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AlaskanAnon in equestria ch. 14

By: CuriousAnon on Dec 2nd, 2012  |  syntax: None  |  size: 48.55 KB  |  hits: 375  |  expires: Never
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  1. >RRRRRIIIIIPPPPPP
  2. >You're falling
  3. >Shit, why are you falling?
  4. >You don't know
  5. >But you do know you've landed
  6. >Right next to Princess Celestia...
  7. >Who releases a very Un-princesslike shout
  8. >"AAAAAAAAAAAAAAAAAAAAAAAAAAUGH!"
  9. >She pulls all four hooves up in front of her and punts you off the bed
  10. Oooow, fuck
  11. >Shit
  12. >Oh god, this is now how you wanted this to go
  13. >You're royally fucked
  14.  
  15.  
  16. >Above you, Princess Celestia ceases her shout
  17. >You reach down and rub your ass
  18. >The floor is hard
  19. >That's definitely going to bruise
  20. >Princess Celestia is panting slightly, staring at Twilight
  21. >Twilight has the classic "Moose in the headlights" look in her eyes
  22. >"Anonymous, Twilight Sparkle, why are you in my room?" asks Celestia, audibly trying to reassert her calm
  23. >Twilight emits a strangled squeak
  24. We were hiding
  25. >You answer from the floor
  26. >Probably wise to stick to the truth at this point
  27. >"And how, pray tell, did you get inside?"
  28. >you think back to the previous night
  29. Well, we were looking for a place to hide, and this door was the only one unlocked...
  30. In fact, you should probably have words with your chief of security.  It was remarkably easy for us to get in here
  31. >You say as you slowly get up off the floor
  32. >As you put your glasses on, Celestia opens her mouth
  33. >"You must have chanced upon the door while I was taking care of a few last minute duties.  It IS usually guarded, but the
  34.  
  35. guards were otherwise occupied last... night..."
  36. >The sun goddess stops
  37. >You can almost see the gears in her head lock
  38. >"P-princess... Did-did you really..."
  39. >Twilight seems to have recovered her voice
  40. >The color drains from Princess Celestia's face
  41. >You're tempted to cover your head
  42. >This ain't gonna be pr-
  43.  
  44.  
  45. >BOOM
  46. >The balcony door flies open and slams into the wall
  47. >You wheel around to face it
  48. >On the far side is a midnight blue...
  49. >Alicorn?  Is that what Twilight called them?
  50. >She's roughly the same size as princess Celestia
  51. >If a bit smaller
  52. >Her mane is as black as the night sky, with twinkling points of light to match
  53. >She wears a black chestpiece with the same crescent moon emblem as her flank
  54. >Royal blue shoes similar to Celestia's golden ones
  55. >And a crown that pokes out of her mane just above the horn
  56. >"SISTER!  WE HEARD SHOUTING!  ART THEE IN DANGER?"
  57. >The sheer volume and intensity of the shout presses you back a step
  58. >Twilight and Celestia, caught unaware, are pushed off the bed along with most of the sheets
  59. >That has to be magic
  60. >There's no other way that much wind could come out of something that size
  61. >She opens her mouth again and you crouch slightly, bracing yourself
  62. >"WAS IT YON HUMAN CREATURE?"
  63. >Oh shit
  64. >You hear a muffled thump behind you
  65. >"Luna, you're using the Royal Canterlot voice again"
  66. >Celestia flies up over the bed and lands next to you
  67. >"REALLY?  WE-I apologize" Says Luna, her voice going down several orders of magnitude
  68. >"I am in no danger, I assure you" finishes the sun princess, with a glance up at you
  69. >'Luna' seems to deflate now that the perceived threat has passed
  70. >But she still eyes you wearily
  71. >"Pray tell how yon human managed to gain entrance to thine room?"
  72. My name's Anonymous
  73. >"Very well.  Anonymous"
  74. >Luna steps through the door
  75. >"And what is thy most faithful student doing here at this hour of the morn?"
  76. >"It seems the temporary redistribution of the Guard created more gaps in security than previously anticipated" answers Celestia
  77.  
  78.  
  79. >"However, the external doors were still under watch.  How DID you get inside the castle?"
  80. I'll tell you, but first I have a question
  81. >"Go ahead"
  82. >YOu point at Luna
  83. Why do you speak in Ye Olde Butcherede Englishe?  And why do you refer to yourself as we?
  84. >"We-I"
  85. >She emphasizes
  86. >"'ve been doing that again, haven't I"
  87. >"You have, I'm afraid"
  88. >Luna sighs
  89. >"'It is an old habit, one whose explanation would take far too long"
  90. Alright
  91. >She doesn't want to talk about it
  92. >That's fine
  93. Well, we started off leaving the maze...
  94.  
  95.  
  96. ...I had no other options with Celestia coming up the stairs.  That canopy was the only hiding place in this entire room
  97. >You conclude, pointing to the ripped canopy
  98. I put Twilight up there first, then hoisted myself up.  We...
  99. >Celestia's staring daggers at you
  100. Ended up spending the entire night up there.  The shout you heard this morning was when the fabric finally gave, dumping us next to your sister
  101. >You nod to Luna
  102. And that's how we ended up in Celestia's room
  103. >"Interesting.  Most of the holes you passed through would have been covered if the Guard was not... otherwise occupied"
  104. >Celestia looks to Luna
  105. >"Sister, I believe it's past time"
  106. >The midnight blue alicorn yawns
  107. >"Indeed, it is"
  108. >As one, they turn and head for the patio door
  109. Time for what?
  110. >You ask Twilight
  111. >"They're going to lower the moon and raise the sun" She whispers with quiet reverence
  112. >Bullshit
  113. >Magic you can accept
  114. >Flying ponies you can accept
  115. >But moving the sun itself?
  116. >You rise from your spot on the bed and head for the patio door after them
  117. >"Where are you going?"
  118. I'm going to watch
  119. >"What?"
  120. You tell me they're going to do something that is nearly physically impossible, and expect me to not watch?
  121. >You turn to the Princesses
  122. What do you two say?  Do you two mind if I watch?
  123.  
  124.  
  125. >Celestia looks over her shoulder while Luna opens the door
  126. >"You can both watch, if you care to"
  127. >Twilight immediately rises to her hooves and trots after you
  128. >Princess Celestia's horn lights up
  129. >A glimmering golden wall forms and scrapes most of the snow off the balcony through the railing
  130. >The two of them canter through the doorway, which you duck under shortly after
  131. >Twilight quietly joins you
  132. >The Princesses take up positions side by side, their horns both lighting up simultaneously
  133. >...And nothing happens
  134. >You snort, blowing dual jets of fog into the crisp morning air
  135. This is it?
  136. >"sssshhhh" shushes Twilight
  137. >You cross your arms and look up
  138. >You knew they couldn't act-
  139. >Wait
  140. >Is the moon up there actually moving?
