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Octo Octavia: Back from Oneshot Hell

By: CuriousAnon on May 10th, 2013  |  syntax: None  |  size: 25.94 KB  |  hits: 176  |  expires: Never
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  1. Octavia, that was flawless
  2. >Your compliment brings a smile to Octavia's face
  3. >"This was nothing.  You should see me up on stage at the Royal Canterlot Theatre"
  4. I really should get around to seeing that some day...
  5. >You grin
  6. But you'd have to stop giving me private showings like this.  You're spoiling me
  7. >Octavia gives a delightful chuckle
  8. >"I suppose you're correct..."
  9. >"But, I'm afraid, this one must come to an end"
  10. >You obligingly get up off her cello case and pull it open for her
  11. Here, give me your cello
  12. >"I can put it away myself"
  13. No, I insist
  14.  
  15.  
  16. >Octavia reluctantly hoofs the cello over to you
  17. >You gently take it from her with both hands
  18. >Then you carefully set it inside the case
  19. >You remember the last time Vinyl broke one of these
  20. >It wasn't pretty
  21. >You hold out your hand when you've finished
  22. Let's have the bow now
  23. >Octavia extends the hoof holding the bow, and you reach out to take it
  24. >For the briefest moment, you both have your respective manipulatory extremities on the b-
  25.  
  26.  
  27. >BAMF
  28. >An unexpected flash of green light blinds you
  29. >There's something on your hand
  30. >Something that wasn't there before
  31. >It's warm and fleshy
  32. >And it grips your hand on a series of spots
  33. >You finally blink the whitness out of your eyes and look down
  34. >There's a brown tentacle draped over your hand
  35. >Your eyes follow the tentacle up its length
  36. >It grips the bow for a ways, growing ever wider
  37. >It terminates at a body comprised of seven other, similar tentacles
  38. >And on top of that body is...
  39. >Octavia's head
  40. >Still wearing her white collar with pink bow tie
  41. >Celestia's bowels
  42. >How did this happen
  43.  
  44.  
  45. >Octavia is rapidly blinking
  46. >"What in the world was that?" She asks
  47. Octavia?
  48. >She finishes her blinking
  49. >"Hmmm?"
  50. Don't panic, but do you feel... different?
  51. >"do I feel..."
  52. >She looks down
  53. >The bow clatters to the floor, no longer supported by your hand or her... tentacle
  54. >"AUGH!"
  55. >She gives exactly the sort of dignified shriek you would expect from her
  56. >"I'm an octopus!"
  57. >That's the term you were looking for
  58. >"I'm a freak..."
  59. >You start to pull your hand away
  60. >"No!  Don't leave me!"
  61. >And lands on your head, enveloping you in a desperate bid to keep you from running
  62.  
  63.  
  64. >You feel tentacles work their way under the collar of your t-shirt
  65. Octavia
  66. >They drape down across both sides of your torso
  67. >And out along your arm
  68. Octavia, what are you doing?
  69. >that's an interesting sensation...
  70. >Then the suckers find purchase, and anchor Octavia in place
  71. >You can't help but shudder just a little bit, fighting panic yourself
  72. >When she's finished, you know exactly where all eight tentacles are
  73. >Four drape on either side of your back, forming a loose J shape that terminates just above your belt line
  74. >Two run out along your arm, all the way to your wrist
  75. >And the final two are wrapped around your head
  76. >Octavia's own head is situated to the left of yours, poking through the stretched neck hole of your poor t-shirt
  77. >All in all, it feels like you're wearing a warm, heavy, fleshy blanket
  78. >With suckers
  79.  
  80.  
  81. >Octavia is crying
  82. Octavia...
  83. >"I'm a monster!"
  84. Octavia
  85. >"I can't play cello like this!"
  86. TAVI!
  87. >Octavia sniffs
  88. You're panicking
  89. >"What?"
  90. I warned you not to panic
  91. >You try to turn your head left
  92. >Octavia removes the pair of tentacles wrapped around your head, shifting them instead down your right arm and out the sleeve
  93. >"Anonymous, I'm scared"
  94. And you have every right to be.  However, you can't panic
  95. >She starts to lose it again
  96. >"Why?  Why shouldn't I panic?  For all I know, I'll be stuck like this for the rest of my life...  However long that is..."
