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AlaskanAnon in Equestria ch. 17

By: CuriousAnon on Jul 28th, 2013  |  syntax: None  |  size: 45.60 KB  |  hits: 205  |  expires: Never
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  1. >A loud crash rouses you from your slumber, and you bolt upright
  2. >Your eyes snap open, and you sweep them over your immediate surroundings
  3. >There's no air horn aimed at your face, so at least there's that
  4. >Across the room, one of your chairs is on its side
  5. >Next to a sheepish looking Twilight suppressing a nervous smile
  6. >You groan and flop back into bed
  7. >"Sorry Anonymous"
  8. >Removing your arm from your face, you consult your watch on the other
  9. 'S okay, I have to get up anyway
  10. >You grumble
  11. >Then you reach over for your glasses
  12. >AppleJack's already up and gone
  13. >And Twilight appears to be done in the bathroom
  14. >You can hear, however, the coffee machine bubbling away on the counter
  15. >You rise to your feet
  16. >The cold floor serves to bring you more rapidly to consciousness as you sieze your magical storage device
  17. >And, after a nod to the the purple mare righting your chair, you stumble into the bathroom
  18.  
  19.  
  20. >Drain your bladder
  21. >Take a nice hot shower
  22. >Which you surprisingly don't have to sit on the ground to get under
  23. >Just crouch a bit for your hair
  24. >You vaguely recall a p0ny at some point mentioning something about these being the "Minotaur quarters"
  25. >Finish the shower, towel dry
  26. >Shave with your knife
  27. >As the world seems to be conspiring against you acquiring a proper razor
  28. >On the upside, you're getting better at it
  29. >Only one cut this time, and just a nick at that!
  30. >Pull on fresh clothes
  31. >Shrug on holster
  32. >Pin cloak
  33. >And you're ready to face another day in this technicolor wonderland
  34. >Well, almost
  35.  
  36.  
  37. >The lock on the door yields to your dextrous fingers, and you emerge into your place of residence
  38. >Just in time to see Twilight pouring the entire contents of the coffee pot into a mug
  39. >She looks up when she's finished, and her face falls a bit
  40. >"Oh, I'm sorry.  Did you want any?" She asks somewhat guiltily
  41. Nah, I'm good
  42. >You remark
  43. >YOu're sure that if she could shrug, she would
  44. >It's certainly the expression on her face
  45. >That, and mild bemusement
  46. >You stride for the door and pull it open
  47. >You start pulling it closed behind you, when it stops
  48. >Your questing eyes find the knob enveloped in that peculiar purple glow, and you peer further back
  49. >Twilight's a fair distance across the room, coffee mug held in her magical grasp
  50. >"Mind if I join you for breakfast?"
  51. Sure
  52. >You respond, pressing the door open a little wider
  53. >She joins you in the hallway, and you press on towards the mess hall
  54.  
  55.  
  56. >Breakfast is quick
  57. >You get some of the royally sanctioned pancakes this time
  58. >And while they ARE good
  59. >It just isn't the same as your version
  60. >You make a mental note to pick up the goods necessary
  61. >So you can whip up a batch of your own
  62. >And if you're careful to do it when a certain apprentice isn't around
  63. >You might avoid another round of pyrotechnic questioning
  64. >Twilight, you note, opts for a bowl of oatmeal
  65. >No, wait
  66. >That's a bowl of plain oats
  67. >yet another feature of this land that takes some getting used to
  68. >The resident's herbivorous nature
  69. >Your supply of carbs restocked, you rise from your chair and deposit your tray
  70. >NoW you're ready to face the day
  71.  
  72.  
  73.  
  74. >Your first course of action, you decide, will be to stop by the public office
  75. >You need a map of the city
  76. >See if you can't find a griffon establishment for some proper meat
  77. >Since shooting game outside city limits is out of the question
  78. >The report would bring every guard in Canterlot down on your head
  79. >You find the actually getting to the office, however, somewhat difficult
  80. >The hallways are absolutely packed with p0nies
  81. >There are blankets and sleeping mats strewn everywhere
  82. >You have to step over sleeping stallions and mares more than once
  83. >And only your experience with the twisted brambles and roots of rugged Alaskan forest keeps you from tripping over them
  84. >When you do finally arrive, the office itself is packed
  85. >You manage to snatch one of the maps off a rapidly depleting rack, and depart quickly
  86. >The last leg of the journey to the shop is similarly congested
  87.  
  88.  
  89.  
  90. >You finally arrive at the shop, and pull the party hat off your arm
  91. >You have no idea how it got there
  92. >Through the doors, you can see work for the day has already begun
  93. >There are p0nies warming up the furnaces
  94. >Slotting sparkling objects into tools
  95. >A hoof shoots out from under a wagon as you pass, and waves at you
  96. >It's Tamper
  97. >"Ready for a day in the royal mechworks, Anon?"
  98. Livin' the life
  99. >You respond
  100. >Most of the shop chuckles
  101. >You strip off your loose clothing to keep it out of rotating hazards
  102. >The cloak goes in a pocket
  103. >And then you get right to work
  104.  
  105.  
  106. >Most of the work is stuff you're fairly used to
  107. >Welding, bolting, grinding, cutting, buffing
  108. >And a substantial amount of woodworking
  109. >That, you're a little rusty on
  110. >But with the help of the guys, it's coming back to you quick enough
  111. >Another point of interest is the magic engines
  112. >Yes, they have power tools powered by magic
  113. >Or at least, that's what you think
  114. >Some of them are corded, and run to the wall
  115. >But some are cordless, and you sure as hell haven't seen any batteries changing places
  116. >No, instead you see precious gems being slotted into the tools
  117. >And occasionally, a unicorn operating it himself
  118. >That's definitely something to ask Tamper about
  119. >You gotta know how these work if you're gonna fix 'em
  120. >And they'll be a great boon to your project as well
  121.  
  122.  
  123. >You're wondering when the reps will show up
  124. >And you know they will, that demonstration was too impressive for them not to
  125. >When a certain, powerfully built earth p0ny approaches you
  126. >"Hey Anonymous, up for some lunch?"
  127. Lunch?
  128. >What l-
  129. >Your grumbling stomach reminds you that it is, in fact, getting to be around lunchtime
  130. >And a glance at your watch confirms it
  131. Uh, sure.  Ya got a place in mind?
  132. >"Well, me an the guys was figurin' on Broncos"
  133. >Hell, why not.
