the people
  7. >Stuck in this job under the iron rule of Twilight Sparkle, the Editor in Chief
  8.  
  9. >Twilight had signed you both up for the school newspaper the day it was announced
  10. >She had said it would be a great way to meet new friends, and be a part of the community
  11. >So far, you had met and interviewed two acne ridden nerds and one Flash Sentry
  12. >The nerds kept making maths jokes that you didn't understand, and Flash Sentry kept trying to get into Twilight's pants
  13. >Or skirt
  14. >Whatever
  15. >Deciding that brainless sports stars and fat code monkeys weren't interesting enough, Twilight had sent you out to interview someone with a little more "flare"
  16. >Something to really draw attention to the newspaper, she had said
  17. >So, naturally, she had told you to go talk to some coke sniffing, bass dropping techno musician
  18.  
  19. >You draw up behind Vinyl Scratch, the DJ who played at the Fall Formal like 2 months ago
  20. >She's got her headphones on, subtly nodding her head along to the beat of whatever song she was listening to while she finished her homework
  21.  
  22. "Excuse me, Ms. Scratch, I was wondering if you'd be able to talk to me for a second."
  23. >Your words fall on deaf ears, and Vinyl continues to rock out to the unheard tune
  24. >Her movements become more and more pronounced, until eventually she's swaying her head from side to side, up and down like she was at a fucking rave or something
  25. >Crazy bitch
  26. >She starts to swing her arms around, and you step to the side, narrowly avoiding a painful dubstep powered haymaker
  27. >Her arm catches on the cord of the headphones, and rips the jack out of the port
  28. >You give a yell and jump back as your ears are assaulted by the loudest music you have ever heard in your life
  29. >She finally looks away from the computer screen
  30.  
  31. >She reaches down, gingerly picking up the now broken jack
  32.  
  33. "Ooh, man! This was my favourite pair!"
  34. >She rips them off her head, stuffing them into her bag as she gets up and rushes out of the lab
  35. >Completely ignoring you in the process
  36. >You rub your ears, waiting for the blood to stop leaking out
  37. >How could she even hear after listening to music that loud?
  38. >But there's no time for questions now, Anon
  39. >Your target has escaped
  40. >And you don't know where the fuck she could be
  41.  
  42. >Come to think of it, you didn't see much of her at school
  43. >Only ever in the cafeteria during lunch and during music performances
  44. >You decide to ask around, hopefully someone around here knows where she's run off to
  45.  
  46. "Hey, have any of you seen Vinyl Scratch?"
  47. >The group of people shake their heads, before turning back to their phones
  48. >Fucking fashionistas
  49. >Probably have a mirror app so they can stare at themselves 24/7
  50. >You ask some more people, receiving much of the same in the way of answers, though Cloudchaser told you to try asking Octavia
  51. >Great, now you have to fucking find out where Octavia is, which will proba~
  52. >Well shit, that's convenient
  53.  
  54. >You see Octavia walking down the corridor, cello case in hand, on her way to or from practise
  55. >Most likely from, as she drops the case, her arm probably tired from playing
  56. >Time to put on that world famous Anon charm
  57. >World famous in Canterlot High
  58. >To you
  59. >You tuck the notebook and pen away, crouching a little to pick up the fallen case
  60. >It's pretty heavy, but nothing you can't handle
  61. >You heave it up, stowing it in Octavia's locker with a loud metal thud
  62.  
  63. "Thank you so much, it's rare to find such a gentleman in a place like this."
  64. >She motions to Flash and his gang, who are busy spitting for distance
  65.  
  66. "Well, I couldn't just ignore an instrument as fine as this. Plus, your cello was on the ground."
  67. >Octavia giggles at your compliment, fiddling around in her locket to hide her slight blush
  68. >Fucking smooth as silk holy fuck
  69.  
  70. "Well, if there's anything I can do for you, Mr. Hero, just let me know"
  71. >She bats her eyelashes at you, and starts to walk off
  72. >You chance a glance at her ass as she walks off
  73. >7/10, a little flat but would look good in yoga pants
  74. >Snap out of it, Anon
  75. >You're a professional
  76. >And there is something Octavia can help you with
  77.  
  78. "Hey, Octavia! Wait up!"
  79. >You jog up the hallway, planting your hand on her shoulder
  80. >She wheels around, startled by your sudden intrusion of her personal space
  81. >Though she doesn't seem to mind that much
  82.  
  83. "Now that I think of it, there is something you can help me with."
  84.  
  85. "And what might that be?"
  86. >You notice that she's smiling now, wider than she should be smiling at someone she just met
  87. >Pretty sure she wants your D
  88.  
  89. "I need to find Vinyl Scratch. Do you know where she could be?"
  90. >Her smile falters a little, and her body language drops the enthusiasm of before
  91.  
  92. "Oh, Vinyl. I think I saw her rush out the front door a few minutes ago. She said something about going to the music store."
  93. >Ditching school for a new pair of headphones
  94. >How hardcore is that
  95. >Well you're about to find out, because you're going there too
  96. >You thank Octavia, checking your pocket to make sure your pen and notepad are still there
  97. >They are
  98. >You look around suspiciously, making sure there are no teachers around
  99. >No one suspects a thing
  100. >You open the door a crack, and slip out, hurrying across the campus
  101. >You duck behind the horse statue, and peek out, looking back to the door
  102. >No alarms have been raised, no guards or guard dogs are scouring the area looking for you
  103.  
