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Table for Two 3: Antipasti

By: Fillydelphian on May 20th, 2012  |  syntax: None  |  size: 22.05 KB  |  hits: 411  |  expires: Never
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  1. >You wake up Sunday morning at 8
  2. >Sundays are early work days for you
  3. >9 'til 4
  4. >It's your one night off every week
  5. >You get out of bed and, once you've showered, shaved, and brushed your teeth, go to the kitchen to make some coffee
  6. >As you start making the coffee, you hear a knock at the door
  7. >Still groggy, you pull it open to see a pair of yellow eyes looking back at you
  8. >Well, ONE them looks at you. The other sort of drifts lazily, pointing off at the roof
  9. >”Morning, Anon. I've got a letter for you!”
  10. Thanks, Derpy
  11. >The grey pegasus smiles and floats off, her wings taking her on a meandering path that can only  make sense to her
  12. >You turn back inside and sit back down the the kitchen table
  13. >The smell of brewing coffee overtakes the room as you open the envelope
  14. >It's sealed with ornate violet wax
  15. >Before you can read the letter, however, you glance up at the clock and see that it's already 8:30
  16. >You pour what coffee has brewed into a cup, down it as fast as you can, and bolt out the door with your knives, leaving the letter unread on the kitchen table
  17. >Sunday is the day you place the orders with your various suppliers of produce, dairy, and everything else the restaurant needs to run
  18. >You can't afford to be late
  19. 1/x
  20.  
  21. >The kitchen is alive, as always, with the activity of the cooks and dishwashers
  22. >You walk through, looking over what each pony is doing on your way to your office
  23. >”Morning, Chef” they each call as you pass
  24. >You get to your office and sit down at your desk, looking over the inventory list
  25. >There are orders to place at each supplier
  26. >You get to work writing down each order on a separate paper, listing each and every item that the restaurant needs for the coming week
  27. >Everything from avocados to truffle oil gets tallied Saturday night by your Sous
  28. >And every Sunday you take the list and place the orders
  29. >It's mostly local suppliers; Ponyville has enough outlying farmland that the only things you need to send for ahead of time are the more high-end herbs and the specialty cheeses
  30. >You finish filling the order sheets and call for one of the new kitchen ponies to take them over to the Post so you can get supplied on Monday
  31. >A young unicorn comes in to take the papers
  32. >The colt's got some innate talent; his cutie mark is a ladle and he makes a mean soup, but he's clumsy as all hell in the kitchen
  33. >You've got him working prep and running messages until he gets his footing and develops his skills
  34. >In a way you envy him
  35. >You never got a clear sign telling you what your calling was
  36. >You had to figure that out on your own, and even when you finally made it, you had to deal with uncertainty the whole way
  37. >The clock reads 9:30 when you come out of the office to inspect the kitchen properly
  38. >With a half hour until doors, you've got to make sure everything is presentable before service
  39. 2/x
  40.  
  41. >The restaurant opens for brunch at 10
  42. >First customers start coming in at 10:15
  43. >You're not expecting a very heavy service today
  44. >Brunch is never as hectic, which is good
  45. >You certainly need a light service after last night's gauntlet
  46. >Orders start coming in after a few minutes
  47. Table Fourteen: One hay fritte, one omelette!
  48. >”Yes, Chef!”
  49. >You look out over the counter at the dining room as it fills with patrons
  50. >You've been here in this restaurant for a year and looking out into that sea of tables still fills you with a sense of pride
  51. >More orders come in
  52. >Restaurant Week goes until Thursday; you're stuck with the pre-fix menu until then
  53. >You look forward to getting back to your real menu on Friday night
  54. >Behind you the sounds of the kitchen have changed from the staccato clatter of knives chopping vegetables and the crackling of portion bags being filled
  55. >In their place come the hiss of multiple griddles and pans and the sound of plates being stacked on counters to be filled
  56. >Like music to your ears
  57. >Your own personal symphony orchestra hustles and bustles behind you, the sounds of work and the smell of cooking food constantly remind you that you've got the best job in Equestria
  58. Table Six: One omelette, one salad, one hay BLT!
  59. >”Yes, Chef!”
  60. >That uncertainty you had to work through when you started out only made you work harder
  61. >It's what got you to try your damnedest to get yourself to the top
  62. >And it paid off
  63. 3/x
  64.  