  134. >Cafeteria's gonna be packed around this time anyway
  135. I'm up for it.  
  136. >You set down your wrench, and find your feet
  137. >Lug Nut and his retinue turn for the door
  138. Lead on
  139.  
  140.  
  141. >At Broncos, you decide to mix it up
  142. >You order the tofu burger
  143. >The only thing remotely close to meat on the menu
  144. >And while you're certainly not hungry after you finish it
  145. >It just isn't the same
  146. >Conversation over the lunch table was pretty interesting
  147. >News of your radical new sled design has apparently filtered in
  148. >And they were asking you all manner of questions
  149. >And, of course, discussing ways of making sleds better
  150. >more efficient, and faster
  151. >You gave pointers where you could, but they did a pretty good job on their own
  152. >There were a few questions about where you got the idea, but not too many
  153. >You just told them it's a commonplace thing in your world
  154. >After one of them asked if you were homesick, they shut up about it pretty quick
  155. >Which leaves you where you are now
  156. >Standing on a street corner with your map flapping in the wind
  157. >You've decided to make sure this griffon restaurant actually exists before you depend on the place for dinner
  158. >And according to the map, it's right down the street
  159.  
  160.  
  161. >Well, it was there alright
  162. >Reminds you of a biker bar
  163. >You couldn't stay long, though
  164. >Your lunch break's about up
  165. >So you're on your way back to work
  166. >Half way back, a familiar voice graces your ears
  167. >"Alright, pull on three!"
  168. >It's coming from around a corner you're approaching
  169. >And you can't help but look down when you go past
  170. >"Vun, two, free!"
  171. >When you do, an interesting sight greets your eyes
  172.  
  173.  
  174. >A weathered and worn wooden wagon sits obstinately in place, surrounded by a half foot of snow
  175. >In front of it, a cyan posterior led by a rainbow tail bobs, and similarly blue wings push against the air
  176. >To the right of the straining hindquarters, you spy another pair
  177. >These are larger, and more of a cream color
  178. >With a black tail
  179. >But nonetheless, working just as hard as their primary colored counterparts
  180. >If not harder
  181. >In the plowed and clear street sits a mare
  182. >Deep green and scarlet of coloration, her ragged scarf hangs limply about her bowed neck
  183. >She ministers soothing words to the grey filly at her hooves
  184. >Hooves splattered with mud and dirty snow
  185. >The wagon finally plows through the snow wall separating it from the street to the sound of shrieking bearings
  186. >The wheels squeak faintly as it finally rides free, and the sudden lack of resistance causes the stallion to land rather roughly on his haunches
  187. >Under a weather weary blanket, you spy all manner of effects
  188. >Bottles, blankets, bedrolls, bags
  189. >Gardening tools, pots and pans, boots
  190. >You even spy a lockbox
  191.  
  192.  
  193. >The stallion rises slowly to his hooves
  194. >And when he turns to the cyan mare, you can see the bags under his eyes
  195. >He says something that escapes your ears
  196. >But Dash's rambunctious response certainly doesn't
  197. >"What?  No way, dude!"
  198. >More murmuring
  199. >"THE DASH is all public service, free of charge!"
  200. >Another murmur
  201. >And then the hindquarters turn
  202. >Snout goes to ear, conspiratorially covered by hoof
  203. >Tired eyes widen, and breath is drawn quickly
  204. >The stallion's speech comes faster now
  205. >"Thank you" can be made out on the chill winter breeze
  206. >Dash downplays
  207. >"Hey, public service, remember?  Just don't be late!"
  208. >The stallion says something final, and Dash turns
  209. >A wave goodbye later, and she rockets off into the sky
  210. >Covering her immediate surroundings in a light powdering of snow
  211.  
  212.  
  213. >And then the moment is past, and you're across the street
  214. >The stallion goes out of view just as he's hitching into the worn harness of the sled
  215. >Ain't that some shit
  216. >That wagon probably contains all their worldly possessions
  217. >Pushed out of house and home, simply for lack of an effective-
  218. >No, really any
  219. >Means of transporting sustainable
  220. >And now they're here
  221. >Just trying to find a place to make a living
  222. >...
  223. >In some ways, that's even worse than you had it
  224. >Because while this is an alien land
  225. >You were fortunate enough to land on a p0ny that took you in
  226. >And made a few key friends pretty damn quick
  227. >This guy, he's got the scarf around his neck
  228. >And that's it...
  229.  
  230.  
  231. >You're hefting one side of a two wheel wagon up onto a crate when a shout rings out across the room
  232. >"VISITOR FOR ANONYMOUS!"
  233. Now who could that be?
  234. >You ponder, holding the wagon aloft
  235. >Blast, the slightly singed unicorn that's helping you, pushes the crate into place
  236. >You set the wagon down on the crate gently
  237. >You have no desire to crack an axle
  238. >Then you rise, pop your neck, and head over for the main door
  239. >On the far side, you see a familiar looking brown p0ny
  240. >His deeper brown mane is slicked back on his head, and he's wearing a collar and tie
  241. >And a saddlebag
  242. >When he catches sight of you, he stands a little taller
  243. >"Hello Anonymous."
  244. Howdy, uuuh...
  245. >"I'm Filthy Rich.  Do you remember me?"
  246. >When he mentions his name, it does come back to you
  247. >From the town meeting
  248. >Feels like it was a buncha months ago, instead of just a few weeks
  249. Yeah, I do remember you.
  250. >Filthy Rich makes an odd little motion, standing himself up a little taller
  251. >"Anonymous, I have a business proposition for you."
  252. >Hmmm
  253. >Can't hurt
  254. Well, why don't we discuss it in my office
  255. >He looks at you inquisitively
  256.  
  257.  
  258. >You arrive at your "office"
  259. >really just a metal table off in a corner you built to your height for some of the more precision work
  260. >You sweep the tools off to the sides, creating a channel in the center
  261. >Then pull up a crate for Filthy Rich so he can actually see the top of it
  262. >And then, on the opposite side, you sit down on your own fresh crafted chair
  263. >Filthy Rich, to his credit, only bats one eye before clambering onto the crate
  264. >You lean forward on your elbows, and clasp your hands together
  265. What brings you to the royal mechworks today, Filthy?
  266. >"I'd like to work out a license agreement with you for these sleds."