  104. >You catch a bus to the city, ready to get that delicious story, before you're faced with a dilemma
  105. >You've never been to the city. Where the fuck even is the music store
  106. >Before today, you didn't even know music stores were still a thing
  107. >You couldn't have thought this through better
  108. >Master plan
  109. >Infallible
  110.  
  111. >You decide to ask for directions, figuring the sooner you get back to school, theres less chance of you being missed
  112. >You spot a particularly trendy looking guy loitering on the street corner
  113. >He's bound to know where it is
  114.  
  115. >You walk over to him, crossing the street quickly to avoid getting your ass run over
  116.  
  117. "Hey man, do you know where I can find the music store?"
  118. >He's got his earphones in, listening to some music
  119. >Fuck music
  120. >He notices you, though, and takes one earphone out
  121.  
  122. "What was that!?"
  123. >He yells over the sound of his own tunes
  124. >Retard
  125.  
  126. "I said, do you know where I can find the music store!"
  127.  
  128. "Oh, yeah man! It's down that way!"
  129. >He points you down the street, and puts the earphone back in
  130. >Fucking music junkies
  131. >You thank him, and start off in the direction he pointed
  132. >After a few short minutes of walking, you come across a large building
  133. >A bright neon sign out the front informs you that you've arrived to the right place
  134. >You push through the doors, and are immediately attacked on all sides by some ridiculously loud dubstep
  135. >It's not even a good genre
  136. >You fight through the noise, and scan the shelves and racks
  137. >Vinyl records, cds, mix tables, headphones, microphones, they've got everything here
  138. >Sure enough, you spot Vinyl, browsing through a massive selection of headphones
  139.  
  140. >You cross over to the microphone rack, which is conveniently located near the headphone rack
  141. >Slowly, you pretend to browse through the many models of microphone, reading information you don't understand
  142. >You switch to the headphones, still pseudo browsing
  143. >You 'accidentally' bump into Vinyl, who gives a bit of a yelp and falls over
  144. >Bitch is so off her face she can't even stand up
  145. >You extend your hand, which she gladly accepts, and you pull her to her feet
  146. >She brushes her self off, before turning to you
  147. >You squint as the overhead light reflects off her goggles
  148.  
  149. "Thanks, man."
  150.  
  151. "No problem, miss. I should have been more careful."
  152. >She looks at you for a second, cocking her head to one side
  153. >Suddenly, she places her hands on your shoulder
  154.  
  155. "Hey, I remember you! You're the guy from the library!"
  156. >So she did see you
  157.  
  158. "Yeah, I was looking for you actually."
  159.  
  160. "Oh yeah, why is that?"
  161.  
  162. >Suddenly, you're starting to realise how weird it must seem, following her all the way here
  163. >But you've gone to far to back out now
  164.  
  165. "I'm with the school's newspaper, and we're running a story on musicians, like, what it's like making music, that sort of thing."
  166. >She laughs a little, turning and browsing through headphones again
  167.  
  168. "So you want to interview me?"
  169. >She selects a set of purple headphones, making her way over to the counter
  170.  
  171. "Yes."
  172. >She pays for the headphones, smiling as she tears open the blister pack with her bare hands
  173. >The fuck
  174. >She rests them around her neck, making her way out the front door of the shop
  175. >You follow
  176.  
  177. "What do you want to interview me about?"
  178.  
  179. "Things like, why did you start making music, who are your inspirations, generic newspaper shit like that."
  180. >She laughs, pulling her phone out of her pocket and checking something
  181.  
  182. "Well, Mr. Journalist, I'd be happy to answer whatever questions you throw my way!"
  183. >Score one for Anonymous
  184. >Twilight's gonna be so proud of you, she might even let you leave
  185. >But probably not
  186.  
  187. "There's only about 10 minutes left in the school day. You wanna do the interview now, or..?"
  188. >She points to her phone, showing that it is, indeed, 2:50 pm
  189.  
  190. "May as well. Where should we go?"
  191.  
  192. "I know a great place, where we'll be pretty much alone."
  193. >She motions for you to follow her, and she takes off down the street
  194. >You expected her to lead you to a rave party orw some shit like that
  195. >Instead, you both draw up at a little ice cream parlour
  196. >She takes a seat in the corner, and you pull out a chair and sit opposite here
  197. >You take out your notepad and pen, flipping to a clean page
  198.  
  199. "Why don't you start by telling me what inspired you to start making music?"
  200.  
  201. >One and a half hours later
  202. >You've filled up 10 pages
  203. >Vinyl has pulled her glasses up, resting them on her forehead, barely visible under her spiky blue hair
  204. >Pretty sick haircut, you think
  205. >It's starting to get dark, though, so you cut the interview short
  206.  
  207. "OK, Vinyl, we're gonna have to cut the interview short today, 'cause it's getting kinda dark"
  208. >She yawns, stretching her arms to the sky
  209.  
  210. "No biggie. I've still got loads more to say, so come find me tomorrow."
