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For the Record: Chapter 3

By: Fillydelphian on Aug 14th, 2012  |  syntax: None  |  size: 22.14 KB  |  hits: 396  |  expires: Never
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  1. >The violet unicorn regains her composure after a second and you see her expression shift to one of curiosity
  2. >You glance back at Octavia, who's staring daggers at you, before responding
  3. My name's Anon. This quiet one behind me is Octavia. We're in town for a gig and I saw a flier for your library. I'm wondering if I could rent out the space for my client to practice in? Normally I'd have her set up at the concert hall, but it's still under construction, from what I've seen
  4. >The unicorn seems to mull it over for a moment before looking at Octavia, then back to you
  5. >”I don't know... I've got some pretty important research going on right now...”
  6. >She's eying you suspiciously. Clearly she's inquisitive; probably has questions about you. There's leverage there
  7. If I may? How about in exchange for letting Octavia practice here, I let you interview me about where I come from? Academic pony such as yourself must be interested in learning about a new species?
  8. >”How did you know-”
  9. >You tap your nose
  10. Trade secret
  11. >She looks apprehensive. Given that she still hasn't introduced herself, she must be a reserved kind of mare, not one to actively socialize like Applejack or Pinkie Pie. That means she's either inexperienced socially or she's jaded
  12. >”Alright, but you'd better be ready to get in-depth with the background, Anon. Come in. You can set up in the upstairs, Octavia. Follow me”
  13. >You wait downstairs and look around the bookshelves
  14. >Lots of academic titles. How-to guides, young-mare fiction, advanced magical theory...
  15. >You'll go out on a limb and say she's not much of a socialite
  16. >Good. The less social ones are a fun challenge
  17. >You straighten your tie and check your watch
  18. >Time to get to work
  19. 1/x
  20.  
  21. >You keep looking through the shelves to pass the time, thumbing past volumes on botany, transfiguration, obscure unicorn history, and whatever “Quasistatic Dimorpho-flux Inhibitor Manipulation for Dummies” is about
  22. >As you reach for a book you've found about the Manticore Wars, you hear the violet unicorn coming back downstairs with Octavia
  23. >”...So you'll come over around 11 or 12 and practice, Octavia?”
  24. >”Sounds good”
  25. >”Great! I was sort of worried you'd be playing something loud and obnoxious, but it's so nice to meet somep0ny who knows a thing or two about the more intellectual musical theory!”
  26. >”Right? It feels like we're few and far between these days a lot of the time. Are you going to be at Pinkie Pie's party tonight?”
  27. >”Of course! Nop0ny misses a Pinkie Pie Party. I'll see you there!”
  28. >”Alright! See you later, Twilight!”
  29. >So that's her name? You step up as Octavia walks out the door, completely ignoring you
  30. >Twilight turns around with a guarded look on her face
  31. >”Alright, Anon. Let's have our interview. I'm Twilight Sparkle, by the way. I don't think I've introduced myself
  32. >You put a hand out to shake
  33. Nice to meet you, Twilight
  34. >”Make yourself comfortable. I'll be right back”
  35. >She's acting formally and academically. You're not going to be able to get this one without some effort on your part
  36. >Then again, that's half the fun
  37. >Twilight comes back into the room with a ream of paper and a studious gleam in her eye
  38. >”Okay, let's get started. What's your full name? Is 'Anon' short for something?”
  39. Anonymous. It's short for Anonymous
  40. >She starts scribbling on the paper and mumbling to herself
  41. >”Bipedal, forelegs branch at the carpal bones into separate phalanges...”
  42. >She addresses you again as she tosses you a book
  43. >”Catch”
  44. 2/x
  45.  
  46. What's this?
  47. >”I wanted to see if you've got the same level of fine motor control as, say, a minotaur”
  48. ...Right
  49. >”Moving on. Take off your shoes?”
  50. I thought this was just an interview, not a strip-show
  51. >She does not return your playful grin
  52. >”Humor me”
  53. >She looks at your feet before scribbling more on the paper
  54. >”Feet appear anatomically similar to hands with elongated metatarsals and shortened phalanges...”
