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AlaskanAnon in Equestria Ch. 15.75

By: CuriousAnon on Apr 13th, 2013  |  syntax: None  |  size: 40.71 KB  |  hits: 211  |  expires: Never
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  1. >Unconsciousness slips away slowly, and sensation returns
  2. >Specifically, the sensation of something poking your face
  3. >"Anonymoussss..."
  4. wuh...
  5. >The poking stops
  6. >"Anonymous!"
  7. What
  8. >You open your eyes
  9. >Above you floats a purple face, concern written across the mostly concealed brow and slant of the massive eyes
  10. >"Are you alright?"
  11. >You inhale deeply through your nose before replying
  12. Yeah.  Yeah, just having a nap
  13. >Twilight rises, and backs off a bit
  14. >"Well, it's about time for dinner..."
  15. >You bring your hand up to check your watch
  16. >Yup, she's right
  17. >You have about an hour for dinner, before the thing
  18. Alright
  19. >Sitting up, you swing your legs over and down onto the floor
  20. >Then you reach over and grab your glasses and stick them on your face
  21.  
  22.  
  23. >You get up and make your way over to the kitchenette
  24. Whatcha want for dinner, then?
  25. >You ask as you open cabinets, looking for ingredients
  26. >They contain mostly dishes and cookware, but no actual food
  27. >"The cafeteria serves meals to all employees of the royal government..."
  28. Oh.
  29. Think I qualify as an employee?
  30. >This gives her pause
  31. >"I think your job in Ponyville qualifies"
  32. And if it doesn't I can just pay at the counter, right?
  33. >"I really don't think you'll have any problems" she responds, glancing up at you
  34. >You shrug
  35. If you say so
  36. >You close the cabinets as Twilight heads over to the door and pulls it open
  37. >"Shall we then?"
  38. Sure
  39. >So saying, you follow her out the door and into the castle proper
  40.  
  41.  
  42. >The trip to the mess hall is relatively brief, and you add it to the list of locations inside the castle you know how to get to
  43. >The hallways are as crowded as usual
  44. >When you finally head through the door, a massive, cavernous room opens out before you
  45. >The central area filled mainly with tables, some circular in nature while others are longer, with pony sized chairs scattered among them
  46. >Almost all the tables are occupied, and lively chatter and conversation drifts about the place
  47. >At one end, stands a raised platform containing several of the round tables and an especially large one with ornate chairs
  48. >One wall is covered in stained glass windows depicting what you would guess are important events in history
  49. >And lined along the other walls are several cafeteria style serving lines, with serving ponies in palace livery on one side and hungry p0nies filing down the other
  50. >Payment being enacted at the end of the line
  51. >"This way" mutters Twilight
  52. >You follow her as she leads you to one of the shorter lines
  53.  
  54.  
  55. >And here, you encounter your first problem of the night
  56. >The buffets are built for ponies
  57. >You look uncertainly at the tray in your hands, then down at the line
  58. >The sneeze guard comes about up to your lower thigh
  59. Uh...
  60. >Twilight glances back at you
  61. >Your tray is enveloped in a familiar purple aura, causing your fingers to tingle in the process
  62. >It floats off your fingertips and joins Twilight's tray down on the line
  63. >"Just tell them what you want"
  64. Sure.  Thanks, Twilight
  65. >You say, rather grateful
  66. >"It's what friends do" she replies, stepping up to the buffet
  67. >You step up behind her, examining your choices
  68. >Today, it looks like soup
  69. >The serving p0ny looks at Twilight, then up at you
  70. >Either she's been warned of your presence
  71. >Or Wadsworth's been teaching not-give-a-fuck lessons
  72. >Either way, she treats you just like any other p0ny, which you're obscurely glad for
  73. >You squint down at the cards as Twilight places her order
  74. >"I'd like the carrot and potato soup, please"
  75. >She gets a bowl
  76. I'll have what she's having
  77. >You say, and you get a bowl for your trouble
  78.  
  79.  
  80. >After the main portion, there are a variety of self serve trays
  81. I think I can handle it from here
  82. >Your tray floats back up, and you take it
  83. Thanks
  84. >You glance up and down the line, your suspicions confirmed
  85. >There's not a sliver of meat to be had out of the entire bunch
  86. >This section nets you a slice of fresh, warm bread
  87. >A pat of butter
  88. >Three deviled eggs
  89. >A couple of crackers
  90. >After a moment's consideration, a slice of something that looks suspiciously like kringle
  91. >And a glass of water
  92. >Twilight trots up to the check out, where the P0ny simply nods to her
  93. >You step up behind her
  94. >"Bring it down" Says the p0ny
  95. What?
  96. >She rolls her eyes
  97. >"Your tray"
  98. Oh.
  99. >You lower your tray to eye level, and the pony glances at it
  100. >"You're free to go"
  101. Alrighty then...
  102. >You remark as you head off after Twilight
  103.  
  104.  
  105. >Twilight begins to lead you through the maze of tables
  106. >And you spot your objective soon enough
  107. >At a table near the platform you see AppleJack, Pinkie Pie, Fluttershy and Rainbow Dash
  108. >Pretty much all of the others except Rarity
  109. >Twilight rolls up and sits down
  110. >So you grab a spot yourself, setting your tray down before you pull the tiny chair out of the way
  111. >Then you plop down and blow on your soup
  112. Hi guys
  113. >You greet
  114. >"Hey Anonymous!"
