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Table for Two 10: Intermezzo

By: Fillydelphian on Jul 5th, 2012  |  syntax: None  |  size: 41.09 KB  |  hits: 330  |  expires: Never
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  1. >The alarm clock starts ringing at 8:00
  2. >For fifteen minutes it wails and shakes before falling off the nightstand, the impact with the floor shutting it off
  3. >You're not there to see it
  4. >Sleep was fleeting last night
  5. >You got home at 11:30 having blown up at work and blown off Pinkie Pie as you left
  6. >Getting to sleep was almost impossible. You drifted off for a little while after lying in bed staring at the ceiling, but it didn't last
  7. >By 5:00, you gave up on trying to sleep
  8. >You sat in the kitchen for an hour before deciding to go for an early-morning walk to clear your head
  9. >Thick gray clouds cover the sun and a cool morning fog still hangs in the air
  10. >You walk through Ponyville's streets, trying to get a handle on your situation
  11. >The stress got the better of you last night
  12. >It shouldn't have been an issue
  13. >Doubt creeps back into your mind as you think about your relationship with Em
  14. >You should be able to separate work and your social life
  15. >Fleur's words leap out at you
  16. >”Sometimes these things happen faster then we'd like”
  17. >You stop in the middle of the road and look towards Em's house
  18. >With a sigh you kick a rock down the road, frustrated with yourself for your outburst the last time you saw the tan mare
  19. >That look of pain as she yelled at you to leave is burned into your mind
  20. >A knot in your stomach forms and tightens, reminding you that it's your fault she was like that
  21. >Plus there's Rarity to deal with...
  22. >You ball your fist and turn back to Em's house
  23. Dammit, Fleur, why are you always right about me?
  24. >The town clock strikes 7:30
  25. 1/x
  26.  
  27. >As you walk down the road, you hear the sound of a door creaking open and timid hoof falls
  28. >You turn to find the source of the noise and see a tall, slender unicorn descending the steps down from Sugar Cube Corner
  29. >Your train of thought derails catastrophically, sending thousands of tons of contemplation-cargo flying across the landscape
  30. >By now the morning fog has begun to burn off, revealing the sheepish smile on Fleur's face as she glances back at the upstairs window before setting off to the inn
  31. >She doesn't notice you standing agape in the middle of the road, watching as she walks away from the bakery
  32. >Well now, that's certainly...new...?
  33. >You walk towards the bakery, half-focused on wondering what Fleur was doing there
  34. >Your questions are answered somewhat when you spot a very ruffled-looking Pinkie Pie stick her head out the window
  35. >Forgetting yourself, you walk to within earshot, a grin forming on your face despite your previous mood
  36. Morning, Pinkie. Sleep well?
  37. >Her eyes go wide when she hears you, her pupils constricting to pinpoints
  38. >”A-Anon! I, er, we, last night- uh...”
  39. >She stammers, flustered. You decide now's as good a time as ever to apologize for last night
  40. >This little episode has put you, however temporarily, in good spirits
  41. It's okay, Pinkie. You don't have to explain anything
  42. >You wink and tap your nose knowingly
  43. >She turns bright red
  44. >”No, no, i-it's not like that, Anon! We just talked last night! Talked and ate cookies! ...And maybe she hugged me and maybe I liked it...”
  45. >Your grin grows wider
  46. Alright, alright, I believe you. I let you get back to basking in the “after-hug” then
  47. >You turn to go
  48. Oh, and Pinkie?
  49. 2/x
  50.  
  51. >”...Yeah?”
  52. Sorry about last night. I was out of line
  53. >”It's alright, Anon. I know you didn't mean it. And besides, I ran into Fleur because of it-”
  54. >She realizes how excited she sounds and puts her hoof to her mouth, blushing hard again
  55. >You laugh and walk back towards Em's house, calling back to the pink pony
  56. I'll see you later, Pinkie
  57. >The fog has lifted, but the sky is still overcast
  58. >Your mood, elevated by the exchange with Pinkie Pie, drives you even more to go and set everything right
  59. >If you could apologize to Pinkie, you can apologize to Em
  60. >Just a question of if she'll accept your apology...
  61.  
  62. >The wind starts to pick up as you reach Em's house
  63. >You stop at her door and look up at the bedroom window
  64. >It's still sort of early; you hope she's up
  65. >The left-over good cheer from talking to Pinkie Pie quickly deteriorates when your knocks on Em's door are met with a resounding silence
  66. >Is she still asleep?
  67. >You look through the window
  68. >There aren't any lights on downstairs
  69. >Then again, it's morning. Why would there be?
  70. >You knock again, louder this time
  71. >...
  72. >Nervousness starts to set in when there comes no response
  73. >A third time you knock, your strikes on the door echoing through the house
  74. >...
  75. >You think you hear a noise upstairs and quickly put an ear to the door
  76. >After hearing nothing more, you pace for a few minutes before looking up at the window again
  77. >You can't help but imagine Em sitting in bed, ignoring your knocks
  78. >It's paranoid, you know, but it kills you to picture it
  79. >...And part of you wouldn't blame her
  80. >You turn and walk, dejected, back home
  81. >Maybe some breakfast will lift your spirits
  82. 3/x
  83.  
