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Anon On a Bike: 4

By: Durr0694 on Nov 20th, 2013  |  syntax: None  |  size: 16.36 KB  |  hits: 79  |  expires: Never
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  1. >*beepbeep* *beepbeep* *beepbeep*
  2. >...
  3. >You are Anonymous.
  4. >You've been having a lot of crazy dreams.
  5. >You remember being chased by something, then there was something about apes and magic.
  6. >But now that you're slowly awakening, you can just write it all in your journal and not worry about it.
  7. >You shift on your stomach slightly, and you feel something wrapped around your lower back.
  8. >Your right arm, straightened out by your side, lifts up to feel what's there.
  9. >It's a bit sore, but you can move it.
  10. >Your hand feels tight bandages.
  11. >Parts of it feel different, like it got damp, then dried.
  12. >It's not hurting, so maybe whatever the wound was had healed.
  13. >You'll have to check later.
  14. >Now's the time to get up...
  15. >*beepbeep* *beepbeep* *beepbeep*
  16. >To turn your fucking watch off.
  17. >Slowly fighting against your usual morning grogginess, you push yourself up, throw away the heavy covers, and slide off the right side of the bed to go to your desk.
  18. >...
  19.  
  20. >?
  21. >You feel around.
  22. >...There is no desk.
  23. >The hell?
  24. >You open your e-
  25. >You're momentarily blinded by the sun.
  26. >You turn away with spots in your eyes.
  27. >You take a moment to recover before realizing your still-beeping watch is on your wrist.
  28. >Weird, normally you take your watch off when you sleep.
  29. >/"Oh well."/
  30. >You turn off the alarm and look around.
  31. >/"First off, how is the sun above these trees at 6:30 in the morning?"/
  32.  
  33. >Wait...
  34. >You remember this room.
  35. >Yeah, it's that other cottage up north.
  36. >You can't recall how you know it's a cottage up north, but there are more important matters right now.
  37. >For instance: why are you naked?
  38. >You always have boxers or something on while sleeping.
  39. >You know something's up, but you just can't figure it out.
  40.  
  41. >...Oh hey: running clothes.
  42. >You walk across the dainty room to the chest your clothes are on.
  43. >/"Don't see any other clothes, so these'll do."/
  44. >With your brain on autopilot, you put your light and neon clothes on without incident.
  45. >You finish by stuffing your headphones in one pocket.
  46. >Before dropping your iPod in the other pocket, you check its charge.
  47. >A quarter of the battery is left.
  48. >Hopefully you can find a charger soon, otherwise it'll get boring fast without your music.
  49. >You look to the stairs in the corner of the room, and you wonder what's downstairs.
  50. >No point standing around now.
  51. >Being careful not being too loud with your shoes on, you slowly descend the wooden stairs.
  52. >As you carefully step down, you hear the fading sound of hooves on wood, then a door closing.
  53. >Oookay...
  54. >You clear the second floor and look in what appears to be the living room.
  55. >You're greeted with the oddest of sights.
  56.  
  57. >Critters, critters everywhere.
  58. >There're squirrels on the green sofa.
  59. >There're bluebirds on the cuckoo clock.
  60. >There're chipmunks stuffing their mouths with acorns by an unlit fireplace next to the stairs.
  61. >A single, cartoony-looking rabbit is laying on the rug in front of the sofa, nibbling on a carrot.
  62. >You're so befuddled by what you're seeing, you misstep and the wood creaks loudly under your shoe.
  63. >Every living thing snaps its head towards you and freezes.
  64. >Silence.
  65. >Ever so awkward silence.
  66. >You don't know what to do.
  67. >What do you do?
  68. >The rabbit answers by taking its half-eaten carrot and chucking it at you.
  69. >You duck and the impromptu projectile slams into the wall behind you.
  70. >You straighten up and glare right at the offending rodent.
  71. >Somehow the creature recognizes that you're looking very pissed off.
  72. >He begins to slowly take a step back when everyone hears a particularly empty sound coming from your stomach.
  73. >You look down, then back up at the rabbit.
  74. >He's shaking.
  75. >Your frown turns into a sadistic grin, and you allow a bit of teeth to show.
  76. >That sends every one of the critters scampering and flying out the open doorway on the opposite side of the room.
  77. >You wait for all of them to disappear before shrugging and following them through the opening.
  78. >You navigate through the cottage and find yourself in the backyard.
  79. >At least you think it's the backyard; you can't see any roads.
  80. >Then you spot all of the pens.
  81. >Several pens, fencing, and what appears to be a chicken coup are spaced out in an impressively large open lot.