  115. >"Howdy Anonymous"
  116. >each greets you in turn, excepting Fluttershy, who just squeaks and hides behind her mane
  117. So, how have things been going for all of ya in this wonderful city?
  118. >You prompt, breaking the ice and hoping to distract yourself from your grumbling stomach while your soup cools
  119. >"Super Duper!" shouts Pinkie, taking the initiative
  120. Nice.  Care to tell me more?
  121. >Pinkie's bubbling with her usual vibrant energy
  122. >"I got to catch up with all my bestest friends that live in Canterlot!"
  123. Really?
  124. >"Yeah!  Doughnut Joe was really happy to see me"
  125. >She looks left and right, and then leans in conspiratorially
  126. >"It's been really busy for him lately, what with all the ponies moving into the city" she stage whispers across the table
  127. Heh, I can imagine.
  128. >The silence hangs for a minute, as you test your soup
  129. >Nope
  130. >Still too hot
  131. >"What about you, AppleJack?"
  132. >She pauses to swallow, ever mindful of her table manners, before responding
  133. >"Wahll, they certainly were glad ta have me on the plow team..."
  134.  
  135.  
  136. >It it at this point you determine two things
  137. >The rest of your friends are more focused upon their food than conversation at the moment
  138. >And your soup is now cool enough to eat
  139. >The grilled cheese sandwich is nothing but a delicious wisp of a memory, so you dig enthusiastically into your food
  140. >When you're wiping the inside of your bowl with a bit of bread crust, the conversation resumes
  141. >You point your spoon across the table
  142. So how 'bout you, Dash?  How have things been going up in the clouds?
  143. >Dash doesn't even bother swallowing before she responds
  144. >"The weather team was glad to see me.  They've been having the same rough weather we were seeing down in P0nyville"
  145. >Right, weather control is a thing here
  146. >Remembered that in time to avoid asking a dumb question
  147. >"Nothing I can't handle, of course" She adds after a hasty swallow
  148. 'Course
  149. >You agree placatingly
  150. >...Someone's being awful quiet
  151. >You wait until everyone else at the table is otherwise occupied talking about...
  152. >Spike?
  153. >Whatever
  154. >Then you look to the yellow pegasus
  155. What about you, Fluttershy?
  156. >Fluttershy eeps at you and attempts to retreat further behind her mane
  157. Not in a talkative mode today?
  158. >She shakes her head ever so slightly
  159. >You shrug inwardly, and consult your watch
  160. >As you recall, she was having some issues with you the other day as well
  161.  
  162.  
  163. >You'll give her some time to work out whatever her issue is with you
  164. >No point in pushing it now
  165. >You've got places to be
  166. >Speaking of which, you look up at Twilight
  167. >She's in conversation with Rainbow about the weather
  168. >But you manage to make eye contact soon enough
  169. >The purple head nods once
  170. Say, Twilight
  171. >"yes?"
  172. Mind showing me where the trays go?
  173. >"Certainly"
  174. >You both rise from the table almost as one, drawing looks from everyone else
  175. See you guys later
  176. >You say as you head off, following Twilight to the tray disposal
  177. >It's just a window set into the wall with a stack of empty trays and dishes, so you deposit your tray and turn to Twilight
  178. >"You didn't have to be so obvious about it!" she hisses quietly
  179. Wuh?
  180. >What the hell is she talking about
  181. >"This has to stay a complete and utter secret!"
  182. >Oh, right
  183. Whoops
  184. >You resolve to try and be more discrete in the future
  185.  
  186.  
  187. >"Come follow me, then" she calls over her shoulder, as she heads for one of the doors
  188. Sure
  189. >You duck through the door after her, and it swings shut behind you
  190. So where are we going, anyway?
  191. >"One of the labs" She notes
  192. Alright
  193. >Twilight takes you through many twists and turns, with less p0nies appearing the further into the halls you delve
  194. >Her horn is glowing a bit
  195. >Eventually, you reach a corridor that's completely empty, and Twilight looks left and right before pulling you through a door
  196. >It slams shut behind you, aglow in purple, and you hear the lock click
  197. >Then, the glow cuts out and you're both left in darkness
  198. Uh...
  199. >"Blast it!"
  200. >You turn around and begin groping along the wall for a light switch
  201. >Then something runs into your ass
  202. >Something pointy
  203. OUCH!
  204. >You yelp, reaching down and seizing the offending object
  205. >Something behind you squeaks, and you release it once it's no longer jammed into your jeans
  206. >Then your forward hand finally locates the light switch
  207. >Which is a few feet lower on the wall than you're used to
  208. >You flip it on and turn around
  209.  
  210.  
  211. >Twilight is sitting on the ground in front of you, with a rather distant look in her eye
  212. >She shakes her head and seems to focus
  213. >"I-I'm sorry, Anonymous..."
  214. >You rub your ass for a second
  215. Well shit, just don't do it again
  216. >"I-I can take a look at it if you want..." she trots out automatically
  217. >Then winces at the implications of what she just said
  218. >You chuckle
  219. There's not a hole, I'll be fine
  220. >"Okay."