  141. >It is
  142. >You struggle to keep your jaw off the floor as the moon accelerates at impossible speed towards the edge of the horizon
  143. >You swivel your head to look at the opposite horizon
  144. >Sure enough, there's a faint golden glow
  145. >The glow intensifies until the sun itself makes its way into view
  146. Damn...
  147. >"Anonymous!"
  148. >Twilight is mortified
  149. What?
  150. >"Don't swear in front of the princesses!"
  151.  
  152.  
  153.  
  154. >The two sisters finally shift, the magical glow of their horns fading
  155. >Luna turns to address the three of you
  156. >"I will... See you all tonight?"
  157. >Celestia gives her an encouraging nod
  158. >"Very well"
  159. >Luna turns, and enters her own balcony door
  160. Is she going to bed?
  161. >"She IS the princess of the Night" Answers Twilight
  162. up all night, sleep all day?
  163. >"She holds Night Court, yes"
  164. >How original
  165. >"Come"
  166. >Princess Celestia beckons
  167. >Then she turns and enters her own room
  168. >You and Twilight follow
  169.  
  170.  
  171. >"Princess, would it be alright if I used your bathroom?"
  172. That's something I've been meaning to ask too
  173. >"Be my guest.  In fact, you may as well catch a shower.  Neither of you smell particularly charming at the moment"
  174. >You raise up your arm and have a whiff
  175. >...yeah, she's right
  176. >You start towards the bathroom at the exact instant Twilight does
  177. >Then you both stop
  178. >And start again
  179. You go ahead
  180. >"No, I can wait"
  181. I insist
  182. >Twilight concedes and goes into the bathroom, closing the door behind her
  183. >After a minute, you hear the toilet flush
  184. >Then the shower turns on
  185. You're taking all this really well
  186. >you comment
  187. >"This is... not the first time something like this has occurred.  There is a reason the Royal Wardrobe is no longer kept in my room"
  188. >She pauses
  189. >"Anonymous, I would like to apologize for my behavior the other day.  It was... unbecoming of me"
  190. It's done and over with, right?
  191. >"For a time, yes"
  192. Then we should be fine
  193. >The pair of you lapse into silence
  194.  
  195.  
  196. So, Princess Celestia, can you send me back?  To my own dimension?
  197. >The Princess's face assumes a certain look
  198. >One you can identify all too well, even on such foreign features
  199. >"No, I am afraid that I cannot"
  200. Why not?
  201. >The Sun Goddess takes a deep breath
  202. >"Trans-Dimensional transportation is old, old magic, and exceedingly dangerous"
  203. >"Furthermore, I cannot send you back without first knowing where to send you to, if you understand.  Without the... errr..."
  204. Coordinates?
  205. >"Yes, without the coordinates of your original location you could end up in the center of your planet, or floating in space, or in another dimension entirely.  It would be sure suicide"
  206. >You sit down on the bed heavily
  207. >You had been half expecting this
  208. >Well, more than half actually
  209. >But it's still a lot to take in
  210. >"You have my sincerest condolences..."
  211.  
  212.  
  213. >Well, it's not that big of a deal, really
  214. >Yeah
  215. >That's the attitude to have
  216. >You're on... less than cordial relations with what's left of your family
  217. >You had a few good friends you would miss, sure
  218. >But you've got friends here now, too
  219. >"Anonymous, are you alright?"
  220. I'm fine, I'm fine
  221. >You look up
  222. >You're surprised to find genuine sympathy in Celestia's magenta eyes
  223. >"Are you certain?  In my experience, such things are not so easily dealt with..."
  224. >You grunt
  225. I'll live
  226.  
  227.  
  228. >The bathroom door opens, and Twilight steps out, shaking her still damp mane
  229. >Celestia clears her throat
  230. >"Anonymous, is it true you can see through a changeling's disguise?"
  231. I think I can... I'm still a little fuzzy on all the details here
  232. >Twilight gets that look in her eye
  233. >Oh boy
  234. >Here we go
  235. >"Do you mind if I explain, Princess?"
  236. >"Go ahead, my student"
  237. >Twilight takes a deep breath
  238. >"Changelings are a race of insectile beings that occupy a region on the outskirts of Equestria.  They seem to mirror ants in that they have many drones and a single Queen, Queen Chrysalis.  The drone form, to our knowledge, is capable of the disguise magic you saw, or rather didn't see, along with limited forms of other magic schools.  They may also be capable of mental manipulation.  Changelings feed primarily off of love; the shape shifting abilities are used to-
  239. Woah, woah, hang on a sec here
  240. >Twilight doesn't look happy at your interruption, but stops
  241. >"Yes, Anonymous?"
  242. They feed off LOVE?
  243. >"Do you think I would joke about this sort of thing?"
  244. >No, she probably wouldn't
  245. No, I'm sorry.  Go ahead
  246. >"As I was saying, the changelings use their imitation magic and possible mental manipulation abilities to get close to a given p0ny and extract all of their love.  In all recorded instances, the process is fatal to said p0ny if not interrupted.
  247. >She pauses to take a breath
  248. >"Beyond that, we know very little about them"
  249.  
  250.  
  251. >Celestia takes over
  252. >"Canterlot has a hidden population of changelings, although how large that population is I do not know.  This is where you come in"
  253. You need me to hunt them down?  Most Dangerous game Style?
  254. >Celestia looks appalled
  255. >"No Anonymous.  Your ability to see through a changeling's disguise is nearly unique; I merely request you meet periodically with Twilight under the guise of friendship studies so she can attempt to determine how exactly you manage it, and if it can be replicated"
  256. >She looks over to Twilight
  257. >"This is all assuming my dear student agrees to as well..."
  258. >Twilight goggles at her
  259. >"I would be honored... but why me?"
  260. >In a rare display of personal contact, Celestia reaches over and ruffles Twilight's mane with her hoof
  261. >"You're one of the best and brightest in my kingdom, Twilight.  If there's anyp0ny that could do it, it would be you"
  262. >Twilight practically glows at the praise
  263. >"So Anonymous?  What do you say?"
  264. I'll do it
  265. >"Excellent.  I'll have a laboratory made open for your collective use"
  266. Now if you'll excuse me, I need to catch a shower.  Among other things.
  267. >"By all means"
  268. >You head right into the bathroom and lock the door behind you
  269.  
  270.  
  271. >First order of business, take care of your bodily functions
  272. >You've mastered the crouching squat necessary to use p0ny toilets by now
  273. >When you've finished, you flush the toilet and take off your holster
  274. >You're about to start stripping when you catch a glimpse of yourself in the mirror
  275. >You need a shave
  276. >badly
  277. >No razors to be found anywhere
  278. >So you draw your knife, and wet your hand...