  55. >She looks up again
  56. >”Wiggle those for me?”
  57. >You move your toes around
  58. >”Much less dexterity. Not used for manual tasks...”
  59. >Your shoes are levitated back over to you
  60. >”Thank you. Now we'll get to the interview. What species are you a member of?”
  61. Human
  62. >”Genus?”
  63. Well I don't like to brag...
  64. >She plants her face in her hoof
  65. >”It's the level above species...”
  66. ...Oh...
  67. >She thinks for a second
  68. >”Okay, okay, how about this: What's the closest relative to humans?”
  69. Uh...Chimpanzees? You have those here, right?
  70. >”Oh! So you're a primate? That would explain the placement and shape of your maxillae, the flat face of the frontal bone, and the opposable digits. Hold on”
  71. >She roots around for a book on the shelves
  72. >”Primates...Primates...AH! This should help. You seem a little different from the chimps we've got, but you're still essentially a monkey”
  73. Don't call me a monkey. I'm a human
  74. >”Right, a kind of monkey”
  75. >She doesn't look up from the book
  76. >”Let's see... population distribution, physiology, diet...”
  77. >Finally she looks up from her book
  78. >”Do you like bananas?”
  79. ...What?
  80. >”Well it says here that primates eat bananas. Do you not?”
  81. Not really
  82. >”Are you sure? The book says-”
  83. Who are you going to believe? The book about chimps or the actual human in front of you?
  84. >...
  85. >Dammit, she's actually weighing that option?
  86. 3/x
  87.  
  88. >The questioning goes on for an hour
  89. >With business out of the way, you'll start working on getting her interested at the party
  90. >This mare is a lot more intriguing than you thought
  91. >On the way back to the hotel you see a pink-maned mare walking down the street with a heavy stack of papers
  92. >She looks like she's having some trouble
  93. >You go over and steady the stack
  94. Need some help, miss?
  95. >She lowers the papers and looks up at you
  96. >”I'd love some, thanks. Grading tests gets hectic”
  97. >You take a large part of the stack in your hands
  98. >“I'm Cherilee, by the way”
  99. Anon. Nice to meet you
  100. >You see her brush her mane over her ear
  101. >She starts walking and you follow only a little behind her
  102. So you're a teacher? That sounds rewarding
  103. >”Oh it is. I love helping the students learn and grow. I feel like another parent to some of them...”
  104. >She's nurturing. Clearly she's passionate about her job
  105. >You catch yourself holding your gaze on her legs
  106. >Easy on the eyes, too
  107. That's a noble cause. Sort of makes my line of work seem shallow
  108. >She gives a half-turn to look back at you
  109. >”Oh? And what might that be, Anon?”
  110. Music
  111. >”You play?”
  112. No, I'm a manager
  113. >Silence
  114. >You chuckle
  115. I know, I know. Not the noblest venture, but I do it for my friends
  116. >She cocks her head to the side, having slowed down to walk next to you
  117. >”For your friends?”
  118. Yeah. A friend of mine is in classical. Real talent, her. I want her to get the recognition she deserves
  119. >You look down at the mare
  120. And I wouldn't have gotten to meet you if not for my job, so it can't be all bad
  121. 4/x
  122.  
  123. >”I bet you say that to all the mares you meet”
  124. >You give a smug smile
  125. Got me all figured out, huh?
  126. >She laughs
  127. >”I've seen my fair share of guys who think they're charming, Anon”
  128. I hate those guys. They make it harder for the guys who know it
  129. >”Like you?”
  130. I'm glad you think so too
  131. >”I think you're trouble”
  132. You don't know the half of it, ma'am
  133. >Cherilee stops in front of a modest house
  134. >”Well, Anon, this is me. Thanks for the help and the company”
  135. >She flashes a coy smile
  136. >”So is this the part where the bold young stallion asks the older mare if he can come in for some coffee?”