  97. Relax.  We can fix this
  98. >She looks at you with red rimmed eyes
  99. >"We can?"
  100. Yeah, I know just the p0ny for it; if there's anyone that wou-
  101. >The door behind you interrupts your speech by opening
  102.  
  103.  
  104. >You wheel around to face it
  105. >It's none other than Vinyl Scratch
  106. >She pulls down her signature purple goggles and peers at the both of you
  107. >"Tavi?  Is that you?"
  108. Yep, that's her
  109. >"Are you an octopus?"
  110. >Octavia is a moment in her reply
  111. >"I-yes, I'm afraid so, Vinyl"
  112. >"That's..."
  113. >You feel the tentacles tense slightly as Octavia braces
  114. >"That's AWESOME!"
  115. >Good ol' Vinyl
  116. >"Y-you really think so?"
  117. >"Of course!  Octopi have all kinds of crazy abilities!  I bet you could crawl on the ceiling with suckers like those!"
  118. >"well Vinyl, that's... good to hear..."
  119.  
  120.  
  121. >You clear your throat
  122. Octavia
  123. >"Yes, dear?"
  124. Would you mind getting off me?
  125. >Octavia looks down and realizes what she's doing
  126. >"Oh.  Oh my. Anonymous, I apologize-"
  127. No, it's fine.  You were scared.  Here
  128. >You yank your shirt up off over your head
  129. If you can let go, I'll lift you off
  130. >"I shall try"
  131. >You feel the suckers attached all over your body weaken their grip
  132. >You accordingly reach up underneath Octavia's main body with both your hands
  133. >A pair of suckers the size of baseballs latch onto your palms as you lift her up and off your shoulder
  134. >Then you set her down on the stool
  135. >Her tentacles drape down over the framework and onto the floor
  136. There
  137. >Vinyl whistles
  138. >"Wow Octavia, when you go for it you really go for it, don't you?"
  139. >"What's that supposed to mean?"
  140. >"Well look at him!"
  141. >Octavia gasps
  142. What
  143. >You look down
  144. >Your torso and arms  are covered a vaguely swirling pattern of red spots
  145. >The spots get larger as they approach your left shoulder
  146. Oh...
  147.  
  148.  
  149. They're on my face too aren't they
  150. >"Yeah"
  151. Wonderful
  152. >"Anonymous, I'm sorry... I didn't know..."
  153. I'm fine, I'm fine
  154. >You reach down and pick up your shirt
  155. >The neck is now stretched pretty bad
  156. >but it's still wearable, so you put it on
  157. >Vinyl approaches Octavia and pokes one of her tentacles with her hoof
  158. >"How did you become an octopus anyway?  I want to try!"
  159. >BAMF
  160. >The same green flash goes off
  161. >You reach up and rub your eyes
  162. >When your vision returns, your fears are confirmed
  163. >Vinyl Scratch is now on the floor
  164. >She holds one of her new tentacles up to her face
  165. >"Woah..."
  166. >Then she begins swishing them back and forth across the floor
  167. >"COOL!"
  168.  
  169.  
  170. So Octavia, how DID you become an octopus?
  171. >"I... well, honestly, I have no idea.  One moment I was passing you my bow, and the next I was... well..."
  172. Interesting.  Vinyl?
  173. >"Hmmm?"
  174. >Vinyl pauses her swishing and looks up at you
  175. Do you think you could change her back?  Or for that matter yourself?
  176. >"Pffft, nah.  Music is my specialty, remember?  If I tried anything Tavi'd probably end up with even more tentacles.  Or a built in set of speakers...  Actually, that WOULD be pretty awesome... But I'm guessing she doesn't care to become the world's first octowub"
  177. >"Most definitely not!"
  178. >"Octowub... That'd be a good album name..." mutters Vinyl
  179. >"No, if anyp0ny in p0nyville could fix this, it'd be Twilight Sparkle"
  180. That was my first thought too.  How about this
  181. >They both look at you
  182. I'll go get Twilight.  You two stay here and wait for me.  Sound good?
  183. >"Works for me"
  184. >"I agree"
  185. Alright.  See you both in a bit
  186. >You turn and head out of the room, closing the door behind you
  187. >On your way out, you stop in Octavia's entryway and don your trench coat
  188. >It's still raining out
  189. >And you don't intent to add "Wet" to the list of things you're feeling right now
  190. >Finally, you head out the door and into the downpour
  191.  