  267. You want your guys to make 'em?
  268. >"They tell me they're the best thing since zappapple jam, I'd love to make 'em."
  269. >You notice Tamper step away from the project he's currently supervising
  270. >A wagon axle replacement
  271. >And start slowly cantering in your direction
  272. Well, what would I need to do for that to happen?
  273. >You groan internally
  274. >Fithly pulls a stack of papers from his saddlebags
  275. >And while it doesn't THUMP when it hits the table
  276. >It's too thick
  277. >Roughly as thick as your pinkie, actually
  278.  
  279.  
  280. >You grip your temples
  281. >That's all fine print
  282. >All of it
  283. >"You're not one for paperwork, are you?"
  284. No.
  285. >"I figured as much.  From what I saw of you at the P0nyville emergency meeting.  And that's why I'm here."
  286. Really.
  287. >He takes a breath
  288. >oh boy
  289. >"You don't need a pencil pushing bean counter of a representative in here trying to cut you a shim deal, right?"
  290. You could say that
  291. >"So I made the trip myself from Ponyville to make sure you get a fair deal.  As company founder, I built this whole operation on quality products and honest prices out of my father's general store.  I know what it's like to get bucked over, and I wouldn't wish it on anyp0ny."
  292. Well Mr. Rich, that's just it.
  293. >He shifts a little
  294. >"What is?"
  295. Like you said, I ain't much for paperwork.  I don't read nor write legalese.
  296. >You pick up the stack of papers
  297. This means about as much to me as a box covered in question marks that appears outside my front door.  It could be full of bits, or it could contain a PCP crazed wolverine.  I have no way of knowing until my expert arrives.
  298. >"Your expert?"
  299. >You nod
  300. >"Ya flatter me, Anonymous" Says Tamper as he finally reaches the table
  301. >"An' really, it's fairly simple..."
  302.  
  303. Is it now?
  304. >"Sure.  Standard licensing agreement goes something along the lines of, you're paid royalties for every sled Filthy Rich here produces.  The amount is what ya gotta negotiate."
  305. >You consider for a moment
  306. So what's all this extra confetti here?
  307. >"That's definitions an' references to laws an' suchlike ta make it buckproof in court."
  308. Huh.
  309. >You set the paper down.
  310. Seems I've misjudged ya, mister Rich.  You have my apologies.
  311. >"I can hardly blame you, given the practices of my competitors"
  312. I'm more interested in your plans, if ya have 'em
  313. >"What manner of plans?"
  314. Yer models you've come up with, what ya plan ta sell 'em for...
  315. >"I've got the rough designs here, if you'd like"
  316. I would, yes.
  317. >You shift the papers to the side as Filthy pulls out several much thinner, folded squares
  318.  
  319.  
  320. >Looking over the designs, you realize something
  321. >These are actually solidly built models
  322. >Aside from...
  323. Hey, look here
  324. >"Hmm?"
  325. >Filthy directs his eyes to the paper
  326. You want a longer tongue on this one.  As is, it's too short and whoever's pulling it will catch their asses on the corners whenever they try to turn.
  327. >"I'll be sure to have that corrected" he placates
  328. >on the upper left side of each blueprint, there's a list of material components
  329. >And their prices
  330. >You find the profit margins he's got in mind to be entirely acceptable
  331. >Except...
  332. What's this 'commission' price here?  Does it have something to do with the licensing?
  333. >"It does" he starts
  334. >"As Tamper said, the standard contract pays you royalties per sled sold.  That's the allowance in the price of the sled."
  335. So why is it at twenty bits?
  336. >Filthy scraches the back of his head
  337. >"That's a placeholder number.  It's also the amount copyright holders are usually paid."
  338. So if I wanted to charge you, say, one bit per sled...  The price per unit would go down?
  339. >Filthy's pupils dilate slightly
  340. >"The price would go down by nineteen bits, yes."
  341.  
  342.  
  343. Thet's what I'll do, then.
  344. >Filthy starts getting out writing utensils
  345. >"What, exactly?"
  346. I'll license you, on two conditions.
  347. >"By all means."
  348. First off, I expect royalties of exactly one bit.
  349. >The brown earth p0ny's jaw hits the table
  350. >He recovers pretty quick, though.
  351. >"You're kidding, right?"
  352. Nope.
  353. >Filthy Rich is incredulous
  354. >"This is the invention of the decade, Anonymous!  Do you think I want to leave you flapping in the wind, without two bits to show for it?"
  355. No sir, I do not.
  356. >"The-"
  357. Now, hear out my second condition.
  358. >You say over him, and he shuts up promptly
  359. Secondly, I'd like rights to use your facilities.  Specifically, I'd like to be able to make use of your manufacturing shops and equipment, wherever they may be, provided they're not in the middle of production.
  360. >"That's still a pittance!"
  361. I know.
  362. >"Why are you so determined to shortchange yourself, Anonymous?"
  363. >You close your eyes and inhale deeply through your nose, pinching the bridge of it
  364. Because p0nies need sleds now, mister Rich.  Desperately.  And I don't want to get in the way of that by directly contributing to a higher price.
  365. >Filthy thinks for a moment on this.
  366. >"That's quite the noble cause..."
  367. Yeah, it is.  Now, how 'bout the shops?"
  368. >He re-focuses
  369. >"That... that can be arranged."
  370. Good!
  371. >You clap your hands together
  372. >"Provided you let me cover the cost of any materials you might use."
  373. >You squint at him
  374. >He looks determined
  375. We'll see when I call it in, how 'bout that.
  376. >"Fair enough."
  377. >Filthy begins gathering up his documents
  378. >"I'll need a day or two to modify the contract..."
  379. Come back whenever it's ready
  380. >Filthy Rich finishes gathering his things, and packs them away in the saddlebag
  381. >He turns to go, but pauses
  382. >"Oh, and Anonymous?"
  383. Yeah?
  384. >"The license will expire come spring, so we'll have to re-negociate then."
  385. I look forward to it.
  386. >"We'll see then if I can't get you to agree to a fair contract."
  387. >And then he's off
  388. >Presumably to relay the good news
  389.  
  390.  
  391. >You're screwing the new wheel on the wagon when Blast speaks up
  392. >"So, what didja give him such a good deal for?"