  137. Thought never crossed my mind
  138. >You smile slightly, trying to hold back the devious grin threatening to come over your face
  139. >She looks surprised. Time to make your move
  140. ...Though if you're interested, there's a party over at Sugar Cube Corner tonight. Maybe I'll see you there?
  141. >The mare thinks it over for a second before letting out a giggle
  142. >”You just might”
  143. >You look over your shoulder down the road
  144. Well it's getting a little late. I should get ready and make sure my client knows where she's going. See you later, Cherilee. And good luck with the grading
  145. >”See you, Anon”
  146. >You turn to go. As you do, she calls after you
  147. >”Oh, and Anon?”
  148. Yeah?
  149. >”When is your friend playing?”
  150. Friday at the new concert hall. Spread the word: Octavia has arrived
  151. >Nice mare, that Cherilee. She seems genuine and kind. Probably a pillar of the community
  152. >With any luck, her telling ponies about Octavia will generate some buzz that you can tap
  153. >...Among other things
  154. >This is win/win if you ever saw it
  155. 5/x
  156.  
  157. >Octavia is tapping her hoof on the floor as you walk into the room
  158. >Downstairs Pinkie and Vinyl are preparing for the party
  159. >”You were at the library an awfully long time, Anon...”
  160. Strictly business, Octavia. I promise nothing happened
  161. >She looks relieved
  162. >”I'm sorry. Just you being, well, YOU-”
  163. Not promising anything for the party though
  164. >Octavia's face falls
  165. >She rubs her temple with her hoof
  166. >”Ponies' sake, Anon...”
  167. Hey, I didn't say I was going to make a move on her tonight. I have to lay the groundwork first. I have a feeling she'll be more work than your average mare
  168. >”Glad to see you're still a champion of upholding stereotypes, Anon. Why can't you discuss these things with Vinyl?”
  169. Because she's all the way downstairs and I like seeing your reactions
  170. >”I hate you”
  171. Hey, I can set you up too, if you want
  172. >Octavia turns red, her face scrunched up in indignant fury
  173. >”Of all the-”
  174. >Vinyl's voice echoes from downstairs
  175. >”Hey, Nony! Get your monkey butt down here and introduce yourself to the gang!”
  176. >Octavia looks at you quizzically
  177. >”Nony?”
  178. Funny story. You should ask Pinkie about it
  179. >You head downstairs to see who Vinyl is talking about
  180. >Descending the stairs, you find Vinyl standing with a circle of mares
  181. >You recognize Pinkie, Twilight, and the orange one
  182. >Must be friends
  183. >Better get in good with them if you want to stand a chance of reaching your goal
  184. >”Alright, girls. This is Anon. Anon, this is Rainbow Dash, Rarity, Fluttershy, and-”
  185. Applejack. We met earlier today
  186. >The orange pony returns your smile. Vinyl gives you a questioning look
  187. >You give the DJ a subtle shake of the head 'no' before motioning to Twilight with your eyes
  188. >She just mouths “Really?”
  189. 6/x
  190.  
  191. >You turn to the three ponies you don't know
  192. Nice to meet you
  193. >The one with the pink mane shrinks back while the blue one, Rainbow, looks you over inquisitively
  194. >”Doesn't look like any pony I'VE ever seen. What do you think, Fluttershy?”
  195. >The yellow mare mumbles something too quietly to hear as Rainbow Dash is cut off
  196. >”Now, Rainbow, stop being rude. He's already got Pinkie's seal of approval
  197. >”Pinkie likes EVERYP0NY, Rarity. I wanna make sure he's alright”
  198. >”Well you're not going to find out by staring at him, Rainbow”
  199. >Rarity turns to you as Rainbow flies off to help Pinkie with some speakers
  200. >”I'm sorry about her. She-”
  201. -Doesn't like the unfamiliar? I see her type a lot in my line of work
  202. >”Once she comes around she's as loyal as you'll ever see somep0ny. Don't worry”
  203. I'll hold you to that
  204. >”So what is it you do? Vinyl mentioned something about working in recording?”