  211.  
  212. "When and where?"
  213. >You both get up, gathering your stuff
  214.  
  215. "I don't know. At lunch, some time. I'll be in the caffeteria.
  216. >She turns down the street, giving you a smile and a wave
  217. >You return the gesture, and make your way home
  218. >You return home, only to find Twilight Sparkle sitting on your doorstep
  219.  
  220. "Anon, where were you? You didn't clock out at the end of the day!"
  221. >The fuck's a clock out?
  222.  
  223. "Relax, Twi. I was interviewing that Vinyl chick. The one you told me to interview, remember?"
  224. >Her expression softens slightly, and you open the door inside, Twilight stepping in after you
  225.  
  226. "Well, what'd you get from her? Something interesting and exciting?"
  227. >You pull out your notepad and hand it to her, showing her the right page to read from
  228. >She begins to read, furiously flipping through the pages
  229. >She looks at you as she finishes, a wide smile on her face
  230.  
  231. "Anon, this is great!"
  232. >Anonymous confirmed best journalist 2013
  233. >Still, nothing wrong with milking praises
  234.  
  235. "You think that's great? I'm going back to her tomorrow, apparently there's still loads more she has to say."
  236. >Twilight's face threatens to split in two as she pulls you into a big hug
  237.  
  238. "Oh, Anon! The newspaper is gonna be so popular!"
  239. >Cut to afternoon of the next day
  240. >You hadn't seen Vinyl all day
  241. >Probably spent the whole day shooting up heroin
  242. >You begin the long trek home, passing through the city to the suburbs beyond
  243. >On your way you come across the Canterlot doughnut shop
  244. >As you pass, the aroma of freshly baked goods reaches your nostrils
  245. >A chain reaction is set off, with your brain and stomach realising you hadn't had much to eat today
  246. >You push open the door, and your senses are overloaded
  247. >Colours and smells as far as the eye can see
  248.  
  249. >You make your way to the counter, artfully dodging and stepping around the tables
  250. >If your career as a journalist doesn't work out, you could always be a master thief
  251. >Arriving at the counter, you study the menu
  252. >Everything looks great
  253. >How are you supposed to decide?
  254. >Man was not built to make such difficult decisions
  255.  
  256. "Try the double glazed Apple Fritters."
  257. >You wheel around, and find yourself staring into a pair of purple glasses
  258. >You jump back a bit, only to hit the counter with your spine
  259. >You fall to the floor as Vinyl laughs, stepping past you and giving the bell on the counter three sharp taps
  260. >In seconds, a pink skinned girl with bushy hair has arrived, holding a sheet of paper and a pen
  261. >You recognise her as Pinkie Pie, one of Twilight's friends
  262.  
  263. "Hi! Welcome to Sugarcube Corner, can I take your order?"
  264. >You pick yourself up, messaging your lower back
  265.  
  266. "I'll have the double glazed Apple Fritters, please."
  267. >Pinkie's smile gets even wider, if that was possible
  268.  
  269. "Ooooh, it's been so long since I've made one of those! Most of the time, they're too sweet for people to handle, and they end up going crazy! Like, this one time, I made one that was so sweet, this guy actu~"
  270. >You clear your throat, signalling Pinkie to shut up
  271.  
  272. "Oh, right, sorry. And what does your girlfriend want?"
  273. >Is this bitch serious?
  274. >Vinyl scratches the back of her head, and you kick at the ground
  275. >Pinkie's shit eating smile hasn't left her face for even a second
  276.  
  277. "Um, I'll just have a coffee, thanks."
  278. >Pinkie scribbles something on the sheet of paper, and tears a smaller bit of paper out of a machine
  279. >She hands it to you, and bounces back into the kitchen, the door slamming behind her
  280.  
  281. "We're number 43, Vinyl."
  282. >You both take a seat, and Vinyl lifts her glasses off
  283.  
  284. "Hey, yeah, sorry for being a no show today, I had some music things I needed to do, couldn't make it to school~"
  285. >You wave your hand dismissively
  286.  
  287. "It's fine, Scratch. As long as we finish it now, there'll be no problem."
  288.  
  289. >You pull out your notepad and pen, which you've taken to carrying around everywhere with you
  290.  
  291. "OK, there's only a few questions we didn't get through last time, so it shouldn't take to long."
  292.  
  293. "Ask away."
  294.  
  295. >You check your phone, running down the list of questions you were set to ask
  296. >Discretely, of course
  297. >It makes you look a lot smarter if they think you're coming up with them as you go along
  298.  
  299. "So, why did you start making music?"
  300. >You wonder why this wasn't higher up on the list
  301.  
  302. "I've always loved music. The way it can influence a person's emotions and movements. So it only seemed natural that I make my own!"
  303. >Not much meat to that response, better break out the specifics
  304.  
  305. "But why techno? Like, why not blues or jazz or hip hop or whatever?"
  306. >She smiles a little, and leans in
  307.  
  308. "Well, just between you and me, I can't sing for shit. So, I decided instead to make music where there doesn't have to be any singing."
  309.  
  310. "Should I write that down, or..?"
  311.  
  312. "Mmm... No."