  65. >By noon the lunch rush has set in
  66. >It's nothing compared to dinner service, but it keeps you on your feet nonetheless
  67. >Even more so when you see the front doors open and a bespectacled mare enter with her entourage of assistants
  68. >You make a note of where they're seated so you can go out and thank The Mayor in person later on
  69. >Table Four
  70. >A slight nervousness crawls into your gut and you power through the next ten minutes plating and checking dishes with intense focus to keep your mind occupied
  71. >An order comes in from Table Four
  72. >You relay it to the kitchen
  73. Table Four: Two soup, one salad, one hay BLT, one hay fritte-
  74. >You stop at the last item
  75. >From behind you hear the response
  76. >”Yes, Chef!”
  77. >You read the last item and know immediately who ordered it
  78. >This one you're doing yourself
  79. >Mushroom risotto
  80. >You look out into the sea of tables
  81. >The Mayor sits at Table Four, talking with her assistants
  82. >You catch her stealing a furtive glance at the kitchen and you wipe a drop of sweat from your brow unconsciously
  83. >The risotto is a simple enough matter
  84. >It's one of those dishes you can do in your sleep at this point, but for some reason you're focused on it more than usual
  85. >You're not even sure why you decided to make it yourself
  86. >Surely one of your cooks could handle something like this
  87. >But you're doing it personally
  88. >You shake your head and re-focus on the task at hand
  89. >Now's not the time to get distracted
  90. >You plate the risotto as the rest of Table Four's food comes up to the counter
  91. Table Four: up!
  92. 4/x
  93.  
  94. >The waiter walks up to the counter and whisks the platter away
  95. >You watch the steaming plates weave through the crowd for a few seconds before going back to work
  96. Table Twenty: Two salad, one soup, one hay fritte!
  97. >”Yes, Chef!”
  98. >Service picks up even more around 1
  99. Table Fourteen: Three soup, one salad, one hay BLT, two portabella!
  100. >”Yes, Chef!”
  101. Table Eleven: Up!
  102. >You glance out at Table Four again and see the grey-maned Mayor sitting amongst her colleagues
  103. >She ordered the risotto even though it's not on the lunch menu
  104. >Normally you'd tell the waiter to have them choose something you're actually prepared for, but you made an exception when you recognized who had ordered it
  105. >You're not sure why, though
  106. >More orders come in and take your mind off questioning your own actions
  107. Table Two: One salad, one hay BLT!
  108. >”Yes, Chef!”
  109. Table Seven: Two hay fritte, one portabella, one soup, one salad!
  110. >”Yes, Chef!”
  111. Table Twelve: Up!
  112. >Waiters come and go, entering orders and taking platters out into the dining room
  113. >For a half hour this goes on
  114. >You see a waiter clear Table Four's plates and decide that now's as good a time as any to get out there
  115. >Your Sous takes over plating while you walk out to Table Four
  116. 5/x
  117.  
  118. >The Mayor is seated with four other ponies, all looking official and important
  119. >She looks to be somewhat stressed
  120. >There must be something important going on in Ponyville
  121. >You wipe some sweat from your palm and clear your throat as you approach the table
  122. Good afternoon, sirs, madams, Madam Mayor. I trust everything was to your liking?
  123. >”It was, Anon. I was talking to Rose just this morning and she told me that you'd added my little change to the menu?”
  124. I did. I came over to thank you for the input and see how you're doing
  125. >”Well, I must say I'm flattered. I don't often get recognized for my culinary interests”
  126. You should. You've got a good palette. Have you studied food before?
  127. >The Mayor looks at the table of ponies quickly
  128. >They look confused
  129. >One stallion leans into another's ear and whispers something
  130. >The Mayor narrows her eyes slightly and turns back to you with a look of resignation
  131. >”I shouldn't keep my colleagues waiting, Anon. We're having a lunch meeting at the moment”
  132. >Her tone becomes abrasive, but her face doesn't match it
  133. Alright, I'll excuse myself. Enjoy the rest of your day, everyp0ny
  134. >You walk back to the kitchen confused
  135. What just happened?
  136. >You continue plating and checking dishes for another half hour
  137. >The time crawls by now
  138. >You were expecting to be able to talk to The Mayor a bit more, and her tone there at the end kind of took the wind out of your sails
  139. >A waiter approaches the counter
  140. >He hands you a slip of paper and trots off without a word
  141. >You put your knife down and read the note
  142. 6/x
  143.  