  82. >Then there are the animals themselves.
  83. >You recognize the diverse lot of them: chickens, pigs, more rabbits, and more types of birds in the trees than you care to count.
  84. >You look closer, and they seem to be like the rabbit: cartoony.
  85. >You don't know what, but they seem...off with the way they look.
  86. >Actually, everything looks off.
  87. >You prepare to venture further when you hear another door opening.
  88. >It sounds like it's coming from the front of the cotta-
  89. >"Alright, Fluttershy, where is he?!" says a prepubescent voice, followed by several whooshing noises.
  90. >/"...What?"/
  91.  
  92. >You hear a multitude of hooves on wood along with girls talking.
  93. >You're not surprised that whoever lives here has horses, but in the house?
  94. >You could only rationalize that a bunch of spoiled daughters have ponies with them.
  95. >But a little listening in won't hurt.
  96. >You go back inside while taking light steps.
  97. >You hear the many "hoovesteps" fade, presumably upstairs.
  98. >You're not sure how this'll go.
  99. >Hopefully if the girls find you, you can explain yourself.
  100. >But you don't want to be swarmed by a bunch of girls and their pets.
  101. >You decide to hide until you can figure out who owns this place and talk with them.
  102. >It might be this "Fluttershy" girl.
  103. >By this time you're in the room adjacent to the living room, and you hear several gasps from upstairs.
  104. >Sounds like they realized you're gone.
  105. >They're gonna be searching for you, and the confrontation will be awkward as fuck.
  106. >Time to get moving.
  107. >You turn towards the door, but then you feel something...something in your pants.
  108. >You look down, and there's an unnaturally large bulge.
  109.  
  110. >That wasn't there before.
  111.  
  112. >Whatever's in there is making you feel VERY uncomfortable.
  113. >You hesitate before reaching down to see what it is.
  114.  
  115. >Turns out you didn't have to, for something impossibly pink and poofy pops out, with an audible *pop*.
  116. >It shakes its head, opens its huge blue eyes to look up at you, and smiles.
  117. >"Hi!"
  118.  
  119. >NO
  120.  
  121. >You grab the thing by its ears, pull it out of your pants, and fling it at the doorway.
  122. >It hits the side and pings like on a pinball machine, bouncing into the living room and out of sight.
  123. >There is a pause before hooves start thundering down the stairs.
  124. >That's the last thing you hear before you burst out of the back door and start running.
  125. >You need to get away.
  126. >You don't want to think about what just happened.
  127. >Just get away.
  128. >You sprint towards the nearest trees, past the chicken coop.
  129. >The cottage's back door opens just when you get to the closest tree.
  130. >You hide behind it, staying low and doing you're best to keep your arms and legs out of sight.
  131. >It's been a while since your last run, so all of your joints feel stiff and you have to catch your breath.
  132. >You can hear the girls calling out for you, calling you "Mr. Ape".
  133. >Why the fuck they're calling you that, you have no idea.
  134. >You wait for a while, not daring a peek, and it sounds like they've fanned out now.
  135. >Determined girls.
  136. >You wait some more, but after a minute of hearing them searching you hear grass crunching near your tree.
  137.  
  138. >Looks like you dug your own hole.
  139. >Now you get to try to explain yourself.
  140. >It'll be awkward as fuck and you don't want that.
  141. >So you sit there, making yourself as small and still as possible.
  142. >Perhaps by some slim chance the girl won't notice you.
  143. >The seconds crawl by, and the girl slowly inches her way forward.
  144. >...
  145. >...
  146. >The anxiety starts to wear off.
  147. >In all honesty you wonder why it's taking so long.
  148. >You mean, she's gone about a foot or two and it's been a full ten seconds.
  149. >...
  150. >/"Oh, fuck it."/
  151. >You emerge from behind the tree, standing up while doing so.
  152. >You see the cottage along with a few colorful spots in the woods.
  153. >There's something yellow and pink at the bottom of your vision.
  154. >You look down and...
  155.  
  156. >And...
  157.  
  158. >Right in front of you is a small, butter-yellow horse with pink hair.
  159. >It-no, that's certainly a she-looks up at you with manga style blue eyes.
  160. >It appears she only goes up to your stomach at her tallest.
  161. >Her surprise quickly turns into fear as she realizes how tall you are.
  162. >She starts to shake, and that's when you realize that this...horse...pony...thing...has wings.
  163. >...
  164. >What, the, fuck...
  165. >If this is what /The/ Pegasus looks like then you wish you had never read up on Greek mythology.