  393. Hmm?
  394. >You say, giving the wrench a final rotation
  395. >"Filthy Rich.  Ya sold him licensing rights fer a pittance"
  396. 'Cause I ain't a dick.
  397. >He scratches his temple, and you glance around
  398. >There are a fair number of eyes on you
  399. >"Whatcha mean by that?"
  400. The way he has it set up, my commission, or royalties or whatever come directly from the buyer.  An' I don't exactly think it's fair fer mister and misus everyp0ny to have to pay me for an effective means to live in their houses, as opposed to ten cubic feet in a hallway in this castle somewhere.
  401. >"That's... wow."
  402. >"You're a good stallion, Anonymous!" echoes out from the office
  403. >You see a line of nods go around the room
  404. 'Sides, it'd be more money than I know what to do with.  An' it wouldn't look too good to tha princesses if my first act as a royal employee is grubbin' up all the bits I can get my mitts on.
  405. >"You really got all the angles covered there, huh?"
  406. >You chuckle, and wipe your brow
  407. I ain't as dumb as I look.
  408.  
  409.  
  410. >Over the course of the afternoon, you receive no less than three visitors
  411. >All from different companies
  412. >All after the same thing
  413. >You give each and every one of them the same deal
  414. >One bit and permission to make use of their manufacturing facilities, wherever they may be
  415. >This is good for you, of course
  416. >The way you figure it, you'll always have a place to go when your truck needs repair
  417. >If there's a shop in a town, odds are you'll be able to get into it scott free
  418. >So you're getting compensation anyway, you suppose
  419. >Just in a manner that doesn't hurt the common man
  420. >Er, p0ny
  421. >Whatever
  422. >"VISITOR FOR ANONYMOUS"
  423. >The cry sounds out for the fourth time, and you sigh
  424. >So much for getting anything done
  425. >"You sure are popular today, Anonymous" quips Blast
  426. Yeah, it must be my birthday
  427. >You snark
  428. >He chuckles
  429. >You rise from your seat to go meet your newest visitor
  430.  
  431.  
  432. >The latest rep is a pompous looking white stallion with a dirty blonde mane
  433. >He wears a collar, and has what appears to be a compass rose on his ass
  434. >You don't know his name, but he feels familiar
  435. >Bad familiar
  436. >"Ah, yes.  You would be Anonymous?"
  437. Thet's me
  438. >He looks up his nose at you
  439. >"I wish to negotiate for the sleds."
  440. An' you are?
  441. >"Prince Blueblood."
  442. >Sheesh
  443. >Well, may as well hear him out
  444. C'mon then
  445. >you mention, turning
  446. >He pulls up next to you
  447. >And as you walk, you can see him prance around the oil stains and sawdust on the floor
  448. >Fuckin' pussy
  449. >He gets on the crate readily enough, though
  450.  
  451.  
  452. >You take your own seat and watch him across the table
  453. So, what do ya have in mind?
  454. >"On behalf of Blueblood enterprises, I wish to buy the copyright to the sleds from you.  It would be a great boon to the royal family"
  455. No.
  456. >Blueblood just... stops.
  457. >He gapes at you like a carp
  458. >Oh boy
  459. >Here's someone used to getting what they want
  460. >"I would most certainly make it worth your while"
  461. I'm sure you would.  Now, show me your plans.
  462. >"Excuse me?"
  463. Your plans; your models, your pricing, that kind of thing.
  464. >"I suppose..."
  465. >Blueblood fishes from his saddlebag a wad of papers, which you begin to examine
  466. >"Doesn't mean all that much to me"
  467. >Damn
  468. >Of course they don't
  469. >These particular blueprints are of rather poor design
  470. >The support struts are too thin, and there aren't enough bolts on the tongue
  471. >Rather half baked, sub par designs
  472. >And from what you can tell, he plans to charge through the nose for them
  473.  
  474.  
  475. >you set the papers down, which Blueblood apparently takes as his signal
  476. >"Would you at least consent to an exclusive license?"
  477. Hmmm
  478. >You look contemplatively at the ceiling for a moment, stroking your stubble
  479. Nope.
  480. >"Surely, you can do this for me?  I mean, it's only the one desig-"
  481. >You don't know who he thinks he's fooling
  482. No.
  483. >Heh, that's cute
  484. >He's getting mad now
  485. >"Do you have any idea who I am?"
  486. >You lean back and cross your arms
  487. Can't say as I do.
  488. >The stallion puffs up a little
  489. >"I am Blueblood, CEO of blueblood enterprises-"
  490. >A rich prick
  491. >"Prince of the royal family, and heir to to a seat on the grand council-"
  492. >An entitled rich prick who's never been told no
  493. >"-and honorary sergeant of the Celestial guard!"
  494. >With a whole slew of fancy titles, no doubt
  495.  
  496.  
  497. Well, /prince/ Blueblood
  498. >You respond, piling on the sarcasm
  499. I can guarantee you that blueblood enterprises is getting jack shit.
  500. >"Impudent peasant!"
  501. >You push your chair back
  502. Call me what you will.
  503. >Then you uncross your arms, and stand
  504. But stay outta my way.
  505. >And start walking around the table
  506. I got REAL work to do.
  507. >You make a shooing motion
  508. Go prance on back to yer board meetings or whatever it is you management types do with your time.
  509. >"Why, I never-"
  510. I'm sure you haven't.
  511. >"You will regret this, creature!"
  512. I'm sure I will.
  513. >You head right back over to your previous workstation, where Blast is choking back laughter
  514. >Blueblood, the spoiled child, accompanies you
  515. >Spewing insults and thinly veiled threats
  516. >it's bait, of course
  517. >He wants to provoke you
  518. >A couple seconds later, a roar sounds from the real office
  519. >"BLUEBLOOD!"
  520. >A look of genuine fear enters his eyes
  521. >Tamper emerges from his office
  522. >"QUIT HARASSING MY EMPLOYEES, AND GET THE HAY OUTTA MY SHOP"
  523. >Blueblood wavers
  524. >Tamper snorts, and paws the ground
  525. >Now that's interesting
  526. >Blueblood turns tail and runs for the door
  527.  
  528.  
  529.  
  530.  