  313. >You both share a laugh, hardly audible over the chatter coming from the surrounding customers
  314.  
  315. "Okay, so, what do y~"
  316.  
  317. "Hi, number 43s! Your orders are ready!"
  318. >Pinkie, seemingly having materialised out of nowhere, drops your apple fritters and Vinyl's coffee onto the table
  319. >You both thank her, and she giggles a bit before running off back to the kitchen
  320. >You take a bite out of a fritter before continuing
  321.  
  322. "Alright, as I was saying, what do your parents think about your career choice? How did they react, are they supportive, ect."
  323. >Silence meets your ears, and you look up from your notepad
  324. >Vinyl has let her glasses fall over her eyes, and is taking a deep sip from what is probably a scalding hot coffee
  325.  
  326. "Um, Vinyl?"
  327. >She lifts her head up
  328.  
  329. "Yeah?"
  330. >Her voice falters, and you can tell something is wrong
  331. >Unsure of how to continue, you opt to sit in silence like an idiot
  332. >The following minute and a half could possibly have been the most awkward thing in the history of the world
  333.  
  334. >Vinyl pulls out her phone, checking something
  335.  
  336. "Oh, geez. Sorry Anon, but I've gotta go."
  337. >She gets up, reaching into her bag
  338. >Pulling out a piece of paper and a pen, she leans over and writes something on it
  339.  
  340. "Here, call this number if you need anything else."
  341. >With that, she adjusts her headphones and hurries out the door
  342. >Leaving her coffee behind
  343. >Damn bitch, that shit be expensive yo
  344. >Like some bare $$$
  345. >You get up, leaving the rest of your Apple Fritters behind
  346. >You think you hear something coming from the kitchen
  347. >Some kind of
  348. >Frustration
  349. >Must be your imagination
  350.  
  351. >You're halfway home when your phone goes off
  352. >It's Twilight
  353.  
  354. "Hey, Twi. What's up?"
  355.  
  356. "Anon! Hi, I was just wondering, what else did you get from Vinyl? Anything good?"
  357. >You remember back to the awkward conversation
  358.  
  359. "Not much. She had to go do something. She gave me her number though, so I could probably ask her anything whenever."
  360.  
  361. "Do you think you could get a few pictures of her work area? Like, the instruments and stuff?"
  362. >You don't even know if she uses instruments
  363. >Probably not
  364.  
  365. "Yeah, sure, I'll ask."
  366.  
  367. "Thanks Anon, see ya later!"
  368. >She hangs up, and you're left alone with your thoughts
  369. >After how she acted today, was it really a good idea to ask to go to her house?
  370. >Yes.
  371. >You pull out the piece of paper Vinyl gave you, adding the number to your contacts
  372.  
  373. Subject: Photos
  374. Hey Vinyl, Twilight wants me to get a few pictures of where the magic happens. Your computer, garage band set up, ect. Contact me ASAP
  375. ~Anon
  376.  
  377. >Very formal
  378. >All business
  379. >You hesitate before hitting send
  380. >You only just met this girl
  381. >And it's only a school newspaper
  382. >That no one will even read anyway
  383. >Then you remember how happy Twilight looked when you said how well the story was going
  384. >Message Sent
  385. >Now all there is to do is wait for a reply
  386. >Message Received
  387. >Well shit that was fast
  388. >You tap through the menus on your phone
  389. >Your fingers are really too big for it
  390. >You open the new text
  391.  
  392. RE: Photos
  393.  
  394. Yeah man, feel free to swing by anytime tomorrow, and if you've got enough time, we can finish the interview then as well.
  395.  
  396. >You expected her to use more 1337 $p33k
  397. >But that doesn't matter, because now you can finally finish this story, and get it published
  398. >Feels good man
  399. >You step through the front door, kicking off your shoes and making your way up the staircase to your room
  400. >Thank god it's Friday
  401.  
  402. >You wake up at 12pm, allowing yourself to sleep in because, you know, it's the weekend
  403. >You drag yourself out of bed, and throw on some clean clothes
  404. >In your sleepy haze, you carefully descend the staircase, arriving at the bottom without incident
  405. >No one else has awoken yet, so you decide to make some breakfast
  406. >There's no cereal, so you opt for some toast instead
  407. >Butter toast and juice, a classic
  408. >You settle down in front of the T.V, and prepare for some wholesome Saturday morning programming
  409. >It's been one hour, and you've yet to find any quality T.V shows
  410. >Deciding that trying to watch television is a lost cause, you pull yourself free from the groove you've created in the leather chair, wondering what to do with the rest of your day
  411. >You're about to go upstairs an spend all day on the computer, when you suddenly remember
  412. >You're supposed to go take pictures of Vinyl's computer today
  413.  
  414. >You slip on your shoes and head out the door
  415. >And halfway down the street, you remember something else
  416. >You've got no fucken idea where she lives
  417. >Good thing you thought ahead
  418. >You sit down at a bus station, and pull out your phone, scrolling through the contacts until you get to Vinyl's number
  419.  
  420. RE:RE: Photos
  421.  
  422. I just remembered that I don't know where you live. What's your address?
  423.  
