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Table For Two 7: Insalata

By: Fillydelphian on Jun 14th, 2012  |  syntax: None  |  size: 27.07 KB  |  hits: 372  |  expires: Never
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  1. >Rarity's lips tremble as she presses them against yours
  2. >Her eyes are shut tight and you can see that she's furrowing her brow
  3. >After a few seconds you're able to break away from her
  4. >She looks at you painfully, her eyes darting around your face searching for something...anything
  5. >Nothing
  6. Rarity...
  7. >A look of panic crosses her face and she takes a step back before you reach out and grab her hoof
  8. Talk to me. I know you came here to talk, so talk. You can't run away from this kind of thing forever
  9. >Rarity stops trying to pull away and drops down to the gravel path in front of your house
  10. >”I'm sorry...I don't know what came over me...I just-
  11. -wanted to come and tell me how you feel, but couldn't say it when the time came and did the next best thing you could think of on the spot?
  12. >She paws at the ground and hangs her head
  13. >”I'm sorry, it was impulsive and gauche and-”
  14. And it happens to the best of us
  15. >You put a hand on her head
  16. >She looks up, her eyes carrying a glimmer of hope
  17. But just don't feel that way about you
  18. >Her face falls again and she looks back at the ground
  19. >You sigh heavily. This is not the way you wanted your day to end
  20. You're a great mare, Rarity. Don't ever doubt that. You're going to make some stallion very happy someday
  21. >You know nothing you say can really make her feel better, but you can't just leave things at 'No'
  22. >Rarity looks up at you again and puts on a weak smile to hide her real emotions
  23. >”Alright, Anon. Thank you for being honest with me...”
  24. >She turns and slowly walks away
  25. >”Goodnight, Anonymous”
  26. Goodnight, Rarity
  27. 1/x
  28.  
  29. >Rarity walks away from Anon's house slowly
  30. >She's still got a smile on her face, trying desperately to convince herself that she's fine
  31. >When she hears the door close she lets out a sob
  32. >She makes her way home shakily, trying to keep her eyes from overflowing
  33. >As she goes down Mane Street, the warm lights of Sugar Cube Corner catch her eye
  34. >They should have closed hours ago
  35. >Rarity sees a poof of pink mane in the window
  36. >She sniffles, pulls herself together, and walks over to the bakery
  37. Pinkie? Oh, Pinkie, are you there?
  38. >There's a long pause before Pinkie Pie's head pops out the window
  39. >”Oh hey, Rarity! What's up?”
  40. You're still open? I thought you closed at eight?
  41. >There's another pause as Pinkie looks at Rarity and sees the state she's in
  42. >”...Tonight was a special occasion. Want to come in?”
  43. ...I thought you'd never ask...
  44. >She hurries inside, eager to have an outlet for her feelings right now
  45. >The smell of pastries fills her head and calms her down somewhat more
  46. >Pinkie walks out from the kitchen with a platter of eclairs
  47. >The pink pony's been working hard, it seems
  48. >”Bad news?”
  49. >Rarity looks down
  50. >She holds back renewed heaves and speaks slowly
  51. It was just so fast...I wanted to...to tell him, but I couldn't...and then he was so close and I couldn't find words...
  52. >She takes an eclair but sets it back on the table
  53. ...I kissed him, Pinkie...
  54. >Pinkie looks surprised for a moment before her expression changes to understanding
  55. >So THAT'S what her Pinkie Sense had meant
  56. >”I guess it didn't go well from there?”
  57. Dreadfully...I mean, he was a perfect gentleman about it, of course, but I still feel awful about what happened...
  58. >”I know the feeling...”
  59. 2/x
  60.  
  61. >Pinkie sighs
  62. I know the feeling...
  63. >She sits down next to her friend
  64. >”I can't help it...I had such high hopes...And it felt like he was hiding something, too...like there was some detail he was leaving out”
  65. >Pinkie's got a feeling she knows what it is Anon was hiding
  66. >Should she tell Rarity?
  67. >Would that be right?