  84. >At 8:30 you finally get home, having slowed your walking pace to a crawl, not really wanting to go there
  85. >After staring into your refrigerator for a minute, you finally pull out some eggs and vegetables to make an omelette
  86. >You put a pan on the burner and turn on the heat after dropping some oil in
  87. >Turning to the counter, you start chopping onions and peppers finely
  88. >As you run the knife along the board, cutting the vegetables into small pieces, your mind wanders to your fight with Em
  89. >The look on her face when she told you to leave, the way her voice shook...
  90. >The tears streaking her-
  91. FUCK!
  92. >Your hand flies up, blood dripping from where you ran the blade over it
  93. >The burner knob makes a loud click as you angrily turn it off and quickly walk to the bathroom to bandage the finger
  94. >After tightly wrapping the cut, you walk back to the kitchen and scrape the chopped vegetables into the trash, tossing the cutting board into the sink when you're done
  95. >You sit in the living room and read in order to take your mind off of the morning's events
  96. >The clock strikes 10:00 and you look up, groaning, as you remember you still have work at 5:00...
  97. >And nothing to do until then...
  98. >You can't just walk into Em's office to talk to her, that would destroy any semblance of secrecy still left in your relationship
  99. >Plus, you don't want to cause a potential scene at work for her
  100. >You think for a minute before coming up with an idea
  101. >If you can't find Em, or she's ignoring you, or avoiding you, then you'll just go through Rose
  102. >You go to the study and grab a quill and paper
  103. 4/x
  104.  
  105. >...Though Rose is so close to Em that anything you tell her will go straight to the tan mare...
  106. >You consider not going to her as that thought crosses your mind, but decide to go through with it anyway
  107. >Now's not the time to get hung up on details like that
  108. >Not if you want to patch things up here
  109. >Besides, you can always leave things out talking to Rose
  110. >You fold the letter and put it in your pocket before heading out the door again
  111. >The clouds are starting to clear as you walk to the florist's shop, the sun breaking through now and again
  112. >The wind has died down a little bit, aside from the occasional gust or two
  113. >You get to Rose's shop a little after 10:15
  114. >Through the front window you can see her turn and walk to the back storeroom just as you come to the door
  115. >If you didn't know better, you'd swear she looked at you before she went
  116. >You walk up to the counter and wait
  117. >...And wait
  118. >...And wait...
  119. >Rose finally saunters out from the back after five minutes, by which time you're making for the door in your impatience
  120. >”Can I help you, stranger?”
  121. >Always with that half-mocking tone of voice
  122. Not in the mood, Rose. I need a favor
  123. >She looks at you condescendingly
  124. >”And you start off asking like that? Come on, Anon”
  125. >You really don't need this right now
  126. >She looks on as you produce the letter from your pocket
  127. I need you to get this to Em at her office. I'd bring it myself, but...you know
  128. >”You two and your secrets. Tsk tsk, Chef”
  129. >She takes the letter from you
  130. >”One of these days you'll learn not to keep so many”
  131. 5/x
  132.  
  133. >Rose has a point
  134. >But you're not about to show it
  135. ...Has she said anything about us?
  136. >”You're going to want to ask her that yourself, Anon”
  137. >She starts walking back to the storeroom
  138. >”I'll bring her your note, but it's up to you what happens after that”
  139. >You walk out of Rose's shop feeling confused
  140. >The florist is impossible to read. You're not sure if she's helping you or fucking with you
  141. >Just once you'd like to deal with somep0ny who has clear motives
  142. >...But that's a pretty unrealistic wish, you realize
  143. >You just hope Em gets your message
  144.  
  145. >Walking home from the florist's shop, you hear your stomach growl
  146. >You remember that you haven't eaten yet today, much to your frustration given your accident at breakfast
  147. >Not in the mood to cook anything, you decide to head to the cafe for an early lunch
  148. >The waiter seats you outside and you look over the short fence at Mane Street
  149. >Rose's words to you earlier have not sat well
  150. >She didn't let anything on about how Em is doing, either because Em hasn't told her or because the red-maned mare is keeping it from you
  151. >Either way, you're uneasy about it
  152. >Your thoughts are interrupted when the waiter comes for your order
  153. >After hastily ordering a sandwich and fries, you turn your attention to fiddling with the silverware
  154. >A clopping off to the side tells you somep0ny is coming
  155. >Turning your head, you see Rarity walking over to your table
  156. >You stifle a groan and put on a smile for the white mare
  157. >”Good morning, Anon. Care for some company?”
  158. >Her tone is genial but masks some bitterness
  159. >Makes sense, given the circumstances
  160. Sure, Rarity. Something to eat?
  161. >”Why didn't you tell me about The Mayor?”
  162. 6/x
  163.  
  164. >So she's skipping pleasantries and getting right to it?
