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Table for Two 4: Fruits de Mer

By: Fillydelphian on May 29th, 2012  |  syntax: None  |  size: 26.18 KB  |  hits: 474  |  expires: Never
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  1. >You spend Tuesday afternoon brainstorming menu options to run by The Mayor
  2. >It's enthralling work for you
  3. >The menu at the restaurant gets a change every three months, and the week or so leading up to the change is one of your favorite times to work
  4. >Brainstorming, writing up ingredient lists, optioning garnishes, sauces, sides...
  5. >And the testing
  6. >You do love to test new recipes
  7. >If service is the performance for your symphony, testing and experimenting with new dishes is the composition and arrangement
  8. >You sit at your desk in the study jotting down ideas for hours, enthusiastic at the prospect of showing off new recipes for Em
  9. >As you work, you find yourself every so often thinking about the lunch you had with her
  10. >In telling Em about your early career, and in your excitement at landing the catering job for the restaurant, you'd neglected to ask her about her own interest in food
  11. >It was odd, that
  12. >You don't usually give so much information about yourself away to p0nies you've just met
  13. >But there's something different about Em
  14. >She's distinguished to be sure, having an almost matriarchal air about her in the presence of her colleagues and constituents
  15. >But at lunch, away from all that, it was all notably absent
  16. >There was no canned enthusiasm, no crowd-pleasing pretense
  17. >She seemed genuine and open...
  18. >You realize that it's been a half-hour since you've even looked at your papers
  19. >With a sigh you get up and go to the kitchen to make dinner
  20. 1/x
  21.  
  22. >After a quick look through what you have, you decide what you'll make to eat
  23. >You gather the things you need with rapid precision
  24. >Garlic, tomato, chives, zucchini, and penne
  25. >A pot goes onto the range filled with water
  26. >You turn the flame on high and place a large frying pan on the front burner, adding enough oil to cover the bottom of the pan completely
  27. >While you wait for the oil to come up to temperature, you finely dice a clove of garlic and a handful of chives
  28. >With a satisfying hiss they fall into the pan and you continue preparing the vegetables
  29. >You take the tomato and with the paring knife remove the stem before setting the bright red orb back down to be chopped
  30. >The garlic and chives having released their flavors into the oil, you scrape the tomato pieces into the hot pan and turn up the heat
  31. >A cloud of steam billows up from the pan and you go back to the counter
  32. >By now the water is boiling
  33. >You pour the pasta into the boiling water and take a moment to take in the aroma of garlic and cooking tomato
  34. >With a wooden spoon you stir the tomatoes as they fall apart, making a thin red sauce
  35. >As it bubbles and simmers you slice the zucchini and add it to the pan
  36. >You throw in a pinch of salt and some pepper before letting the sauce sit until the pasta is finished
  37. >Once you drain the penne you toss it with the sauce and plate it
  38. >You take your dinner to the kitchen table and eat
  39. >It's a simple enough dish, but satisfying nonetheless
  40. 2/x
  41.  
  42. >Despite it being the middle of Restaurant Week, the owner gave you  this and the next two nights off
  43. >You can't complain. Three nights off in a row to work on a menu isn't something you normally get to play with
  44. >Though it did complicate your meeting with Em on Thursday
  45. >Maybe you can reschedule your meeting for the afternoon rather than the morning?
  46. >You finish your dinner and clean the kitchen before returning to work
  47. >Best case, you'd like to get the menu set tonight so you can test a couple dishes tomorrow-
  48. >Crap...
  49. >Rarity...
  50. >You've got dinner with Rarity tomorrow...
  51. >That puts a bit of a wrench in the works
  52. >You can't reschedule with her either; not after how down she looked when you said you couldn't do lunch Monday
  53. >No, you would work around this
  54. >Just have to work late tonight and tomorrow so you have something substantial to show Em
  55. >It's not ideal, but you've dealt with worse hangups in the past
  56. >You sit at your desk and start working again
  57. >The restaurant got a letter from Em's office detailing numbers this morning
  58. >300 ponies are expected to attend the dinner
  59. >You'll need a few appetizers, two or three entrees, and three or four desserts
  60. >Dishes should compliment each other without being too similar
  61. >Guests should be able to pick a number of combinations without sacrificing that
  62. >You look at what you've got written down
  63. >It's going to be a long night
  64. >You get up and put a pot of coffee on before returning to your desk
  65. >Then you get started
  66. 3/x
  67.  