  166. >Even though she's the one shaking, you're the one who takes a few tentative steps back.
  167. >The pegasus girl pony thing stops shaking at this and takes a step forward.
  168. >Her eyes say something like worry or confusion.
  169.  
  170. >Then:
  171.  
  172. >"Mr. Ape?"
  173.  
  174. >!
  175.  
  176. >Nope.
  177. >Nope nope nope.
  178. >NnnoooOOPE!
  179. >You spin on your heel and kick up mud to get away from the TALKING YELLOW PEGASUS.
  180. >You sidestep trunks, tear through tall vegetation, anything to get away from something that defies logic and nature.
  181. >Something looking so childish.
  182.  
  183. >Wait.
  184. >That's what's been bothering you ever since you woke up:
  185. >Everything looks like it's from a kid's show.
  186.  
  187. >It's not anything you recognize from your childhood.
  188.  
  189. >Therefore you realize: YOU FUCKING HATE THIS PLACE.
  190.  
  191. >A prepubescent voice yells "Hey!"
  192. >*whoo-*
  193. >Something slams into your upper back hard...
  194. >Just as you were jumping over some tall roots.
  195. >You clear the roots, but you smash into the ground.
  196. >Hard.
  197. >*THUD*
  198. >Fuck!
  199. >The wind gets completely knocked out of you.
  200. >You almost miss the voice screaming "What did you do to Fluttershy!?" right at the back of your head.
  201. >That alone kickstarts a headache.
  202. >You try to bring your hands up to cradle your head, but a pair of hooves slam onto your shoulders, sending needles down your spine.
  203. >"I asked you a question!"
  204. >You're too busy writhing in pain to answer.
  205. >"Rainbow Dash!
  206. >Get off of him!"
  207. >"Why?!
  208. >He sprayed mud at Fluttershy just to get away!"
  209.  
  210. >While they talk, you try to clear your head:
  211. >Nononono
  212. >What the fuck is going on?
  213. >...
  214. >That landing may or may not have bumped your head.
  215. >But...Talking Pegasi?
  216. >Just...no.
  217. > It can't be.
  218. >Your rattled brain couldn't of chosen something so ridiculous to let you see.
  219. >But what was that /thing/ back there?
  220. >Something in your eye?
  221. >No, even that's a pathetic excuse.
  222. >You mentally sigh and guess that, for now, you'll deal with these demented figments of your imagination.
  223. >Even though you've never experienced hallucinations.
  224. >Goddammit.
  225. >*sigh*
  226. >So, it seems you're dealing with little weirdly-colored Pegasi.
  227. >Judging by their voices, they're all young and diverse.
  228. >Just like from a show.
  229. >And from what you've seen, everything around you is all from a kid's show.
  230. >You fear what that may entail.
  231. >You swear, if they start singing...
  232.  
  233. >You let them talk, and you wish you could drown them out.
  234. >Their voices were already getting to you.
  235. >One girl in particular was saying a cliché speech about not jumping to conclusions.
  236. >She sounds like a know-it-all.
  237. >The prepubescent one, for one reason or another, agrees silently and steps off of you.
  238. >Seeing that as your cue, you slowly turn over and sit up.
  239. >You don't stand since you feel you're in for a long discussion.
  240. >As you tuck in your legs Indian style, you look at the colorful ponies before you.
  241.  
  242. >There are six of them in a semicircle around you, well out your reach.
  243. >The one right in front of you, with a coat the same color as a plum, steps towards you.
  244. >Her hair is either dark purple or black, and has a single pink streak going through it.
  245. >A horn is sticking out, making Twilight a fucking unicorn.
  246. >Her eyes (like all of them: manga-esque) has the same color as her fur.
  247. >"Mr. Ape?"
  248. >She puts a hoof (that's the same color as the rest of her body) to her chest.
  249. >"I'm Twilight Sparkle."
  250. >...Silly name aside, that voice sounds familiar.
  251. >Why?
  252. >Twilight points towards an orange coated pony to her left that has braided blonde hair and a straw cowboy hat.
  253. >Her emerald green eyes stand out.
  254. >"That's Applejack."
  255. >Smiling courteously, Applejack, somehow, uses her hoof to tilt her hat towards you.
  256. >You bet she even has a southern accent.
  257. >The purple unicorn gestures to another unicorn to her right that has white fur, blue eyes, and heavily stylized purple hair.
  258. >"This is Rairity."
  259. >The first word to pop into your mind is: Lady.
  260. >She even bows in a court-like fashion.
  261. >For a pony at least.