  68. >She opens her mouth to speak, but closes it again in silence, deciding not to bring any more on the white mare
  69. >”Now I don't know what's going to happen with us...I'm supposed to be his friend, Pinkie...”
  70. I'm sorry it didn't work out the way you wanted, Rar
  71. >Pinkie gets up and walks to the window, looking out at the night sky
  72. It might be for the best, though...maybe now you can pursue other ponies?
  73. >Rarity looks up from the table, a look of hurt on her face
  74. ...A-after you get over this, I mean...
  75. >Without another word, Rarity is up and out the door, pained tears starting to well up in her eyes
  76. >Pinkie sinks to the floor, her mane now deflated
  77. >She puts a hoof to her face
  78. Buck...what a stupid thing to say, Pinkie...she's your friend...what in Celestia's name did you say that for?
  79. >So much for averting disaster
  80. Stupid Pinkie Sense...
  81. >Pinkie had gone to Rose the night before to talk
  82. >The florist was a great listener, but her advice left Pinkie with more uncertainty than she'd gone in with
  83. >”Figure out what YOU want”
  84. >She holds her legs tight and close to her chest and hangs her head
  85. >The look on Rarity's face made a hole in the pit of her stomach that still aches
  86. >The clock reads 11:55
  87. >She's going to have a long day ahead of her tomorrow
  88. 3/x
  89.  
  90. >You look up at the clock on the mantle
  91. >11:55
  92. >This has not been the best night
  93. >It was going so well, too
  94. >Service was fantastic, you were in a good mood, everything was going your way
  95. >And then this happened
  96. >This shitty situation cropped up and now you've got an enamored young mare who's feelings you've just gotten through tossing back in her face to deal with
  97. >If you hadn't started seeing Em-
  98. >No. No, you'd still not be able to reciprocate Rarity's feelings
  99. >She's too young. Too immature. You really only see her as a little sister
  100. >But Em...
  101. >Em's a whole different story
  102. >Your thoughts linger on the tan mare and you find yourself wondering what she's doing right now
  103. >A smile crawls across your face
  104. >The clock strikes 12:00
  105. Guess she's probably sleeping
  106. >You picture her lying in bed peacefully, wrapped up in her green sheets, a warm, sleepy smile on her face...
  107. >Your chest feels lighter thinking about it
  108. >You head to the kitchen to fix a drink
  109. >In all the activity that morning, you haven't made plans to get together with Em again
  110. >You'll have to change that
  111. >The night is calm. You sip your drink in the kitchen, staring out the window and daydreaming for a half hour
  112. >Even with the unfortunate events of tonight, you feel good knowing that you've got Em in your life now
  113. >Granted it was only one night, but still
  114. >You can see many more in the future with that mare-
  115. >Now let's not get ahead of ourselves here. You had ONE date...sort of...
  116. >Maybe give it a few more get-togethers before getting attached?
  117. >It's not good to take these kinds of things too quickly
  118. >With a yawn you start up the stairs to bed
  119. 4/x
  120.  
  121. >You walk to Em's house before work on Saturday, making sure nop0ny sees you coming or going
  122. >Personally, you don't like having to sneak around, but you deal with it because it's worth the hassle
  123. >Em answers the door  wrapped in a towel, her mane dripping wet from the shower
  124. >”Alright, alright, I'm coming! The nerve of some ponies, knocking on my door a-”
  125. >She turns beet red when she sees you standing on her doorstep
  126. Bad time?
  127. >”Uh...no, no, I just wasn't expecting company at...”
  128. >She looks at the clock
  129. >”...9 in the morning”
  130. >The towel makes a soft sound as she shifts it around to better cover herself
  131. You're not embarrassed, are you?
  132. >You eye the tan mare with a grin
  133. >She glares daggers back
  134. >”So what did you come here for, Anon?”
  135. Hey, no need for that official tone, Em
  136. >You get up and sit right next to her, close enough that you can feel her shift, agitated beside you
  137. I wanted to see how you were doing
  138. >”It's only been a day”
  139. Oh? Should I come back another time?
  140. >You get up to go but are stopped when you feel her tug on your hand
  141. >She's blushing again with that sheepish look on her face
  142. >A wide smile comes over you as you turn back
  143. >”Just to check up on me?”