  531. >You later hear from a couple of the other guys that blueblood is notorious for harassing copyright holders
  532. >Tamper's had to kick him out of the shop so many times, he's considering a restraining order
  533. >But anyway, The work day is finally over
  534. >You crack your knuckles
  535. >Now you can finally get some work done on your special project
  536. >You're half way to the tarp in the corner when the door to the shop opens
  537. >You glance over your shoulder
  538. >There's a guard in full armor in the doorway
  539. >"You are Anonymous?" he calls, and you stop
  540. Yeah?
  541. >"The Captain of the Guard requests your presence."
  542. Right now?
  543. >"Right now."
  544. >You sigh
  545. >But the captain is not one to be left waiting, you suppose
  546. >you wipe your greasy hands on an equally greasy rag
  547. >Then you follow the guard out the door
  548.  
  549.  
  550. >He leads you to the captain's office
  551. >Shining Armor, his name was?
  552. >The guardsp0ny promptly fucks off to parts unknown
  553. >And he's Twilight's brother
  554. >And you destroyed his shooting range
  555. >And that's all you remember at this moment
  556. >You hope this isn't about the range
  557. >You had no idea what those shells would do
  558. >The door to the office opens, bringing you back to reality
  559. >From it emerges a big, pink p0ny
  560. >Really big
  561. >Like, a little smaller than Luna big
  562. >She's got wings and a really long horn
  563. >And a mane of purple, pink and creamy yellow
  564. >What's the term
  565. >An alicorn?
  566. >Another one?
  567. >You thought there were only two
  568.  
  569.  
  570. >"You must be Anonymous" issues forth from her mouth
  571. Yep
  572. >You grunt
  573. >"Princess Cadence.  Pleased to meet you."
  574. >She holds out a hoof
  575. >you reach down and take it, and shake it firmly
  576. >She looks worried about something
  577. >Or she's put off by you
  578. >Hell if you know
  579. >Whatever it is, she doesn't seem to want to talk about it
  580. >She nods to you once, and then continues on her way
  581. >More power to her
  582. >It's her problem, not yours
  583. >You continue on through the door into Shining Armor's office
  584. >Waiting inside for you is none other than the Captain himself, in uniform
  585. >And in front of his desk, his sister
  586.  
  587.  
  588.  
  589. >They both look up at your entry
  590. Hope I ain't interrupting anything important
  591. >You semi-joke
  592. >They both look very serious
  593. >You step inside and close the door behind you
  594. >"We're actually right at the point where we need you..."
  595. And what do you need me for?
  596. >Shining Armor speaks up, sliding a paper across his desk
  597. >"Twilight has recently informed me of your supposed... ability.  She has also expressed the need for a live specimen for her research to continue."
  598. So you want me to go catch one?
  599. >"No.  I want you to point one out for my guardsp0nies, and they'll catch it."
  600. Wouldn't it be easier if I just went and-
  601. >"No.  If your ability is indeed genuine, you are vitally important to Equestria and her citizens.  You must not become a target for them."
  602. >You cross your arms
  603. So how would this work, then?
  604. >Shining Armor nods to Twilight, who turns around to address you
  605. >"There's a large party tonight at the Laughing Gryphon.  It'll be the densest concentration of p0nies in the city, and thus your highest chance of spotting one."
  606. >"Should you accept, you would be attending with a group of off duty guardsp0nies.  When you spot one, you would point it out to one of two designated guardsp0nies, who would then go to the garrison down the road and give a physical description.  The p0nies at the garrison would then fabricate a charge to bring the changeling in on, and retrieve it."
  607. >You consider her plan for a moment
  608. That's pretty slick
  609. >"You would, of course, get tomorrow off if necessary." Pipes in Shining Armor
  610.  
  611.  
  612. Hmmm...
  613. >You consider for a moment
  614. >It's probably better this way
  615. I still think it'd be easier if you let me just go bonk one, but alright.  I'll do it.
  616. >"Excellent!" quips Twilight
  617. >Shining Armor turns around and pulls an ornate cord hanging against the wall
  618. >"I'm glad you're on Equestria's side in this matter, Anonymous."
  619. I swore I was a couple days ago, didn't I?
  620. >The door behind you opens, cutting off any response he might have made
  621. >You turn to look, and find a familiar looking blue and yellow stallion looking up at you
  622. >"C'mon Anonymous, let's go!"
  623. I'll be damned
  624. >You breath, looking back at your beneficiary
  625. >They both nod to you, so you turn around and follow Bolt out the door
  626. >Waiting outside the door is another blue stallion
  627. >Except this one's mane is red and green
  628. >He nods to you
  629. >You nod back
  630.  
  631.  
  632. >"Anonymous, this is Star Blaze.  He's gonna be the other p0ny in on what's actually happening; the rest of the guys just know they've got the day off tomorrow, and they won the company wide lottery on tickets."
  633. Anonymous, nice ta meetcha.
  634. >Star Blaze looks you up and down
  635. >"Nice to meet you too."
  636. >He holds out a hoof in the same posture that Bolt did the other day
  637. >It seems to be their take on a handshake
  638. >You think
  639. >You oblige him
  640. >"You're a big fella, I'm glad you're on our side"
  641. >You chuckle
  642. >"I toldja I'd get you out for a drink with me and the guys" Says Bolt
  643. So how'd they rope you into this?
  644. >"Are you kidding?" He scoffs
  645. >"I get to go to a party, I get tomorrow off, AND I get to catch changeling scum?  I couldn't sign up fast enough!" he says
  646. >Star Blaze nods in agreement
  647. >"Now, are you ready to go?"
  648. Sure
  649. >"Great, the rest of the guys are right down the hall"
  650.  
  651.  
  652. >Sunny Sky leads you down a couple of different hallways, ending at some kind of lobby
  653. >He rounds the corner to a chorus of greetings
  654. >"Hey Bolt!"
  655. >"Oh yeah!"
  656. >You step around the corner with Star Blaze, and the whole mob goes quiet in an instant
  657. >Hmmm
  658. >This may be a problem
  659. >One of them finally speaks up
  660. >"He with you, Bolt?"
  661. >"Yeah"
  662. >Another one belts out
  663. >"Kin he party, is the question"
  664. >"Hell if I know" Responds Sunny Sky
  665. >"But Pinkie said good things about him, and he looks like fun to me"
  666. >"Woah!"
  667. >"PINKIE said good things about him?  Then we're good to go!"
  668. >The guardsp0nies go back to their idle conversation, their curiosity sated
  669. >"Let's buckin' roll out!"
  670.  