  279. >When you're done, you look in the mirror again
  280. >At this rate, you won't even have to buy a razor blade
  281. >You put your knife back in its scabbard, and strip off the rest of your clothing
  282. >Then you go to double check the lock on the bathroom door
  283. >Ah, who are you kidding
  284. >If the Sun Goddess and her protege  really want to peek, you doubt a measly lock would stand in their way
  285. >So you head over to the shower and pull the curtain open
  286. >Finally!
  287. >Fuck yes!
  288. >A shower you don't have to kneel to get under
  289. >You crank the water on and adjust it to an appropriate temperature
  290. >Then you jump right in and close the curtain
  291. >Once you're thoroughly wet, you pick up one of the plethora of bottles on the shelf
  292. >'Radiant C' mane conditioner and bodywash
  293. >Fancy
  294. >You dump a little in your hand and lather up
  295. >Smells like citrus
  296. >...
  297.  
  298.  
  299. >When the last of the now slightly darker tinged soap runs down the drain, you shut the shower off and hop out
  300. >Long showers are nice
  301. >But you don't think the princess would take nicely to a long shower at this particular moment
  302. >You towel off and pull some of the clothing Rarity made for you out of the cloak
  303. >Then you pull it on, and transfer your belt, knife and assorted pocket things from your old pants
  304. >You're really going to have to thank Rarity
  305. >It can't have been easy making clothing for something as comparatively large and foreign as yourself
  306. >You finally pull on your glasses, shrug on your holster and pin the cloak around your neck
  307. >Thus fortified, you unlock the bathroom door and pull it open
  308. >Celestia stands in front of the door, holding her various adornments in her magic
  309. >She trots past you and into the bathroom
  310. >"I'll meet you two at breakfast"
  311. Sure
  312. >Then Celestia closes the door, at which point Twilight turns to you
  313. >"Anonymous, I want to apologize for my behavior over the past week.  It was abominable-"
  314. >Sheesh
  315. >Is this going to keep happening?
  316. Hey, the way I see it I should be thanking you
  317. >"What?"
  318. If the rest of the Elements are anything to go by, you did an admirable job of resisting your biological imperatives.  So thank you
  319. >"you're... You're welcome, I suppose"
  320. >You clap your hands together
  321. Great.  Now I don't know about you, but I could really go for some breakfast
  322.  
  323.  
  324. >Twilight trots down the spiral stairs behind you
  325. So how come you didn't recognize this place last night?
  326. >"I've never actually been to the princess's rooms before"
  327. Ah
  328. >conversation lapses into silence, and for a time all that can be heard is the sound of boots and hooves on stone stairs
  329. >Then Twilight breaks the silence
  330. >"What were you thinking last night?  When you got us up on the canopy?"
  331. Hmmmmm
  332. >You ponder
  333. I think my thoughts were something along the lines of "oh fuck oh shit gotta hide oh shit she's coming damnit there are no hiding places fuck oh wait there's one!"
  334. >This gets a chuckle
  335. >You're now at the bottom of the stairs
  336. Do you know the way to the breakfast place from here?
  337. >"The Royal Eatery?  It's this way"
  338. Fancy
  339. >Twilight takes the lead, and you follow her into the hallway
  340.  
  341.  
  342. >The halls are even more crowded than you remember
  343. >P0nies of all walks of life hustle and bustle about
  344. >Heads turn as you go past
  345. >but that's only to be expected
  346. >Twilight leads you through the twists and turns of the castle with practiced ease
  347. >And eventually the pair of you come to a vaguely familiar door
  348. >Twilight opens it and trots through first
  349. >You hear several gasps from the other side
  350. >Then you brace yourself
  351. >And step through the door
  352.  
  353.  
  354. >"Hi Nonny!  You're back!"
  355. Hey Pinkie, good to see ya
  356. >Through the door is the dining room where you had dinner a few days ago
  357. >The rest of your friends are seated around the table, which is itself covered in various breakfast goodies
  358. >Pinkie waves enthusiastically at you as you approach the table
  359. >Then you pull one of the chairs back and kneel in front of a plate
  360. >Twilight takes her place as well
  361. >Hmmmm....
  362. >You examine your compatriots more closely
  363. >Fluttershy makes an "eep!" and ducks under the table when you look at her, her face that special shade of crimson usually reserved for complete embarrassment
  364. >Then AppleJack clears her throat
  365. >"Anonymous, We're all maighty sorry fer the way we were behavin' on tha trip over here..."
  366. >Somber nods of agreement go right around the table
  367. >"It was most disgraceful of us" pipes in Rarity
  368. >Even Pinkie looks suddenly apologetic
  369. >You scratch the back of your neck
  370. Well, I guess I can forgive you...  on one condition
  371. >You lean in conspiratorially, and they all follow suite
  372. >You wait a second to build the suspense
  373. Give me a warning next time.  And a head start
  374. >"BAAAAAHAAAHAAA!"
  375. >Dash nearly falls off her chair
  376. >Then Pinkie opens her muzzle
  377. >"YAAAAAAAY!  Now we can have a Welcome back from hiding party for Anonymous!"
  378.  
  379.  
  380.  
  381. >You clap your hands together
  382. Now that that's behind us, let's eat!
  383. >You reach for an appetizing looking muffin
  384. >Rarity gasps
  385. >"Anonymous, you can't!"
  386. Why not?  My belly is empty and there's food on the table
  387. >"Those're mah thoughts exactly"
  388. >You persist in reaching for the muffin, but Rarity's having none of it
  389. >"One does not simply begin eating before the Princess arrives!"
  390. >The muffin floats up and away from your hand in a blue glow
  391. Awwww...  But I'm hungry!
  392. >"It's not proper!"
  393. Fine
  394. >You settle in for the wait
  395. >No point in pissing her off too much
  396.  
  397.  
  398. Hey Twilight
  399. >You ask, adding your own voice to the idle chatter
  400. >"What?"
  401. I've been meaning to ask for awhile now; what's that mark on your side?  Does it have a purpose?  I've seen similar marks on almost all p0nies... Is it some sort of magical job brand?
  402. >"This is my cutie mark"
  403. >Says Twilight, wiggling her rump for emphasis
  404. >"It's not a 'job brand', although I'm curious as to what a brand is.  No, a p0ny's cutie mark signifies their special talent; for example, mine is magic.  Cutie marks usually appear during late childhood and adolescence"
  405. I see
  406. >Twilight pauses for a moment
  407. >"Humans don't get cutie marks, do they?"
  408. Nah
  409. >You scratch your chin
  410. The closest thing we have would be tattoos
  411. >"What's a tattoo?"