  192.  
  193. >The trip to Twilight's housebrary is relatively uneventful
  194. >There aren't many p0nies out and about
  195. >And you can't say you blame them
  196. >It's just one of those wet, dreary days better spent inside with a cup of something hot and a few friends
  197. >You press onwards through the rain and finally come upon the massive oak tree that is the P0nyville library
  198. >Then you raise your fist and knock
  199. >"Come in!"
  200. >Slipping quickly through the front door, you close it quickly behind you, shaking the rain out of your hair
  201. >Twilight is, surprise surprise, reading a book
  202. >She lowers a lightly steaming mug of something to the table and turns to face you
  203. >"Oh, hello Anonymous!  How are you doing?"
  204. >You step forward into the light
  205. Twilight, I need your help
  206. >Her expression switches from one of pleasant surprise to questioning concern
  207. >"Anonymous, what happened to your face?  Did you get into poison joke?"
  208. What?  No, what's poison joke?
  209. >She opens her mouth
  210. Actually, don't answer that.  I need you to come with me; it's rather urgent
  211.  
  212.  
  213. >Twilight sets her book down
  214. >"What's the problem?"
  215. You wouldn't believe me if I told you.  
  216. >"Is it magic related?"
  217. I think so...
  218. >She sighs
  219. >"It always is.  Try me."
  220. Octavia and Vinyl have turned into octo... p0nies?
  221. >Twilight sighs
  222. >"Very well, I will accompany you"
  223. >She gets up and goes to a closet, retrieving and donning saddlebags and a p0ny rain slicker
  224. What's the bag for?
  225. >"Magical emergency kit"
  226. You have those?
  227. >"With all the malarky that goes on around here, it wouldn't make sense to not have one.  Let's get this over with"
  228. You're right
  229. >You turn right back around and open the door, stepping back out into the rain
  230.  
  231.  
  232. >Twilight doesn't say anything as you lead her through the rain-soaked streets of P0nyville
  233. >Nor does she say anything when you pull open Octavia's front door and beckon her inside
  234. >She does raise an eyebrow though
  235. >You both pause to remove your respective bad weather gear
  236. >"Can you tell me now, what exactly it is I'm supposed to help with?"
  237. You'll see in a minute
  238. >You lead her to the practice room and pull the door open
  239. >It's empty
  240. >"Yeah Anon, that's a really magically distressed music stand there.  I'm so glad I'm here to help"
  241. >She's just piling the sarcasm on
  242. >You can't say you blame her
  243. >She's got a book waiting for her
  244. >You step inside the room
  245. I don't understand.  They were r-
  246. >SPLAP
  247. >Something warm and fleshy swings down and impacts your forehead
  248. aaaaaAAAAAAHHHHHHHHHHH!
  249. >"AAAAAAAHHHHH" Screams Twilight with you
  250. >The mass peels off your forehead, and you almost fall over backwards
  251. >You look up towards the ceiling
  252. >Right above you is Vinyl Scratch, having herself a nice hearty laugh
  253. >Next to her is Octavia, who looks apologetic
  254. >You turn to Twilight and gesture towards the ceiling weakly
  255. See?
  256.  
  257.  
  258. >Twilight sits down heavily on the floor
  259. >"I... I do see."
  260. Are you quite finished, Vinyl?
  261. >You ask disapprovingly to the laughing... white octopus on the ceiling
  262. >After a minute, she slows down enough to reply
  263. >"Yeah, Yeah... Alright.  Just... The look on your face!"
  264. >She sniggers a minute more
  265. Will you get down?
  266. >"Sure, sure, whatever" she mumbles
  267. >Her tentacles contract and expand, the suckers attaching and detaching in such a manner as to allow her to inch across the ceiling without falling on your head
  268. >Octavia is already halfway down the wall
  269. >Twilight, meanwhile, sets her saddlebags off to the side
  270. >Something inside tinkles, like glass
  271. >"I don't even.... how did this happen?"