  144. >Again you sit beside her
  145. >This time though, she leans over and rests herself on you
  146. Well...more to make dinner plans. I'm free next Sunday
  147. >”I think I can fit it into my schedule. But that means a week of waiting, Anon”
  148. Did you have something in mind?
  149. >”What are you doing Wednesday around noon?”
  150. I've got a lunch meeting with The Mayor
  151. >”Oh, I'm sure she'll understand”
  152. >This mare...
  153. 5/x
  154.  
  155. >”So what were you thinking for dinner, Chef?”
  156. >Em has on her face the most devilish look you've ever seen
  157. >”Because I'll have work in the morning. I can't be out too late”
  158. I'll try not to keep you too long, I promise
  159. >”Why don't you just come over here Sunday night?”
  160. Again? Might get repetitive
  161. >”I didn't hear you complaining last time”
  162. >She's got her head on your shoulder and looks up at you playfully
  163. >A wet patch grows on your shirt where her mane drips on it, but you can't find it in you to mind
  164. Touche. Wednesday it is, then Sunday. I'll come by around noon and we'll find a cafe
  165. >”Sounds lovely”
  166. >She snuggles up to you
  167. >That's too damned cute to let slide...
  168. >You look at the clock
  169. >9:30
  170. You know, I've got a few hours until I've got to go to work...
  171. >”Look at that? It's MY day off...”
  172. >...
  173. >An excruciatingly long pause
  174. >...
  175. Race you upstairs?
  176. >”Buck that”
  177. >She nearly flings herself onto your lap, sending drops of water cascading around the room as her  mane whips around following her body
  178. I guess we're not worried about getting the couch d- mmph!
  179. >She breaks her mouth away from yours after a few seconds to reply
  180. >”Do I look like I care about that right now?”
  181. Not even close
  182. >You lean in and plant a kiss on her neck
  183. >She shivers and tilts her head to expose it more
  184. >A pair of hooves press against your chest as you roll on top of her, tracing lines along her flank
  185. >”What happened to 'taking it slow?'”
  186. What happened to “it's only been a day?”
  187. >She smiles and bites her lip before she pounces up and pulls you into a deep kiss
  188. 6/x
  189.  
  190. >You push Em's damp mane out of her face as you finally pull up to catch your breath
  191. >She shudders heavily when you trail your fingers down her back, raising her upright
  192. >Her face is flushed and her breath is starting to get ragged
  193. >She keeps her hooves against your chest and stares straight into your eyes hungrily
  194. >You think back to last night and laugh a little. “Take it slow,” what a joke
  195. >Almost instinctively you go for her neck again, planting a strong kiss on it and relishing the shivers it elicits in the mare
  196. >She seems to become more aggressive at that
  197. >You feel something brush past the side of your head
  198. >Then a tickling sensation as she nuzzles your ear before opening her mouth and-
  199. >Wow, that's really nice, actually
  200. >You run you hands along her flank, up to her cutie mark
  201. >Her back arches
  202. What have we here?
  203. >You look at her as she pulls back, gasps quietly, looks at you again, and pushes you down onto the couch
  204. >”Let's not get ahead of ourselves”
  205. Didn't sound like you quite minded
  206. >Her blush deepens
  207. >You raise yourself up on your elbows, but she pushes you back down, leaning over you
  208. >”We want to take our time, right?”
  209. >That look in her eye...
  210. >You like it
  211. >She lets out a short cry of surprise when your arms shoot up and pull her down to your level
  212. >It feels different from Thursday. Thursday was a release of pent-up frustration
  213. >But this?
  214. >This is something more deliberate
  215. >There's no background of doubt holding you back
  216. >You could get used to this
  217. >Coherent thought gets hazy when you feel Em's lips start trailing down onto your neck and chest
  218. 7/x
  219.  