  221. >Twilight rises, and canters over to a counter,donning a white lab coat
  222. >Or at least what appears to be the p0ny equivalent
  223. >And wraps a stethoscope around her neck, picking up a sheaf of papers and a quill off it
  224. >As she does so, you take a look around
  225. >your eyes behold what appears to be a laboratory
  226. >The counters are littered with glass flasks and tubes
  227. >The shelves, jars full of reagents of one type or another
  228. >Stands, calipers, tweezers, tongs, even a bunsen burner or two
  229. >Anything and everything an aspiring mad scientist could ever want
  230. So, how do you want to do this?
  231. >You remark as you reach out and pick up a glass tube
  232. >"Well, let's start with having that shirt off"
  233. >You unclip your cloak, and set it aside
  234. >Then you remove your holster and set it on a counter, and pull your shirt up over your head
  235. >Twilight stares up at you, occasionally glancing down at the sheet of paper she's scribbling away madly on
  236. >"Now, if you could turn around slowly..."
  237.  
  238.  
  239. >You feel like a male walrus on display
  240. >After a minute, she speaks up
  241. >"Take the pants off..."
  242. Uh, alright
  243. >You reach down and untie your boots, pulling them off
  244. >Then you undo your belt and unbutton your pants, pulling them down and off your feet
  245. >"And the second pair of pants..."
  246. Twilight, what possible relation to how my ability works could this have?
  247. >"Oh, this has nothing to do with that.  I'm just finishing the anatomy sketches."
  248. Well, you can do that some other time
  249. >You grunt, pulling your pants back up and beginning to re buckle your belt, muttering indistinctive things
  250. >"It's purely scientific curiosity!"
  251. If it really is, then it can wait.  
  252. >Nobody gets a free show.
  253. >Nobody.
  254.  
  255.  
  256. >Twilight gestures to an old fashioned hanging weight scale
  257. >except, y'know, p0ny sized
  258. >"If you'll step up here..."
  259. Sure
  260. >You walk over to the scale, and hop on to the center the large platform
  261. >Twilight trots over herself and begins making adjustments to the weights
  262. >"Oh, darn..."
  263. >You look down at the boom
  264. >She's got the weights all the way over, and the thing is still bumping the top limit
  265. Well, there's your problem
  266. >"Huh?"
  267. It tops out at...
  268. >you squint
  269. a hundred fifty pounds
  270. >"...You weigh more than that?"
  271. Pfft
  272. >you scoff
  273. >"How much do you weigh, then?"
  274. Hell if I know, 180s, 190s?  I haven't been on a scale in a while
  275. >Twilight goggles up at you
  276. >"And that's healthy?"
  277. For a human male?  Easily.  
  278. >Twilight makes a note, and you step off the scale and into your pants
  279.  
  280. >"Okay..."
  281. >"Why do you even wear a second pair of pants, anyway?" she muses as she shuffles notes
  282. They're called underwear, and they exist for a variety of reasons
  283. >"Such as?" She asks, quill suddenly at the ready
  284. >you shrug, half way back into your shirt
  285. They provide a soft surface between sensitive bits and the oftentimes rougher fabric of the pants.  They can provide an
  286.  
  287. extra layer of insulation, and modesty if you're forced to remove your pants in public.  And, well...
  288. >"Do go on"
  289. Y'know how, er... Stallions keep it tucked away when not in use?  
  290. >"Mhmmm"
  291. Yeah, well, humans don't have that.  It's out, all the time.  So you need something there to keep it from... flopping around.
  292. >Oh shit
  293. >If anything, you've piqued her curiosity further
  294. But that's not why we're here, is it?
  295. >"Noooo..." She says reluctantly
  296. >As far as you can tell, it is purely scientific curiosity
  297. Alrighty then.
  298. >You begin to pull your pants back up
  299.  
  300.  
  301. >She clears her throat
  302. >"If you would have a seat..."
  303. >You sit down against an open section of wall
  304. >She looks around for a minute, then seizes a p0ny sized chair and slides it out in front of you
  305. >"Put your leg up on this, please"
  306. >You oblige her, and she begins examining your foot from various angles
  307. >Then she recoils from the smell, causing you to chuckle
  308. >"Is that natural?" comes the question
  309. Nah.  Comes from wearing boots all day.
  310. >"Very well" she notes, steeling herself and examining from a distance
  311. >She raises one of her hooves
  312. >"May I?"
  313. Go ahead
  314. >With the hoof, she pokes and prods various parts of the foot
  315. >"I can see why you wear those... boots... all the time"
  316. If I didn't have 'em, I'd get callouses hard as rocks, and more importantly my feet would freeze off quick as you please
  317. >"I see."
  318. >She pokes one of your toes
  319. >"Do these fingers serve any purpose?"
  320.  
  321.  
  322. Those are toes, and not really.  They help with balance, but I can't really hold anything with 'em.  
  323. >You explain, wiggling them
  324. Don't even have individual control beyond the big one.  Far as I know, they're evolutionary leftovers, on their way to a new purpose
  325. >The pencil's doing a million miles a minute
  326. >"What I wouldn't give to be able to see the skeleton...  but that's another day"
  327. >This causes you to shift uneasily
  328. >"Wait." She says, her writing utensil stopping dead in its tracks
  329. >"Evolution?  What is evolution"
  330. Oh shit, you don't have that yet.  Uuuuh...
  331. >You say, scratching the back of your neck
  332. It's a long story, and a theory.  Maybe even one of the longest there is.  I'll tell you later, okay?
  333. >Twilight squints at you, clearly weighing her options
  334. >"I'll hold you to that" she says reluctantly
  335. Fair enough
  336.  
  337.  