  205. More or less, yeah. I'm Octavia's manager. She'll be down in a few minutes, probably
  206. >You see Rarity eying your suit
  207. Like what you see?
  208. >She looks up
  209. >”I've never seen a design like this. Who made this?”
  210. >She's examining the jacket closely. You see Rainbow Dash roll her eyes
  211. I've got a buddy in Canterlot who has a boutique
  212. >”But who is it? I must know!”
  213. >By her near-crazed tone of voice, you figure she REALLY must
  214. Hoity Toity. Nice guy. I helped him meet his wife a couple years back
  215. >Rarity's jaw is on the ground
  216. >”Y-you know th-th-THE Hoity Toity?? The Canterlot fashion industry innovator and genius Hoity Toity?”
  217. >You get the feeling that she'd be the type to be swayed by your connection with Hoity, but your attention is deflected when Octavia comes downstairs
  218. 7/x
  219.  
  220. >”Tavi! Finally! Get down here and meet everyone!”
  221. >Vinyl abandons the sound equipment and bolts over to the gray mare, dragging her to the center of the room
  222. >”We're gonna have a friggin' blast! Everyone, this is Tavi. Tavi, everyone”
  223. >Octavia looks sheepish
  224. >Twilight steps forward and comes over to her
  225. >”Come on, I'll introduce you”
  226. >You see Octavia let out a sigh of relief
  227. >She was never one for parties. At least, not the ones you and Vinyl tended to throw
  228. >Maybe somep0ny like Twilight will help her out of her shell a little bit
  229. 8/x
  230.  
  231. >The party starts off a little while later and soon Sugar Cube Corner is filled with ponies from all around town
  232. >You decide to take the opportunity to get some buzz going for Octavia. From what you've seen of Ponyville, it'll take more than the promise of culture to get the concert hall filled
  233. >Fancypants might have a PR department and a horde of marketers working on this thing, but they're focused on impressing the big-wigs
  234. >Besides, the everyday ponies are the ones who buy the records and the concert tickets
  235. >While you set about talking up the ponies who look like they have some social pull, you make sure to keep an eye on your other goal
  236. >Twilight is keeping Octavia occupied talking with her friends. They look to be getting on well enough
  237. >Those six are apparently somewhat prominent here. Most of the ponies you talk to know them, especially Pinkie Pie, who is evidently best friends with every living soul in Ponyville
  238. >You can see the pink pony bouncing about excitedly, socializing with as many p0nies as she possibly can as she moves around the bakery
  239. >”Hey, why the serious look?”
  240. >Vinyl tugs on your sleeve and looks up at you
  241. >Her cheeks are flushed and she looks wobbly
  242. Getting in the spirit of things already, Vy?
  243. >”Better question: You seriously WORKING right now? What have you done with Anon?”
  244. >A cup levitates up to you
  245. >” It's your first night here, man. Let's just PARTY!”
  246. >You look down at the cup. You HAVE been more focused on work than usual...
  247. >She's tapping her hoof on the floor
  248. >After a quick glance at Twilight's group, you down the drink
  249. We're gonna friggin' tear this place up, Vy
  250. 9/x
  251.  
  252. >”THAT'S my Anon! I'll go get Pinkie! She does these cotton candy shots that'll make your head explode!”
  253. >Looks like it's time to get into party-mode
  254. >Vinyl comes back with Pinkie Pie in tow
  255. >She grabs you and drags you both to a table where the bubbly pink mare puts down a platter of bright pink shots topped with some kind of blue foam
  256. What are these?
  257. >”Pinkie Pie's Patented Pink Party Punch Shots!”
  258. ...Couldn't think of something with a 'P' for the last part?
  259. >”What do you mean?”
  260. >She cocks her head to the side
  261. >Vinyl looks at you and shrugs
  262. ...Nevermind. We doing this?
  263. >”We're waitin' on you, dude!”
  264. >Vinyl and Pinkie each grab a shot
  265. >”On three! One! Two! Three!”
  266. >The three of you knock back the first shots
  267. >It's insanely sweet; like liquid cotton candy. Just the sugar burns as it goes down
  268. What proof is this drink, Pinkie?
  269. >She rubs her chin thoughtfully for a moment
  270. >”Uh.....I dunno....150, 160?”