  424. >Now we play the waiting game
  425. >It could be hours
  426. >It could be a few minutes
  427. >All we know is, there will be time involved
  428. >And exactly 50 seconds later, you receive a reply
  429. >2fast4u
  430.  
  431. >It simply contains her address
  432. >Some street you'd never heard of, so you open maps on your phone and set a course for the unknown
  433. I am a rap god
  434. >You take off down the street, following the directions given to you on your phone
  435. >You enter onto Vinyl's street, and walk slowly down, scanning for her number
  436. >Eventually you spot it, and are taken aback by the state it's in
  437. >Paint is peeling off the walls, and there are what looks like rusted cars in her backyard
  438. >The lawn is overgrown, the grass reaching just under your knee
  439. >You're 99% sure that you've got the wrong house, when you see a familiar spike of blue hair appear behind the screen door
  440.  
  441. "Hey, Anon! You're right on time!"
  442. >Are you?
  443. >You don't recall scheduling a specific time
  444. >Regardless, you wade through her yard, feeling like Steve Irwin crossing through a crocodile infested river
  445. >Except instead of crocodiles, there are probably snakes
  446. >You manage to make it to the doorstep without any bites
  447. >Vinyl leads you inside, allowing the screen door to slam closed behind you
  448. >The inside is what you expected after seeing the outside
  449. >Wallpaper peeling, trash on the floor
  450. >It looks like they stopped buying new technologies circa 1970
  451. >This is most definitely not what you had expected
  452.  
  453. "Here, let's go into my room. The rest of the house is a bit of a mess."
  454. >Understatement of the century
  455. >Nevertheless, you smile as you pass through the kitchen
  456. >The sink is piled high with unwashed dishes, and it looks like the garbage hasn't been emptied in about 5 years
  457. >She leads you down a hallway, and to a less decrepit looking door
  458. >There's a sign hanging in the middle that reads;
  459.  
  460. -----VINYL'S ROOM-----
  461. NO BOY'S ALLOWED
  462.  
  463. "I don't think I should go in. The sign says I'm not allowed to."
  464. >She laughs at your joke, and grabs you by the hand, pulling you in
  465.  
  466. "I think we can make an exception, just for you."
  467.  
  468. >Inside, you find the exact opposite of the rest of the house
  469. >The walls are lined with posters of obscure techno bands, and there are what look like vinyl records framed and hung up
  470. >Opposite her bed is the most amazing computer setup you've ever seen
  471. >Two massive bass speakers are placed both sides next to what is surely the most powerful computer tower ever built
  472. >Three large monitors line the back of the desk, behind which you can see a forest of cords
  473. >You're fairly certain that if you were to plug your phone into that mess, it would catch fire
  474. >Meanwhile, Vinyl clears a section of the desk off, by sliding a bunch of papers onto the floor
  475.  
  476. "OK, you can take a bunch of pictures, and then you can ask whatever questions still need to be asked!"
  477. >She launches herself backwards, landing on her bed and placing her hands behind her head
  478. >You pull out your phone and snap a few pictures of her computer, the desk and the 2 laptops beside it
  479. >Making sure to snap a few different angles, of course
  480. >Granted, only one or two of them will actually be used in the article
  481. >But you figure you should let Twilight choose which ones she wants
  482. >She'd have your head otherwise
  483. >And your job
  484. >You are getting paid for this
  485. >Right?
  486. >Regardless, you check your notepad, scanning the list of questions unanswered
  487. >Theres only two left, and one of them involves her parents, which seems to be a sensitive topic
  488. >The other is completely retarded
  489. >Something about drugs and shit
  490. >You can't say that on television
  491. >Or newspapers
  492. >But you need more material for the story, so you'd better come up with something
  493. >Quick
  494.  
  495. "Uh..."
  496. >That's a start
  497. >The gears in your head begin to turn, and you go for a pretty obvious one
  498.  
  499. "How did you afford all this?"
  500.  
  501. "Uh, duh? I'm a DJ, and we DJ's get paid to do DJ things at DJ places. Like, at the Fall Formal, I think the school paid me, like, 500 bucks. To play music!"
  502.  
  503. >Well, that should have been obvious
  504. >Regardless, you jot her answer down, if only to fill the space and make you feel as though you worked harder
  505. >You look at your phone, and see it's only been five minutes since you got here
  506. >What an awkwardly short time to visit someone's home
  507.  
  508. "We'll, I guess I'd better be going."
  509. >Vinyl opens her eyes, sitting up on the bed as you step through the bedroom door
  510.  
  511. "Hey, wait!"
  512. >You stop, turning your head slightly to show you're listening
  513.  
  514. "Are you, uh, doing anything important today?"
  515. >You consult your mental schedule
  516. >Your crotchety aunt and uncle are coming for a visit today, bringing with them your shit head cousins
  517. >After that you'll have to wash the dog, because your shithead cousins will undoubtedly throw mud at the poor creature
  518. >You're sure he'll find somewhere to hide
  519. >He usually does
  520.  
  521. "No, why?"
  522.  
  523. "Well, it's just that, you've only been here for like, what, five minutes? Seems like kind of a waste to walk all that way just for this."
  524. >She has a point
  525. >But what exactly does she want to do?
  526.  
  527. "What exactly do you want to do?"