  412. >Of course p0nies don't have tattoos; they don't have any exposed skin
  413. A tattoo is an image permanently engrained into your skin with ink and needle
  414. >This gets almost everyone else's attention
  415. >Fluttershy winces
  416. >"That sounds like it would hurt..."
  417. It does
  418. >You look around the rest of the table
  419. Want to see mine?
  420.  
  421.  
  422. >"DO IT!"
  423. >You pull up your sleeve, resting your arm on the table
  424. >The tattoo is still there, just as you remember it
  425. >On your shoulder, a wolf stands silhouetted on a snowy rock crag with an equally snow covered forest below, howling into a starlit sky at a beautiful full moon
  426. >The detail is so fine you can see the steam jetting out of the wolf's muzzle, and the craters on the moon
  427. >On the lower part of your upper arm is a larger image of the same wolf's face, staring inscrutably out at the world
  428. >"Woooaaaaah" Says Pinkie
  429. >"How'd you get that?" asks Dash
  430. Honestly?  I don't remember.  I woke up with it after I went drinking with Sonny and a couple other buddies.  I wish I did remember though; whoever did this is crazy good
  431. >"It's utterly barbaric!" Scoffs Rarity
  432. >You grin
  433. You say that like it's a bad thing
  434. >"Well, I never..."
  435. Besides, most people that get a tattoo while drunk wake up with 'Loretta' tattooed on their ass. I think I did pretty well.
  436. >"Thet's a maighty strange lookin' timber wolf ya got there" comments AppleJack
  437. That's because it's a wolf wolf.  Wolves were I come from aren't made of wood, they're flesh and blood
  438. >Twilight looks like she wishes she had a notebook
  439. >"I'm sure Luna would be very impressed"
  440.  
  441.  
  442. >Everyone around the table jumps, including yourself
  443. >Princess Celestia somehow managed to sneak into her position at the table without anyone noticing
  444. >Her flowing mane no longer has the rumpled look, and she's wearing all her usual attire
  445. >"Princess!  We... didn't notice you come in!"
  446. >Celestia chuckles
  447. >"It's easy to miss little things when you're paying attention to something interesting, isn't it"
  448. >Then she sits down at her chair and begins portioning food onto her plate
  449. >"I am serious, however.  I expect you to show that to my sister at some point in the near future"
  450. Okay...
  451. >You look over to Rarity
  452. Am I allowed to eat food now?
  453. >Rarity balks, but responds
  454. >"Yes, Anonymous.  You may eat"
  455. Why thank you
  456. >You reply, piling on the sarcasm as you pile eggs on your plate
  457.  
  458.  
  459. >"Hey Anonymous, how did you avoid all the guardsp0nies in the maze?"
  460. >Asks Rainbow Dash through a mouthful of waffle
  461. Well, it was mostly mobility.  I had snowshoes, and they didn't
  462. >You pause for a forkload of hasbrowns
  463. Actually, that's kind of odd.  I'm pretty sure Rarity has a working design...  So why DIDN'T they have snowshoes?
  464. >"What do you think I've been doing the last few days, dear?"
  465. >"Some of them did" Answers Celestia
  466. >"And Rarity did a wonderful job of collaborating with the Royal Seamstresses, but I'm afraid there's only so much that can be done in a few days"
  467. Ah.  I see.
  468. >Looks like Bolt's request took care of itself
  469.  
  470.  
  471. >After breakfast, most of your friends depart for the various occupations they've found in Canterlot
  472. >Something you're going to have to address soon as well
  473. >Before she leaves for Day Court, Celestia calls forth a p0ny in servant livery
  474. >'Wadsworth' is instructed to give you the grand tour of the castle
  475. >Which he proceeds to do in a very droll, butler-ly manner
  476. >Christ, he even sounds British
  477. >Does this place even have a Britain?
  478. >You get to see the main mess hall, empty at the moment
  479. >The guardsp0ny barracks
  480. >The carriage garage
  481. >An observatory
  482. >The main administrative area
  483. >The throne room where Celestia currently holds Day Court
  484. >You wave to her
  485. >The kitchens and servile areas, where you glimpse Pinkie bustling away
  486. >"Party soon, fellow Anonymous"
  487. >How in the fuck
  488.  
  489.  
  490. >"And this is where Sir will be staying" Finishes Wadsworth, opening a door with a flourish
  491. >Inside, you see a fairly ornate room with a fireplace and a nice window to the outside, along with various other trappings and furniture
  492. >There's even a kitchenette and an attached bathroom
  493. >With a tall shower!  
  494. >Hell yes
  495. >The two beds confirm your vague memories of Celestia saying you would have to share a room
  496. >And the books piled on the table and filling the shelves tell you who your roommate-to-be is
  497. >Ah well
  498. >Better to room with someone you know than someone you don't
  499. >Your investigation complete, you return to the door and the patiently waiting Wadsworth
  500. >"Is there anything else Sir requires?"
  501. >Hmmmm...
  502. Is there a... oh I don't know... a range in the castle?  A spear range, or something along those lines
  503. >"The Guard operates a spear and spell range, but Sir would have to talk to them regarding its use"
  504. Fair enough
  505. >"Will that be all then?"
  506. Yeah
  507. >"I bid you good day then"
  508. >And with that he turns smartly and heads out the door, closing it behind him
  509.  
  510.  
  511. >You consult your watch
  512. >You asked Twilight and the rest to meet you here after lunch
  513. >But you've got some time to kill until then
  514. >Might as well go get the tent
  515. >No point in leaving it out in the maze for animals to eat at
  516. >Your course of action decided, you rise from the bed and head for the door
  517. >Time to test out your newfound knowledge of the castle interior
  518.  
  519.  
  520. >You work your way to a door to the outside
  521. >P0nies look on curiously as you pull on your jacket, snowhsoes and other assorted winter gear
  522. >You largely ignore them, heading out the door and for the hedge maze
  523. >You wind your way through the corners and rows, intent upon your former refuge
  524. >When you finally arrive, you find everything more or less as you left it
  525. >The tent is still covered in snow
  526. >The door was left open from last night's... scuffle, however
  527. >So there's a fair coating of snow that blew in
  528. >You have quite a few things in your cloak
  529. >But a broom is not one of them
  530.  
  531.  