  338. >The current ream of paper goes to the counter, and instead she removes the stethoscope from her neck
  339. >"You can put your foot down, if you like"
  340. >You pull your foot back, and kick the chair out of the way, letting your leg slide across the floor
  341. >She observes your knee operate as you do so
  342. >Then she approaches, stethoscope held at the ready
  343. >And lands the sensory end on your bottom left rib
  344. Woah there tiger
  345. >You joke
  346. >She frowns at you
  347. You going for pulse, or breathing
  348. >"Pulse..."
  349. >She pauses
  350. >"You DO have a heart, right?"
  351. Heh, yup
  352. >You take her hoof in your hand and move the cold, metal circle up, until it rests roughly above where your heart should be
  353. >For some time, she counts
  354. >Then her eyes widen
  355. >"Are you nervous?  Excited?  Have you had too much coffee?"
  356. No.  Why?
  357. >"Your heart rate is way too fast"
  358. And what rate is that?
  359. >"YOur heart is beating at 64 beats per minute"
  360. Hey, relax.  That's normal for a human.  
  361. In fact, most humans go faster than that.
  362. >She scribbles some more
  363.  
  364.  
  365. >"And two lungs?"
  366. You betcha
  367. >She moves the Stethoscope over, and she's close enough that you don't have to correct her
  368. >"Now, if you could-"
  369. Breathe in and out deep and slow?
  370. >You inhale and exhale, just like you remember doing for the doctors back home
  371. >When you finish, you can't help but ask
  372. So what's with all this other checking, anyway?  How does it relate?
  373. >Your question is given a moment's consideration, the writing ceasing
  374. >"Frankly, Anonymous, you're interesting."
  375. >"Equestria has never seen anything quite like you.  No combination of traits... You're a giant, mostly hairless monkey with a penchant for wearing clothing at all times, that has feet instead of hooves, tiny eyes, and a rather massive pair of hands."
  376. Rather massive?
  377. >"They're bigger than any I've seen on a minotaur."
  378. >From here, she rambles
  379. >"Your speech, your mannerisms, casual disregard of title and rank... I would very much like to see your world.  The society
  380.  
  381. that produced you; that made you what you are today."
  382. I ain't so sure about that
  383. >"I am."
  384. >She steps closer, her massive, violet eyes peering deep into your own
  385. >"I want to see, Anonymous.  I want to smell, to feel, to taste, to hear."
  386. >"I want to know."
  387. >Huh.
  388. >There's a hunger there, alright
  389. >one you can sympathize with, somewhat
  390. Well, if I ever find a way back, I'll be sure to letcha know.
  391.  
  392.  
  393. >The fire in her eyes fades in an instant, extinguished by concern
  394. >"Anonymous, I'm sorry, I didn't mean to..."
  395. >You shrug
  396. It's fine.  It doesn't really bother me.
  397. >The concern turns to doubt
  398. >"There aren't p0n- er, people you miss?"
  399. Oh, I'll be the first to say there are people I miss.  But the way I see it, I have friends here, too.  The past contains valuable lessons to be learned, but there ain't no point letting it drag me down overmuch when I could be enjoying my life, wherever and however I live it.  
  400. >Twilight considers for a moment.
  401. >"Well, know that if you ever need somep0ny, we're here for you."
  402. >You reach out and ruffle her mane, careful to avoid the horn
  403. I appreciate that.
  404. >After a second, you stop, and she shakes her head
  405. >It poofs back into its original shape
  406. Now, is there anything else you need?
  407.  
  408.  
  409. >"Yes..."
  410. >Twilight places the stethoscope back around her neck, and instead takes a scraper and several containers off the counter
  411. >You take the opportunity to put your glasses and your shirt back on
  412. >"Could you hold out your... arm?  Please?"
  413. >You stick your left arm out, and she gently scrapes some skin cells off and into a small container
  414. >Then, a small stick with bits of cotton on either end floats up off the counter
  415. >"And if you could turn your head towards me..."
  416. >You turn your head, and she gets a sample of ear wax
  417. >"...When was the last time you cleaned these out properly?" She asks, somewhat repulsed
  418. Last time I was at the doctor?
  419. >You respond, trying not to move your head too much
  420. >"And that was?"
  421. >Twilight has finished
  422. >You shrug
  423. A year ago?  A couple?  I don't really remember
  424. >She tsks at you
  425. >Then she points at a pair of rags sitting on the counter
  426. >"Hold those up to your ears"
  427. Uh, okay?
  428. >You pick up the rags and do as instructed
  429.  
  430.  
  431. >Twilight's horn lights up, and your ear canals suddenly feel really hot
  432. >Then you feel something moving through them, and the rags in your hands become similarly warm
  433. >The horn stops glowing, and you lower your hands
  434. >Each rag is covered in semi-liquified chunks of ear wax
  435. Thanks
  436. >"No problem.  Now open your mouth."
  437. >You do as instructed and a cotton swab darts quickly inside, rubbing vigorously against your cheek before exiting and floating down into another container
  438. >"You're doing very good!  Now, hold your head very still.  This might feel a little odd."
  439. >The horn lights up once more
  440. What do y-
  441. >It takes all of your concentration to not wince
  442. >There's a pressure in your ears like the worst head cold you've ever had
  443. >Along with... silence?
  444. >Complete and utter silence, it seems
  445. >You stare down at Twilight
  446. >She opens her mouth, but no sound issues forth
  447. >Confirming your theory that whatever it is she's doing has rendered you deaf
  448. >Several more excruciating seconds pass, before the pressure leaves and your hearing returns
  449.  
  450.  