  165. >...Great
  166. >Exactly what you needed right now
  167. >You let out an exasperated sigh and look at the unicorn as she sits down and waves a waiter over to order a drink for herself
  168. >”Well? You waited weeks to tell me about you and your Mayoral paramour. Now you're going to tell me why you couldn't just say it when it mattered”
  169. I didn't think it di-
  170. >”Don't give me that, Anon. I spent three days wondering if it was because of something I did, or how I looked, or how I acted... You could have just done the mature thing and told me you had another mare already, but you didn't and I want to know why”
  171. >She isn't yelling, but you can almost feel the indignation and anger behind her words
  172. Can we not do this her-
  173. >She plants a hoof firmly down on the table
  174. >”No. You tell me right now, Anon. I'm not waiting any longer for the explanation I should have had a month ago”
  175. >You rub your forehead as the waiter brings out your food
  176. Fine. You want the truth? Here it is
  177. >After taking a gulp of water your look Rarity in the eye
  178. I didn't tell you about The Mayor because she and I agreed that we'd keep our relationship under wraps for the time being. Not only that, I don't think either of us were sure of what we were doing back then. Neither of us planned for it to happen, it just did
  179. >”So you kept it secret from everyp0ny because you didn't want it out in the open?”
  180. >She seems unimpressed
  181. No, not just that
  182. >”Then by all means. Continue”
  183. 7/x
  184.  
  185. >You take a bite of sandwich before going on
  186. >Her talk of maturity and her patronizing line of questioning has you on edge
  187. I also didn't want you to freak out when you came to me that night
  188. >She blinks blankly
  189. You caught me by surprise, showing up at my house like that but I knew it was going to happen sooner or later
  190. >Rarity's voice drops and she asks weakly
  191. >”You...you knew?”
  192. What, did you think you're the first mare to have feelings for me? You think you're the first one to try something like that?
  193. >Her advantage is gone. She's looking at you in confusion as you turn the conversation on her
  194. >”How long did you know...?”
  195. A few months ago when you started hesitating before talking to me, like you were trying to choose your words more carefully
  196. >A blush appears on her face and she furrows her brow
  197. >”Why didn't you say anything?”
  198. >You're being more harsh than you should, but you figure it can't get any worse
  199. I don't see you that way. Confronting you about it would have gone badly, especially if you were in denial about it, which you were up until a few weeks ago
  200. >You cast your gaze out the window as Rarity recovers from what you've said
  201. >”I...”
  202. >She stops and looks at the table
  203. Anyway, I didn't tell you then because I thought I could spare you the drama of me choosing somep0ny else over you
  204. >”What, you didn't think I could take it?”
  205. Honestly? No
  206. >She looks genuinely hurt by that statement
  207. You came to me impassioned and earnest, Rarity. I could tell how much it meant to you when you kissed me and I didn't want to hurt you any more than I had to...
  208. 8/x
  209.  
  210. >”Well you certainly did a fine job, Anon”
  211. >You catch a subtle quaking in Rarity's voice and realize you've taken this a bit far
  212. >After looking back at the mare, you take a deep breath and reign in the vitriol
  213. Look, Rarity, I'm sorry. About everything. I should have told you about the Mayor and I when it started. It wasn't fair of me to keep it from you
  214. >You put your hand out and lay it on her hoof
  215. >”I suppose you DID have some extenuating circumstances to deal with, Anon...”
  216. >She's obviously still hurting from what you've said to her
  217. >Your heart sinks a little knowing that
  218. >The mare's still young and inexperienced. You can't really hold that against her
  219. >...Even if it would make you feel a little better having been so callous
  220. It's been a hectic few weeks
  221. >You look up and meet her eyes
  222. For all of us, I think
  223. >You finish your sandwich in silence and drop a few bits on the table before getting up
  224. I'll see you later, Rarity. Sorry if my explanation left something to be desired
  225. >She looks up at you and just nods
  226. >That could have gone better
  227. >As you walk towards the door, you spy a familiar pink mane bobbing up and down in front of the entrance
  228. >You turn to the host as you pass
  229. Excuse me, what number table was I seated at? I like to sit at the same one when I come back to restaurants
  230. >”Oh! Table Eleven, sir. Did you enjoy your meal?”
  231. Very much so, thank you
  232. >You walk out and pass by Pinkie Pie
  233. >This is either going to be really good or a real dick move, depending on how it pans out
  234. Ask for Eleven. Great conversation starter
  235. 9/x
  236.  
  237. >You spent the greater part of the afternoon taking care of your knives
  238. >Making sure everything is sharp, honed, and in good condition helps to take your mind off the...
  239. >...Well, you're not really sure HOW you're feeling
  240. >But the slow and methodical way in which you draw each blade across the steel has a calming effect
  241. >It's simple; mechanical
  242. >The same motion, over and over again
  243. >You lose track of time while you do it
  244. >Each hour, as the clock strikes, you're briefly shaken out of your concentration
  245. >But after a minute or two each time, you're back into it
  246. >When you finally get to the Kitchen Knife, you stop
  247. >You turn the tool over in your hands, looking at it
  248. >The patterns in the steel catch the light brilliantly, contrasting the ebony handle's smoky black grain
  249. >You run a finger over the inscription
  250. >”A true chef's heart, his very being, is held in his knives.”
  251. >It's the first time in a long time that reading those words that they don't fill you with pride
  252. >You draw the blade along the steel like all the others, making sure the edge is true and razor-like
  253. >The clock strikes 4:30
  254. >You stop what you're doing and look up
  255. >Time for work. Hopefully tonight won't be as much of a shit-show as last night was...