  220. >Hours later
  221. >You go out the back door of Em's house
  222. >It's nearly noon and the streets are more busy than they were in the morning
  223. >You hop the fence in her backyard after saying your goodbyes
  224. >Landing in the next yard over you look up to see a pair of huge eyes looking at you
  225. >”Hi, Mr. Stranger! What are you doing jumping over fences? Are you playing Hide-and-Seek? What's you name? Mine's...”
  226. >Boy, this foal can talk
  227. >You hear a door open to the yard
  228. >”Is somep0ny out there with you, junior?”
  229. >You nearly panic, looking wildly left and right for an escape route
  230. >The foal is looking at you funny, but he seems more curious than anything else
  231. >Can't really blame him though, you're a big two-legged ape who just hopped the fence to his yard out of nowhere
  232. >There are some bushes separating you from being seen from the back door
  233. >You contemplate jumping into them to hide, but decide that would be a terrible mistake
  234. >The sound of clopping becomes clear
  235. >Somep0ny's coming to see who's in their back yard
  236. >You've got to think fast
  237. >Another fast look around reveals some trash cans near the fence
  238. Really?
  239. >The sound of hoof falls comes louder
  240. >No time left
  241. >Gotta act
  242. >You leap at the cans...
  243. >...And use them to boost yourself over the fence
  244. >You land in an alley and walk quickly to the street
  245. >Behind you you can hear the confused conversation that follows
  246. >”Was somep0ny out here, junior?”
  247. >”No, just the Slenderpony”
  248. >”What?”
  249. >”He was big and tall and skinny, just like the stories at sleep-away camp!”
  250. >”Uh-huh...”
  251. >You wipe some sweat from your brow in relief
  252. >That was a close call, but you're still in the clear
  253. 8/x
  254.  
  255. >As you walk down the street you think about Em
  256. >Your hands move up and you make a swinging motion as if you're holding an invisible bat
  257. Home run...
  258. >”What's a Home Run?”
  259. >A bubbly voice beside you makes you start
  260. Pinkie? How long have you been there?
  261. >”Not long! But what's a Home Run and why did you swing your arms like that? It looked like FUN!”
  262. >She's awfully energetic today
  263. >Come to think of it, though, you're not actually sure what 'home run' means
  264. >Another half-remembered hold-over from your old life, you suppose
  265. Don't worry about it, Pinkie. It's just a...human thing...
  266. >She looks at you strangely for a second before the giddiness comes back to her face
  267. >”So how are you today, Anon? You look like you're in a good mood! I'd even go so far as to say you're...glowing”
  268. >Her tone drops on that last word...
  269. >Why did she say it like that?
  270. >Why does she have that look in her eye?
  271. >Is she on to you?
  272. >How could she possibly suspect?
  273. Uh...sure? I guess I'm in a good mood lately. Lots of good stuff happening at work
  274. >”I'll bet”
  275. Okay, well, I've got to get to work soon. Nice seeing you, Pinkie
  276. >”Samesies! Take care, Anon!”
  277. >She bounces off happily
  278. >You let out a sigh of relief and continue on the way home so you can shower and get ready for work
  279. >If you can avoid any more paranoia-inducing ponies this might just be a great day
  280. >The rest of the walk home is a chance to cool down and bask in your good mood again
  281. 9/x
  282.  
  283. >A week and a day later
  284. >Sunday
  285. >The alarm clock rings you awake at 8:00
  286. >You get out of bed quickly, eager to start the day
  287. >The sun shines brightly into your room and you stand in the brilliant shaft under the window for a minute, taking in the morning light
  288. >You put a pot of coffee on to start brewing and open the morning paper
  289. >Sitting there in your kitchen, you feel a sense of vague nervousness as you start thinking about tonight
  290. >You're a little excited. You get to cook with Em tonight, maybe show off a little to the mare, get to know her better...
  291. >The last part sticks in your mind
  292. >You've gotten together with Em four times now, socially or otherwise, but aside from snippets and half-stories, you don't feel like you know her that well
  293. >You'd like to change that
  294. >Hopefully she does too...
  295. >The clock on the mantle chimes to herald the half-hour
  296. >There's a small knot of anxiety in your stomach now
  297. >What if what you've got now is all she wants?