  532. >Your first act is to pick up and shake out all the blankets and sleeping pads
  533. >They're going to need to be dried out
  534. >Then you pull the stovepipe off the stove and stow that as well
  535. >The stove itself, long cold, you empty into the snow outside before putting it in the cloak
  536. >Now, how to get the tent out from underneath all this snow
  537. >You could shovel all the snow off it, of course
  538. >But that would take too long
  539. >Nah
  540. >You've got a better idea
  541. >You go back inside the tent and take down the poles supporting the back
  542. >Nothing happens, just like you expected
  543. >You take down the entire internal structure of the tent
  544. >Still nothing
  545. >Good
  546. >The snow around the tent that was previously melted by the heat of the stove has refrozen into a shell of ice
  547. >You could peel the entire tent out of here if you wanted to
  548. >And that's exactly what you do, making sure to start from the back
  549. >The tent turns completely inside out, emptying it of snow in the process
  550. >Perfect
  551. >It's the work of a moment to stick the tent into your cloak
  552. >Your last act is to dig up and stow the remaining food from the trip
  553. >Then you turn around and head back to the castle
  554.  
  555.  
  556. >Once you're back inside the room, you get a fire started in the grate
  557. >Then you have a quick lunch from the food in your cloak
  558. >The rest of it's gone bad
  559. >You can dispose of it later
  560. >After your lunch, you withdraw a rope and string it between two light fixtures
  561. >Then you pull the tent out in all its soggy glory and hang it up over the rope in front of the fire
  562. >You're in the process of hanging up the sleeping mats and blankets when you hear the door behind you open
  563. >You're currently on the fireplace side of the tent, so whoever's coming in can't see you, and you can't see them
  564. >The thump of books setting down on the table, however, gives you a pretty good idea
  565. >You hang the last blanket over your makeshift line and head for the edge of the tent
  566. >"Anonymous?  Is that you?"
  567. >You both come to the edge of the tent at the same time, ending up face to face
  568. >Twilight jumps back a little, and you do the same
  569. >You recover and come out from behind the curtain
  570. Yeah, it's me
  571. >"What in Equestria are you doing?"
  572. I'm drying out the tent?
  573. >"Do you have to do it in here?"
  574. Well, where else am I going to do it?
  575.  
  576.  
  577. >Twilight puts her hoof up to her face
  578. >"Why can't you just- Oh, never mind."
  579. >She puts the hoof back on the floor
  580. >"What did you need us for?"
  581. Well, I was hoping to test out those magic shells, find out what they do
  582. >You shrug
  583. I figured you would want watch.  What do you say?
  584. >"Most definitely!"
  585. >Then she pauses
  586. >"Where are we going to shoot?  I can only imagine the noise that... shotgun puts out"
  587. I'm told the Guard has a spear throwing range, which should work for our purposes.  We might have to collect some backstop material, but I figure it's better than shooting out on the grounds and causing a noise disturbance
  588. >"Excellent idea!  We can ask my brother"
  589. You have a relative in the Guard?
  590. >"He's the Captain"
  591. >The pride in her voice is evident
  592.  
  593.  
  594. Even better.  Here, let's go
  595. >You head to the door, and hold it open
  596. >Twilight pulls a notebook and writing utensil off the table
  597. >Then she trots through the door
  598. >The purple mare leads you through the halls and into the Guardsp0ny garrison section of the castle
  599. >You can see some of the guardsp0nies are suspicious
  600. >But being with the Captain's sister and an Element to boot seems to keep them off you
  601. >You both come to a large, ominous looking door, which Twilight opens
  602. >On the other side, you see a large, rather burly white unicorn with a an ocean turquoise mane
  603. >He's wearing a fancy red dress outfit that terminates around his midsection
  604. >And the mark on his flank is a shield
  605. >He's currently seated behind a large desk, doing paperwork
  606. >His eyes light up when he Sees Twilight, who is in front of you
  607. >"TWily!  It's been too long!"
  608. >"Oh Shining Armor, I've missed you too!"
  609. >He moves you from behind his desk, and they both engage in a quick hug
  610. >you, meanwhile, hang back at the doorway
  611. >You don't want to mess with the moment
  612. >When the hug finishes, you step forward through the door
  613.  
  614.  
  615. >When Shining Armor sees you, his expression changes momentarily
  616. >But just as quickly it goes back to that of a jovial host
  617. >"You must be Anonymous"
  618. It seems my reputation precedes me
  619. >"You did manage to avoid a fair portion of the combined Celestial and Lunar Guard, and then find your way into the Princess's room..."
  620. Fair point
  621. >"But I'm sure that's not why you're here!  What can I do for the pair of you?"
  622. >"Well, Anonymous and I were hoping to use the spell-and-spear range"
  623. >"Certainly.  It's at the end of the second right, you can't miss it"
  624. Thank you
  625. >You turn around and head for the door
  626. >But Twilight doesn't
  627. >"How's life been in Canterlot since the wedding?" she asks Shining
  628. >"Oh, just peachy!  You wouldn't believe-"
  629. >You clear your throat to get their attention
  630. I'll wait for you at the range, alright?
  631. >"That works"
  632.  
  633.  
  634. >You turn around and head out the door
  635. >You're not one to get in the way of family catch up
  636. >You go to the second right, and down the hall
  637. >There's a rather ominous looking door set in the end, which you open and duck through
  638. >Inside, it looks...
  639. >Sort of like a conventional shooting range, actually
  640. >There are shooting lanes and a large backstop, pitted and scorched
  641. >Out in the range there are variety of red and white bull's eye targets
  642. >There's a line of spears along the back wall, ready for use
  643. >Along with a massive stack of fresh targets
  644. >And a table
  645. >Perfect
  646.  
  647.  
  648. >A solid sounding THUNK draws your attention to the far lane
  649. >Someone's launched a spear into the target
  650. >You walk down and peer behind the partition
  651. >And find none other than Sunny Sky, who turns around when he hears you step around
  652. >"Oh, hey Anonymous!  What are you doing here?"
  653. I'm testing some shotgun ammo with Twilight... She's talking to Shining Armor at the moment
  654. >"Nice.  What's a shotgun?"
  655. You'll see soon enough if you stick around.  What are you doing here?
  656. >"Mandatory practice"
  657. Well, I've got some time to kill.  Mind if I give the spears a try?
  658. >"Be my guest"
  659. Thanks
  660. >You head over and grab a few spears off the wall, then go to the booth next to Sunny Sky's
  661. >You set four of the spears down on the counter, keeping the fifth in your hand
  662. >Then you wind up and chuck it
  663. >It flies over the target and bounces off the rear barrier
  664. >...okay, so you're a little rusty
  665.  
  666.  
  667. >The second spear you throw glances off the target
  668. >And the last three make satisfying THUNKS when they stick
  669. >You're more accustomed to chucking hatchets
  670. >So you're happy with hitting the target
  671. >...Wait a minute
  672. >You do have your hatchet
  673. >Why not
  674. >You pull out your hatchet and judge the distance
  675. >Finding it satisfactory, you wind up and pitch
  676. >It smacks into the red dot, dead center
  677. >The much abused target, already weakened by previous spear impacts, splits in half down the middle
  678. >You pump your arm in victory
  679. >"...Was that an axe?"