  256. >You put all of your knives in their carry-case and change into your work clothes
  257. >Before leaving for work, you look out the window and wonder if Em got your message
  258. >She never did come to talk today
  259. >Then again, it's just now 4:30. She's probably still at work
  260. >A sense of anxiety crawls over you
  261. >Good service or no, it's going to be a long night
  262. 10/x
  263.  
  264. >You get to the restaurant a few minutes before your shift starts
  265. >When you walk into the kitchen, you aren't met with the usual greeting from the kitchen staff
  266. >Instead, there's a manager talking with your Sous
  267. >The cooks are looking on in curiosity, not noticing that you've entered
  268. >After a second or two, the manager looks up and sees you
  269. >The cooks turn and look at you as the manager walks over, glaring with a knotted brow
  270. >”Follow me. Boss wants a word”
  271. Now? I've got to start getting ready for servic-
  272. >”Now...Chef”
  273. Alright
  274. >You follow the manager out of the kitchen and into the owner's office
  275. >The stallion motions for you to take a seat before sending the manager out of the room
  276. >He slowly gets up and walks around the desk as he speaks
  277. >”How are you, Anon?”
  278. I'm well. And you?
  279. >He looks at you sidelong
  280. >”I've been better, Anon. I heard about last night's service from the night managers. It sounded rough”
  281. It wasn't our best performance, I know-
  282. >He cuts you off tersely
  283. >”I know. It happens. What I need is for you and your team to pull together and work through any rough patches”
  284. We wi-
  285. >”What I DON'T need...”
  286. >His tone becomes harsh and reprimanding
  287. >”...Is a Head Chef who pitches a twice-damned FIT in the kitchen with a full house!”
  288. When you hired me you said I could run the kitchen my way-
  289. >”When I hired you, I thought I was getting a Head Chef who could keep a level head”
  290. >He sits back down
  291. >”I'm suspending you for the time being, until you sort out whatever in Tartarus is making you act so unprofessionally”
  292. Bu-
  293. >”Starting now. You're excused.”
  294. 11/x
  295.  
  296. >The kitchen is muted
  297. >You walk through the door, ignoring the gazes of the kitchen staff as you pass towards the exit
  298. >Ginger Gold says something, but it doesn't register. You just go by, giving no response
  299. >The Sous catches you at the door as you're about to leave
  300. >”Chef, what's going on?”
  301. You're in charge of the kitchen until I get back. Consider it a temporary promotion
  302. >The acid in your words makes the Sous edge away a little
  303. >”Wh-”
  304. >You're out the door before he can finish the word
  305. >With a suddenly free evening, you walk home slowly
  306. >It sinks in that you've really let this situation get out of hand
  307. >Maybe it's overexposure?
  308. >Maybe you need to take a break from all of this?
  309. >You look South, in the direction of Fillydelphia
  310. >Maybe your boss is right. You do need to sort yourself out...
  311. >And since you're on suspension, you've got time to do it without the stress of work...
  312. >Might be good to get back to your roots too...
  313.  
  314. >The train station is still open, thankfully, when you get there
  315. >You walk up to the counter, having been overtaken by a sudden feeling of urgency
  316. >A need to get away; for a change of location so that you can get yourself together...
  317. One to Fillydelphia in the morning
  318. >”What time?”
  319. Ten...
  320. >You pause for a second
  321. One way
  322. 12/x
  323.  
  324. >Em's stomach growls
  325. >It's been hours since lunch, but she can't take a break
  326. >Too much Tartarus-sent paperwork...
  327. >She looks up at the clock and rests her head on a hoof, exasperated
  328. >5:00
  329. >After looking back at the pile of papers on her desk, she decides that enough is enough for one day
  330. >The letter from Anon sits unopened on her desk and she takes it with her as she leaves her office
  331. >Rose had brought it to her that morning, saying it seemed important, but Em had been too busy with work to sit down and read it
  332. >The florist seemed a little off though, Em thought
  333. >Like she was in a bad mood or something
  334. >Em brushed it off as something happening at work
  335. >On the way home, the letter starts feeling like it's burning a hole in her bag
  336. >She picks up the pace, wanting to get home to read it as soon as she can and hopefully be rid of this sudden anxiety
  337. >Finally she gets home and goes to the living room
  338. >After taking a seat, she pulls the letter out of her bag and opens it
  339. >Having not heard from Anon in the last couple days, Em is filled with anxious curiosity as she reads...
  340.  
  341. >The restaurant is less crowded than usual when Em arrives
  342. >A host seats her at Table Four and gives her a menu before walking back to the desk, leaving the tan mare alone with her thoughts
  343. >She sits and thinks about how she can tell Anon that she's here without raising any suspicion
  344. >As she looks through the menu, an idea strikes her
  345. >The waiter comes to take her order
  346. I'll have the risotto
  347. >She sits back and waits for the food to come out
  348. 13/x
  349.  
  350. >While Em sits at her table, she looks around idly at all the other patrons
  351. >She munches on some bread, nervousness mounting as the minutes drag on
  352. >The atmosphere of the restaurant doesn't help. It's busy and she can hear every conversation going on around her
  353. >Waiters scurry to and fro, bringing plates out, carrying platters to tables, checking on customers, and bustling about the dining room
  354. >Maybe it was a mistake coming here
  355. >She briefly considers leaving, but is interrupted by the arrival of her dinner
  356. >The aroma of the mushroom risotto brings a flash of memory with it, taking her back to her visit almost a month ago when she impulsively gave Anon her invitation to lunch
  357. >She chuckles to herself as the waiter walks off
  358. >Passing notes like a schoolfilly, secret meetings, secret lessons...
