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Close to Home 2

By: Fillydelphian on Aug 19th, 2012  |  syntax: None  |  size: 13.10 KB  |  hits: 395  |  expires: Never
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  1. >Well isn't this a familiar feeling?
  2. >Good old Floor
  3. >Always there for you in your time of need...
  4. >Solid, understanding, steadfast Floo-
  5. >There's a hoof poking you
  6. >”...Anon?”
  7. >You're drunk
  8. >”Anon?”
  9. >You're dreaming
  10. >”Ahhhhh...Hell...Tahderus...”
  11. >It's poking harder
  12. >”Please be awright...”
  13. >You cobble together your senses enough to look up and answer
  14. Ugh...Wheah in the hell am I- Oh...
  15. >The room comes into focus
  16. >Celestia is stooped over you, her hoof jabbing your side worriedly
  17. >Slowly, a smell wafts over you that you didn't notice when you first came in
  18. >...Beer?
  19. ...Princess? The hell's goin' awn 'eah? Is- Is that...
  20. >You heave yourself up on your elbows and look past the princess to the keg of Guinness behind her
  21. >She turns around to see what you're looking at before whipping around, eyes wide with terror
  22. >”...This...isn't what it...looks like?”
  23. 1/x
  24.  
  25. >You sit up, astonished
  26. >There's a long, excruciatingly long pause
  27. >By now you've recovered enough that you can actually take in what's going on
  28. >You look at the room around you
  29. >There's the bed, some tapestries, crystal ball thing, Red Sox 'B' tapestry, ru-
  30. >You stop
  31. >Slowly you turn back to Celestia, who avoids your gaze
  32. >You narrow your eyes
  33. ...What's that 'B' mean?
  34. >”Nothing, er...Gift from, uh...B..oar..dor...”
  35. Uh...huh
  36. >You get up and walk to the tapestry
  37. Because it looks wickit famillyah
  38. >She shifts her weight nervously and you see the front of the hoodie for the first time
  39. >”D.K.M.” written in a shamrock
  40. >Your hand flies up and you point at the Princess
  41. What'd ya think a' the last album??
  42. >”Huh?? No! Wait!”
  43. What's special about Two Thousin Faw?
  44. >“I don't know!”
  45. What's the right way ta eeda lawbstah?
  46. >”It's not what you think!”
  47. How much tomata do ya put in clam chowdah?
  48. >She twitches
  49. >”None! New Yawk chowdah ain't cho- dammit!”
  50. 2/x
  51.  
  52. >You realize that you're staring agape as the Princess sighs and rubs her temples
  53. >”Faaaaaaaaack...I shouldn'a gone all-out screwin' wit ya...”
  54. >She looks over at the crystal ball, which has gone dark since you burst in on her
  55. >You remember the song you heard when you came in
  56. ...Were you lissning to what I think you were?
  57. >Celestia's backed into a corner. She looks on the verge of freaking out
  58. >”Promiss ya won't go nuts on me?”
  59. >You think for a second
  60. >The food at dinner, the outburst about New York, the accent...
  61. >It's clear without her saying it
  62. ...Yer from Boss'n...ahncha?
  63. >The Princess of the Sun is sitting in front of you in a goddamn Dropkick Murphys hoodie with a keg behind her and a look of utter defeat on her face
  64. >You're too confused to freak out
  65. >Too baffled to really do anything more than look at her dumbly as she sighs, gets up, and pours a beer from the keg
  66. >”You can't tell anyp0ny about this, Anon. Please keep this ta yuhself, aight?”
  67. >You just nod as she levitates a cup over to you
  68. >”...Drink?”
  69. Gladly. But why keep it a secret? I wuh you I'd be damn prouda bein' Boss'n bawn
  70. >She smiles faintly
  71. >”It's not that simple. P0nies found out about this...at best they wouldn't take me serisly and at worst... well...”
  72. I gotcha. Bad news. Ya got my word as a fellow Bawstonian, Princess. I'll keep it on the DL. But I gotta ask: how in the hell ah YOU from Boss'n?
  73. >”I think that's a stahry fuhnuthuh time...”
  74. >You see her look at the crystal ball again
  75. >”But, uh... 's long as yuh heah....”
  76. >She scoots close to you
  77. >”...I wouldn't complain havin' a pahtnuh lissning ta tha cawnsit...”
  78. ...What cawnsit...?
  79. 3/x
  80.  
  81. http://www.youtube.com/watch?v=9O2XeoKczHY
  82. >She smirks as her horn glows and the ball gleams with magical energy
  83. >You hear a familiar hum of accordion and your eyes go wide as the room fills with music
  84. >Celestia is mouthing along with the words and nodding her head slightly as you turn to her
  85. No fakkin' way...
  86. >The princess looks at you like you're stupid
  87. >”...How many times I gotta admit it?”