  68. >The alarm wakes you up at 8
  69. >A groan escapes you as you haul yourself out of bed to get ready for work
  70. >You were up until 2 working on Em's fundraiser menu
  71. >You're tired as hell, but at least you've got a good number of options for her to choose from
  72. >You just need to test a couple after work and before dinner
  73. >At least you can spend some quality time with Rarity, though
  74. >Since you came to Ponyville she's been a pretty close friend
  75. >She's like the little sister you never had
  76. >You're reminded a little bit of the mares in Manehattan who strove for the high-life; wanting to make it big in anything with an air of class and distinction
  77. >When she met you the first time you thought  she was going to have a stroke
  78. >Apparently she'd been following your career since you helped cater the Gala
  79. >At first you took her for shallow; like she only wanted to spend time together as a way to experience the Manehattan lifestyle
  80. >But she turned out to be eager to learn about cooking and your past experience. You also liked having somep0ny to teach outside of the restaurant, so you went along
  81. >It took a while, but eventually she stopped bombarding you with questions
  82. >She'd been a good friend ever since
  83. >There was the occasional outburst, but she was your biggest fan, it seemed
  84. >You eat your breakfast and smile to yourself
  85. >She tries to be so refined and ladylike, but she's young and it shows and it makes you laugh when she tries so very hard
  86. >With a few minutes to spare before you have to leave for work you look over your notes
  87. >You mark a couple recipes to test and head out the door
  88. 4/x
  89.  
  90. >The lunch service that day is relatively light
  91. >You manage to coast through it without issue
  92. >A meeting with the owner and a few managers caps off the work day
  93. >You run a few menu items by them for feedback and are met with positive results
  94. >A couple changes are made to bring costs down, but nothing too drastic
  95. >The owner again expresses his thanks for landing the job
  96. >It was lucky, he says, that The Mayor took such a liking to your food so quickly
  97. >When the meeting lets out you go to your office to pack up your things
  98. >With your list approved by the owner, you can go and test the new recipes at home
  99. >You decide to stop at the market to pick up any ingredients you still need for tonight and tomorrow
  100. >Then it's off to The Mayor's office to reschedule the meeting
  101. >Then home to to test recipes
  102. >Then you've got to get Rarity and go to dinner
  103. >You've got a feeling that it's going to be another one of those nights
  104. >Before the reality of the challenge facing you can set in you're off towards the market
  105. >You wouldn't be Chef if you couldn't handle this kind of tight schedule
  106. >The market is your first stop. You pull the ingredient list from your pocket and walk from stall to stall picking up what you need
  107. >From the produce stall, shallots, green onion, cabbage, peas, carrots, rhubarb
  108. >An assortment of large mushrooms and a few truffles from one stall
  109. >A sack of rice and one of barley from another
  110. >Berry Punch is selling Gooseberries, which you buy with some raspberries
  111. >You also manage to get a bottle of wine imported from Prance from her
  112. >Now loaded with ingredients, you head home
  113. 5/x
  114.  
  115. >After you unload the food at home, it's time to visit Em at work
  116. >The walk to Town Hall is short
  117. >Since you got out of work early, you've got a good amount of  time before the office closes
  118. >Even more time before you have to pick Rarity up
  119. >You arrive at Town Hall after about five minutes of walking
  120. >It's a well-maintained building. Not too much ornamentation like in Canterlot
  121. >The buildings there are a little too ornate
  122. >Too many frills. Takes away from what's actually important
  123. >You're reminded of a place in Manehattan that a friend used to work in
  124. >A pitch-black restaurant called “Nyx”
  125. >No light in the place at all
  126. >No distractions to take away from the experience of eating
  127. >Just the food, nothing else to get in the way
  128. >You would have loved to work there
  129. >Maybe someday you can open your own place, have creative control ove-
  130. >”Anon? What are you doing here? Our appointment isn't until tomorrow”
  131. >The Mayor's tone is slightly rough, like it was on Sunday
  132. >You snap out of your daydream and look up to see that, once again, her face isn't matching her voice
  133. Sorry, Madam Mayor
  134. >You smile and nod knowingly
  135. >Her face shows relief that you know she's just putting on a performance for whomever might be listening
  136. I needed to come down and tell you that I've got to reschedule tomorrow's meeting
  137. >Her face falls a little. An unexplained pit forms in your stomach seeing her look that way
  138. Just my hours got shuffled around a bit and I'm not free in the morning. If we could do afternoon tomorrow that would be ideal
  139. >She gives a quick look around before replying
  140. 6/x
  141.  