  271. >You look wide-eyed at Pinkie, who starts laughing with Vinyl
  272. >”What's the matter, Nony? Too strong for you? Do you want a glass of milk or something?”
  273. >The table shakes as you slam your fist down on it
  274. Just checking. Let's do this
  275. >You grab another shot glass
  276. Count of three?
  277. >Vinyl is beaming
  278. One!
  279. >You hold your shot in front of you
  280. Two!
  281. >Pinkie and Vinyl do the same
  282. Three!
  283. >All three of you drink. You feel a warm sensation in your stomach
  284. >These things are goddamn strong...but Pinkie is reaching for a third and you're not going to be outdone by somep0ny that pink
  285. >”One! Two! Three!”
  286. >Another round down the hatch
  287. >The room is starting to wobble
  288. >”You want another, Anon?”
  289. >Vinyl and Pinkie are holding glasses, cheeks flushed and heads swimming
  290. 10/x
  291.  
  292. >If you keep going, you're never going to be lucid enough to talk to Twilight
  293. >You decide it's time to cut this little unspoken challenge short for now
  294. One more. I want to be able to actually do stuff tonight
  295. >”Alright, only one more because Anon's no fun!”
  296. >”Woooo!”
  297. I resent that! Let's go! One! Two! Three!
  298. >Vinyl and Pinkie shake their heads as the concoction goes down
  299. >You try to keep a poker face, but it fails the second you make eye contact with Vinyl
  300. >She suddenly perks up when Pinkie tugs on her foreleg
  301. >”Oooh! Scratchie! Scratchie! Get on the soundboard! We have to liven this party up!”
  302. >You burst out laughing as the DJ tries to get up and immediately falls over
  303. >Pinkie follows her to the floor and the two lie there giggling and trying to get up
  304. >You stand up to make a jab at the two of them, but the floor is made of jello and trampoline
  305. >You fall back against the table as Vinyl and Pinkie finally heave themselves back up into their seats
  306. Maybe I'll stay here a while until the floor wants to be a floor again
  307. >”Sounds like a plan, Nony”
  308. >After a couple minutes Pinkie wanders off into the crowd and Vinyl slides over to you
  309. >”Soo... what's your game plan?”
  310. For what?
  311. >”Twilight, obviously. You don't usually go for the bookish types. I would've pegged you for going after the white one”
  312. What're you, racist?
  313. >You both fail miserably to hold back your drunken laughter
  314. >”That was a terrible joke. Hope you don't use that one on HER”
  315. I won't. I'm gonna get over to the library whenever I can to work her over. It'll take a bit of work, but I like a challenge
  316. 11/x
  317.  
  318. >”You're awfully underhanded when you're drunk”
  319. That doesn't sound like criticism
  320. >”That's 'cause it's not. I wanna see if you can actually pull this off. She's practically a shut-in, from what Pinkie's told me”
  321. Then I'll have to get her to open up. You'll see. Every mare has something you can use as an 'in'
  322. >”Oh yeah? What's mine?”
  323. If I knew that, we'd have gotten together by now
  324. >”Not on your life, Anon”
  325. >You shrug
  326. Your loss
  327. >”You think you can get yourself over to Twilight? I think Octy's been talking to her so she might be on to you already”
  328. That just makes it more fun
  329. >You get up. The floor cooperates a bit more and you take a couple wobbly steps before turning around
  330. Oh, and Vy?
  331. >She leans back in her chair and looks over at you
  332. >”Yeah?”
  333. Remember how I said I'd get you back?
  334. >Her eyes go wide as you start towards her
  335. >You stop right before reaching the DJ
  336. When you least expect it
  337. >You turn back around loopily and wobble away into the crowd, leaving Vinyl sitting at the table, eye twitching nervously
  338. 12/x
  339.  