  359. >Thinking about earlier weeks makes her almost giddy, but it's tempered by her and Anon's recent...issues...
  360. >She takes a bite of risotto
  361. >After a second she stops, knotting her brow
  362. >Something isn't quite right
  363. >She swallows, trying to place what's different
  364. >Not enough salt? No, that's not it...
  365. >More thyme than usual? Maybe...
  366. >She gives up after a minute and flags down a waiter
  367. >Whatever is different, it doesn't taste like Anon's cooking
  368. >If he's is in the kitchen, he'll know she's here
  369. I'd like a new risotto. This one has too much thyme
  370. >The waiter nods and takes the plate back to the kitchen
  371. >Em sighs and leans back, looking blankly up at the ceiling
  372. >If that WAS Anon's risotto, she can tease him about it when he inevitably comes out to the table
  373. >He gets flustered when she makes jabs at his cooking
  374. >She smiles to herself a little at the thought
  375. 14/x
  376.  
  377. >A few minutes later the new risotto comes out to the table, carried by the waiter
  378. >Em looks behind him, hoping to see Anon following, but the stallion is alone
  379. >”Here you are, ma'am. Let me know if you need anything else”
  380. Thank you
  381. >She takes a bite, disappointed
  382. >The risotto still tastes off. She can't place what it is, but it's different
  383. >After eating a little more of the dish, she again flags down the waiter
  384. >”What can I do for you, ma'am?”
  385. I'd like to speak with the Chef, if you don't mind
  386. >”Of course. I'll bring him out, Madam Mayor”
  387. >The stallion trots off towards the kitchen
  388. >Em watches him go and thinks of what she's going to say to Anon when he comes out
  389. >Was he back there but ignoring her? Did he understand that she was sending a message with the return? Was he still ma- Who is that?
  390. >The waiter returns with an unfamiliar unicorn in tow
  391. >”Madam Mayor, our Sous Chef”
  392. Sous Chef?
  393. >The Sous pipes up
  394. >”Yes, Head Chef Anonymous has taken an... extended leave of absence. I'm filling in while he's away”
  395. I see...
  396. >”Did you have a question about the meal?”
  397. >Em looks up at the Sous, a little confusion and more than a little worry crossing her face
  398. No, I just wanted to know who prepared this wonderful risotto
  399. >She gives a superficial smile as the Sous nods
  400. >”Thank you, ma'am”
  401. That's all. Sorry to take up your time
  402. >”Not at all, ma'am”
  403. >A knot forms in Em's stomach, which she tries to bury in risotto
  404. >Did he go somewhere?
  405. >He didn't mention this in his note...
  406. >Suddenly she's not so hungry...
  407. >She puts her fork down and waves the waiter over one last time
  408. Check, please
  409. 15/x
  410.  
  411. >Em walks out of the restaurant, a sense of dread crawling over her
  412. >The clock strikes 7:00 and she looks towards Anon's house, the knot in her stomach growing ever tighter
  413. >Why didn't he say anything about this?
  414. >Was he keeping it from her?
  415. >She stops in the middle of the street as an idea strikes her
  416. >If he's not at the restaurant, where is he?
  417. >An anxious chill rushes down her spine as her mind races to different possibilities
  418. >She looks all around before trotting towards the house
  419. >It's been days since she's seen him
  420. >Days without hearing from him
  421. >And now this happens?
  422. >A letter and then news that he's taking a leave?
  423. >What is going through his head?
  424. >She ignores the ponies who turn their heads as she rushes by them
  425. >The knot in her stomach tightens painfully when she sees all the lights turned off at Anon's house
  426. No, no... don't jump to conclusions...
  427. >She walks to the door, talking to herself to keep from panicking
  428. Calm down, Em. He wouldn't just leave. He couldn't. There's a perfectly reasonable explanation...
  429. >She knocks on the door, hoof shaking
  430. ...Celestia, I hope there is...
  431. >There's a great silence as she waits in front of the door
  432. >She can hear her heart pounding wondering if he's really gone somewhere without saying anything
  433. >There's a click
  434. >Em's heart skips a beat
  435. >The door opens
  436. >”Em?”
  437. >She launches herself into him, clutching his waist as relief washes over her, lighting up her eyes
  438. >Her mane falls in her face as Anon puts his arms around her and pulls her in
  439. >”I was afraid you didn't get my letter”
  440. >She can feel his heart beating through his chest
  441. >It's racing almost as fast as hers
  442. We should talk
  443. 16/x
  444.  