  142. >”Of course I'll have to check my appointments, but I think we can work you in somewhere”
  143. >Now she looks sort of...happy. She walks past you into her office
  144. >”I'll see you tomorrow, Anon” She whispers to you as she passes you
  145. >You feel the faintest chill run up your spine as you turn and watch her leave
  146. >She gives a playful flick of her tail just before the door closes
  147. >You stand in the hallway in a sort of daze for a minute or two before coming to your senses and walking back out into Ponyville
  148. >On the way home you feel a spring in your step
  149. >You're feeling good about this
  150. 7/x
  151.  
  152. >Back home you look at the time
  153. >4:30
  154. >Good. That gives you a nice 2 hours to work with before picking Rarity up
  155. >You set to work at once
  156. >A couple recipes need to be tested to makes sure they're up to your standards
  157. >A barley and arugula salad for appetizer first off
  158. >It's a simple salad
  159. >You boil up the barley while you wash the arugula and toss it with some chopped tomato
  160. >Mixing some oil and vinegar in a bowl with some oregano makes the dressing
  161. >When the barley is done you strain it, chill it, and put it into the salad as well
  162. >The barley adds an earthy flavor to counter the bitterness of the arugula and compliments the acidity of the vinegar
  163. >You take a taste and mark the salad off as up to the standard
  164. >A look at the clock tells you how much time you have left
  165. >5:00
  166. >Okay, enough time to test one more dish
  167. >You pull out the mushrooms and get to work
  168. 8/x
  169.  
  170. >The next dish is stuffed mushrooms filled with rice, peas, and carrots with a gooseberry reduction
  171. >You start by heating the oven and cleaning the mushrooms
  172. >After setting the mushrooms aside, you start a pot of water for the rice and put a pan of oil on the burner to saute the vegetables
  173. >A third pot will hold the reduction
  174. >Into the fry pan you throw some crushed sage and rosemary to impart some flavor to the oil
  175. >The carrots are chopped and the peas split before you add them to the pan
  176. >With the vegetables cooking and the rice now steaming, you turn your attention to making the reduction
  177. >You take two shallots and finely dice them, adding some oil to the pot to start
  178. >As they simmer, you dice up the gooseberries and put them to the side
  179. >When the shallots become translucent you add a cup of red wine and simmer
  180. >Steam rises from the pot in a heavy column
  181. >A few minutes later you add the gooseberries and raise the temperature to a boil after they've simmered a while
  182. >You fill the mushrooms with the rice and vegetables and put them into the oven
  183. >Twenty minutes later they're ready
  184. >You plate the now roasted mushrooms and take a bite once they've cooled
  185. >You make a note to use less sage next time and mark the dish as done on the list
  186. >Another look at the clock tells you that it's time to wrap up for now
  187. 9/x
  188.  
  189. >You take the leftover food and put it in the refrigerator for later
  190. >The kitchen needs cleaning before anything else happens
  191. >You give the pots and pans a scrub and rinse before moving on to inspect your knives
  192. >A few swipes on the steel and your kitchen knife is a razor-edge again
  193. >Sitting at the table with your tools and notes you feel accomplished
  194. >You've managed a good range of choices for Em in only a couple days
  195. >Of course, the real test will be tomorrow when you make these things for her to try herself
  196. >You wipe some sweat from your palm and look back at the clock
  197. >6:30
  198. Guess I should head to Rarity's soon
  199. >You get up and get changed into your non-work clothes, make sure you're showered, shaved, and get ready to pick your friend up
  200. >As you walk out the door you turn back and look at the kitchen which is full of ingredients for tomorrow's demo for Em
  201. Okay, dinner, then back to work
  202. >You close the door and walk out to Carousel Boutique
  203. >It's a short walk, as always. Carousel Boutique is silhouetted against the rapidly fading sky
  204. >Rarity answers your knocking, looking incredibly nervous when she does
  205. >She's certainly dressed to go out...
  206. >Even in your business attire you feel under-dressed
  207. >You see a slight blush come over Rarity's face when she sees you
  208. >At first you'd chalked up her apparent nervousness to her work, but you now feel a creeping uneasiness coming over you
  209. Evening, Rarity. Ready to go?
  210. >”Of course, Anon. You look very handsome, I must say.”