  340. >Octavia is glaring at you as you approach the group
  341. >Almost telepathically you know what she's thinking
  342. >”NO. Don't you bucking dare. Nonononono. You're going to come over here aren't you? Celestia, dammit... Leave this ONE mare alone... Buuuuuuuuuuuuck...”
  343. Heyyy, Octy! Made some friends?
  344. >”You're drunk”
  345. Only slightly
  346. >She jabs a leg out at you
  347. >You deftly avoid it by jumping back, staggering into a table, and flailing your arms until you upturn a platter of cupcakes
  348. >”I take it back. You're VERY drunk”
  349. I resent that
  350. >”You should. What did you come over here for, anyway?”
  351. >You walk back over to the group
  352. I wanted to see how my favorite cellist is doing at the party!
  353. >”Well I'm fine, thanks”
  354. >She sure is in a mood, isn't she?
  355. Ah, lighten up, Octy
  356. >You turn to Rainbow Dash, Fluttershy, and Twilight
  357. Don't worry. Once she gets into the spirit of things she's less serious
  358. >Octavia's face goes red
  359. >You see Pinkie approaching out of the corner of your eye
  360. >”Girls! Girls! What are you doing standing around? We should be partying! Come on!”
  361. >Rainbow gives you a narrow-eyed look before walking off to the dance floor with Pinkie
  362. >Fluttershy looks at the floor and fidgets
  363. >You lean in to Octavia
  364. Get out there, Octy. Have some fun
  365. >”And leave you here with Twilight? Fat chance”
  366. What? Fluttershy's here, isn't she?
  367. >Octavia looks between you and the yellow pony before sighing and looking out at the dance floor
  368. If not for me, do it for you. It'll be good networking if you're out on the dance floor socializing instead of staying here on the sidelines
  369. >”Fine, but I swear to Celestia, Anon, don't make me regret this”
  370. 13/x
  371.  
  372. >She trots off into the crowd, following Rainbow and Pinkie
  373. >It's just you, Twilight and Fluttershy
  374. >Fluttershy looks at the floor and you alternately for a minute before scurrying off sheepishly, mumbling something about animals
  375. >You pull up a chair next to Twilight, who's taken a seat at one of the tables to watch the dancing
  376. So how do you like...
  377. >Without a word she throws you a look of disdain before getting up and walking away
  378. …the party...
  379. >Across the room you can see Vinyl smiling smugly at you
  380. >Guess Octavia didn't need to worry after all
  381. >You sit alone for a couple of minutes, thinking over what happened, before a familiar voice rings in your ear
  382. >”You certainly look lonely”
  383. 14/x
  384.  
  385. >A pink mane brushes past you as you turn around
  386. Not so much anymore. Get that grading done early?
  387. >Cherilee smiles
  388. >”I decided to take a little break”
  389. I'm glad you did
  390. >She giggles as you sway a little in your chair
  391. >”Having a good evening?”
  392. It just picked up. Come on, let's get a drink. Do you dance?
  393. >”Yes and yes”
  394. >The mare crosses in front of you as you get up
  395. >”Shall we?”
  396. After you
  397. >As the two of you cross the room to get to the counter, which Pinkie has converted into a bar for the party, you see Vinyl come up to the soundboard
  398. >She's got her goggles on and a couple of records floating next to her
  399. >It's about to get loud
  400. What'll you have?
  401. >”A Manehattan”
  402. >You wave the pony behind the bar over
  403. A Manehattan for the lady and a Whiskey Sour
  404. >”Got it, boss”
  405. >You lean against the 'bar' with Cherilee next to you
  406. >Just before she starts spinning the records, Vinyl looks over at you
  407. >Seeing you with the pink mare, she stops short and you grin at her
  408. >”That one of your friends?”
  409. >Cherilee looks up at the DJ as the beat drops
  410. >Over the cacophony that follows, you turn to her
  411. Yep, she's a good friend of mine. Down here for the show on Friday
  412. >The bartender taps your shoulder and hands you your drinks
  413. >Cherilee lifts her glass
  414. >”Well here's to a good night, Anon”
  415. >You return her coy smile
  416. Cheers to that
  417. End