  298. >It hadn't occurred to you earlier, but what if she doesn't want something more...personal?
  299. >You shake it from your mind. Not worth getting worked up about right now
  300. >Not when you've got work this morning
  301. >Besides, you're both adults. You can work these things out...
  302. >...At least you hope you can
  303. >You take the coffee pot and pour out a mug
  304. >On the kitchen counter sit two bags full of the dry ingredients for tonight
  305. Deja vu
  306. >You chuckle before remembering something you haven't gotten yet
  307. >Quick look at the clock tells you the time
  308. >9:40
  309. Okay, that's enough time
  310. >You bolt out the door in a hurry to get to Rose's shop
  311. 10/x
  312.  
  313. >Rose takes her sweet time coming to the counter when you arrive
  314. >When she finally appears she saunters up and leans over the counter, a sly smile on her face
  315. >”Need something?”
  316. >You sigh and pinch the bridge of your nose
  317. What do you know, Rose?
  318. >”Oh, lots, Anon. What would you like to know I know?”
  319. >Celestia damn it...
  320. >”Lighten up, Chef. Em told me all about your little mid-morning rendezvous last week”
  321. She uh, she told you about that?
  322. >”Well, not EVERYTHING, but she was certainly glowing when I ran into her that afternoon”
  323. >You can't help but smirk
  324. >She gives a knowing look and lets out a giggle
  325. >”You two are something else, you know that? Now what can I get you?”
  326. A dozen roses would be great
  327. >”Going with a classic? I can respect that, but it's a little samey, Anon. Sure you don't want to bring he something different?”
  328. What do you have in mind?
  329. >”Give me a minute and I'll show you”
  330. >She disappears into the back and emerges a minute later with a paper-wrapped bunch of lilies
  331. >You take the bunch and examine the flowers
  332. >”My sister grows these. They're some of Em's favorite flowers. Something to keep in mind”
  333. Thanks, Rose. How much do I owe you for the dozen?
  334. >”Complimentary. You should know by now how much I like to watch things like this unfold”
  335. I'll let that go on account of the flowers
  336. >”Oh, thank you”
  337. >There's that playful sarcasm again
  338. >She's hard to place, Rose. You're not sure if she's messing with you or not
  339. >But you've got your flowers and you've got time to bring them home before work starts, so you're not about to start complaining
  340. 11/x
  341.  
  342. >Work goes as smoothly as it ever could
  343. >It's almost like the restaurant knows when you're in high spirits
  344. >Not a single problem crops up and you can't believe your luck
  345. >The produce orders go out without a hitch, prep gets done on time, and service is fast, efficient, and perfectly orchestrated
  346. >You couldn't ask for a better work day
  347. >At 5 you get called into the owner's office for a meeting about the fundraiser
  348. >The event is a week away and you and your cooks have been working hard to get everything ready
  349. >With the menu, headcount, and pricing set, you're going to spend the next week planning your organization of the event's food preparation
  350. >You've got 7 cooks who are going to help make and serve everything that night
  351. >It'll be a daunting task, but you're prepared and up for the challenge
  352. >On top of being great for publicity, it's an opportunity to show off your cooking chops to some Equestria elites and big-wigs in Ponyville
  353. >Plus there's the other incentive:
  354. >It's a definite way to impress Em
  355. >...They say the best motives are ulterior
  356. >You smile as you leave the meeting and take off your Chef coat and hat
  357. >Work is done, the fundraiser is squared for the time being, and you've got dinner plans with The Mayor
  358. >Today is a good day
  359. >You step out into the autumn air
  360. >It's gotten colder in the past week
  361. >Summer is most definitely over
  362. >A chill breeze rises up and blows some leaves across the road
  363. >It's going to be a nice night for a hot meal and good company
  364. >You feel a knot of anticipation form in your gut
  365. >If Em's palette is as good as it is, you can't wait to see her cooking
  366. 12/x
  367.  