  211. Thanks. You look very nice too
  212. >The two of you walk off into the night
  213. 10/x
  214.  
  215. >Rarity's chosen restaurant lies across town
  216. >Plastered brick walls and a stucco roof set it apart from the thatched roofs and wooden frames of the rest of Ponyville
  217. >Ponies sit at outdoor tables, chatting amongst themselves over tapas plates
  218. >You look around, taking mental notes of the place
  219. >It's a trendy establishment. The kind you've seen crop up by the dozens in Manehattan
  220. >They also close by the dozens there
  221. >Only the good ones survive the first six months
  222. >Only the really good ones see their second year
  223. >But being that this is the only place of its kind in Ponyville, it just might make it
  224. >Rarity looks excited
  225. >Would you rather eat inside or 'al fresco?”
  226. >You look down at her, wondering a little if this was a good idea
  227. It's a nice night, not too chilly. Why don't we eat outside?
  228. >”Wonderful! You're just going to adore this place, Anon. I know it!”
  229. I'm sure it'll be great. Shall we get a table?
  230. >Rarity follows you inside and up to the host
  231. Dinner for two, outside if you can
  232. >”Certainly, sir. Right this way”
  233. >The host picks up two menus and leads you to a table looking out into Ponyville
  234. >You pull out a chair for Rarity and, once she's seated, take your own
  235. >The menu is printed on heavy paper in ornate script. Ornamenting the edges are knots and patterns taken from Pegasus art
  236. >Too much for your tastes. Your menu layout is always simple and straightforward
  237. >The items here seem solid though, if a little on the pretentious side
  238. >Before long, the waiter returns to take drink orders
  239. >Rarity chooses the house red; some incomprehensibly long vineyard name
  240. >You order a lager
  241. >You see her balk ever so slightly at your choice
  242. 11/x
  243.  
  244. >”No wine, Anon? You won't have anything to compliment the meal”
  245. Beer compliments food just fine. I actually prefer it
  246. >She tries to hide her shock
  247. >”It's just so...plebeian. I'm surprised”
  248. You say that like it's a bad thing
  249. >”In Canterlot they'd never dream of it”
  250. Well, I never really was one for that part of Canterlot culture. Too uptight, not enough focus on what matters. Besides, I'm not one of those snooty Canterlot chefs. I thought you knew that about me
  251. >”I suppose. Applejack and Rainbow Dash are always going on and on about the stuff and they're so unladylike...”
  252. I understand. But it's always better to keep your horizons broad. Now does anything here catch your eye?
  253. >Rarity looks at the menu
  254. >Despite her high-class attitude and attempts at acting above her age, she still sometimes comes off as judgmental
  255. >But she's young, so you can forgive that
  256. >...To a point
  257. >You look at the menu some more
  258. >It's all small portioned and expensive, from the looks of it
  259. Spaghetti Squash with garlic and polenta looks pretty good
  260. >”I like the sound of the Autumn Lily salad”
  261. Autumn Lily? Are you sure you don't want to order more food than that? It's only a small portion
  262. >”Yes. They're wonderfully delicate this time of year. All the important ponies in Canterlot rave about them”
  263. Alright, I'll flag down the waiter. Sure you don't want anything more?
  264. >”Quite”
  265. >You may have taught Rarity about good food, but the difference between liking good food and liking expensive food hasn't sunk in just yet
  266. >Autumn Lilies are costly and you can think of five or six salad flowers that have better flavor for far less
  267. >But there's no point in arguing it
  268. >You place your orders and get to talking
  269. 12/x
  270.  
  271. >The ordering out of the way, you actually start to relax and enjoy the evening
  272. >For all her little quirks, you do genuinely like Rarity
  273. >You'll grant that she can be shallow and pretentious at times, but she's like a little sister to you
  274. >She's as passionate about her work as you are about yours
  275. >She talks at length about her fashion business
  276. >Apparently she's been hard at work on a commission for some Canterlot aristocrat
  277. >She couldn't be happier about it
  278. >”...so I've been absolutely swamped with the designing process. My new client is SO demanding and SO particular. It's been a real challenge keeping up with her, but this could be my big break into real honest-to-Celestia Canterlot fashion!”