  451. What the HELL was that?
  452. >"I was probing your internal ear structure" she explains, scribbling away
  453. Why?
  454. >"So I could compare it to pony internal ear structure to see if there's a difference"
  455. >You shake your head, trying to get rid of the residual ringing
  456. And is there?
  457. >"Not too much, so far as I can tell"
  458. >The scribbling continues for a few minutes, and in the interim you put your holster and cloak back on
  459. >"Now I'm going to probe your eyes..."
  460. >You are reluctant to find out what will happen if she goes pushing things about in there
  461. >They're already bad enough as it is
  462. How's this going to help us figure it out?
  463. >"Well, very little is currently known about changelings, and how their magic works.  Anything and everything I can learn about your perceptive senses, and how you differ from p0nies helps."
  464. Well, hmm, let's see.  I've got two ears, as many eyes, sensitive fingers and a not-that-keen sense of smell.  Evolved from monkeys, hail from a cold as all hell region.  Omnivorous... oh yeah
  465. >You note, as the memory strikes you
  466. I think I seen one of those earlier today
  467. >"You saw a changeling?" yelps Twilight mid eye roll, clearly taken by surprise
  468. >You nod
  469. >"Where?  How far was it?  What was it doing?"
  470. >You hold a hand up against the barrage of questions
  471. I said, I THINK I saw one.  It was hard to tell, it was going around a corner.  
  472. Although I guess there isn't much else that looks like those things anyway, is there...
  473.  
  474.  
  475. >"This is troubling news indeed.  To have them back in Canterlot, of all places, so soon after the wedding..."
  476. The what now
  477. >"It's a long story.  The short of it is, changelings and their queen invaded, and we repelled them.  thoroughly."
  478. So what, you can't keep them out?
  479. >"Well... no."
  480. >You give her your best "really?" face
  481. >"You have to understand, up until you there has been absolutely NO WAY of detecting a disguised changeling.  They look, smell, feel, and if they've observed long enough, act like the real thing.  And even if they haven't, they can manage a fair enough approximation to fool most ponies."
  482. >She pauses for a breath
  483. >"And as far as we know, they have limited mental influence as well."
  484. Well shit, when you put it that way...
  485. >"You now understand the importance of working out how you do this."
  486. Yeah, I do.
  487. >"So, if you'll remove your glasses?"
  488. >You pull your glasses off your face, fold them, and set them on the counter
  489. Just be quick, I don't need my eyes to explode on me
  490. >"Hmmm, it'd be easier if I could just have one of them out to dissect..."
  491. >You hurriedly start getting up
  492. >"I'm joking, relax"
  493. >You settle back down against the wall
  494. >"Hold still, this shouldn't take very long..."
  495.  
  496.  
  497. >First her horn lights up
  498. >Then, a fraction of a second later, everything gains a purple tint
  499. >Like you're wearing purple glasses
  500. >It's just about the oddest feeling you've had in your life
  501. >Having the insides of your eyes ever so gently poked and prodded by a force that's everywhere and nowhere at the same time
  502. >For another half of a minute, the probing continues
  503. >Your vision goes in and out of focus, sometimes as clear as you remember from childhood, before you had to wear glasses
  504. >And sometimes displaying everything as fuzzy, purple tinted blobs
  505. >Then the glow is gone, and your vision returns to its usual mild impairment
  506. >You reach up to rub your eyes-
  507. >"It would be a very bad idea to do that right now"
  508. Okay, uh
  509. Why?
  510. >"You might scratch them"
  511. >You shrug and substitute a lot of blinking, reaching over for your glasses instead
  512. So tell me, ARE my eyes any different?
  513. >"Well, they're much smaller than p0ny eyes"
  514. >You blink again
  515. >"And the lenses are thicker than the lenses in our eyes.  Aside from that, the layout is mostly the same."
  516. >You go to put your glasses back on, but she interrupts you
  517. >"May I see those?" she asks, pointing to your glasses
  518. Long as I get 'em back before I leave
  519. >"Of course" She placates, taking the unfolded glasses in her magical grasp
  520.  
  521.  
  522. >First, she examines the frame, rotating them slowly and paying special attention to the hinges
  523. >Then the bridge, and the nose pads
  524. >And finally, she peers through the lenses
  525. >A rather comical sight, given that her eyes are several times larger than the lenses are
  526. >"These are fine worksp0nyship" she says when she floats them back toward you, apparently satisfied
  527. Yup.
  528. >You waste no time in putting them back on
  529. So, does that help you?
  530. >"Well, this is just the basework.  Establishing your physical characteristics.  We really would need a changeling in order to do tests, figure out how their magic works..."
  531. >Twilight trails off, a thoughtful look in her eye
  532. >"I'll have to talk to my brother"
  533. Are you capable of mental magic?  
  534. Or whatever you called it before
  535. >She thinks for a minute
  536. Wait, nevermind, I know you can do it
  537. >"Huh?"
  538. I did it at my induction party, with the DJ
  539. She still has those records too, if I remember correctly
  540. >"...That shouldn't be possible"
  541. >you shrug
  542. I was drunk.  
  543. >Twilight shakes her head
  544. >"Alright.  Okay.  Well, the answer is yes, but it's very limited.  The target has to be willing, and the unicorn preforming the spell has to have her horn in physical contact with the target's skull, or it doesn't work."
  545. So at least you have something to go on there
  546. >"You're right... you don't seem to be immune..."
  547. >She pauses to think for a moment
  548. >"So that means their method of transmission must be different..."