  445. >Your heart is racing
  446. >The knock at the door had nearly made you jump out of your skin
  447. >So focused were you on packing that you hadn't even realized it was getting dark out
  448. >It took some fumbling to get downstairs, seeing as you'd forgotten to turn any lights on in your hazy state of mind
  449. >And now you open your door and this tan, bespectacled, grey-maned mare is standing there looking like she's about to have a panic attack
  450. Em?
  451. >She practically rockets into you, taking you by surprise
  452. >You lean down and return her embrace
  453. I was afraid you didn't get my letter
  454. >She grips you tighter before looking up at your face, her mane askew
  455. >”We should talk”
  456. >You look out at the town
  457. >The sun has nearly set and the wind is starting to pick up
  458. Well we should go inside, then. It's getting cold out
  459. >The two of you head inside and you turn on some lights
  460. >The train ticket lies on the coffee table. You palm and slip it into your pocket before Em can see
  461. >She takes a seat on the couch across from you as you sit in your chair
  462. >There's an awkward pause before either of you speak
  463. Em, I'm sorry I freaked out a-
  464. >”I'm sorry I freaked out a-”
  465. >Seriously?
  466. >...At the same time?
  467. >That just happened?
  468. >”You first”
  469. >She's blushing
  470. >You think you see traces of a smile at what just happened
  471. Alright. I shouldn't have flipped out when you told me you slept with Hickory. He's just a sore spot for me
  472. >”Why?”
  473. I'd rather not get into it right now...
  474. >Her smile fades
  475. >”Anon, we need to be open with each other. The secrets game is clearly not going to work”
  476. 17/x
  477.  
  478. >You lean forward and rest your arms on your knees, looking at the floor
  479. >This was a story you'd been hoping to avoid
  480. >But there doesn't seem to be any avoiding it now
  481. I moved to Canterlot four years ago. I'd just come off a job as a Sous Chef in Manehattan and de Selle had contacted me to work as a part time professor for a semester. I taught a class about working in a real-life kitchen and ran a practice-restaurant on campus that the students in my class staffed. I met Hickory Smoke about a month in. He was old and experienced and he came into my kitchen once to see how it was running. Spent the first twenty minutes after I'd met him critiquing the way I was doing things. He said I reminded him of himself when he was younger and decided to give me a job at a restaurant he was opening later that year.
  482. >Thinking back, it was a good time in your life. Canterlot was full of fond memories. Em sits across from you, listening intently
  483. Of course, I accepted. Who wouldn't? I finished the semester and took a position in his kitchen as a Sous. Hickory and I got to be close friends in that time. He was a hard-working stallion. Taught part time at de Selle and ran the business side of the restaurant on top of that. Anyway, I worked for Hickory like that for about a year before I met Fleur.
  484. >”What does that have to do-”
  485. Em, if you're going to understand this, you need the whole story. Bear with me
  486. >She nods, clearly uncomfortable at the mention of Fleur's name
  487. 18/x
  488.  
  489. She was just getting into modeling then. We met when some big-shot decided he needed restaurant-quality catering for a photo shoot and hired my restaurant to do it. We wouldn't have been introduced if not for Fleur's taste for sweets and my unfortunate positioning between her and a tray of baklava. It was like coming between an Ursa Major and her cub. We were an item within a month and dated for two years after that
  490. >Em giggles a little, picturing the event, before readopting her somber face
  491. So while that was going on, I was working my way up in Hickory's restaurant. Two years in and he actually put me in charge of catering the Grand Galloping Gala
  492. >Em's jaw drops
  493. Right? Hickory put so much trust in me and helped me as a Chef more than anyp0ny ever had before. After the Gala he gave me these
  494. >You motion to the knife set lying on the table. After that evening's events you'd put them down in a hurry and rushed upstairs
  495. >Em looks at the knives, then back to you
  496. >”It sounds like you had a very good time in Canterlot, Anon. But I fail to see how-”
  497. I'm getting to that. Canterlot was where I spent four of the best years of my life, Em. You need to hear about them before I can tell you the rest. Alright?
  498. >”Alright”
  499. He had those knives custom made for me. They're my pride and joy, as it were. But that aside, catering the Gala was the greatest thing I'd ever done. I was on top of the world. I had the best job in Equestria, I was dating Fleur de Lis, who'd gotten a high-profile job modeling for Fancypants...I was living the dream...
  500. >You trail off somberly
  501. 19/x
  502.  
  503. ...But you have to wake up sometime, I suppose
  504. >Em knots her brow
  505. It happened so fast I barely remember most of it. Just seems like a blur...
  506. >Your tone falls as you recall your last two months in Canterlot
  507. It was the three-year anniversary of Hickory's restaurant. We were all out at the pub having drinks when Hickory started slurring his words
  508. >A knot forms in your throat
  509. At first we thought it was from the booze, but he'd only had a couple drinks. He got up to go to the bathroom and we saw his face droop...
  510. >Em puts a hoof to her mouth
  511. He fell over just after that. We tried to wake him up, someone called for help...By the time we got him to the hospital he was gone. Stroke. Just like that
  512. >You snap your fingers and get up to walk to the kitchen for a glass of water, talking as you go
  513. I fell apart. Couldn't cook, couldn't work...I left the restaurant a week later. I still don't know if I quit or got fired. I broke things off with Fleur a week after that. Nothing dramatic, mind you. No huge fight or anything like that...I just...shut down and we stopped seeing one another.
  514. >You return to your seat across from Em
  515. I moved back to Manehattan for a little while after that before I was contacted about the restaurant opening here that needed a Head Chef. At that point it had been three or four months and I'd gotten past most of my depression, so I decided a change of scenery would be good for me. When you mentioned Hickory back then it brought back some memories I'd wanted to keep buried. More so when we were arguing.