  671.  
  672. >The mob
  673. >No
  674. The HERD
  675. >Turns and begins filtering through the door
  676. >"You stick close to us at the club, you hear?" Whispers Star Blaze up at you
  677. >You nod down to him
  678. >Then you get out your jacket in preparation for the walk ahead
  679. >The halls of the castle give way to the chilly night air
  680. >Your breath spews from your mouth in a thick grey fog, the plume of an aging dragon
  681. >You stay towards the rear of the group, with your two companions
  682. >The conversation you hear on the way ranges from discussing the duty roster to the price of bubblegum
  683. >You also hear them discussing, in more hushed tones, your arrival
  684. >Apparently you put up a "Damn good stallionhunt"
  685. >Good to know you're not getting rusty
  686. >When you finally arrive at the "Laughing Gryphon", Bolt provides you with a ticket
  687. >The bouncer looks up at you, and gulps
  688. Don't worry, I have a ticket this time
  689. >You quip, getting a laugh out of the rest of your group
  690.  
  691.  
  692. >The bouncer tears the top off your ticket and provides you with the stub, instructing you to hang on to it
  693. >When you get inside, the party largely disperses
  694. >This place is definitely a step up from Bronco's
  695. >In finery, at least
  696. >But it's not exactly on the level of snobbery, either
  697. >It is, you decide
  698. >More of a white collar establishment
  699. >The wood floor is varnished, although it shows signs of heavy use
  700. >Same for the tables and the bar
  701. >Multi colored sconces illuminate drywalled walls, permeated periodically with wooden support beams
  702. >The ceiling is tiled, which you discover when you lift one up with your head while taking your jacket off
  703. >Bolt emits another chuckle
  704. >"Does that happen often?"
  705. More often than I care for
  706. >You respond
  707. >You suppose it makes sense for them to build this low, given their height
  708. >Save on materials and all that
  709. >But it's still a pain in the ass for you
  710.  
  711.  
  712. >You breath deeply through your nose, and size up the attractions
  713. >There's a dance floor with a spinning disco ball and a series of wall mounted speakers
  714. >Currently hosting a slow waltz
  715. >There are several dart boards
  716. >Twice as many pool tables
  717. >And, surprise surprise, a few poker tables
  718. >There's even what appear to be two indoor horseshoe ranges
  719. >Complete with bootwipes to keep the sand from getting on the hardwood floor
  720. >And of course the bar
  721. >You sweep the entire floor
  722. >But there's no black chitin to be seen
  723. >No glint of wispy, insectile wings
  724. >Your partners look up at you questioningly, so you subtly shake your head
  725. >One goes to the game area, and the other goes to the bar
  726. >The choice is clear
  727. >You head over to the game area
  728. >You want to get yourself re acquainted with that old barroom favorite
  729. >Darts
  730. >You can chuck a hatchet accurately enough to split a card in half at fifteen paces
  731. >But you're not so sure how well that'll translate
  732.  
  733.  
  734. >A dart board miraculously clears up for you
  735. >You practice with three darts a few times
  736. >Sweeping the restaurant every time you walk back to the throwing line
  737. >Then one of the other guardsp0nies challenges you to a game
  738. >And so you get in a few games of darts with him
  739. >He beats you soundly by throwing darts with his magic
  740. >Right up until another p0ny points out that using magic is cheating, and you make him use his hooves
  741. >You win two out of three games after that
  742. >He bids you farewell after his second loss in a row
  743. >And you mosey on over to the bar
  744. >Sunny Sky's set up at a stool
  745. >So you remove the one adjacent to him and plop down
  746.  
  747.  
  748. >He nods to you
  749. >"What'll ya have?" inquires the bartender
  750. I'll have some cider... and soup
  751. >Bolt nods to you as the bartender pours you a mug
  752. >you squint up at the wooden menu, before withdrawing the proper number of bits from your pocket and putting them on the bar
  753. >Then you take the mug, and have a swallow
  754. >Your hand goes all the way around the damn thing
  755. >And you take half the mug in the swallow
  756. >Fucking tiny p0ny utensils
  757. >Your throat whetted, you turn back to Bolt
  758. >Or more accurately, Bolt's posterior
  759. >He's putting the moves on a mare sitting next to him
  760. >Or at least, he's trying to
  761. >You roll your eyes
  762. >It sounds like he intends to take it slow
  763. >So you'll cut him some slack
  764. >The surrounding bar is occupied by guardsp0nies
  765. >It's standard bar fare going on, most of which you join in on
  766. >A combination of judging the shapely mares on the dance floor, general griping and speculation about the future
  767.  
  768.  
  769. >You've finished the soup and are sipping your cider when you decide to survey the bar once more
  770. >Black chitin catches your eye, and you nearly choke on the golden liquid
  771. >Sitting in one of the booths on the far wall is a changeling
  772. >In the middle of a deep, animated discussion with the p0ny sitting across from it
  773. >You first bring your drink down and set it on the bar behind you
  774. >No point in wasting good-
  775. >Well
  776. >No point in wasting a drink you paid for
  777. >Then you elbow Bolt
  778. >Hard
  779. >He pivots almost immediately
  780. >"What" comes hissing from his mouth
  781. >You don't point
  782. >The best way to alert someone to the fact that they're being watched is to point at them
  783. >Instead, you nod
  784. Third booth down from the left, sitting on the outside
  785. >You mumble to him, barely audible
  786. >Bolt's eyes immediately focus
  787. >"Left side or right?" he inquires nearly inaudibly, having located the appropriate table
  788. Left
  789. >"And you're absolutely sure?"
  790. Sure as spit
  791.  
  792.  
  793. >Bolt makes his excuses to the mare next to him, who looks disappointed
  794. >Then he heads for the door
  795. >he's staggering a little, but you're fairly sure it's for show
  796. >For your part, you turn back to your drink
  797. >The mare is looking at you
  798. >She looks a little worse for the bottle
  799. >"He's such a strong p0ny... where's he going?"
  800. >She asks you
  801. >"You talked to him before he left"
  802. >You shrug
  803. All he said was, 'Duty calls'
  804. >Then you finish off your drink
  805. >You're at the point where you gotta go
  806. >So you get up and head for the door
  807. >The little stallion's room
  808.  
  809.  