  549. Well, it sure as hell can't be touch
  550. >You agree
  551. >Twilight sits down rather heavily
  552.  
  553.  
  554. Do you need me for anything else?
  555. >"No... no, you've given me quite a bit to work with"
  556. >You get up and head for the door
  557. >You've unlocked it and are halfway out when she calls to you
  558. >"Anonymous?"
  559. Yeah?
  560. >You look back
  561. >She's in the middle of testing something that came off you
  562. >"Same time next week?"
  563. Sure, I can do that
  564. >"Great"
  565. >Seeing no reason to get in her way, you get the rest of the way out the door, and close it behind you
  566.  
  567.  
  568. >You're on your way to the shop to check a few things before bed when a glimmer catches your eye
  569. >It's a stained glass window, depicting Princess Celestia doing...
  570. >Well, something
  571. >Seeing Celestia, however, reminds you of a request she made of you
  572. >You're supposed to show her sister the thing on your shoulder
  573. >And you have no desire to piss off one of the major ruling figures
  574. >Not right off the bat, anyway
  575. >So now you have to find Luna.
  576. >You vaguely recall something being said about Luna holding Night Court
  577. >So you lurch back into motion and adjust your course appropriately
  578. >Heading for the throne room
  579.  
  580.  
  581. >The Throne Room is mostly empty when you get there, save for a few p0nies beating the tapestries
  582. >You step up to one of the guards in front of the throne room
  583. >Who, compared to the guards you've seen over the past few days, is a very dark color
  584. >Almost black
  585. >And wearing deep purple armor
  586. >He regards you quietly from behind the nose guard of his helmet
  587. Isn't Princess Luna supposed to be here?
  588. >"The Princess usually holds Night Court in this room." He replies stiffly.
  589. >"She usually arrives an hour before now." he elaborates after you stare at him for a bit
  590. Thanks
  591. >You reply
  592. >Then, after a curt nod, you turn and leave
  593. >She ain't here
  594. >You make for the cafeteria, which is also mostly empty
  595. >And the royal breakfast room, or whatever it's called, but that place is empty too
  596. >You are finally forced to try your last resort
  597. >Her bedroom
  598.  
  599.  
  600. >You eventually find your way to that fateful hallway, and advance down it
  601. >At the door stand a pair of guards, resplendent in their midnight blue armor
  602. >They look familiar...
  603. >They also exchange glances as you approach
  604. >Then, they turn, and cross their spears across the door
  605. >You must look more frustrated than you're feeling, as the spears tremble just enough for them to rattle against each other slightly
  606. >Here goes nothing
  607. I have business with the Princess
  608. >"The Princess is not currently accepting visitors" replies the left one, his voice steady
  609. >Welp
  610. >You've done what you can
  611. >But short of taking down a few guards
  612. >Which you're fairly sure you can do, but it would be more trouble than it's worth
  613. >You're not going to be talking to Luna tonight
  614.  
  615.  
  616. >You turn around to head b-
  617. >"Let him through" commands a voice from the hallway behind you
  618. >You finish turning around, to see Princess Celestia in the flesh coming up the hallway
  619. >You nod to her, and she nods back, her expression inscrutable
  620. >The guards wordlessly uncross their spears, and you whip right back around and push through the door
  621. >You have the presence of mind to pause and hold it open as Celestia canters through
  622. >You close it
  623. >And find yourself inside a landing with a Princess
  624. >"You're here for Luna?"
  625. >You nod again
  626. >"Very well."
  627. >She motions toward the stairwell
  628. >"After you, then."
  629. >You mentally shrug, and start climbing stairs
  630. >The dull clink of metal on stone tells you that Celestia is close behind
  631. >Very close
  632. >She sets a fast pace, but then you take steps two at a time anyway
  633. >You crest the last step, and step to the side
  634. >Celestia passes you on the way to her own room
  635. >She pauses briefly before entering, turning to address you.
  636. >"I would suggest you knock" is her comment
  637. >And then she is through the door, closing it behind her
  638. >Leaving you to your thoughts
  639. >And the midnight blue door emblazoned with a brilliant white moon
  640.  
  641.  
  642. >You raise your fist and knock three times upon the door
  643. >Silence reigns for more than a moment
  644. >Many, many moments in fact
  645. >Then the lock on the door  clicks, and it swings open a tad
  646. >Not exactly a sparkling welcome
  647. >But what the hell, the door's open
  648. >You've had worse
  649. >You push it the rest of the way open, and step inside
  650. >The room is almost pitch dark, the curtains across the door and windows blocking out any light that might enter from the outside
  651. >By the dim, dim light there is you can make out a dark mirror of Celestia's room
  652. >Where her room is gold and white, this room is blue and black
  653. >It's an almost identical mirror, save for the telescope in the corner
  654. >You step fully into the room
  655. >Behind you, the door slams shut abruptly, cutting off your only source of light
  656.  
  657.  
  658. >You hear another door open, and then close
  659. >"Sister, what business dost thou have with us at this hour..."
  660. Is this a bad time?
  661. >The lights flare into brilliance, revealing a very surprised and damp looking Princess Luna
  662. >Towel wrapped around her mane and tail, she's standing next to the jewelry rack
  663. >Frozen in the process of putting on one of the bootie things
  664. >For a moment, you stare at each other
  665. >Then she blinks, as if hoping that you might be a waking nightmare
  666. >"'Tis a most inopportune time indeed, creature."
  667. >"What is thy business within our royal chambers?"