  516. 20/x
  517.  
  518. >”Anon, I'm so sorry...I didn't know...”
  519. It's alright. You couldn't have. Besides, I shouldn't have reacted the way I did when you told me about you and him. He'd told the story of how he'd gotten suspended for sleeping with a student, but hearing you tell it hit a little too close to home. He was like a father to me in some respects
  520. >She sits silently for a minute, processing everything you've told her
  521. >”Sorry...It's just a lot to take in”
  522. >She looks at the floor, pausing for another minute before looking up at you again
  523. >”...I shouldn't have gotten so upset at you about Fleur. I just see her and how gorgeous she is and I get so insecure...jealous...”
  524. Hey, I nearly kicked Fancypants in the face first time I saw him on location with Fleur. You don't have to apologize for getting a little jealous
  525. >Em gives a half-hearted smile
  526. >”Thank you for telling me about Hickory...”
  527. You're right. If this is going to happen we can't have any more secrets. It'll only end badly
  528. >”Okay. Full disclosure then?”
  529. Full disclosure
  530. >She takes a deep breath
  531. >”I'm not actually as old as everyp0ny thinks. I'm 35...”
  532. I'm 34
  533. >She smiles, then looks askance
  534. Something else?
  535. >...
  536. Em...
  537. >”Th.. isn.. my n...l m... c....r....”
  538. What?
  539. >”Th.. isn.. my n...l m...c....r....”
  540. Speak up
  541. >”THIS ISN'T MY NATURAL MANE COLOR”
  542. Wha...
  543. >She realizes she's shouting and sits back down, blushing sheepishly
  544. Not your...You got that embarrassed over something like that? What color is it really? Neon pink?
  545. >She turns a new shade of red and looks at you wide-eyed
  546. >”How did you know that?”
  547. >There's a pause
  548. >Then you burst out laughing, the sheer absurdity overcoming the otherwise dark atmosphere
  549. 21/x
  550.  
  551. >Em looks at you, stone-faced
  552. >”Are you done?”
  553. Hold...on...
  554. >You let out another ten seconds of laughter before pulling yourself together
  555. You've got to be joking. No way that's yo-
  556. >She gets up and walks over to you, parting her mane as she leans in close
  557. >You look at the base of the gray mane and see, just peaking out at the bottom of the hairs, bright pink
  558. Huh. Really don't like it, do you?
  559. >You flop back, her demonstration shutting you up
  560. >”It uh...I don't like the natural color. I've been dyeing it since I was a filly”
  561. >She's blushing
  562. Sorry. I wasn't expecting that to be on the list of revelations tonight
  563. >You look at her and smile before you remember something else
  564. >Em sees your face fall ever so slightly
  565. >”Something wrong?”
  566. >You sigh
  567. I should tell you, just for clarity's sake...
  568. >”What?”
  569. About Rarity. The unicorn with the purple mane?
  570. >”Yes, the Element of...Generosity. I know the one”
  571. Right. Well, we're close. Her parents rented me a room when I first moved here
  572. >Em sits silently again, insecurity coming over her face once more
  573. >”Did you da-”
  574. No. She's like a little sister to me. But she's young and naive. A little impulsive...
  575. >You're not sure how to phrase what you're about to say, so you just wing it and hope for the best
  576. So she...maybe kind of...kissed me the day after my demo with you...
  577. >She winces
  578. >You start to panic, scrambling to do damage-control
  579. She caught me by surprise, Em. And besides, I told her straight that I wasn't interested. I've got you
  580. >You realize as you speak that you've got to tell her
  581. There's more...
  582. >A breathless pause
  583. She knows about us
  584. >”...What?”
  585. I had to tell her
  586. >Em looks displeased
  587. 22/x
  588.  
  589. >”You HAD to tell her?”
  590. Em, she's trustworthy
  591. >The mare looks seriously concerned
  592. I couldn't keep it from her. Not after how I put down her feelings. Besides, she's a close friend. Rose knows about us. Think of it that way
  593. >She sighs and acquiesces
  594. >”I suppose so. Does anyp0ny else know?”
  595. >You hesitate for a moment
  596. ...Pinkie Pie does...
  597. >Em's hoof flies to her face as she squints
  598. >”...The baker? How did SHE find out?”
  599. She's intuitive. I guess she put two and two together? That one seriously knows how to read ponies
  600. >She's rubbing her temples now
  601. >”It's alright. I had a slip-up or two of my own, to tell the truth. A couple colleagues have been getting suspicious...”
  602. >You get up and go to the kitchen again
  603. Want something to drink?
  604. >Em returns to the couch and sits down
  605. >”Do you have any wine?”
  606. >You look through your cupboards until you find a bottle
  607. Merlot?
  608. >”Perfect”
  609. >You grab two glasses and a corkscrew before coming back and taking a seat next to her on the couch
  610. >As you pour the wine out, you feel a sense of relief at being able to open up more to this mare
  611. >She takes the glass as you raise yours
  612. Here's to terrible secret-keeping?
  613. >”Cheers to that”
  614. >The two of you take a drink and Em edges closer to you on the couch
  615. >You're near enough to her that you can put your arm over her shoulder
  616. >She leans on you softly
  617. >After a short pause, she speaks up again, quietly
  618. >”I'm sorry for everything, Anon. I really am...”