  88. Not that...is that a recawding?
  89. >”Nope”
  90. >There's a long pause where the only sound in the room is coming from the crystal ball
  91. Yawh tellin' me that you've got a live-fakkin'-feed from the Dropkick-fakkin'-Murphys cawnsit playin' right now?
  92. >”Sure do”
  93. >You turn back to the ball and take a large gulp of beer
  94. >You're not even going to question how she got the Guinness at this point
  95. >It's too much as-is
  96. Well fack me... Guess I'll stick around, then...
  97. >The Princess seems in lighter spirits now that she knows you're not going to flip out
  98. >You raise your cup to her
  99. Happy Saint Paddy's Day, Princess
  100. >”Call me Celestia. Happy Saint Paddy's Day, Anon”
  101. >You tap the glasses together and each take a drink
  102.  
  103. >About an hour later the show wraps up
  104. >As Celestia's horn glows and the crystal ball darkens, the sounds of the audience fading out, you look over at her
  105. .>She meets your gaze and you see...something play across her face
  106. >”...I'm sahrry fuh back at dinnah...”
  107. >Her head is held low and she looks up at you apologetically
  108. >”Jus' it's been so long since I've seen someone else from Boss'n-”
  109. -That ya let ya gahd down ta screw wit me a lil?
  110. >”I guess...”
  111. Hey
  112. >You put your arm around her shoulders
  113. I'da done the same
  114. >She laughs and pushes you off
  115. >”It was fun, though”
  116. 4/x
  117.  
  118. >The two of you sit on the floor laughing
  119. >You tell her a story about you and some old friends back home
  120. ...So the kid stahts mouthin' off about Schilling bein' a hack pitchah. Schilling! And so I'm like, “this kid must be nuts!” And get this, whole fakkin' bah comes down on 'im. Danny stahts yellin' stats at 'im like a fakkin encyclopedia, Molly goes inna this whole tirade 'bout A-Rod bein' a shitbag...
  121. >You sigh, looking back
  122. ...Best Eastah evah. 'Course that was the yeeah they got tha Pennant 'n won the fakkin' Series. Showed those smug-ass New Yawkahs who's boss that yeeah...
  123. >Celestia's eyes light up at the mention of the 2004 Series
  124. >”3 games down an' they pulled it back...God, Luna was pissed that day”
  125. Yeah, I'll bet she w-
  126. >You stop yourself
  127. Wait, what?
  128. >She claps her hoof over her mouth and curses silently before speaking again
  129. >”Fuhget I said that. Shit, she's gonna be all ovah me fuh this...”
  130. >There's another pause in which Celestia just looks at you nervously
  131. >The clock chimes to let you know it's 4 AM
  132. >You yawn tiredly
  133. >”Well disastah 'side, tonight was fun... You'll prolly wanna get back ta yuh room, though. G'night, Anon”
  134. Huh? Oh, sure...
  135. >You get up and walk over to the door
  136. >”...Yuh goin' back to Ponyville in the mawnin, right?”
  137. Yeah, train's at like...ten
  138. >She looks genuinely disappointed
  139. >”Aight then. Have a safe trip, Anon”
  140. Thanks, Pri- Celestia. G'night
  141. >The door clicks and locks as you step out into the hall and start walking back to your room
  142. >It's been a weird night, but that's not really a bad thing, you don't think
  143. >You get to bed with the concert playing in your head on repeat
  144. 5/x
  145.  
  146. >Next morning you're awoken by the thrum of magic lifting the covers off of you before flipping the mattress, and you, onto the floor
  147. >”Anon! We've been waiting for you at breakfast for a half hour! We have a train to catch in...”
  148. >Twilight looks at the clock
  149. >”Three hours, twenty minutes! Get up!”
  150. >You blink a couple of times to get the sleep from your eyes as you groan
  151. Faaaacckkkkk... My head...
  152. >”Complain later, Anon! We're already behind schedule with breakfast!”
  153. >You remember hazily what happened last night...
  154. >Did that actually happen?
  155. >You did drink A LOT with Rainbow and AJ...
  156. >”And you're lucky that Princess Celestia is running late today, or you'd be in real trouble! Missing breakfast with royalty! Do you even care about following the proper protocols here?”
  157. >Celestia's running late?
  158. Ugh... aight, aight, jeez, Twi. Cool yuh jets fra seckint. 'll be down in a couple minutes...
  159. >She snorts, frustrated, and turns to walk out
  160. >Seriously, that mare gets way too uptight when it comes to Celestia, timing, schedules, books, work, planning...
  161. >You stop yourself before your train of thought starts making you question this friendship
  162.  
  163. >Your friends are seated at the large table in the great hall, eating from large platters of eggs, hay bacon, cereal, and every other kind of breakfast food you've ever seen
  164. >The big chair at the head of the table is markedly empty. You sit down next to Rainbow Dash and heap a pile of eggs and home fries onto your plate
  165. >She digs at your side and snickers
  166. >”Man, you really got Twilight bent outta shape, Anon. She was sitting here earlier and I thought she was gonna have a conniption!”