  668. I'm supposed to show you something
  669. >"By the authority of whom?"
  670. Your sister
  671. >Princess Luna brings her hoof up to her forehead, closing her eyes for a moment
  672. >"Await us outside our royal chambers."
  673. Sure.
  674. >That tone of voice books no protest, so you make your way back to the door
  675. >stepping outside, you close it behind you
  676.  
  677.  
  678.  
  679. >Ten minutes later, the door opens, and a very different Princess Luna trots out
  680. >Clad in boots, torc and crown, her mane a rippling window into the night sky
  681. >She regards you silently for a moment
  682. >"What is it thee hast to display..."
  683. My name's Anonymous
  684. >"Ah, Anonymous."
  685. I'm supposed to show you my tattoo
  686. >You inform her, pulling your sleeve
  687. >Luna, being slightly smaller than her sister, isn't quite at eye level with your shoulder
  688. >But she doesn't seem to inconvenienced
  689. >For a minute, she takes views it
  690. >No, that's not really an accurate description
  691. >More like she drinks it in, with her eyes
  692. >"Curious... very curious, indeed..."
  693. >She mutters
  694. >"Did my sister bid you do anything else?"
  695. Not that I recall
  696. >"Very well.  We must be going." She notes, heading for the stairs
  697. >Ookay then
  698. >You head for the stairs as well
  699. If ya don't mind my asking, why do you talk in the third person?
  700. >She stumbles a couple steps down
  701. >"Oh!  W-I've been doing that again, haven't I" she responds, her concentration broken
  702. Yeah
  703. >"'Tis a long story"
  704. It's a long staircase, I've got time
  705. >"If you wish."
  706. >Luna clears her throat, organizing her thoughts
  707. >"For this particular tale, we must journey many moons into the past..."
  708.  
  709.  
  710. >As you descend the spiral staircase, Luna relays the tale of her banishment
  711. >The feelings of inadequacy and jealousy towards Celestia and her glorious day
  712. >And the manifestation of these feelings as another consciousness, calling itself Nightmare Moon
  713. >This gives you pause, but then then this place has turned pretty much every other preconception you had on its head anyway
  714. >So you choose not to interrupt
  715. >She narrates her succumbing to the relentless, sinister reasoning of the voice, and its taking over of her body and mind
  716. >Relegating her to a corner while it used her to further its means
  717. >And her eventual banishment to the moon at the hooves of her own sister
  718. >A thousand years of crippling loneliness, with only a raving madp0ny for company
  719. >Nightmare Moon's eventual return to Equestria, and her banishment by the Elements of Harmony
  720. >Blasted away until barely a wisp of contact remained
  721. >And Luna's return to control of her body
  722. >The story reminds you of some of the epics you've read and heard
  723. >But from the point of view of the gods, and not the mortals
  724. >"And so here I am.  A thousand years in the future."
  725. >Ahead of you, her head lowers
  726. >"The buildings have changed, the behaviors and social norms... even the language is almost alien.  I blunder about, my mind still operating in the old ways.  Even now, it is a conscious effort to speak with an I instead of the Royal We."
  727.  
  728.  
  729. >The Lunar Princess in front of you slows, then stops all together
  730. So you're having problems adjusting?
  731. >Her voice is heavy now, weary of the years and the change they have wrought
  732. >"'tis more than that.  We have no common grounds with our subjects; and we alienate them with each passing day.  In this time of hardship, p0nies are coming together more than ever before, and I find myself stuck at a distance.  Unable to help."  
  733. >"To them, we are Luna the Princess; Luna the Aging Relic."
  734. You see yourself as an outsider.
  735. >You state, partially questioning
  736. >"'tis is a fitting way of puttin-"
  737. >The princess stops mid sentence
  738. >You wait for a moment, but nothing else comes out
  739. Princess?
  740. >Nothing happens
  741. You okay?
  742. >She murmurs something too low for you to hear, shuddering slightly on the step
  743. >This ain't good
  744. >You step past her and turn around, peering up at her
  745. >Upon her nose is a rapidly growing black spot
  746. >"She comes!" hisses Luna, the ever growing blackness half way up her nose
  747. >Tears roll down her face, as peers she down at you
  748. >"Nonono not again nononon-"
  749. Fight it, Luna!
  750. >The growth of the spot slows, but not by much
  751. >"Run!  Run and warn Ce-" She half screams, half sobs at you
  752. >And then the blackness has her entire muzzle, and speech is beyond her
  753.  
  754.  
  755. >Luna's mouth begins to laugh in a manner stereotypical of cartoon villains everywhere
  756. >Her eyes locked onto yours, pleading with you to run, to hide
  757. >to do something
  758. >Anything
  759. >You are under no illusions as to what will happen if Nightmare regains control
  760. >And you have no intentions of being her first victim
  761. Well Luna, if you ain't gonna fight it-
  762. >The blackness spreads across her face and up her horn, the pupils of the eyes becoming catlike slits
  763. >"FINALLY!"  booms a voice that is most definitely not Luna's
  764. >"FREEDOM!"
  765. I'll just have to do it for you!
  766. >You cock your left fist back as the thing that was Luna finally catches sight of you with its newly stolen eyes
  767. >The eyes seemed to be the barrier
  768. >As now the blackness accelerates and streaks down the body, covering it almost entirely and transforming its adornments
  769. >Then it begins to work on the horn, driving away the original blue
  770. >"Wha-"
  771. >Your fist, driven by all of the considerable might you possess, smashes into her face
  772. >The effect is spectacular
  773.  