  279. >She continues in this vein until the food arrives
  280. >Rarity's face brightens when she sees the Autumn Lilies come out
  281. >You take in the smell of your own dish
  282. >The squash is well-seasoned with cardamom, nutmeg, and a little cinnamon, perfect for an autumn meal
  283. >Roasted garlic sits to the side neatly with the polenta
  284. >You have to admit, you're pleasantly surprised
  285. >Usually places like this are all about presentation and fall short on the actual food
  286. >However, it seems that this place has it right
  287. >Rarity happily eats her salad as you dig into your food
  288. >You finish a bite of polenta and ask
  289. How are you liking your salad?
  290. >She swallows a mouthful before replying
  291. >”It's divine. Didn't I tell you this place was fabulous?”
  292. That you did, Rarity
  293. >Leaning back in your chair, you cast a glance into Ponyville
  294. >You see The Mayor walking down the street
  295. >She looks over and sees you
  296. >As you raise a hand to wave you see a flash of...something across her face and she abruptly turns and leaves
  297. 13/x
  298.  
  299. >You hold your gaze on the receding form of The Mayor until she disappears from view
  300. >You turn back, a little confused
  301. >Was that...jealousy you saw just then?
  302. >There are a couple things wrong with that, you think to yourself
  303. >One, you're not here on a date. You're just having dinner with a friend
  304. >Two-
  305. >Two...
  306. >A feeling of nervousness comes over you again as you form the thought in your head
  307. >You're not with Em...is number two
  308. >...Right...
  309. >...Why was that hard to think of?
  310. >...
  311. >”Anon? Have you finished? The waiter looks like he wants to take our plates”
  312. >Rarity's voice pulls you back into reality
  313. Wh- yeah...yeah, sorry. Just kind of...spaced out for a minute. It's been a long few days
  314. >”I'm sure it has been, with Restaurant Week and all. I don't know why you come down so hard on your pre-fix menu; I think it's a wonderful selection, myself”
  315. Oh, right, I haven't gotten the chance to tell you!
  316. >You perk up at the realization. Rarity will be thrilled you've landed a job like this
  317. The Mayor actually hired my restaurant to cater her annual fundraiser dinner in a couple weeks. I've been working the last few days coming up with a menu for her
  318. >The mention of Em seems to bring Rarity down. She offers a semi-sincere congratulation and then goes quiet until the check arrives
  319. >Ok, NOW you're confused...
  320. >You look back out in the direction Em went, wondering what she's thinking
  321. 14/x
  322.  
  323. >The check comes out to something on the order of 70 bits
  324. >You remember a time in your life when that kind of money would buy you all your meals for a week
  325. >Hell, you can buy enough food for a week NOW for less than that
  326. >But it's worth it to see your friend happy, so you shell out
  327. >The two of you leave the restaurant and you walk Rarity home
  328. >By the time you reach Carousel Boutique it's gotten quite a bit cooler outside
  329. >Rarity shivers slightly and you put your jacket over her shoulders
  330. >She blushes when you do so
  331. >You aren't sure why; you'd do the same for anyp0ny
  332. >At the door Rarity stops
  333. >”I had a really good time tonight, Anon. Thank you for a marvelous dinner”
  334. You're welcome, Rarity. I'm glad you enjoyed yourself
  335. >She fiddles with her keys for a minute before opening the door
  336. >”Would you like to come in for some coffee or tea...?”
  337. >You pause
  338. >You're about to say 'buck it' and have some coffee, but you remember Em's face earlier that evening
  339. I'd better not; still lots of work to do tonight, I'm afraid
  340. >Rarity looks really disappointed
  341. >You can't leave the night on a low-note like this
  342. Another time, definitely. I wish I could stay
  343. >She gives a slight nod of understanding
  344. >”Okay, Anon. Another time. Goodnight”
  345. Goodnight, Rarity
  346. >The town clock strikes 9
  347. >You turn around and make your way back home to finish preparing for tomorrow
  348. >You've got a big day ahead
  349. >Best to be prepared
  350. 15/x
  351.  