  262. >Then there's the bouncing pink one.
  263. >The same one that somehow teleported into your pants.
  264. >"That's Pinkie Pie."
  265. >Pinkie stops long enough to give you a huge smile before continuing to jump up and down.
  266. >"And you've already meet Rainbow Dash and Fluttershy."
  267.  
  268. >...
  269. >You look around at the creatures as your mind wages war on itself.
  270. >It's torn between wanting to d'aw at them and their cute looks, and wanting to scream out and start ripping and tearing.
  271.  
  272. >/"It's strange that they're actually tolerating our presence.
  273. >They're FUCKING PONIES, of course they would!
  274. >Yes, their innocence can be their undoing, but it shouldn't be us that ends them.
  275. >Why not!? We're huge compared to them, and we're human.
  276. >Even with magic, they'll have to deal with our brutal cunning.
  277. >We're not a brute, and we're certainly not here to kill them all, let's make sure they understand that.
  278. >Why do we need to let them know?
  279. >They'll find out about our true nature eventually.
  280. >That being?
  281. >Being human, you know what that means.
  282. >Hm...it would be interesting to see their reaction.
  283. >Yes, I would LOVE to have them fear us.
  284. >Of course, but what about them?
  285. >Them?
  286. >Don't we want to learn about these ponies?
  287. >...Maybe.
  288. >FUCK NO!
  289. >Just listen, dammit.
  290. >So far, from what we've seen, this place is NOT Michigan, and considering what's in front if us this certainly isn't earth.
  291. >We could be high and hal-
  292. >We haven't smoked anything.
  293. >But FUCKING PONIES!
  294. >Enough denial, let's just roll with it for now and worry about what's real later."/
  295.  
  296. >"Uh, Mr. Ape?"
  297. >You snap out of your inner debate and look back at the purple unicorn.
  298. >She's now just outside arm's length.
  299.  
  300. >You were just about to open you mouth to tell her to please stop the "Mr. Ape" crap, when Applejack speaks.
  301. >"Ah don't think 'e kin understand ya, Twilight."
  302.  
  303. >HA!
  304. >You knew she would have the accent.
  305. >And along with that moment of pride, an idea begins to form in your head.
  306.  
  307. >Twilight turns to her southern friend.
  308. >"But, he was trying to talk to us last night."
  309. >At least, I think he was."
  310.  
  311. >/"Oooh yes, doubt yourself, Sparkling Twilight.
  312. >Doubt yourself that I spoke last night so I may hide under the guise that I do not understand any of you.
  313. >Do this to let your companions feel comfortable speaking freely around me, so that this alien being may hear their honest thoughts about himself."/
  314. >You realize you don't normally think or speak like that, but it feels incredibly appropriate for a plan such as this.
  315. >And when it came to mind games, fancy speaking is a must.
  316. >Especially after reading Frankenstein.
  317. >Nice read.
  318. >You commend Ms. Shelly's handling of the creation.
  319. >You especially enjoyed reading about him learning of old Europe.
  320. >Hmmm....
  321. >Yes, that will be your plan.
  322. >Act dumb, or at least act that you don't understand what they're saying.
  323. >That way they won't try to paint everything all nice for you.
  324. >You want to see this...world, coma-induced hallucination, whatever it is, for what it actually is.
  325.  
  326. >You look back at the ponies, who were discussing your intelligence.
  327.  
  328. >Twilight steps forward again.
  329. >"Mr. Ape, can you understand me?"
  330. >You stare at her with a blank expression for a few seconds.
  331. >"I'm Twilight Sparkle.
  332. >Twiiiliiiight.
  333. >Ssspaaarklllle."
  334. >Oh god she's doing that.
  335. >Why do people think that somehow helps?
  336.  
  337. >Just to get them off your back for a bit, you decide to show a little intelligence.
  338.  
  339. >You lift your finger and point it right at Twilight's nose, causing her to go cross eyed.
  340. "Twilight Sparkle." you tell her in a neutral tone.
  341. >Not waiting for a reaction, you point to the cowpony.
  342. "Applejack."
  343. >You go down the line:
  344. "Fluttershy."
  345. "Rarity."
  346. "Pinkie Pie."
  347. "Rainbow Dash."
  348.  
  349. >You don't know how you've remembered the names when they were spoken once.
  350. >Maybe it's because they're so weird.
  351. >Anyhow, the ponies seem delighted that you know their names.
  352. >You look back to Twilight, and raise an eyebrow when she points her hoof at you.
  353. >You realize they want your name, so you point to yourself.
  354.  
  355. "Anon."