  619. I'm sorry too. I shouldn't have held what happened in my past against you
  620. >You both sit silently for a minute
  621. >Then you feel her snuggle up to your chest
  622. 23/x
  623.  
  624. >”I forgive you...”
  625. >You can feel her breathing against you
  626. >It's a pleasant feeling, having her here like this. You lean over her and run a hand through her gray mane
  627. I don't know why you're so embarrassed by that pink hair of yours, Em
  628. >She looks up, her face showing a slow-mounting annoyance at your bringing it up again
  629. >”I told you, I-”
  630. >You smile and lean even closer so you can whisper to her
  631. It suits you. I think it might make you even cuter if you let it
  632. >Her ear flutters from your speaking so closely into it
  633. >As you pull back you can see she's blushing deep red
  634. >It's too much to ignore
  635. >After a beat, you've pushed yourself on top of her, your lips locked tightly against hers
  636. >You break the kiss and stare at the mare under you
  637. >A tiny bit of drool trails from her tongue as she stares hazily right back at you
  638. >You missed this feeling
  639. >Her coat is warm and soft, like velvet against your skin
  640. >You lift her glasses off of her and set them on the table before leaning in again and planting your lips on her neck, eliciting a contented sigh
  641. >Her forelegs encircle you, pulling you even closer, so that you're pressed up against her
  642. >You coax another sigh from the mare as you brush your fingers along her ear while pushing her mane out of her face
  643. >”Those damnable hands of yours....”
  644. >She gasps when you start drawing light circles around her cutie mark with your finger
  645. You were saying?
  646. >”You're infuriating”
  647. So I'm told
  648. >You catch her in another kiss, more aggressive this time
  649. >It's only been a few days since the fight, but it felt like weeks; months
  650. 24/x
  651.  
  652. >Any remaining thoughts go out the window when she nips your lower lip lightly with her teeth as you pull up for a breath of air
  653. >The look in her eyes isn't hazy anymore
  654. >It's more...hungry
  655. >You take an end of the cravat around her neck and tug to unravel it
  656. >The ribbon-like cloth slowly pulls away, leaving her completely bare
  657. >As you toss the cravat aside, you feel her fumbling with your shirt
  658. >With a chuckle you pin her forehooves down and ask in a low whisper
  659. What do you think you're doing?
  660. >She doesn't answer, simply looking at you, her eyes flitting alternately to your chest and belt
  661. >Her blush is steadily deepening as you let her go so you can sit upright and pull off the shirt
  662. >She takes the opportunity to leap up and take the lead
  663. >Em's marshmallow hoof traces along your abdomen as she puts her lips to yours, her tongue desperately seeking yours
  664. >You happily oblige her, letting your hands wander about her back
  665. >She shivers heavily as you trail a finger along her spine
  666. >After a couple of minutes she breaks away and whispers in your ear, her breath heavy and hot
  667. >”Shall we head upstairs, Chef?”
  668. Think you can make it that long, Mayor?
  669. >”I'll manage...”
  670. >There is no sleep to be had for either of you tonight
  671. >Nor for your neighbors
  672. >The house will need to be re-shingled due to what the contractor later describes as “Earthquake-like shaking damage”
  673. >A passing pegasus falls out of the sky upon hearing the sounds coming from your bedroom
  674. >Luna, watching over Equestria during the night, spends four hours trying to get her wings down
  675. 25/x
  676.  
  677. >Morning comes bearing news reports of an unexplainable early estrus sweeping across Equestria
  678. >You slowly wake up with Em nestled snugly against you
  679. >She's still sound asleep, her breathing slow and calm
  680. >You lay a light kiss on her neck and try to wriggle out of bed without waking her up
  681. >It doesn't work
  682. >You somehow manage to tangle yourself in the sheets and as you swing your legs over the edge of the bed you flip yourself over, pulling Em down with you
  683. >A loud yelp lets you know that she's awake now
  684. >”...Good morning...?”
  685. Sorry. So much for letting you sleep in
  686. >”Oh, it's not so bad”
  687. >She crawls on top of you and lays herself on your chest
  688. >”I heard you were on a leave of absence, but I've got a weird feeling that's not quite true”
  689. >You look away
  690. >She kisses your cheek
  691. >”You know, I don't even mind”
  692. >You gaze up at her before motioning for her to get off you
  693. Wait here
  694. >You walk downstairs and pick up your kitchen knife and putting it in its individual carrying case before returning to the bedroom
  695. >Part of you can't believe you're doing this
  696. >The rest of you can't think of anything more appropriate
  697. >”What have you got behind your ba-”
  698. >She stops when you produce the knife
  699. >”Anon, what's-”
  700. >Her eyes go wide
  701. I want you to have this
  702. >You place the knife in her hooves
  703. You mean more to me than I originally thought. I really thought I was going to lose you...
  704. >She sits paralyzed on the floor
  705. >After a beat, she's wrapped her hooves around you
  706. >”I guess I'll really have to learn how to cook now, so I can use it?”
  707. I guess I'll have to get teaching
  708. End