  272. >You shrug
  273. Octavia was giving me a private showing, and then there was a green flash, and then...
  274. >You wave your hand in the general direction of brown octopus
  275. That.
  276. >Vinyl snorts
  277. What?
  278. >"Private showing"
  279. >The double meaning of the phrase hits you about the same time she utters the "P" sound
  280.  
  281.  
  282. >Oh christ are you blushing
  283. >Oh shit
  284. >you don't know
  285. >Better cover
  286. Vinyl, you dirty mare
  287. >She holds up two tentacles in a defensive manner
  288. >"Hey, I calls it like I sees it"
  289. Yeesh
  290. >Twilight clears her throat
  291. >"What about Vinyl then?"
  292. She remarked that she wondered what it'd be like to be an octopus, and then the same green flash.  And then octowub.
  293. >"Heh"
  294. So... Is there anything you can do?
  295. >Twilight sucks air through her teeth
  296. >"I'll have to have a closer look before I can tell you anything definitive."
  297. >She opens her bag, revealing an array of test tubes, magnifying glasses, and tongs
  298. >"Who's first?"
  299.  
  300.  
  301.  
  302. >"I'll do it!" volunteers Vinyl
  303. >"Alright."
  304. >Vinyl begins making her way across the floor to Twilight
  305. >"Anonymous, Octavia, I'm going to have to ask you to vacate the room.  The procedures I'm about to preform are rather... delicate."
  306. >You look down to Octavia, who nods up at you
  307. Fair enough.
  308. Do you need a lift?
  309. >Octavia shakes her head
  310. >"I believe I can manage, but I appreciate the offer."
  311. >She begins to flow and undulate towards the door
  312. >You step up and push it open, watching her flow across the ground and through the doorway
  313. >When she's through, you step out and close the door behind you
  314.  
  315.  
  316. >You look up at the gangly human looming above you, his... hands in his pockets
  317. >Still as a rock
  318. >Who knows what manner of thoughts swirl behind those tiny, azure eyes?
  319. >All of this, all of this strangeness
  320. >He endures it with nothing more than a sense of mild bemusement about him
  321. >Offering encouraging words and toleration...
  322. >"Would... would you care for a spot of dinner?"
  323. >The head jerks, snaps up slightly
  324. Huh?  
  325. >Then it shakes
  326. If I could impose so far...
  327. >"It's no trouble at all" you offer
  328. >It takes you a moment to start moving, these...
  329. >These blasted tentacles...
  330. >Celestia, why did this have to happen to you?
  331. >On tonight, of all nights!
  332. >...
  333. >But these blasted tentacles take some getting used to
  334. >You dearly hope Twilight will be able to do something about them
  335.  
  336.  
  337. >Octavia leads the way into the kitchen
  338. >Her tentacles look like they're quivering a little more than usual
  339. >Well, usual as far as you've seen
  340. >As you watch, she opens the door to the fridge
  341. >A pair of tentacles peruse the inside, withdrawing a container of salad, some dressing and garnishments, and an oblong package wrapped in plain white paper and tape
  342. Anything I can do to help?
  343. >"If you could get a medium bowl out of the cupboard and put it on the counter, I'd greatly appreciate it" she says back to you
  344. >You step over to the cabinet and pull it open, eventually finding the medium sized bowl on the middle shelf
  345. >When you turn around to place the bowl on the counter, Octavia's there
  346. >Arranged around her are all of the necessary ingredients for a salad
  347. >And an oblong, mysterious object wrapped in white paper
  348. >The tentacles wrap around the containers, pouring the ingredients one after the other into the bowl
  349. >She has a bit of trouble with the drawer on the side of the counter
  350. >And the rather small forks and spoons inside give her pause
  351.  
  352.  
  353. >you're about to ask when she speaks up
  354. >"A-anonymous, would you be a dear and... and mix this?"