  528. >She gives a smirk, and walks over to a shelf that you hadn't noticed before
  529. post a "fuck you" in response to this update if you thought le sex was comink
  530. >It's full of what look like DVD cases
  531. >She selects one, and pulls it out
  532.  
  533. "I bet ya can't beat me at Mario Kart..."
  534.  
  535. >It is now 5:43pm
  536. >You've been playing vidya with Vinyl all day
  537. >And she was absolutely right
  538. >You can't beat her at Mario Kart
  539. >Or Halo
  540. >Or COD
  541. >Mario Party
  542. >Super Smash Bros.
  543. >Gran Turismo
  544. >And probably not at this latest game
  545.  
  546. "BOOM! HEADSHOT, BITCH!"
  547. >You're heart breaks into a million pieces as you watch your avatar drop to the ground, his head noticeably missing from his neck
  548. >She's got to have a modded controller or a modded game or a modded hand or something
  549. >She's just too good
  550.  
  551. "SUCK A DICK, ANONYLOSER!"
  552. >Spawn camp harder, n3rd.
  553.  
  554. >Loud dubstep is playing through the large speakers connected to her computer, and you can feel the vibrations travel through the bed
  555. >It hurt your ears at first, but now you barely notice it
  556. >You're too focused on landing this killing blow when
  557.  
  558. http://www.youtube.com/watch?v=Gt3Is0XFHoA
  559. >Your avatar falls to the ground, and Vinyl collapses into hysterics
  560.  
  561. "AH HA HA HA. YOU, YOU'RE SO BAD AT THIS GAME!"
  562. >Your eyes narrow, and you grip the controller tight
  563. >You have disrespected the gods for the last time, Vinyl
  564. >You grab her controller, and throw it into a basket full of dirty laundry
  565.  
  566. "Hey! That's cheating!"
  567. >You say nothing, and instead take this opportunity to run up behind her avatar, knifing it in the back for a one-hit-kill
  568. >Vinyl falls to her knees, bellowing a dramatic "Nooooooooooo!"
  569.  
  570. "HA HA! You just got knifed, noob!"
  571.  
  572. "Nuh uh, you cheated!"
  573.  
  574. "Did not!"
  575.  
  576. "Did too!"
  577. >She grabs the basket of dirty clothes and throws it at you, burying your face in tank tops, jeans and what appears to be dirty underwear
  578. >You shoot backwards as Vinyl tackles you, knocking the air out of your lungs
  579. >Instinctively, you inhale deeply, and are greeted with the scent of sweat and other assorted odors you'd expect to find in a basket of dirty clothes
  580. >She digs your face out of the pile, and you take a few deep breaths of cool air
  581. >You open your eyes, and see she's pointing something at your face
  582. >As your retinas adjust to the light, you see its a large speaker, attached to some futuristic looking handle
  583. >You follow the cord, which appears to be connecting the apparatus to her computer
  584.  
  585. "You have 10 seconds to admit that you cheated."
  586.  
  587. "Or what"
  588.  
  589. "Or I blast the loudest wubs known to mankind directly in you face!"
  590.  
  591. "10"
  592. >Shit just got serious
  593.  
  594. "9"
  595. >Fool, there is no pin that can hold me
  596.  
  597. "8"
  598. >You glance her arms, and notice their pretty thin
  599.  
  600. "5"
  601. >Like, Rainbow Dash's arms are pretty thin, but Vinyls' have no muscle to them
  602.  
  603. "3"
  604. >You grab her arm, and easilly wrench the wub blaster out of her hands
  605.  
  606. "H-Hey!"
  607. >She tries to grab it, but you hold it away, your superior arm length keeping it just out of her reach
  608. >Unfortunately, you're too focused on keeping your arm up, and don't realise that you've allowed your finger to slip onto the trigger
  609. >Vinyl's eyes go wide, and you feel your ears start to bleed as the loudest music you've ever heard fills the room
  610. >It's got to be like, 50 decibels louder than what could be considered safe
  611.  
  612. >You drop the gun, and it falls onto Vinyl's bed sheets, which have collected in a pile on the ground next to her bed
  613. >The music is muffled, and you close your eyes as the ringing in your ears subsides
  614. >You open your eyes, and see that Vinyl has slid off you, and is now laughing next to you, struggling to breathe
  615.  
  616. "You should have seen the look on your face! It was all like~"
  617. >She pulls a face that looks halfway between surprised and a constipated guy trying to take a shit
  618.  
  619. "I was not. Besides, you looked way worse, you were like~"
  620. >You pull your own face, which probably looks like you've just stuck your head out the window of a fighter jet
  621. >Vinyl takes one look at you, and falls face down into her pillow, muffled laughter drifting up to your ears
  622. >After a few minutes, during several of which she stopped breathing entirely, she rises back up, red in the face and struggling to breathe
  623.  
  624. "But you still can't beat me at any of these games"
  625.  
  626. "Yeah, but thats because your games suck"
  627.  
  628. "They do not!"
  629.  
  630. "Yeah they do. Your games are terrible."
  631.  
  632. "You're just saying that because you're bad at them!"
  633.  
  634. "You wanna have another round?"
  635.  
  636. "Only if you're ready to lose again!"
