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To Be A Star (WiP)

By: Eppy on Jan 29th, 2014  |  syntax: None  |  size: 7.16 KB  |  hits: 91  |  expires: Never
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  1. >Night We're Going to Have to Work At This Everyday on Earth
  2. >Be Anonymous the Usher
  3. >You sweep the isle in your usual diligent manner as the sound of hooves stomping about begins to fade
  4. >The film projection disappears from the large screen before you and the lights slowly glow brighter
  5. >By the time you clean the topmost row of seats, the theatre is empty
  6. >You make your way through the seats as you pick up candy wrappers, discarded soft drink cups, and mop up questionable white stains
  7. >It is a thankless job, but you do your damnedest to make sure it is accomplished
  8. >Within the 30 minute window, you see the previews begin to roll on screen again
  9. >The standard commercials roll by that you have seen a million times before
  10. >You finish up as some awful ad featuring talking confectioneries begins playing
  11. >"When your sweet-tooth starts to ache, fix it quick with a malted shake! If your tummy's getting rumbly, grab some crunchy popcorn munchies!"
  12. >You sigh at the very sight of this terrible animation and begin to pack away your cleaning kit
  13. >Stashing all your equipment in a corner, you check the time to see that there is only one more screening for a late night movie
  14. >It is some kind of drama or perhaps a romance movie from the title, but neither one interests you
  15. >The beauty of a late night movie is that no one, pony or person, in this sleepy town ever comes in
  16. >You reserve yourself to sitting in the upper rows and relaxing your feet on the opposite chair
  17. >Tilting your hat downward, you cover your face and attempt to get in a quick nap
  18. >It is easy to filter out the surrounding noise these days as you snore lightly to yourself
  19. >The theatre becomes silent for the moment as the commercials end and you hear the faintest sound of hoof beats in the air
  20. >You quickly look up to see a grey mare trotting up the isle
  21. >There are 109 seats in this movie theatre, but she decides to sit beside you
  22. >For a moment, you just look to the mare with a pleasant smile
  23. >The lights dim and the projector begins rolling again as the movie starts
  24. >You turn your head casually towards the mare to get a better look at her features without attracting too much attention
  25. >She is grey in coat with a sugarplum coloured mane and tail
  26. >Her mane is long and wild as is her tail and her fetlocks are unshorn
  27. >As you continue to study her, the mare shifts her gaze in your direction
  28. >You pull back out of some part fear and another part respect, but you think she still saw you
  29. >"Oh, um, hey? You need something?"
  30. "Hmm, me? No, no, nothing, thanks."
  31. >You take a deep breath and relax as you try to watch the movie
  32. >As the opening credits roll, the name, "The Notebook" appears on screen and the pony beside you wiggles excited
  33. >She whispers aloud to herself as her eyes focus
  34. >"Damn it..."
  35. "I'm sorry, what?"
  36. >The mare looks to you with a little blush on her cheeks
  37. >"Sorry, said that out loud again, sorry."
  38. "No, no, you're fine. Something happen?"
  39. >The mare snaps her attention to you again
  40. >"Hmm? No, everything's fine. I just have to watch this movie -again- for class."
  41. "You're a student?"
  42. >"Yes, at the University of Manehattan. Film student."
  43. >You nod as the pony speaks quickly to you
  44. >Turning back to the movie, you watch what transpires
  45. "So... You've seen this already, but why did you come all the way out here to watch it again?"
  46. >"I like this movie theatre."
  47. >Fair enough, you think, but the travelling alone is not worth the price of admission
  48. >You return to your upright position as you begin to watch the movie
  49. >Events play by of an old man telling a story of a young couple
  50. >It is not too long before the mare beside you starts whispering again
  51. >"This shot's framed weird..."
  52. "What's that?"
  53. >She looks to you as if you were the one to start the conversation
  54. >"What's what?"
  55. "You just said the shot is framed weird, right?"
  56. >"Oh, did I? Sorry, thought bubble."
  57. >She chuckles nervously and fidgets a bit to get comfortable
  58. >The movie plays on as you try to study the mare again
  59. >Her face smirks and frowns at the movie and she occasionally chuckles, but you hardly see her looking at the movie itself
  60. >It is as if her focus is everywhere, but the movie!
  61. >"The lighting's all wrong..."
  62. >You try and see what she is looking at, but finally give up and ask
  63. "Where?"
  64. >She points with a hoof at a corner between a shot of some trees and a house
  65. >"There... It's just too dark."
  66. >You look carefully and finally catch the spot before the scene changes
  67. >The couple begins talking again, or fighting as it were, and you look to the commotion
  68. >"Dialogue's OK... Ryan Gosling at least knows how to act..."
  69. >You stare at the movie for a second and think about it
  70. >For a moment, you see the movie in a new light
  71. >Instead of seeing what the movie presents, you think about how the movie presents it
  72. "Film student, right? That's what you said earlier, yeah?"
  73. >"Hmm? Oh, yes, why?"
  74. "So, can you like watch movies or is it all just sets and lights and cameras for you?"
  75. >"I suppose I might be thinking about the production a bit... I've seen this movie already too, so it's not like the stories gripping me."
  76. "Makes sense. And, hey, I didn't get your name?"
  77. >The pony is silent for a moment before she looks away from you
  78. >"M-me? Heh, my name's Telecast."
  79. >You chuckle at pony naming conventions
  80. "Good name. I'm Anonymous, but everyone just calls me 'Anon'."
  81. >"Oh, yeah, I know."
  82. >You look about in confusion for the moment
  83. "You know? How?"
  84. >Telecast giggles at you for a second before pointing at your vest
  85. >"You're wearing a nametag, silly."
  86. >You are overcome with embarrassment for a brief moment before you let go your own laugh
  87. "I forgot all about that. Nice to meet you still."
  88. >The movie rolls on as Telecast pokes a million or so holes into the film
  89. >Her interpretation of the film leaves you smiling for the first time in a while
  90. >"It's not a bad film, it's just so obvious and predictable. They want the tear-jerker audience."
  91. "Hah, whatever makes money, right?"
  92. >"Eh, they had the star power for it. This movie got really good reviews and it was free for me anyways."
  93. >You grade this for a moment
  94. "Film students get to see movies for free?"
  95. >"Pfft, I wish. My dad owns this movie theatre, so I usually come here when I have an assignment like this."
  96. >She smiles with you as your face turns into panic
  97. >"Hey, Anon, you OK?"
  98. "Your father is Mr. Big Screen?!"
  99. >"Oh, yeah, why?"
  100. >You try to chuckle the fear away with little success
  101. "No reason..."
  102. >You thought this mare was too cute to be true
  103. >"Don't worry, I won't tell him you were slacking off and watching a movie with me."
  104. >A hoof slides over your hand as a pair of big blue eyes looks up at you in the dim light
  105. >"Thanks for letting me complain. It was a fun... date?"
  106. >With a swift motion, Telecast stands and pecks you on the cheek
  107. >She quickly nods to herself and makes haste out of the theatre
  108. >You hold a cool hand to your now warm face and watch the mare disappear into the hallway
  109. >A smile creeps along your mouth until your face begins to hurt
  110. "Yeah, good date."
  111. >You stand in your stupor a while longer until the projector falls silent
  112. >With a weak, barely audible voice, you whisper into the darkness
  113. "S-same time next w-week?"
  114. >Anon, you sly dog, you!