  352. >You walk back home a little disappointed yourself that you had to leave Rarity on such a low-note
  353. >Ever since you mentioned Em to her she seemed to be in lower spirits
  354. >But you want to be prepared for your demo tomorrow
  355. >Em shows up in your mind again as you think about it
  356. >She's been on your mind repeatedly since she came in for lunch Sunday; more so since you had lunch with her on Monday
  357. >Usually when you work on catering jobs you're focused on cost and efficiency
  358. >Not this time, though
  359. >This time you find yourself concerned with impressing this one client
  360. >This time you're thinking more about her than her guests
  361. >By the time you reach your house, you're more conflicted about this situation than you've been in the last week
  362. >You go over it in your head
  363. >You're a professional. You're not supposed to get involved with clients
  364. >It should be as simple as that
  365. >She's a client, you can't get involved with clients, so you should stop involving yourself with her
  366. >If you keep doing what you're doing here, you're going to risk compromising your work
  367. >No need to panic, though; you're not involved that way
  368. >But you really can't get her out of your head
  369. >And you really don't want her out of your head...
  370. >Shit...
  371. >You look at your notes
  372. >At this point you've already done more than you usually do for menu demos
  373. >That's good. It means you have time tomorrow to talk to somep0ny about this
  374. >Now, who can you go to?
  375. >Somep0ny who knows The Mayor fairly well...
  376. >You snap your fingers as you realize
  377. >Rose seemed to be pretty close to Em; you'll go talk to her about what to do tomorrow
  378. 16/x
  379.  
  380. >Across town, Rarity is pacing again
  381. I just don't understand what happened, Sweetie Bell. I thought we had a wonderful dinner together, but he looked so preoccupied some of the time...
  382. >Sweetie Bell looks at her sister, tired
  383. >”He's probably got his mind on a lot of things right now. Didn't you say he's in the middle of putting together some fundraiser menu on top of Restaurant Week?”
  384. Well, yes, but-
  385. >”Well don't you think THAT might take a little bit of his concentration off of other things?”
  386. It probably does, but even so, he could have at least stayed for tea, couldn't he?
  387. >”Maybe...I don't know, YOU'RE supposed to be the one who tells ME this stuff”
  388. ...And on top of that, you should have seen what he ordered: squash and beer, of all things!
  389. >”Oh nooo...”
  390. >Sweetie Bell's sarcasm is lost completely on Rarity
  391. I know! It was positively plebeian. And he acted surprised when I asked him about it!
  392. >”...You asked him why he ordered squash and beer? Don't you think that's a little...judgmental?”
  393. Well...I may have... But he's supposed to be a chef! He's supposed to be high-class; running with the Canterlot socialites... isn't he?
  394. >Sweetie Bell looks on as Rarity sits on the bed, looking defeated
  395. >”...Are you sure you like Anon for the right reasons, Rarity?”
  396. >She walks over to her sister and places a hoof on her shoulder
  397. I don't know-I just...
  398. >”Maybe you should talk to somep0ny who can give better advice than me”
  399. >Rarity looks up at her sister and sighs
  400. I suppose I should...
  401. >”Why don't you go talk to Pinkie? I'm sure she'll know what to do. She's good with ponies”
  402. Right, Pinkie Pie will know
  403. 17/x
  404.  
  405. >At her house, The Mayor sits in her living room
  406. >She's reading a cooking magazine, but not really paying much attention
  407. >Her mind is elsewhere
  408. >She's playing over the scene she saw tonight in her head
  409. ...It had to just be a simple meeting between friends
  410. >But it's such a trendy place...
  411. >It couldn't have been cheap...
  412. >Is Anon really the type to spend so much on friends?
  413. >She rests her head on her hoof as she lets out a sigh of discontent
  414. >After a minute she raises her head and tries to explain it to herself again
  415. No, it was just a friendly dinner, I'm sure. I mean she's so much younger...
  416. >She gets up and walks to the kitchen
  417. >It's spotless; she hasn't used it since she cleaned on Monday in anticipation of Anon's demo
  418. >She tries to reassure herself once more
  419. Not a date, just a demo. The two of us are just going over the menu for my fundraiser...at my house...at night...alone...
  420. >It's not working
  421. >She's already pushing it with the way she's been talking to him in public
  422. >Anything more would be...
  423. >...well...
  424. >She's not really sure
  425. >She's dug herself quite a hole already
  426. This is what happens when you don't think, Em. You get yourself into spots like this...
  427. >She went to Rose for advice earlier that night, half-hoping her friend would try to talk her out of whatever it is she's doing
  428. >Instead, Rose only encouraged her:
  429. >”You should go for it, Em. You'd do well to have somep0ny like that, even if he's not a pony”
  430. >Em walks out of the kitchen even more conflicted than when she went in
  431. >Tomorrow she'll ask Anon about Rarity. At least she can get one needling uncertainty out of the way...
  432. End