  680. Nope!  It was my hatchet
  681. >"Okay..."
  682. >You glance into the next booth over
  683. >Sunny Sky has gone through all his spears
  684. Am I clear to go get the projectiles?
  685. >"I got it"
  686.  
  687.  
  688. >A golden aura surrounds all of the spears downrange, along with your hatchet
  689. >You hear a few strained pants next door as the spears all float back into their racks
  690. >Then the hatchet floats towards the firing line, and into the adjacent booth
  691. >You walk out and around the divider to find Sunny Sky examining it
  692. >"So it's a mini axe..."
  693. Yup.  You chop wood with it where a regular axe is too big to fit.  
  694. >You hold your hand out for the hatchet, which he provides
  695. Or, if you're bored, you learn how to throw it
  696. >You say as you heft it
  697. >Then you hear the door to the range open
  698. >You both turn around to see Twilight Sparkle
  699. >"Oh, hello Sunny Sky!"
  700. >"Hello Twilight" He says somewhat gruffly
  701. Ready for testing?
  702. >She floats the notebook and writing utensil up a little higher
  703. >"Of course!"
  704.  
  705.  
  706. >Sunny Sky looks on curiously as you step over the range barrier and go to the ruined target
  707. >You stack the two pieces on top of each other
  708. >Then you remove a nearly-gone-bad watermelon from your cloak and set it on top
  709. This'll be your control
  710. >You say to Twilight, who nods
  711. I'll use regular 00 buck
  712. >You go back to the shooting lanes, and then to the table
  713. >You remove and set down your shotgun case, along with the seven boxes of shotgun ammo
  714. >And then your earplugs
  715. >...And only one set of earmuffs
  716. Damn
  717. >"What's the problem?"
  718. I've only got one pair of spare hearing protectors
  719. >"Hmmm... Give them to Sunny Sky"
  720. You sure?
  721. >Twilight's horn lights up, and a pair of force fields appear around her ears
  722. >"I'll be fine"
  723. Fair enough
  724. >You hold the hearing protectors out to Sunny Sky
  725. Put these on when I tell you to, alright?
  726. >He looks confused
  727. >"Okay..."
  728.  
  729.  
  730. >The hearing protection issue taken care of, you remove one shell from each box, lining them up on the shooting bench
  731. >Then you unlock the shotgun case itself and pull out your 870
  732. This is a shotgun
  733. Sunny Sky scoffs
  734. >"It doesn't look like much"
  735. Wait and see
  736. >You screw your own earplugs in, then head to the bench
  737. Put on those hearing protectors now
  738. >Sunny Sky looks skeptical, but puts them on nonetheless
  739. >You pick up and chamber the 00 buck shell you set out earlier
  740. Ready?
  741. >Twilight nods to you, force fields in place
  742. >You take aim at the watermelon and squeeze the trigger
  743. >There's the usual deafening boom
  744. >And the watermelon explodes into a mass of flying green and red chunks, none bigger than your thumb
  745.  
  746.  
  747. >Sunny Sky is awestruck
  748. >"WOAH!  How'd you do that?"
  749. >He asks as he removes the hearing protectors
  750. The magic of gunpowder
  751. >You reply, hopping into the range with one of the fresh targets
  752. >Twilight busily scribbles notes down as you kick the remains of the ruined target to the side and set up the one you're holding in its place
  753. Now to test the specialty ammo
  754. >You say as you hop right back over the barrier
  755. Just so you know, I have no idea what these will do
  756. >Then you rack the slide, ejecting the 00 buck shell
  757. >Retrieving the casing, you put it in the cloak
  758. >Then you pick up the first shell in the line, the Pinkie Pie shell
  759. Testing the Pinkie Pie shell
  760. >You say as you chamber it
  761. >Sunny Sky pulls his hearing protection back on as you observe the changes it has wrought to your shotgun
  762.  
  763.  
  764. >Your shotgun is now almost entirely pink
  765. >On either side of the stock are the trio of balloons that are Pinkie's cutie mark
  766. >The pump is a deeper pink
  767. >And there's a line of the same deeper pink running down the action
  768. >On the left side of the action, in golden, swirly script similar to that which was on your pistol are the words 'Friendship is Magic'
  769. >And on the right 'everyp0ny needs a party sometimes'
  770. >You look to Twilight
  771. Done with your notes?
  772. >She nods
  773. Good
  774. >You aim the shotgun at the new target and pull the trigger
  775. >There's a 'POP' like someone shot off a gigantic party popper, and the gun emits a veritable wall of confetti and streamers
  776. >When they settle, there's a pink cord leading from the gun barrel to the target
  777. >Along with the faint sound of Pinkie giggling
  778. >"Do you have any idea what that was?" Asks Twilight as you rack the slide
  779. >The edge of the spent shell cuts the cord off against the end of the action, along with the giggling
  780. Tazer shell.  Pumps loads of electricity into the target, causing them to spasm and lock up.  Usually non-lethal.  However, this being Pinkie I have no idea what the shell would actually do to someone
  781.  
  782.  
  783. >Next up is the Rarity shell
  784. >You chamber it and examine the gun
  785. >It's white, with her diamond trio cutie mark on the stock
  786. >The pump and line along the action are both purple, and the line is more swirl than line
  787. >On the left side the flowing text reads 'Friendship is Magic'
  788. >And on the right 'Here comes Tom!'
  789. >You shoulder the gun and touch it off
  790. >The target gains several very exact, very precise holes
  791. >And there's an odd tinkling sound when the projectiles hit the backstop
  792. >Hmmmm...
  793. Buck doesn't usually make a sound like that
  794. >You say
  795. >You vault the barrier and go to the backstop
  796. >Then you dig out one of the projectiles
  797. >...
  798. >It's a diamond
  799. >Wow
  800. >You bring your find back to Twilight and show her
  801. Diamond buckshot
  802. >You muse
  803. Wait.... SHIT!
  804. >"What?"
  805. Diamonds are way harder than steel!  My barrel's probably scratched to fuck
  806. >You worriedly explain as you unscrew the magazine cover and yank the barrel off
  807. >You hold the barrel up to the light
  808. >...It's fine
  809. >It's better than fine, actually
  810. >That barrel is as pristine as the day you bought it
  811. huh
  812.  
  813.  