  144. >”Sorry about before; I'd like to make it up to you with lunch tomorrow. Noon at the cafe”
  145. >You look out and see The Mayor leaving the restaurant. She glances back and you nod in her direction
  146. >You see a slight smile on her face as she turns and goes
  147. >The rest of lunch service flies by
  148. >The Mayor's note put you back in high spirits
  149. >It's not long before the clock hits 4 and your shift is up
  150. >You clear your station and wash your knives before heading to your office
  151. >It was a good service
  152. >The shift notes go up on the cork board and you take off your chef coat
  153. >It's always roasting on the line
  154. >Every time you step out of the kitchen, no matter how hot it is outside, it's as refreshing as jumping into a cold pool
  155. >You walk out of the restaurant and start heading home
  156. >”Uh, Chef? Mind if I walk with you? My house is the same way”
  157. >The new colt you sent to order food walks sheepishly up to you as you stop and turn
  158. Sure, what's up?
  159. >The two of you turn down Mane Street
  160. >”Well, first I wanted to thank you for giving me a job, Chef. The chef at the cafe said I was too awkward in the kitchen...”
  161. You ARE awkward in the kitchen, kid
  162. >He looks down
  163. BUT, you're got potential. That other chef's an idiot if he doesn't see it. Keep doing what you're doing and doing it well, and in MY kitchen, you'll be working soup station all on your own someday
  164. >The colt's face lights up. He opens his mouth to speak again
  165. 7/x
  166.  
  167. That said, I'm not giving you a raise. You're working minimum until you get your kitchen legs
  168. >He closes his mouth for a second before the two of you start laughing
  169. Don't worry, you'll find your groove soon enough
  170. >”Thanks, Chef. You know you're not as bad as some of the cooks say.”
  171. That's because you haven't screwed anything up yet
  172. >He looks to see if you're joking
  173. >You're not
  174. >He gulps and you burst out laughing
  175. Don't worry about it, kid. When I was starting out, my Chef in Fillydelphia would chew me out on a nightly basis. I was THAT bad
  176. >”Really?”
  177. Yeah. I'm tough because that's the only way for you to learn. No one's going to cut you any slack. Not in this business
  178. >The colt's eyes show hesitation, but it's quickly replaced by determination
  179. >”Thanks for the talk, Chef. I'll see you tomorrow!”
  180. >He runs off to his house and you continue on your way
  181. >That colt really does remind you of yourself
  182. >You're glad to see there are ponies with that kind of spirit here in Ponyville
  183. 8/x
  184.  
  185. >You get home around 4:30
  186. >The coffee from that morning is still in the pot and you dump it out
  187. >No point keeping it until tomorrow; it'll just taste like crap
  188. >You lay your knives out on the table to inspect them
  189. >Taking out the steel, you give the 10” a quick run-over, the blade becoming a blur as you run it up and down the steel with lightning speed
  190. >You look down and see the letter sticking out from under the knife kit
  191. >After you've finished maintaining your tools you put them away and pick up the paper
  192. >You read as you get up and pour yourself a drink
  193. >Looking at the signature tells you that it's from Rarity
  194. >”Anon, I know your schedule is terribly busy, but I did so enjoy our lunch that I had to try to make plans to spend some more time together”
  195. >True, your schedule gets ridiculous this time of year. You certainly could do with some more time spent with your friends
  196. >You keep reading
  197. >”So, if you're available, why don't we have lunch Monday? There's a new place opening on the south side of town that I think you'd just adore! -Rarity”
  198. >You read the end of the letter one more time
  199. >She certainly is eager. The two of you just had lunch yesterday
  200. >You wish you'd read the letter that morning morning...
  201. >Then again, it's not like you could ask The Mayor to reschedule from across the dining room...
  202. >You sigh in frustration before looking at the clock
  203. >5:00
  204. >You think for a minute or two before making a decision
  205. >Then you're out the door, heading to Carousel Boutique
  206. 9/x
  207.  
  208. >As you raise your hand to knock on Rarity's door, it opens unexpectedly
  209. >Sweetie Bell steps out and looks up at you, equally surprised
  210. >”Oh, uh, hi, Anon”
  211. >Her surprise wears off quickly
  212. >”You looking for my sister?”
  213. Yeah, I got her letter today and thought it'd be easier to respond in person
  214. >”She's inside. Go on in”
  215. Thanks, Sweetie Bell
  216. >You start walking into the shop
  217. >”Don't mention it. Oh, and Anon?”
  218. >You turn back to the filly
  219. >”Good luck”
  220. >She winks and trots off, leaving you confused
  221. >You make your way through the shop and hear the sewing machine's mechanical whir coming from the back
  222. Rarity?
  223. >”Anon? Is that you?”
