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Two Humans, One Pony

By: Eppy on Jan 4th, 2013  |  syntax: None  |  size: 8.15 KB  |  hits: 386  |  expires: Never
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  1. >Day Nth for Best Background Pone on Earth
  2. >Be Applejack
  3. >Anon warns you about going outside in this world
  4. >Pay no heed to Anon's warnings because all folks can appreciate neighborly visitors
  5. >Attempt to leave the apartment Anon is keeping you in
  6. >Kick your room door lightly with your front hoof
  7. >Door doesn't budge
  8. >Golden doo-hickey Anon uses must need special coaxing to open
  9. >Attempt to wrap two hooves around doorknob
  10. >Slip off countless times
  11. AJ: Ah swear, this here door's jammed tighter than a jar in a cold cellar
  12. >Try to fit the doorknob in your mouth
  13. >Tastes like salty coins and milk
  14. >Instantly remove your muzzle from the filthy handle while spiting and trying to clear your mouth of the foul taste
  15. AJ: Ah just can't figg'er how Anon works this thingamajig
  16. >Forsake talking to yourself any longer
  17. >Spin around and pull your back legs in for a powerful, tree-shaking kick
  18. >Suddenly, the doorknob turns
  19. >Door opens inward as Anon crossed the threshold of your room
  20. >No time to stop your hooves
  21. >Send a tree-shacking kick deep into Anon's core
  22. >Anon flies back through the threshold and lands some feet away
  23. AJ: Mah stars! Are ya a'right, Anon?
  24. >Anon clenches his stomach
  25. A: My balls just parked behind my tonsils
  26. >You're not sure what that means, but, at least he's alive
  27. AJ: Ah'm mighty sorry, Anon! Ah was jus' tryin' ta'git outta that room when ya came in.
  28. >Anon stands up and dusts himself down
  29. >He looks slightly feeble and walks a bit crooked
  30. A: No problem, Applesauce, I... I just think I'm gonna go lay down. Maybe call an ambulance.
  31. >Anon saunters a little bit before making it to your room
  32. >You follow him in for good measure
  33. >He drops himself onto the bed and pulls his lower half onto the mattress
  34. AJ: If'n there's anythin' Ah can do fer'ya, lemme know?
  35. >Anon's chest inflates so full that his body puffs up on the bed before sinking back to his normal shape
  36. A: I think I won't die
  37. >His hand pushes forward blindly for the blanket
  38. >He grips your hat that you had left on the bed
  39. A: These aren't my covers
  40. >Anon places the hat over his head and searches again for the blanket
  41. AJ: Ah'll git your quilts, jus' hand me mah hat
  42. >Anon doesn't reply
  43. AJ: Anon, ya hear me?
  44. >You are visibly worried that you may have hurt Anon more than he's letting on
  45. >You also don't want to be caught talking to yourself again, not after what you thought about in line 16
  46. >You climb onto the bed beside Anon and place a hoof lightly on his back
  47. >You shake him a bit
  48. >You wait for a long moment before his hand gropes around for your hoof
  49. A: Applesack, your hat is such a good blindfold
  50. AJ: Well, glad ya like it, but, Ah'm gonna need it if'n Ah ever plan on goin' out
  51. >Anon rolls over onto his back and uncovers his face
  52. A: Appleseed, you can't just go out here whenever you want. This city is no place for a pony. Especially a Technicolor, talking pony.
  53. >You think about the word "Technicolor" for a brief instant before deciding that is how Anon says, "country"
  54. AJ: Now look here, mister, jus' because Ah'm from lil' old Ponyville don't mean Ah can't handle mahself
  55. >Anon grunts for a moment as he adjusts himself
  56. A: It's different around here, Applejumps. It's not about your rustic wholesomeness, or that horrible way you use long-winded similes. It's about you being an... ah... an imaginary creature
  57. >You think Anon is just blowing more hot smoke than a giddy Spike writing a love letter to Rarity on a steamy Hearts and Hooves day
  58. AJ: Could an "imaginary" critter do this?
  59. >You attempt to swipe your hat from Anon
  60. >He moves with expert timing and keeps it just out of hoof's reach
  61. A: Well, no, but yes? It's hard to explain. See, ponies in my world don't talk, or sing, or eat half as many cakes as ponies back in Equestria
  62. >You're fed up with Anon stalling and not giving you back your hat
  63. >You make an effort to pin his arm while you snatch your hat back
  64. >It's no good, Anon is just too dexterous for you
  65. >You slip on the soft mattress and land atop Anon's chest
  66. >For a second, you feel his chest heave, his heart beat and feel an icy coldness radiate from his body
  67. >His free arm wraps around your body and his strong, human hands run their fingers down your back