  368. >Everything is ready to go at 7:00
  369. >You've got your ingredients, your knives, your drinks, and your flowers
  370. >A deep breath to calm your nerves and you're out the door, heading to Em's house
  371. >It's just starting to get dark as you set off down Main Street
  372. >The lights of the town cut window-shaped holes in the silhouettes of buildings as the sky darkens
  373. >Sugar Cube Corner is lit as you pass it. You see the poofy pink mane of Pinkie Pie bouncing around the kitchen as she bakes
  374. >You unconsciously quicken your pace past the bakery
  375. >Something tells you to avoid too much contact with the party pony for the time being
  376. >She makes you paranoid and nervous when she starts asking questions
  377. >You continue on your way and finally make it to Em's house
  378. >No problems, no run-ins with curious ponies, no witnesses you need to worry about
  379. >After a couple knocks on the door, Em appears
  380. >”Good evening, Chef”
  381. Evening, Madam Mayor
  382. >The two of you smirk at the facade you're both putting on as she lets you inside
  383. >”What's on the menu tonight, Anon?”
  384. >You walk into the kitchen and put the bags on the counter before reaching in and taking out the lilies
  385. First things first, Em
  386. >You hand her the bunch of flowers and smile as she looks at them, wide-eyed
  387. >She  reaches a hoof out and takes them slowly, her eyes flitting between them and you
  388. >”Lilies? How did you kn-”
  389. A little bird told me you liked lilies
  390. >”I love them, Anon”
  391. Glad to hear it. Now...
  392. >You clap and turn back to the counter to unload the food
  393. I was thinking we could make some old-fashioned ratatouille and some zucchini blossoms? They're big hits at the restaurant
  394. >”...we?”
  395. 13/x
  396.  
  397. >You pause
  398. >That wasn't the response you were expecting
  399. >As you walk over to the refrigerator to put the wine away to chill, you see panic slowly mounting on Em's face
  400. >She starts, about to run over as you open the door and look inside for a place to put the wine
  401. >Staring back at you from the shelves are no less than twelve take-out containers and six neatly folded aluminum foil packages with receipts taped to them
  402. >You stare, confused, into the refrigerator for a few seconds before Em slams the door shut, face red
  403. I didn't know some of those places DID delivery
  404. >”They don't...usually”
  405. Make special exception for The Mayor, do they?
  406. >Her eyes go to the ground. Suddenly she looks upset and a new knot forms looking at her
  407. ...You don't cook, do you?
  408. >She looks up quickly, her eyes still pained
  409. Well, that would explain why the only things that look like they've seen any major use are the oven, range, and microwave...
  410. >You turn back to Em and furrow your brow
  411. >She shrinks back like she expects you to be upset
  412. Embarrassed?
  413. >”Why wouldn't I be?”
  414. It's nothing to be ashamed of, Em. So you don't cook. It's not li-
  415. >”No, I CAN'T cook” she blurts out
  416. >You look at her with a raised eyebrow
  417. I find that hard to believe, Em
  418. >You walk back over to the counter and take out the zucchini blossoms
  419. >They'll be stuffed with cheese and herbs and then breaded and fried
  420. You expect me to believe that YOU, who caught the herbs I use in the oil for my risotto, CAN'T cook?
  421. >Looking back at Em, you see that she's serious
  422. >She's hanging her head like she's committed some heinous crime
  423. Come over here, Em
  424. 14/x
  425.  
  426. >”But...”
  427. No buts. You. Here. Now.
  428. >She slowly walks over to the counter
  429. Exactly how bad are you?
  430. >”What, do you want to embarrass me some more?”
  431. I want to know where to start
  432. >She looks confused for a moment
  433. >”Start with what-”
  434. >You hand her a knife and a small eggplant
  435. I was planning on having us cook something together, but this might actually be more fun
  436. >You smile
  437. >She looks at the knife, then the onion, then you
  438. Slice it. I'll handle the other vegetables
  439. >”Anon...”