  224. >You hear the machine abruptly stop as Rarity trots into the room
  225. >”How ARE you, Anon? Did you get my letter? You know the place I'm talking about, don't you? It sounds absolutely DIVINE, doesn't it?”
  226. Yes, it sounds great, Rarity. But I wanted to come and let you know I've actually got plans tomorrow...
  227. >Her face falls sharply
  228. >”Plans?”
  229. Yeah, I've got lunch with The Mayor tomorrow afternoon.
  230. >She flashes a brief look of disbelief before recovering
  231. >”Oh. Well. A- another time then. Thanks for letting me know, Anon.”
  232. >You have a feeling you just goofed
  233. >”Now, I've got some very important work to do, so if that's all...”
  234. >You can't leave on THAT note. You scramble for something to pick up her spirits
  235. Ok...why don't I make it up to you with dinner Wednesday? I can take the morning service and leave the night service to my Sous
  236. >If her eyes lit up any more than they did just then, you might have gone blind
  237. >”Why, I'd LOVE to! That sounds positively fabulous, Anon!”
  238. Alright, Wednesday it is. I'll see you then
  239. 10/x
  240.  
  241. >You head to the cafe the next day
  242. >As you walk up the street you find yourself getting slightly nervous
  243. >You had gone home happy the day before, but something about Rarity's reactions seemed off to you
  244. >Best ignore it for the moment: you've got lunch with The Mayor, after all
  245. >Can't show up to something like that nervous about something else
  246. >The Mayor is already seated when you arrive
  247. >She smiles warmly and beckons you over to the table
  248. >”Good afternoon, Anonymous. I'm glad you could make it”
  249. So am I, Madam Mayor
  250. >You take a seat across from the tan mare
  251. >”Please, call me 'Em.' 'Madam Mayor' is much too formal”
  252. Is 'Em' short for something?
  253. >She smiles slightly
  254. >”Later. I called you here for a couple reasons, actually”
  255. Oh?
  256. >”Yes. First, I wanted to apologize for yesterday. I did enjoy talking to you, but my colleagues can be a bit abrasive when it comes to potential rumors”
  257. Rumors? About what?
  258. >Em seems to shift her gaze a little bit
  259. >”Just...anything my opponents could possibly use against me in an election year. It's nothing to worry about, Anon. Just meaningless political doings”
  260. Alright, what about the other thing?
  261. >”Ah, yes, of course. I'm hosting my annual fundraiser dinner in a few weeks and I wanted to see if I could get you to cater? After that wonderful dinner you served on Friday I'm confident you can blow my guests away.”
  262. 11/x
  263.  
  264. It'd be my pleasure, Mada-...Em.
  265. >So far this is going really well
  266. >If nothing else, you've scored a potentially lucrative catering gig for the restaurant
  267. >A waiter comes and takes your orders
  268. >Em takes her time deciding and settles on a salad after some time
  269. >She's very particular about what she eats, she says
  270. >You joke that you should know and the two of you share a laugh
  271. >”So how did you come to be a chef, Anon?”
  272. >Em leans forward and looks at you, curious
  273. That's quite a long story
  274. >”I've got time”
  275. >You look at the town clock
  276. >12:20
  277. Okay, I started out about six years ago. I'd come to Equestria about a year or two before that; no memory of where I came from. All I knew was a name and a shoe-size and the latter turned out to be useless very quickly. So I spent a couple of years kind of wandering around, making a little money here and there doing sideshows and working bars and pubs in Fillydelphia.
  278. >You look back at the early days and feel the sense of relief that came with putting them well behind you
  279. >The food comes out to the table and you take a break from your story to eat
  280. >Em eats her salad methodically, chewing slowly and savoring each bite
  281. >You find yourself spacing out a little bit and shake your head to clear it
  282. >Once you've both finished you continue your story
  283. 12/x
  284.  
  285. So I was working in one pub after about three months and the owner comes up to me and tells me his brother needs a new dishwasher in his restaurant in the Terminal Market. I went to work there for a few months, they moved me up to prep, and eventually up to working on the line after a year or so working there.
  286. >”And that's when you started working to be a chef?”
  287. No, that's when I got fired. Apparently some food critic didn't take too kindly to his meal being prepared by, and I quote, “A poorly-shaven monkey.”
  288. >”That's terrible!”
  289. Isn't it? The owner threw me out to please that critic and I spent a few months working two or three jobs to keep from getting evicted from my apartment. THAT'S when I decided to become a chef. I wasn't going to let a snobby critic force me out of the job on the grounds that “monkeys” can't cook. Been working my way up ever since.