  814. >After showing Twilight and Sunny Sky the barrel and replacing it, you bemusedly pick up the Fluttershy shell
  815. >You should be safe with this one
  816. >Should being the operative word
  817. >You chamber the shell and once again examine your shotgun
  818. >It's yellow now, with butterflies on the stock
  819. >The slide is pink, along with the line down the action
  820. >Once again, the text on the left side reads 'Friendship is Magic'
  821. >And on the right it reads 'Hush now, quiet now'
  822. >You take aim and squeeze the trigger
  823. >There's a barely audible pfft
  824. >And a yellow and pink striped blur hits the target
  825. >"That was... underwhelming"
  826. You said it
  827. >You say
  828. >You go to vault the barrier-
  829. >"Stop, I'll get it"
  830. >You cease your motion as the yellow and pink blob removes itself from the target and floats back to your little group
  831. It's a tranq dart
  832. >you quip upon getting a closer look
  833. >"And what's a tranq dart?"
  834. A tranquilizer dart is like a syringe you can shoot.  Usually filled with drugs that render your target unconscious
  835. >"Fitting"
  836.  
  837.  
  838.  
  839. >Now for the Rainbow Dash shell
  840. >You chamber it
  841. >Your shotgun is now cyan, with the cloud and rainbow lightning bolt mark on the stock
  842. >The pump and line are rainbow striped
  843. >And the text reads 'Awesomeness is its own virtue'
  844. >When you see Twilight's done with her observances you take aim and fire
  845. >And almost drop the shotgun when a massive gout of Rainbow-colored flame issues from the end
  846. >The heat is intense
  847. >When the fireball clears, you look at the target
  848. >It's got a shit ton more holes, which are burning with the same rainbow colored flame as the fireball
  849. Rainbow dragon's breath... it fits her
  850. >You turn to Twilight
  851. Think you can get one of the projectiles?
  852. >Her horn lights up, and from the backstop floats a shining, rainbow colored, razor sharp dart
  853. >Still hot to the touch
  854. Rainbow dragon's breath flechettes... Nice
  855.  
  856.  
  857. >Two more to go
  858. >You thumb the AppleJack shell into the action and yank it closed
  859. >It turns your shotgun a burnt orange, with the trio of apples on the stock
  860. >The pump and line, however, are both red instead of blonde
  861. >interesting
  862. >The text reads 'Buck harder'
  863. >You're almost afraid to shoot this one
  864. >But you do anyway
  865. >You feel the kick of this shell to the core of your very being
  866. >It makes you glad you braced properly
  867. >The roar, meanwhile, is almost unbearably loud, even through your earplugs
  868. >When your eyes uncross, you peer downrange
  869. >The first two rings of the target are gone completely, embedded into the backstop
  870. >Which has a rather sizable crater of its own
  871. >The outer ring of the target wobbles, then collapses onto the floor in pieces
  872. Twilight...
  873. >She coughs
  874. That was most definitely a slug.  Can you get it?
  875. >She nods, and her horn begins to glow
  876. >It glows brighter and brighter
  877. >"Rrrgh, I can't get it!"
  878. >Sunny Sky's horn lights up as well
  879. >Still nothing
  880.  
  881.  
  882. >You hop over the barrier and walk up to the now glowing crater
  883. >There's a stub of material sticking out of the bottom, wrapped in a purple and gold aura
  884. >You reach into your cloak and pull out a pair of snub nosed pliers
  885. >Then you lock them on the projectile and yank
  886. >Still nothing
  887. >You wrap both your hands around the pliers and pull with all your might
  888. >And nearly fall over backwards when it finally comes loose
  889. >You carry it, still held in the pliers, back to a panting Twilight and Sunny Sky
  890. >It's a slug alright
  891. >A slug in the shape of a hoof
  892. >You whistle
  893. >There is no deformation whatsoever
  894. >No banana peel
  895. >No mushrooming
  896. >Nothing
  897. >It's like it's fucking stubbornite
  898.  
  899.  
  900. >The last shell you have to test is the Twilight shell
  901. >You warily chamber it as Sunny Sky floats in a fresh target
  902. >The shotgun is now purple, with Twilight's star speckled compass rose cutie mark on the stock
  903. >The pump is a deeper purple, with a pink and even deeper purple stripe
  904. >The stripe that runs down the slide is also pink and a deeper purple
  905. >And the text reads 'Bring light to the darkest of nights'
  906. >Weird
  907. >When you pull the trigger, you hear a whine that rapidly increases in pitch and intensity
  908. >After half a second, it peaks
  909. >Then the gun kicks
  910. >And emits a solid beam of purple energy
  911. >Downrange, the target catches fire
  912. >The backstop, being made of sterner stuff, doesn't
  913. >It just gains a smoking, 12 gauge diameter hole
  914. >You work the pump a final time, ejecting the empty shell
  915. >Then you let the shotgun down
  916. >They're both looking at you with questions in their eyes
  917. I don't even know...
  918.  
  919.  
  920. >"Does 'specialty ammo' usually have these kinds of effects?" asks Twilight
  921. Nah.  There are cut down versions of some of those rounds, sure, but nothing that powerful
  922. >You reply as you collect all the spent shells
  923. >"May I take those projectiles?" She asks, motioning to the ones you have lined up on the barrier
  924. Go ahead, I've got no use for them
  925. >"Thanks Anonymous"
  926. >She places them in her saddlebags
  927. >"I'd like to go look into any residual magic these projectiles might have"
  928. >She canters for the door, then pauses
  929. Don't let me stop you; I've got a few other things I want to do while I'm here
  930. >"I'll see him out when he's done" offers Sunny Sky
  931. >"Thank you" she finishes, then she heads out the door
  932.  
  933.  
  934.  
  935. >You walk back over to one of the shooting lanes
  936. >You want to get in a few more chucks of the ol' hatchet
  937. >"Can I try that?" Asks Sunny Sky
  938. >You hold your shotgun higher
  939. What, this?
  940. >"Yeah"
  941. Sure, but I don't know how you'd work the trigger
  942. >"I'll just use magic" he says
  943. That works
  944. >You grab a 00 buck shell and chamber it
  945. >Then you walk over to Sunny Sky
  946. Now, you may shoot my shotgun, but first you have to know the rules
  947. >"Lay them on me"
  948. Rule number one: Do not point the shotgun at anything you don't want holes in
  949. Rule number two: Treat the shotgun as if it is loaded at all times
  950. Rule number three: Always defer to me if you are having issues
  951. Do you understand?
  952. >He nods solemnly
  953. Good
  954. >You hold the shotgun out to him, which he takes in his telekinetic grasp
  955. Make sure you hang on to it nice and tight, it kicks like a bitch
  956.  
  957.  
  958. >Sunny Sky floats the shotgun up in front of his face, squinting down the sights
  959. >"How do you aim this thing?"
  960. >Shit, p0nies aren't right or left handed
  961. >Do they even have eye dominance?