  355. Of course
  356. >You offer, taking a mixing fork and spoon from the drawer
  357. >The wobble in her voice is obvious, but you don't want to offend her
  358. >As you toss the salad, she slides down the side of the counter, package in tow
  359. >You hear something clank behind you
  360. >And when you turn around, you see she's got a frying pan on the stove
  361. >She's trying to turn the knob and get it lit
  362. Octavia
  363. >The gas jets out of the holes in the burner, but she can't get the starter to spark
  364. >"I can do this"
  365. >She's taking too long
  366. TAVI!
  367. >She looks towards you just as the starter finally sparks, igniting the gas into a small fireball
  368. >You leap across the intervening space and flick the burner off
  369. >The flame was a brief flash
  370. >So the ceiling is a bit singed, but not burning
  371. >Octavia looks at you slackjawed
  372. >If she hadn't turned her head, she'd have a facefull of ouch
  373. >As is, all she has are a few singed hairs
  374.  
  375.  
  376. That was close
  377. >Octavia sobs quietly, drawing your attention
  378. >Her face has fallen over forward and is laying flat on the counter
  379. Octavia, what's wrong?
  380. >"...I'm useless..." Drifts up from the counter
  381. >You were afraid this would happen
  382. Well, with that attitude you are
  383. >"I can't even use the stove..."
  384. You mean you can't use the stove yet?
  385. >The head rises, peering at you blearily
  386. >"I can't work the knobs..."
  387. So are you going to give up?  Or are you going to make them bigger so you can use them
  388. >She sniffs again
  389. >"I suppose..."
  390. >You stare into her eyes
  391. >Her beautiful, violet eyes, rimmed with tears
  392. >A few strands of mane have escaped their usual arrangement, and you reach forward and sweep them behind her ear
  393. You can't look at it like that.  That's defeatist.  You can't think, 'Oh, I can't do this, may as well give up'.  You have to think, 'How can I make this work?'
  394.  
  395.  
  396. >"I-I can try..."
  397. That's all I'm asking.  And I'll be here every step of the way if you need me.
  398. >She sniffs again
  399. >OH BOY
  400. >HERE COMES THE BLUSH
  401. And hey
  402. >You postulate, trying to lighten the mood
  403. This is all assuming Twilight doesn't work out a way to change you back.  You could be back to your proper form by this time tomorrow!
  404. >"I-I hadn't considered that..."
  405. >"You're right, Anonymous.  Thank you."
  406. >you shrug
  407. Being different is hardly an alien experience to me.  After all you've done for me, I'm happy to have a way to help you in return.
  408. >Oh christ
  409. N-not that I was hoping for this to happen
  410. >Octavia emits a watery chuckle
  411. >"I understand the intent."
  412. >She begins to inch down the side of the counter
  413. >"Hard to find p0nies with proper taste in music in this little burg"
  414. >Then, she pauses
  415. >The tentacle holding the white package wavers ponderously in your direction
  416. >"This is for you.  Perhaps you'll be able to do what I cannot."
  417. >You reach out in wonder and take the package
  418. >Cold and firm to the touch
  419. >you head to the section of counter opposite of the purple octo p0ny and set it down
  420. >Then you tear through the tape and unwrap it
  421. >When you finally reach the inside, you inhale sharply
  422.  
  423.  
  424.  
  425. >Nestled inside are two objects wrapped in wax paper, one longer than the other and red
  426. >Could it be?
  427. >You reverently pick up the longer of the two and prize it open
  428. >Inside is a wad of bacon
  429. >BACON!
  430. >of all the things
  431. >you set the bacon back in the paper and pick up the other roll
  432. >Inside this, you find a small stick of butter
  433. >Just enough to grease a pan
  434. >You're touched
  435. >Meat isn't exactly easy to come by, nor does it come cheap
  436. >Especially bacon
  437. >You turn to Octavia in wonder
  438. >She's halfway up the side of the counter with a pair of bowls
  439. Where...
  440. >"I got it from a gryphon merchant."
  441. >"He was kind enough to instruct me in its preparation, but I... can't manage it right now." she says sadly
  442. >"I trust you know how?"
  443. I do...
  444. >You muse in wonder
  445. Octavia, I'm touched
  446. >Is that a hint of blush you see on her cheeks?
  447. >"Anything for a friend"
  448. >She has the salad bowl in her tentacles
  449. >And she's in the process of meting it out between two smaller bowls
  450. If I might...
  451. >"By all means."
  452.  
  453.  