  290. >”That's a very inspiring story, Anon. Did the critic ever come around?”
  291. No, he still hates me. When I helped cater the Gala a couple years ago and got glittering reviews from Celestia, he pretty much lost all credibility in the food world. He gets one or two articles published every so often, usually ranting about the state of cuisine these days
  292. >”Well I'm glad you came to my little town. I'm sure we can look forward to great things from you, Anon.”
  293. Thank you, Em. And about your fundraiser, when would you like to start planning the menu?
  294. >”As soon as possible. When are you free to do it?”
  295. How about Thursday around eleven? We can discuss cost and all those details then.
  296. >”Sounds wonderful, Anon.”
  297. 13/x
  298.  
  299. >The check comes after a few more minutes
  300. >You're about to take out your money when Em holds up a hoof
  301. >”I'll take care of it, Anon. You'll pick up the next one”
  302. >Traces of a coy smile appear on her lips
  303. Alright, Em. Thanks for the lunch. Where should I meet you Thursday?
  304. >”My house should will be fine. Think of some ideas for the menu and bring what you need to make some samples”
  305. What about 'possible rumors?'
  306. >You grin slightly as you ask
  307. >”While my colleagues are certainly paranoid about giving my opponents ammo, I've been doing this long enough to know that having one of the best chefs in Equestria help with a fundraiser dinner hardly qualifies”
  308. >You put out your hand and shake the tan mare's hoof
  309. I'll see you Thursday, then
  310. >”Until then, Chef”
  311. >You walk home with a feeling you can't quite place and two hours until you have to head in to work
  312. >Today has been a good day
  313. 14/x
  314.  
  315. >You get to the restaurant at 4:45
  316. >The noise of the kitchen reverberates through you as you walk to your office and look over the shift notes from dinner and lunch
  317. >Everything looks good, the orders all came in this morning, and the kitchen looks to be running smoothly
  318. >You head to the owner's office to tell him about the catering job
  319. >The owner is an older stallion with round glasses and a white mane
  320. >He's ecstatic when you tell him the news
  321. >”I knew I put you in charge of the kitchen for a reason, Anon. Putting together deals like this on your own? Outstanding”
  322. Thank you sir. I'll be meeting with The Mayor later this week to discuss the menu and cost
  323. >”Wonderful news! I'll be looking forward to hearing what she has to say”
  324. >You walk back to the kitchen in high spirits
  325. >When dinner service starts you go to your station and begin the night's work
  326. >As you work, your Sous walks up next to you
  327. >”Saw you this afternoon at the cafe, 'd your date with The Mayor go well?”
  328. >You turn quickly around to look at the grinning stallion
  329. Wasn't a date, we were having a business meeting. She wanted me to cater a fundraiser dinner she's throwing
  330. >”Whatever you say, Chef”
  331. >He thumps your back with his hoof
  332. >”Just glad you're in a good mood. We've got a hundred covers reserved tonight”
  333. What, are you worried? Get back to work
  334. >”Yes, Chef”
  335. >He laughs as he walks off and you turn your attention back to your work with your own grin on your face
  336. >Restaurant Week has certainly gotten interesting
  337. 15/x
  338.  
  339. >Across town at Carousel Boutique, Rarity is pacing frantically
  340. What was he meeting Mayor Mare for today? Was it just a business meeting? Oh, of course, it had to be...but what if it wasn't?
  341. >Sweetie Bell rolls her eyes as she watches her sister from the bed
  342. >”You're over thinking this, Rarity. Anon was probably just meeting The Mayor on business, like you said”
  343. Yes, I know, but what if he WASN'T? She's not refined, she's a small-town pony Mayor who criticizes his wonderful cooking! It's the worst possible thing in the world!
  344. >”Calm down, you're such a drama-queen, Rarity. You're having dinner with him on Wednesday, aren't you? Just be yourself and don't. Make. A scene”
  345. Of course, you're right. I'll show him how much more refined I am than that silly old Mayor. Do you think I should make a new outfit for the occasion?
  346. >”NO, Rarity. Just keep it simple. I can't believe I'M giving YOU advice on this. Aren't you supposed to be the older sister?”
  347. I'm just so NERVOUS, Sweetie Bell. I need Wednesday to go perfectly so I can woo my high-class chef and live the Canterlot life-
  348. >Rarity is cut off by an exasperated groan from her sister
  349. Right, right. I'll take it slow. These sorts of things take time...
  350. End