  167. >Your reply is interrupted by fanfare
  168. >”Her Majesty, Princess Celestia!”
  169. 6/x
  170.  
  171. >The Princess looks tired; like she didn't get a very good night's sleep
  172. >She's squinting a little in the bright morning light as she sits at the head of the table
  173. >”Good morning, my little ponies”
  174. >She turns to Twilight
  175. >”I trust your stay was enjoyable, my faithful student?”
  176. >”Yes, it was perfect, Princess! Thank you so much for the rooms!”
  177. >”Good. I hope you all have a safe trip home later today”
  178. >Celestia is doing a good job keeping that warm smile on her face
  179. >She levitates a load of eggs to herself before looking around the table, her eyes coming to rest on a platter of biscuits and a bowl of gravy
  180. >”Anonymous, could you pass me that dish, please?”
  181. Sure thing, Ce-
  182. >You catch yourself and look around for a second
  183. ...Princess. You want the gravy too?
  184. >”Please”
  185. Aight, here ya go
  186. >Twilight is eying you, looking nervous
  187. >The plates move down the table to the Princess, who takes a few biscuits and then dumps a load of gravy on them
  188. >Someone's nursing a hangover, you think
  189. >She must have been celebrating Saint Patrick's Day pretty hard before you showed up
  190. >Twilight goes back to picking at her plate
  191. >You eat your breakfast ravenously, looking up periodically to locate more food to pile on your plate
  192. >The rest of the morning goes by uneventfully. Celestia addresses the p0nies before heading to the main hall to begin her daily duties and your group leaves for the train station
  193. 7/x
  194.  
  195. >A week later
  196.  
  197. >You're sitting on your porch idly plucking at your banjo's strings when Twilight comes up the path
  198. >Deja vu...
  199. >She's got a scroll floating along next to her, surrounded in a violet glow
  200. >”Anon? You've got a letter”
  201. >You put the banjo down and look up
  202. A lettah? Why didn't Derpy deliver it this mawnin?
  203. >”Because it's from the Princess”
  204. >She floats the scroll over to you and watches intently as you open it
  205. >”What's it say?”
  206. I'm readin', Twi. Gimme a sec
  207. >>”Dear Anonymous,
  208. >>I hope this letter finds you well. Not knowing your address, I've sent it through my faithful student Twilight Sparkle with instruction to pass it along to you. Now to business: one of my advisors on the Canterlot High Council has resigned and his seat is now vacant (Don't get your hopes up. You're nowhere near qualified for that job). However, being that you are one who seems to have a fresh perspective on things, I put forward the following proposition:”
  209. ...like you ta come ta Cannalot as an auxilliary advisah... housing provided... start immediately...
  210. >You look up from the letter
  211. This a joke? Is that even a real friggin' job heah?
  212. >Twilight is staring at you in shock
  213. >”What?? Let me see that!”
  214. >Her eyes fly over the letter and you watch her grow more and more astonished
  215. >”Celestia wants you...YOU...to be one of her advisors? Preposterous! You've got no qualifications! No history! You can't just get a government job like that!”
  216. Apparently I can...
  217. >She looks worried now
  218. >”...Are you thinking about taking it?”
  219. It's a good deal, from the looks. Pay'll prolly be bettah'n what I'm getting' from construction anyway
  220. >”But... what about all of us?”
  221. ...I'll sleep onnit
  222. 8/x
  223.  
  224. >The next day
  225.  
  226. Whadda you think, Rainbow? Twi seems against it, but I'm not shuah... I mean, 's it really like I can just refuse an offah like that? From tha Princess?
  227. >Rainbow stuffs a cupcake in her mouth and thinks
  228. >After she finished it she speaks
  229. >”I dunno, man... I mean, you've got all your friends here in Ponyville, but if you really want that job working for Celestia, you gotta take it”
  230. >That's not extremely helpful
  231. >Last night you stayed up until 5 thinking about what to do
  232. >Your friends are all here in Ponyville; it'd be hard starting over in Canterlot and leaving them all behind...
  233. >...But you feel...drawn...to Celestia now that you know how she really is
  234. >She's could be a kindred spirit; something comfortably familiar...
  235. >”-You know, you can always visit us. Just don't go and change on me, Anon, and you'll be just fine”
  236. >You sigh and look at your plate of cupcakes
  237. >”Anon?”
  238. Ya know what? Yuh right, Dash. 's not like I'm goin' away fuhrevah. I can visit any time I want
  239. >You look out the window
  240. I think I know what ta do now. Get the othahs 'round heah tuhnite. I'll let 'em know what's happenin'
  241. >”What're you gonna do in the meantime?”
  242. Meantime? I got a lettah ta write
  243.  
  244. >You get home and pull out a pen and paper
  245. >If Celestia really is who you think she is, then you know you're making the right decision
  246. >>”Dear Princess Celestia...”
  247. End