  637. >A smug look washes over her face, and she lifts herself off the bed, walking over to where the controller rests on the floor
  638. >She lets out surprised gasp, and you turn around, the smile on your face instantly vanishing
  639. >Panic fills you, and you feel your dick shrivel and fall off as you lock eyes with Vinyl's dad
  640. >He stands at the entrance to Vinyl's room, his large frame taking up the entire doorway
  641. >You can literally feel the unfriendliness emanate from him
  642. >Apparently Vinyl can too, as she has stopped laughing, her eyes wide
  643.  
  644. "Oh, uh... H-hi dad. I thought you weren't getting home 'till 7..."
  645.  
  646. "Get out."
  647. >He points at you, his face completely expressionless
  648. >You slide off the bed, and make your way over to the door
  649. >He moves to the side as you slip past him, and watches you though kitchen
  650. >You open the front door, noting how low the sun is in the sky
  651. >Vinyl's dad's car is parked crookedly in the drive way
  652. >It's really beat up, and looks to be from 2004
  653. >As you descend the front stairs, you can hear yelling coming from inside
  654.  
  655. "TOLD YOU ABOUT... AND YOU'RE FUCKING... SPENDING ON..."
  656. >A part of you wants to go back inside
  657. >But you have a feeling that would just make things worse for both of you
  658. >Instead, you wade through the grass, and begin your journey home
  659.  
  660. >You shiver as you walk through the late autumn evening, hugging yourself tightly against the cold wind
  661. Winter is Coming
  662. >You hear shouting coming from a house to your left, and then you notice
  663. >This is a really shitty neighbourhood
  664. >It had looked a fair bit nicer during the day
  665. >But now, in the late afternoon sun;
  666. >Rusted out cars, overgrown lawns and shattered windows as far as the eye can see
  667. >You look up at a street sign, and sure enough, you've just arrived at the intersection of Pegasus Street and Downy Street
  668.  
  669. "Fuck me sideways..."
  670. >You've walked right into the heart of shitsville without even realising it
  671. >Suddenly feeling very afraid, you pick up the pace
  672. >Legs, full canvas, put as much distance between us and this miserable place as possible
  673. >Aye, Captain Brain
  674. >You power walk through the streets, channelling your inner Sanic
  675.  
  676. "Oi, faggot! Where you goin' at this time of night?"
  677. >Gotta go fast
  678. >You break into a full sprint, going at several Miles Tails per-hour
  679.  
  680. "Come on guys, get him and fuck him up."
  681. >Ha, these fools don't know that Sonic's my game, speeds my name
  682. >You tear through the streets, drawing closer to the train tracks that have long been out of service
  683. >Observing as the urban decay becomes less and less dilapidated, you eventually hop the tracks into the goodlands
  684. >You hear the lads give up the chase, returning to their shit smeared off-ramp clubhouse or something
  685. >You don't care though
  686. >You're just glad to be out of that place
  687. >You make the rest of the journey home with relative ease, though it is still very cold
  688. >Theres even frost forming on some of the windows, though it might just be the light
  689. >Only one things for certain; you've got a very lazy Sunday ahead of you
  690. >A wonderful sunday full of the internet and sleeping in
  691. >It's not like you've got any journalistic work to do
  692. >Right?
  693.  
  694. "But Twilight, I don't wanna write a story!"
  695. >You wail into your phone, still unable to find the strength to leave your bed
  696.  
  697. "I don't care, Anon. Y~"
  698.  
  699. "But it's Sunday!"
  700.  
  701. "You signed up for the journalist position, so you have to write up the story."
  702.  
  703. "But I don't know the first thing about writing, and, if you remember correctly, you signed me up for this."
  704.  
  705. "Just take all the things you've interviewed her about, and write them into a presentation format."
  706.  
  707. "Why can't you do it?"
  708.  
  709. "Because, I've got important editor things to do."
  710.  
  711. "Like what?"
  712.  
  713. "Like things. Just get it done, Anon."
  714. >With that, Twilight's voice is replaced with the dial tone
  715. >Well isn't that just grrrrrrrrrrrrrrreat
  716. >Now, instead of doing your usual thing on Sunday, you get to write a column for the school newspaper
  717. >You're not a writer
  718. >You hate writing things
  719. >Writing is for faggots
  720. hurr meta
  721. >Resigned to your fate, you haul yourself out of bed, hoping to get done with this sooner rather than later
  722.  
  723. >It is now 11:34pm
  724. >You have not written anything that even closely resembles a newspaper article
  725. >You're not even sure the school would let you publish erotic fan fiction of some obscure Japanese anime
  726. >Probably best not to ask
  727. >You lean back in your chair, holding your phone at least 4 meters away from you, as though it was a time bomb full of toxic pubic lice
  728. >Better get this over with
  729.  
  730. "Anon, hi, how's it going?"
  731.  
  732. "Twilight, I, uh"
  733.  
  734. "Let me guess; you didn't write the article?"
  735.  
  736. "Yeah."
  737.  
  738. "Well, I didn't see that coming a mile away."
  739.  
  740. "When's it supposed to be submitted?"
  741.  
  742. "Tomorrow."
  743.  
  744. "Oh..."