  774.  
  775. >A jolt runs up your arm beyond even the usual shock of punching, causing it to twitch
  776. >Reminds you of the time your brother stuck two paper clips in a power outlet and dared you to touch them
  777. >Nightmare's hooves rise off of the steps they rest on, her head snapping back and left
  778. >In seeming slow motion, she tops out and then collapses, falling to the floor
  779. >The horn, containing only a hint of the original blue on the tip and glowing with faint traces of terrible power, carves a deep score in the wall as the head falls
  780. >As you watch, the blackness on the body rapidly recedes, giving way to the original royal blue
  781. >Back up the body, down the horn, until it's back to its original black point on the nose
  782. >At which point it disappears in a puff of smoke
  783. >you draw your pistol and make it ready, pointing it down at Luna as an added measure of security
  784. >No point in getting zapped if Nightmare's faking
  785. >Although from what Luna told you, she wouldn't resort to this...
  786. >The Alicorn laying on the stairs in front of you groans
  787. >The eyes blink a few times, then open, revealing round pupils
  788. Luna?
  789. >You ask
  790. >As you watch, her hooves come up and feel about on her face and horn
  791. >"We... I... I'm back?"
  792. >That's enough proof for you
  793. >You re holster your pistol
  794.  
  795.  
  796. Are y-
  797. >Is all you get before the princess of the moon leaps from her spot on the floor
  798. >And wraps you in one of the strangest bear hugs you've ever had
  799. >Ever
  800. >Her upper and lower legs are wrapped around your torso
  801. >As are her rather large wings
  802. >Enveloping the two of you in a royal blue, feathery tent
  803. >Her chin rests upon your shoulder
  804. >And you feel hot, salty tears running down onto your neck
  805. >"Thank you..."
  806. >She half sobs, half whispers next to your ear
  807. >...Well then
  808. >You bring your arms up and hug her back
  809. >Partly to comfort her
  810. >Because if anyone needs comforting right now, she does
  811. >And partly because you really don't want to drop her on the floor
  812. >You're fairly sure that would be a very, very bad idea
  813.  
  814.  
  815. Uh
  816. >Luna eventually regains her composure and releases you
  817. >She settles back down on the floor, and brushes herself off
  818. >"Ahem.  We... I... Thank you, Anonymous."
  819. You're welcome?
  820. >Then she winces
  821. Easy there, I had to pop you pretty hard
  822. >Luna holds a hoof up to her face again
  823. >"Whatever it is you did... it worked well beyond expectation."
  824. I wonder why Nightmare picked now to resurge
  825. >You muse
  826. >"She is strongest when I am at my weakest; remembering the tale of my banishment and considering my current predicament saddened me enough to give her an opening to force."
  827. So it was because you're depressed?
  828. >"More or less."
  829. >You move down the stairs until you're beside her, and then take a seat
  830. Well, have you been working on it?
  831. >"How dost thee mean?"
  832. I know for a fact the only way to learn a new language is to expose yourself to it, and practice.  Have you been
  833.  
  834. interacting with your subjects?  Working with them?
  835. >She considers for a moment
  836. >"Our Night Court sits empty, save for the Lunar Guard..."
  837. Well, what about your sister then?
  838. >"Our sister has been occupied with managing the country in the aftermath of the invasion, during the brief time that our royal schedules overlap..."
  839. Shoot, you just gotta get out there and get to know your subjects.
  840. Pick up a hobby!  
  841.  
  842.  
  843. >Luna rises, and begins making her way down the stairs
  844. >You think you can see the faint beginnings of a black eye
  845. >Hehe
  846. >Whoops
  847. Sponsor some musicians and artists, make Night Court somewhere all the night owls want to be!  
  848. >"We had heard a performer most talented recently..." she muses over her shoulder
  849. There you go, that's a start
  850. >After a moment, you continue
  851. Find some time to get to know your Sister again.
  852. >"Why are you so interested in our happiness?"
  853. Because you're another person I feel like helping?
  854. >And because you don't want Nightmare Moon to come back
  855. >But then neither does she, or anyone for that matter
  856. >Better to leave it unsaid
  857. >"W-I don't really know her current disposition towards me..."
  858. And you won't find out unless you try
  859. >"True."
  860. >Silence reigns, and you're nearly at the bottom of the stairs when it hits you
  861. Go play in on the weekly guard poker game!
  862. >"Surely, you jest..."
  863. They wouldn't be a paramilitary organization if they didn't have one.  Hell, I'd go with ya
  864. >"Would you now?"
  865. Of course!  I haven't had a good game since Sig and his crew shipped out for the season a while ago...
  866. >You reach up and adjust your glasses
  867. The point is, you can do it.  You just have to try, instead of moping
  868.  
  869.  
  870. >The two of you reach the bottom of the stairs, and Luna pauses before she opens the door
  871. >"I will consider what you have said, Anonymous."
  872. 'S all I can ask for
  873. >"Fare thee well, and thank you once again."
  874. >And with that, she turns and exits the tower
  875. >You follow her through the door and past the guards
  876. >She makes an abrupt left turn towards the private dining room, leaving you alone with your thoughts
  877. >You make your way through the castle and back to your room
  878. >Inside, both Twilight and AppleJack are fast asleep
  879. >You pad your way into the bathroom and use the facilities
  880. >Shed your clothing
  881. >Crawl into the only slightly too small bed
  882. >And fall asleep for the night