  810. >The stalls come about up to your hips
  811. >But that's high enough
  812. >You relieve yourself
  813. >You're on your knees washing your hands when you hear the front door slam
  814. >And you swagger out into the restaurant just in time to see them bringing the scum in
  815. >Three guardsp0nies are at the booth in question
  816. >Lunar guards, to be exact
  817. >One of them puts a set of cuffs on the thing
  818. >Now that's interesting
  819. >P0ny cuffs are different from human cuffs
  820. >Where human cuffs have two, p0ny cuffs have four
  821. >And they're interconnected by chain
  822. >The p0ny inside can walk in them, to be sure
  823. >But the length of the chain prevents them from going any faster
  824. >You watch them frog march ol' buggy out of the place with minimal trouble
  825. >it went willingly, not even compromising its cover to keep out of jail
  826.  
  827.  
  828. >With your duty to the state finished, you decide to take your leave of the party
  829. >It's starting to get late, and you have no intention of ditching out on your boss on the third day on the job
  830. >If you're quick, you might get an hour or two of work on your project done too
  831. >So, after pulling on your jacket, you nod to Star Blaze
  832. >And head out the door into the freezing night air
  833. >As you walk off into the distance, the bass from the speakers slowly fades from the air
  834. >It really is a nice night out night
  835. >The sky isn't as visible as it was back home, owing to the lights of the city
  836. >But it's still quite the sight
  837. >The stars twinkle down at you, beautiful in their strange, alien constellations
  838. >And a three quarter full moon lights your path where the street lights do not
  839. >As your boots crunch over the ice, you find yourself hard pressed to think of a place you'd rather be at the moment
  840.  
  841.  
  842. >You're in a rougher part of town when a shriek pierces the crystalline air
  843. >It's hauntingly familiar, and emanates from a nearby alley
  844. >You consider your options
  845. >You're supposed to go get a guard in this situation...
  846. >You mentally laugh at yourself
  847. >That's not what you're gonna do
  848. >And you know it
  849. >Instead, you crack your knuckles
  850. >This will be fun
  851.  
  852.  
  853. >Another shriek emerges from the alleyway, and you hasten your pace
  854. >When you finally round the corner, a rather interesting scene greets your eyes
  855. >A white unicorn in boots, a hat, scarf and saddlebags is backed into a corner
  856. >In front of her, a pair of scruffy looking earth ponies loom
  857. >One of them has a knife on his hoof
  858. >The important part is, though
  859. >They haven't seen you yet
  860. >You prepare yourself for the conflict as you advance
  861. >Your arms hang wider as your core muscles tense
  862. >You bend your knees slightly, assuming a more mobile, aggressive stance
  863. >Your eyes are chips of flint on a pure white field of snow
  864. >Your mouth a thin, bloodless gash
  865. >Everything about you screams aggression
  866. >I am large, I am a predator, your body language says.
  867. >Do not fuck with me.
  868. >At least, that's what you hope
  869. >It's worked on people
  870. >Well, humans
  871. >Before
  872.  
  873.  
  874. >The mare notices you first, and her eyes widen
  875. If you two know what's good for you, you'll fuck off
  876. >You say
  877. >Your voice is an iron stove being dragged across rocks
  878. >The one on the right, who has a flaming red mane in a mohawk, turns around
  879. >As his eyes travel up, and up, and up, his jaw drops
  880. >He pokes his partner
  881. >"T-trask..."
  882. >"What?" the one with the knife asks angrily
  883. >"Can't you see I'm busy?  You handle it!"
  884. Beat it, scum
  885. >You grunt, and Trask suddenly deems you worthy of his attention
  886. >"Mind your own business!" He says as he turns
  887. >Then he finishes turning, and his voice loses its bravado
  888. >"O-oor I'll use this!"
  889. >He brandishes the knife
  890. >You laugh
  891. You really think you can hurt me with that puny thing?
  892. >Then you smile
  893. >The smile of a killer, your lips pulled back too far
  894. >Revealing too many teeth
  895. I will feed it to you!
  896.  
  897.  
  898. >He quails, and you decide now is the time
  899. >The moment is ripe
  900. >You lung, roaring like a primal beast from some child's waking nightmares
  901. RRRAAAAAGGGHHHHH!
  902. >Unfortunately for you, Trask decided to make a defensive swipe with the knife as you lunged
  903. >The motion of your leg brings the knife through your pants and into your leg, drawing a bright line of pain across your calf
  904. >It adds an aura of rage to your roar
  905. >Your other leg comes up at the speed of FUCK
  906. >And catches him right under the chin
  907. >His entire torso twists with the blow, sending him left
  908. >And right over the withers of his companion
  909.  
  910.  
  911. >The nameless accomplice screams at your continued roaring and continual approach
  912. >If there wasn't malice in your eyes before, there is now
  913. >He catches his partner's mane in his teeth, and his scream muffles appropriately
  914. >Then he takes off down the alley, kicking up snow and ice behind him
  915. >Fucker's moving pretty good, too
  916. >You pursue them a few steps, but they round the corner rather quickly
  917. >You cease yelling abruptly, switching to cursing under your breath
  918. FUCK
  919. >You crouch over and remove the knife from your leg
  920. >It was mostly your pants holding it in place
  921. >Lucky bastard got you right above your boot
  922. >Driven by pain and anger, you turn and stab the knife into a convienent crate
  923. >It sinks up to the handle into the frozen wood
  924. >Then you turn around, ceasing your foul mouthed litany
  925. >The mare you went to all this trouble for is backed into the corner even further, if anything
  926. >A look of unthinking terror in her eyes
  927. >And on her flank, a trio of diamonds....
  928.  
  929. Uh, Rarity?  I ain't gonna hurt ya
  930. >You try to remember the contents of your cloak
  931. >You can already feel warm wetness soaking into the top of your sock
  932. >Meanwhile, Rarity looks up at you, and comprehension dawns
  933. >"Oh!  Oh my... Mister Anonymous.  I... rather didn't recognize you..."
  934. >You stick your hand in your pocket, hoping you had thought to pack a first aid kit
  935. >Many items file past your hand
  936. >Well, that's the next addition you're making
  937. >Rarity's eyes focus, and then they get wider
  938. >"Oh my..."
  939. >They've settled somewhere around your knees
  940. >"Is that blood?"