  454. >A half hour later, and you're seated across from Octavia at the table, pouring glasses of water for the both of you
  455. >There's a plate on your left with six
  456. >SIX
  457. >Strips of glorious, glorious bacon
  458. >And three more in bits all over your salad
  459. >Across the table, Octavia pulls her bowl closer
  460. >You set the water jug down and pick up your fork
  461. >And dig in
  462. >Three bites in, and you realize it
  463. >It's the best salad you've had in a long, long time
  464. >No offense to the local chefs, they do quite well with their vegetarian ingredients
  465. >But the bacon adds that little zest that you've craved for so long
  466. >Across the table, Octavia eats directly from the bowl
  467. >If it's bothering her, she doesn't show it
  468. >The meal is silent for the most part
  469. >You pivot in your chair
  470. >It's Twilight
  471. Hello Twilight
  472. >She looks slightly stricken, and she's got her gear on
  473. Any new developments?
  474. >"I bear good news and bad news."
  475.  
  476.  
  477. >The table shifts a bit as Octavia inches over to be able to see the purple unicorn
  478. >"The good news is, I can change them back."
  479. >You clap once, vigorously
  480. Excellent!
  481. >"And the bad news?" Inquires Octavia wearily from the table
  482. >"The bad news is that the method for doing so takes several hours, and is rather... volatile.  I have the equipment necessary at the Library, but I can't bring it here."
  483. So we have to bring them to the library?
  484. >"In a few hours, yes."
  485. How muc-
  486. >Twilight holds up a hoof, the contents of her bags rattling under the damp raincoat
  487. >"I cannot, in good conscience, charge money for this.  I will not."
  488. >"Just have them at the library in four hours."
  489. I think I can manage that.
  490.  
  491.  
  492. >Twilight turns to the door, pausing
  493. >"Are there any other questions?
  494. I don't have any
  495. >You shrug, and look back to Octavia
  496. >"No.  Thank you, Twilight."
  497. >"I'm doing my duty as a civil servant of P0nyville"
  498. >Twilight hesitates for a moment longer, makinge sure there are truly no more questions to be had
  499. >Before finally heading out the door
  500. >"Anonymous, would you mind seeing her out?"
  501. Of course
  502. >You rise from your seat, intent upon Octavia's request
  503. Really Twilight, thank you so much
  504. >You remark once you're out of earshot of the kitchen
  505. >"Let's... let's just say I know what it's like to be deprived of vital manipulatory faculties."
  506. It's no fun, is it
  507. >"It is not."
  508. >She confirms
  509.  
  510.  
  511. >After that brief moment of awkwardness, Twilight finds her way out of the house quite readily
  512. >You're on your way back into the kitchen when you almost run into Vinyl's head making its way down the wall
  513. Hello, Vinyl
  514. >You greet
  515. >"Hi Nonny!"
  516. >you grimace
  517. >You hate it when she calls you that, and she knows it
  518. Where are you going?
  519. >"I'm headed to my mixing room.  All this is giving me wicked ideas"
  520. Are you going to make a whole new album?
  521. >"Heh, I just might"
  522. >You slide past her and continue down the hallway
  523. >"Hey" She calls just before you round the corner
  524. >Something in her voice makes you stop, and consider
  525. Yeah?
  526. >She's a moment in responding
  527. >When she does, it's in a lower, more subdued tone of voice
  528. >"You should go spend some time with Tavi.  This really hit her hard."
  529. Y'know what?  I think I will.
  530. >"Good."
  531. >you turn the corner of the hallway
  532. >In the kitchen, Octavia is cleaning up after dinner
  533. >The bowls and the glasses have been moved to the sink, and she's on the counter next to it
  534. >She looks up when you enter the room
  535. >"Oh, hello Anonymous.  Nice of you to stick around."
  536. You thought I was gonna leave?
  537. >"Well, I had considered the possiblity..."
  538. I said I was gonna be around all night, that's what I'm gonna do.  Besides, you need my help getting to the library in a couple hours.
  539. >you step inside and take a seat.
  540.  
  541.  
  542. >You twiddle your thumbs for a moment, as the rain patters against the window
  543. Octavia, do you think we could continue with your original plans for the evening?
  544. >"What?" she responds from the counter
  545. >She's practicing working the knobs on the sink
  546. Do you think you could start teaching me to play?
  547. >"Oh, that!"