  68. AJ: Anon, s-stop that, ya hear?
  69. >You shake and stutter as he scratches your back like you were a pet
  70. AJ: A-Ah mean it, s-stop it this instant
  71. >Anon lifts your hat and covers your muzzle with it
  72. >You readjust it with a free hoof so that it sits neatly behind your ears
  73. >Anon is relentless in his back-scratching pursuit and you let him go at it for a while longer
  74. A: Haha, you should see the look on your face
  75. >You ignore Anon and lose control of you hind leg
  76. >It kicks in a little fit as your enjoy the back rub
  77. A: Who knew ponies liked this so much? I'm just glad I didn't leave the door open...
  78. >Anon looks over to see the door is opened
  79. A: Shiiiiiiiiiiiii~
  80. >A female voice rings from the open doorway
  81. >It's the neighbor girl who Anon has totally been spying from his window and promised himself under his breath to ask out one of these days
  82. Girl: Hey, Anon, I couldn't help but notice that you left your door unlocked like you were being mugged and...
  83. >The girl sees you and Anon laying in bed with his arms wrapped around your body, a look of ecstasy on your face as his hands feverishly scratch your back
  84. Girl: Whoa, you should really lock your door if your gonna do this kind of thing with animals. I won't judge you anymore than one can judge a guy who wears a business suit and mask all day
  85. >You don't want to give off the wrong impression and proceed to clear up any confusion from the get-go
  86. AJ: Sorry, miss, this ain't what it looks like...
  87. >You bound off Anon, causing him to gasp as your hooves spring from his chest
  88. AJ: Name's Applejack an' Ah'm jus' here on account ova' mix-up with some magic an' Anon here's puttin' me up fer the time being. So glad Ah could make yer acquaintance, What's yer name?
  89. >You extend your hoof to shake her hand
  90. Girl: I-it talked, hah, that thing just got up and... it... talked...
  91. >The neighbor girl smiles, twitches and faints before your eyes
  92. AJ: Well, ain't that'a fine, "How da'ya do?"
  93. >Anon springs to his feet in a lot less pain than he let on before
  94. A: Oh no, this is bad, well, this is great, but also bad for various reason I can't list right now
  95. >Anon rushes to the door and locks it tightly
  96. >You see him frantically pace from the front door to the kitchen and back to the room your in
  97. Anon: Applesnacks, where's that rope you had when you first came over? All I got on hand is duct-tape, baby oil, chloroform, which I don't need right now, and a box cutter. I need some rope!
  98. >He seems more distressed than you think he should be
  99. AJ: What'da'ya need the rope fer, sugar-cube?
  100. >Anon points to the unconscious girl
  101. A: So I can bound and gag Tabitha here while I come up with the perfect reason to tell her it was all an elaborate hoax
  102. >You don't seem to understand how any of these things are interrelated, but you imagine it is some kind of weird human greeting
  103. >You pass the rope to Anon who ties up the girl in an odd series of looping knots
  104. >Anon goes to a nearby cabinet and reveals a bright red ball that looks not unlike a muzzling instrument you use back on the farm
  105. >he quickly gets the gag in place and straps it to her head
  106. A: I should probably wash that first... but, no time! Appleshnapps! We need to hide you so I can come up with a great lie that will make me sound as legit as possible
  107. AJ: Why don't ya jus' tell'er what's really goin' on?
  108. >You cannot see Anon's face, but you can feel his eyes narrowing on you and his eyebrows furrowing in stern disapproval
  109. A: This is the worst time to tell the truth!
  110. AJ: Ah know what it looked like ya'll were doin' with me, Ah've been 'round the haystack oncer-twice, but Ah know if we both explain what was really happenin'...
  111. >Anon places his hand over your muzzle quickly
  112. Anon: Don't finish this horribly misguided, yet strangely arousing, thought just yet. I will tell you afterwards why it's more wrong than you think
  113. >You break out of Anon's loose grip and scowl
  114. >You suddenly hear the girl coming to
  115. >Anon looks towards her with his hands held tightly together in anticipation
  116. A: Appleapple, how hard is too hard to bludgeon someone?