  941. Wuh?
  942. >you keep digging, and pull the pocket wider
  943. >Attempting to peer inside
  944. Uh, yeah
  945. >Maybe you've got some gauze, at least
  946. >You could have sworn there was one in your truck
  947. >Must still be there
  948.  
  949.  
  950. >"Anonymous, I demand you sit down this instant!"
  951. >There's steel there, which causes you to look up
  952. Why?
  953. >"So I can tend to your wound!"
  954. >Huh
  955. >Well, she is a unicorn
  956. >So you guess the potential's there
  957. >Although you wouldn't put it past a seamstress...
  958. I didn't know you were a nurse
  959. >"I'm not" she tuts as she bustles up to you
  960. >"But with all the odd things that go on around p0nyville, I'd be an idiot not to know basic first aid"
  961. >"Now, are you going to sit down and let me help you, or just stand there until you bleed out?"
  962. I guess...
  963. >You remove your arms from your cloak and sweep snow off a crate
  964. >Then you back up and have a seat
  965. >"It's the least I can do..." She mutters
  966.  
  967.  
  968. >You roll your pantleg up, ignoring the flare of pain when the cuff passes over the wound
  969. >It's dark in the alleyway, so you pull out a flashlight and turn it on
  970. >...Well that ain't so bad
  971. >It's a long, shallow cut
  972. >Right along the side of your leg
  973. >The idiot was a bigger wimp than even you expected
  974. >It is, however, still bleeding
  975. >It's stained a fair portion of your sock crimson
  976. >Rarity grimaces
  977. >"This won't do at all"
  978. >Then her horn lights up, and a sickly, sparkling glow appears over the damage
  979. >You get a tingling sensation there, which quickly progresses to the pricking of needle
  980. >And a dull burn
  981. >The blood, as you watch, turns to a fine red powder
  982. >Rarity blows gently on your leg, and the powder floats off and lands on some nearby snow, dying it red
  983. Disenfectant... spell?
  984. >"Correct.  You're brighter than you appear."
  985. >You decide not to be insulted.
  986. Pays to know this stuff.
  987.  
  988.  
  989. >From the saddlebags emerge a pair of scissors and a strip of red cloth
  990. >The cloth wraps around your leg, pulling itself tight
  991. >And then the scissors cut it off with a fair margin to spare
  992. >Both the scissors and the remaining cloth float back into the bag
  993. So what's a fine lady such as yourself doing out at this time of night, anyway?
  994. >"Hmm?"
  995. >Several safety pins float out of the bag and affix themselves to your ad-hoc bandage
  996. >"Oh, I was out to buy premium fabric, I've got a special order from a customer."
  997. >Rarity steps back, and her horn takes on a brighter glow
  998. Uh...  red fabric?
  999. >"The very same.  Now, roll down your... pants, dear."
  1000. >You roll your pantleg down over the bandage without too much trouble
  1001. >This time Rarity points her horn at your leg
  1002. >Before you can protest, it emits a pale blue beam
  1003. >She takes the beam over the cut in your pants, and down below the bandage where your sock is
  1004. >When she's finished, you shine the flashlight down
  1005. >All the bloodstains are gone
  1006.  
  1007.  
  1008. The cloth that's around my leg?
  1009. >"Yes, darling.  Now, hold still."
  1010. >From the saddlebags come a needle and thread, and a patch of denim
  1011. >...Of course she's have those on her
  1012. >She begins to patch the hole in your pants, and you hold the flashlight steady for her
  1013. That's mighty kind of you...
  1014. >"Oh pish posh."
  1015. >She snorts, sending gouts of fog into the darkness
  1016. >"I've more than enough material for the dress, even after this little... debacle.  And even if I didn't, I'd have done it anyway."
  1017. >She snaps the thread, stowing her supplies away in her saddlebags
  1018. >"I AM the element of generosity, darling."
  1019. >You run a hand over the patch, making sure it's sound
  1020. >Whatever stitch she used, it's beyond you
  1021. >But it feels strong enough
  1022.  
  1023.  
  1024. >you put your hands on your knees and rise from the crate, wincing slightly
  1025. >He didn't exactly kneecap you
  1026. >But at the same time, it's a cut
  1027. >And it hurts
  1028. >Then you turn to the knife
  1029. >It's in there pretty good
  1030. >You grip the hilt, and pull hard
  1031. >Eventually, it comes free
  1032. >It's a cheap switch blade
  1033. >The Saturday night special of knives
  1034. >The mechanism is shot, too
  1035. >You broke/fused it when you stabbed too hard with it
  1036. >"What are you going to do with that?" asks Rarity
  1037. I'll melt it down in the shop tomorrow
  1038. >You tell her
  1039.  
  1040.  
  1041. Yer headed back to the castle then?
  1042. >"Yes.  Yes, I am."
  1043. Mind if I join ya?
  1044. >Rarity scuffs her hoof.
  1045. >"I daresay that having such an impressively large and terrifying creature as yourself to walk with would be... quite beneficial."
  1046. Least I can do
  1047. >You agree
  1048. >You click your flashlight off, and gesture towards the streetlit mouth of the alleyway
  1049. Shall we, then?
  1050. >"Please, the pleasure is mine" she says, barely a hint of sarcasm evident in her tone
  1051. >You set off into the distance, with Rarity in tow
  1052.  
  1053.  
  1054. >The tune plays through your head
  1055. >That song from your home world
  1056. >It's catchy, and the knife reminded you
  1057. >And now you just can't get it out of your head
  1058. >Your boots move in time to the beat, one every other
  1059. Mister saturday night special, got a barrel that's blue and cold...
  1060. Ain't good for nuthin', 'cept-
  1061. >"Did you say something, Anonymous?"
  1062. >Rarity turns her ice blue eyes up at you
  1063. Nah.  Just got a song stuck in my head.
  1064. >"I see."
  1065. >"From your home?"
  1066. One of 'em, yeah.
  1067. >You continue on in silence a bit more, the crunch of the snow and the whisper of the wind your companions
  1068. >Then, it occurs to you
  1069. Actually...
  1070. >"Hmm?"
  1071. Rarity, I'd like your help with something...
  1072. >"Oh?"
  1073. Yeah.  I've got an idea of what I want to do, but the best I can do as far as clothing is patching and fixing the occasional ripped seam.  
  1074. >"Well, I'd have to hear what your idea is first, dear"
  1075. I'll pay for it all, of course
  1076. >"Let's just hear the idea, dear"