  745. >Twilight sighs loudly, and you can hear the smugness in her voice
  746.  
  747. "I knew you wouldn't get it done, so I took the liberty of writing it up myself."
  748. >Well shit, that's convenient
  749.  
  750. "So no harm done, right?"
  751. >You hear her scoff, and hang up
  752.  
  753.  
  754. >You slowly open your eyes, irritation filling you as you rise to the anthem of your alarm clock
  755. Ring ring, mother fucker
  756. >As you slide out from under the covers and drag yourself out of bed, you find yourself thinking that they need to add at least 8 more days between Sunday and Monday
  757. >All of them being days off, of course
  758. >Ah yes, it is Monday today
  759. >Or, as you and Twilight know, that day of the release of the first edition of the Canterlot High Informer
  760. >You didn't come up with the name
  761. >And with this release, comes Twilights' inevitable reaction
  762. >Worrying, stressing, nit-picking and panicking
  763. >Probably all at the same time
  764. >But you're not too worried about that at the moment
  765. >As you flush the toilet and pull your pants up, you haven't a care in the world
  766.  
  767. >You step out of the bathroom, steam from the shower flowing out into the hall
  768. >Rubbing your tired eyes, you descend the staircase, eager to get some food in you before the long day ahead
  769.  
  770. "Anon, you're friend Twilight is here for you!"
  771. >Your mother's cheery voice calls out from the front door, informing you of the oncoming shitstorm
  772. >Well, may as well get this over with
  773. >You arrive at the bottom of the staircase, the kitchen to your right and the front door to your... front
  774. >At the door, you see your mother cheerfully chatting with Twilight, who is obscured from view
  775. >Assuming she'd eventually be invited in, you turn into the kitchen, the one with all that food in it
  776.  
  777.  
  778. >You 'make' yourself a pretty standard breakfast, which consists of a glass of juice and a banana
  779. >You down the juice in one go, and pocket the banana, seen as you're not especially hungry right now
  780. >You leave the kitchen, and sure enough, your mum has invited Twilight inside, and you spy her sitting down on a couch
  781.  
  782. "Heya, Anon!"
  783. >She smiles at you, not a hint of worry playing over her face
  784. >That's... unsettling
  785. >And very out of character
  786. >It kinda feels like someone couldn't be bothered writing in a scene where Twilight freaks out
  787. >Weird
  788.  
  789. leblatantlystolenconversationformattingface.jpg
  790. "Are you ready to go?"
  791. >"Yeah, just let me grab my bag and we can head out"
  792.  
  793. >You walk over to where you dumped your bag at the door yesterday
  794.  
  795. "Anon, if you don't take your bag up to your room, how do you do all the homework that~
  796. >"Nah nah nah, don't worry about it Twilight, I get it done, don't you worry about it"
  797. "But Mr. Discord said yesterday tha~
  798. >"Twilight trust me, I always hand in my homework on time and fully completed"
  799.  
  800. >You glance towards your mother, who looks at you disapprovingly
  801.  
  802. "At least take a jacket Anon, its cold outside"
  803. >"I doubt that, mum. It was warm yesterday, and it'll probably be warm today"
  804. "No Anon, it really is freezing out there, theres frost and everything!"
  805.  
  806. >You turn to Twilight, the beginnings of a retort faltering as you see how warmly shes dressed
  807.  
  808. >A heavy wool coat covers her body, and a pink & purple striped scarf is wrapped around her neck
  809. >She's still wearing her normal miniskirt, though underneath she dons black leggings and some warm looking ugg boots
  810. >Ordinarily that's trashy and a sure sign of a bogan, but she makes it work
  811.  
  812. >"I... guess I could change into something warmer."
  813. >Your mother nods to you, and Twilight continues to revise her homework
  814. >You make the trip back up the stairs to your room, and dig through the wardrobe for something more practical
  815. >Finding nothing but a worn out old jacket, you slip it on, and feel a little warmer, though not by much
  816. >Doesn't matter
  817. >A real man doesn't fear the cold
  818. >You call out a goodbye to your mother, and hear Twilight stuff her books into her bag and scramble after you
  819.  
  820. >Holy fuck it is cold out here
  821. >You should have pulled on 5, maybe 6 more shirts and a few more pairs of pants
  822. >Your breath is clearly visible in the air, though you spend more time breathing into your hands
  823. >Feeling your fingers begin to frost over, you're relieved to find that you're already entering the school building
  824. >The festivity in here is too much, and you shield your eyes from the innocent purity of it all
  825. >Like seriously, these halls are fully decked
  826. >Lights, tinsel line the walls and outline the doors, and in the center sits a massive Christmas tree
  827. >It's that time of year again
  828. >You observe some of the choir members singing Christmas carols
  829. >Pinkie Pie running up to every person she sees and excitedly wishing them a merry Christmas
  830. >You stick your finger in your mouth and make a gagging motion, turning to Twilight as you do so
  831. >She laughs and pushes you playfully, and you stumble a little before recovering against a wall
  832.  
  833. >"Twilight, that's not very festive of you"
  834. "It's not Christmas yet, I don't have to be festive"
  835. >"If its Christmas enough for the school, then its Christmas enough for you"