  440. Em, if being a bad cook were a deal-breaker for me, I'd have told you up front. You are way too interesting to me to let go over something that minor
  441. >She looks like she might cry. Better hold off on the onions for now
  442. >You start dicing the tomatoes as Em takes the knife up and begins to work on the eggplant
  443. >Glancing over, you see her struggling to keep the blade even with the cutting board
  444. >It's actually sort of cute seeing her out of her element like this
  445. >You step behind her and take her hooves in your hands
  446. Hold the knife like this and let your other hoof guide where the blade goes. Rock it over the eggplant, nice and easy
  447. >You move with her for a few strokes of the knife before letting go and watching her face light up as her slices come out better and better
  448. >Back to your own cutting
  449. >The tomatoes are done. You set them aside and move on to the zucchini
  450. >Out of the corner of your eye you can see Em's knife start moving erratically as her frustration mounts before it stops, pauses, and starts slowly again
  451. >She's determined
  452. >That's good
  453. 15/x
  454.  
  455. >The two of you work slowly, slicing the vegetables, chopping the garlic and onion, and arranging them all in the casserole
  456. >Em looks at your slices and back to her own, sighing in disappointment at the obvious discrepancies
  457. Hey, first time I did this dish it was a disaster
  458. >”Really?”
  459. Nearly burned down the function hall
  460. >”You're pulling my leg”
  461. You got me; it was only half the function hall that got scorched
  462. >She laughs as you slide the casserole into the oven to cook
  463. Want to try your hoof at zucchini blossoms?
  464. >The mare looks at the counter apprehensively before looking back at you
  465. >”Lead on, Chef”
  466.  
  467. >The kitchen soon fills with the aroma of hot oil and melting cheese
  468. >From the oven creeps the warm smell of the roasting vegetables
  469. >Em is back in a good mood as you walk her through the processes
  470. >She really wasn't exaggerating when she said she can't cook
  471. >The first zucchini blossom she tried to fry comes out black and, somehow, still cold inside
  472. >The second is better, only a dark brown
  473. >You step in at the third. You've only got so many you can afford to lose
  474. >She steps back and watches you contentedly
  475. >By the time you finish frying, the ratatouille is done as well
  476. >You pull it out of the oven and let it cool on the counter while you put away the left-over ingredients
  477. >Em sits at the table behind you
  478. See? That wasn't so bad for a first lesson, was it?
  479. >She smiles and looks away
  480. >”Only the first? How ever will I afford lessons from Chef Anonymous?”
  481. >You take a seat next to her and pull her in close with one arm
  482. I think we'll manage. Now let's try the fruits of our labors
  483. 16/x
  484.  
  485. >You take two plates and scoop a large helping of ratatouille onto each one, topped with a fried zucchini blossom
  486. >Em takes a bite of the fried flower and smiles as she chews
  487. >You eat a fork-full of the vegetables and savor the crisp flavor that each brings to the dish, brought together by the tomato
  488. >The evening didn't go exactly as you thought it would
  489. >Still, things still worked out pretty well, you think
  490. So where are you from, originally?
  491. >Em swallows a mouthful
  492. >”Baltimare, born and raised”
  493. I've never been to Baltimare. What's it like?
  494. >”It's lovely in spring, awful the rest of the year”
  495. >She laughs
  496. >”All rain and snow except for those three months”
  497. Sounds great
  498. >”Hey, be careful. It's still my hometown”
  499. >You swap stories and share laughs for hours
  500. >It's a totally different dynamic from the other times
  501. >You can't help but feel drawn in by the mare
  502. >Tonight doesn't have that tension of the first
  503. >It doesn't have the deliberate passionate air of the week before
  504. >She seems vulnerable and open tonight
  505. >Her sharp wit is tempered by the evening's activities
  506. >As you clear away the dishes you hear her lean back and sigh to herself
  507. >”So, Anon. What are we now?”
  508. >You continue cleaning up, unfazed by the sudden question
  509. We've had three 'dates,' a 'lunch meeting,' and we have last Saturday. What do you think that makes us?
  510. >”...official?”
  511. >You walk back over to her and pick her up out of the chair
  512. As official as we can be, for it being a secret
  513. >Yeah, today was a good day
  514. End