  962. >Time to find out
  963. You've never heard of eye dominance, have you
  964. >"Nope"
  965. Here, give me the gun
  966. >He floats the gun over to you, which you grab
  967. >You flick the safety on and set it down
  968. Come here, we need to figure out which one of your eyes is dominant
  969. >You sit down and form your hands into a triangle as he trots over
  970. >Then you hold them out towards the range
  971. Alright, look through my hands until you see that target there
  972. >He shuffles about a bit next to you, before nodding
  973. >"Alright, I see it.  Now what?"
  974. Without moving your head, close your left eye.
  975. >"Alright"
  976. Can you still see the target?
  977. >"Yes"
  978. Now, still without moving your head, open your left eye and close your right.  Can you still see the target?
  979.  
  980.  
  981. >"No, your hoof is in the way..."
  982. Well there you go.  You are right eye dominant.  
  983. >You get up and go pick up the shotgun
  984. When you're aiming, just close your left eye and line the sights up with your right
  985. >"Got it"
  986. >You give him the shotgun back when he gets back to the lane, and he floats it out in front of him
  987. >He squints down the sight with is right eye
  988. >The shotgun roars
  989. >Then it flies back out of his grip and smacks him in the face
  990. >"Oh buck... oh buck oh buck oh buck..."
  991. >He brings his hooves up to his face as the shotgun clatters to the ground
  992.  
  993.  
  994. Fuck man, I toldja to hang onto it tight
  995. >You pick up the shotgun as you crouch down to his level
  996. Lemme see your face
  997. >"I'm fine"
  998. >He reluctantly lowers his hooves anyway
  999. Aww, that ain't so bad
  1000. >And for the most part, it isn't
  1001. >His magic must have absorbed most of the recoil before it gave
  1002. >And the helmet took the brunt of what was left
  1003. >If there's any bruising, you can't see it past the hair
  1004. >"I'm fine, see!"
  1005. yeah, you're good
  1006. >You look over your shoulder
  1007. You hit the target too
  1008. >He peers around you at the target, faint surprise on his face
  1009. >"So I did..."
  1010. Just gotta work on that telekinetic grip strength
  1011. >"Yeah..."
  1012.  
  1013.  
  1014. >You put the shotgun away and get in a few more chucks of your hatchet before you decide to leave
  1015. >You need to get back to the room and check on the tent
  1016. I'm ready to go
  1017. >You announce to Sunny Sky, who nods and steps back from the firing line
  1018. >He'd been firing spells of his own, touching up on his aim
  1019. >"I need to be getting on patrol anyway"
  1020. >You head to the door and pull it open
  1021. >Outside, two stony faced guards look up at you
  1022. >"The Captain would like to speak with you"
  1023. >You get the feeling it's not a request
  1024. >Nonetheless, you look back at Sunny Sky, who shrugs
  1025. See you around then, Bolt
  1026. >"See you Anonymous"
  1027.  
  1028.  
  1029. >The two guards escort you to the Captain's office while Sunny Sky trots off, presumably to patrol
  1030. >They march close to either side of you
  1031. >Is this supposed to be intimidating?
  1032. >They both take positions on either side of the door when you finally arrive
  1033. >So you get to go face the head honcho alone
  1034. >You step through the door, to see Shining Armor standing behind his desk
  1035. >Gone is the semblance of a jovial host
  1036. >"Anonymous, I don't know who or even what you are.  I don't know where you came from, or what your intentions are."
  1037. >He pauses
  1038. >"You have proven to be mostly benign since your arrival.  I'm genuinely curious; do you plan to continue doing so?"
  1039. Yeah
  1040. >"Then I trust we won't have any problems.  You are free to go"
  1041. >You turn for the door
  1042. >"Oh, and Anonymous?"
  1043. >You stop
  1044. >"Keep your hooves off my sister"
  1045. >How honorable of him
  1046. Shit man, we're not even the same species
  1047.  
  1048.  
  1049. >Not hearing anything else, you continue through the door
  1050. >Better get out of here before he sees what you did to his range
  1051. >None of the guardsp0nies challenge your passage out of the barracks
  1052. >Which is just as well
  1053. >You go back to the room, and check on the tent and other sleeping apparatus
  1054. >Still wet
  1055. >So you stoke up the fire, and head back out
  1056. >The rest of the day you spend looking around for a job
  1057. >Several p0nies express interest in your fine detail working ability
  1058. >But everyone's full up with all the refugees pouring in from smaller towns
  1059. >You stop back in the room to fix some dinner, consuming the last of the non-spoiled food from the trip
  1060. >There's a third bed now
  1061. >Interesting
  1062. >You make a brief trip to the dumpsters before resuming your job search
  1063.  
  1064.  
  1065. >Hours later, and it's more of the same
  1066. >Everyone's full up
  1067. >EVERYONE
  1068. >You head back to the room for the night
  1069. >It's still empty
  1070. >So you start taking down the now dry tent and other things
  1071. >You're just taking the line down when you hear the door open
  1072. >Through it walks Twilight Sparkle
  1073. >And Applejack
  1074. >Well, that explains the third bed
  1075. >"Howdy Anonymous!"
  1076. Hey AppleJack, hey Twilight
  1077. >You reach over and finish untying the rope from the second light fixture
  1078. You gonna be staying with us AppleJack?
  1079. >"Yup.  They needed space fer all tha refugees coming in.  Ah hope ya don't mind..."
  1080. Nah, it ain't a problem
  1081.  
  1082.  
  1083. >After stowing the tent you make ready for bed
  1084. >You get to use the bathroom third
  1085. >You take care of your bodily functions, brush your teeth, all that good stuff
  1086. >You emerge from the bathroom and go sit down on your bed
  1087. >You remove your holster and put it on the nightstand
  1088. >Then you begin unlacing your boots
  1089. >You pull them off, along with your socks
  1090. >"Wheeeweee!  Them's some nasty smellin' boots!"
  1091. That's what happens when you wear them all day
  1092. >You respond, looking up
  1093. >Twilight's got her notebook, and is busily scribbling away
  1094. Uh, Twilight?  What are you writing about...
  1095. >"I've never seen your actual body; you've always been wearing clothes"
  1096. Huh
  1097. >You respond, pulling your pants off
  1098.  
  1099.  
  1100. >"Are all humans that pale?"
  1101. Nah, I just don't get a lot of sunlight.
  1102. >"W-would you mind taking your... shirt off?  I'd like to get a look at your torso"
  1103. Another day Twilight, I'm tired
  1104. >"Fair enough"
  1105. >You remove your glasses and put them on the nightstand
  1106. >Then you crawl under the covers
  1107. >Across the room from you, AppleJack hangs her hat on a bedpost
  1108. >Then crawls into her own bed
  1109. >Twilight stows away her notebook with a yawn
  1110. >Then she brings the lights down with her magic
  1111. >"Good night Anonymous, Good night AppleJack"
  1112. >"'Night Y'all"
  1113. Good night you two
  1114. >And so ends another day