  548. >She sighs
  549. >"I'm not sure how much help I'll be, but I AM a p0ny of my word..."
  550. >"And I'd rather have something to do..."
  551. >To distract her, is the unspoken message
  552. Well then let's go, shall we?
  553. >"Yes, let us."
  554. >You kick forward off the wall and walk over to Octavia
  555. Come here
  556. >"Oh, you don't have to carry me!"
  557. Pish posh.  It's faster and less trouble for both of us.
  558. >She considers your hands before her
  559. >"Well, if you insist..."
  560. I do
  561. >"Just this once, I suppose..."
  562. Think of it as practice
  563. >A pair of tentacles reluctantly inch up your arms
  564. >Octavia moves at moderate pace up your arms
  565. >Until she's nestled up against your crooked elbows
  566.  
  567.  
  568. See?  Now was that so hard?
  569. >"I-I guess not..."
  570. We'll be there before you know it
  571. >You say, turning to the doorway
  572. >The hallway is void of white tentacle monste- err, p0ny
  573. >You stride purposfully along
  574. >You can feel her respirating against the parts of your arms under her main body
  575. >Heading through the door to the practice room, you kick it closed behind you
  576. >"Set me down over there" she intones
  577. >And you oblige her
  578. >She is momentarily still, getting her bearings
  579. >Then she goes to the filing cabinet
  580. >And pulls open a drawer
  581. >the tip of a feeler indicates the frontmost folder
  582. >"There should be a sheet titled..."
  583. >She pauses for a moment, concentrating
  584. >"Cello for p0nies.  Could you get it for me?"
  585. Of course
  586. >You pull the folder open, and sure enough there it is
  587. >Right at the front
  588. >You grab the sheet and pull it out
  589. >Turns out it's a packet, stapled at a corner
  590. >That works too
  591. >"I knew I still had it around, somewhere"
  592.  
  593.  
  594. >Octavia directs you to the music stand, where you set your wad of papers
  595. >"Resin the bow and take up the cello" she commands
  596. >You reverently open the case and do as asked
  597. >Carefully but strongly running the resin block up and down the bow
  598. >And, when that's done, reverently taking the cello from its velvet cradle
  599. >You rise from your crouch, and glance about
  600. >...Octavia's gone
  601. >Nowhere to be seen
  602. >"Up here, Anonymous!" calls a familiar voice from above
  603. >you look up
  604. >She's on the ceiling
  605. >Directly above the stool and music stand
  606. Whaaa...
  607. >"I had an idea!"
  608. >"Now, pull your stool over have a seat."
  609. >You hook your foot in the legs of your stool and push it over, keeping both hands on the cello
  610. >The music stand is at the first page, showing proper position for a p0ny to hold a cello
  611. >Calling forth vague memories of cellists from your world, you take up a position
  612. >Something warm and soft snakes down and wraps around your wrists
  613. >It adjusts them, moving the cello back a bit and bringing the hand with the bow to a more perpendicular bearing to the strings
  614. >"There, see?  I can adjust your pose properly from here."
  615. That's pretty clever
  616. >"Well, one must make the most of one's situation..."
  617. >There's a bit of a pause
  618. Thank you, Octavia.  I really appreciate this.
  619. >"Oh, it's no problem at all"
  620. >"Now," She continues, cutting off your chance to respond
  621. >"For a lesson in the underlying physics of the cello..."
  622.  
  623.  
  624. >Octavia goes on to explain how drawing the bow across the string causes it to vibrate
  625. >To resonate
  626. >And how that resonance bounces back and forth inside the body to produce the sound
  627. >How different tightness and lengths of string create higher and lower pitch
  628. >And how p0nies press the string down with the inherent, rudimentary magic in their hooves
  629. >The same magic that enables them to grip things they otherwise couldn't
  630. >A little bit of experimentation, and you find that you can press the string down with your fingers pretty well
  631. >The lesson book needs a little adjusting, but Octavia's with you every step of the way
  632. >You're just learning the positions of the various notes, when there's a flash through the window
  633. >And then a deafening roar of thunder shakes the house
  634. >Rattles the shutters
  635. >There's a shriek above you
  636. >And then something hard smacks into your head
  637. >The last impression you have is of sudden blackness
  638. >Before you slip away into unconsciousness