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Onyx and Agate Pt.1

By: Clarissa on Jan 31st, 2014  |  syntax: None  |  size: 249.11 KB  |  hits: 58  |  expires: Never
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  1. >Day homelessness in...Earth?
  2. >God fucking dammit, looks like that dream of being in the colourful, warm, safe land of ponies wasn't real after all
  3. >Maybe it was all a delusion brought on by sleeping on the floor of a factory in minus twenty degree (Centigrade) weather
  4. >That, or the mold on the food you had pulled out of the dumpster yesterday
  5. >Either way, you wake up pissed off and cold
  6. >And lonely
  7. >Even among the homeless, you're an outcast
  8. >Fortunately, you weren't afraid to go to jail for trespassing, unlike many of the other vagrants in the area
  9. >So when you had needed a place to stay, you broke into an abandoned Molson factory
  10. >Sure there had been a security camera on the exterior, but the building hadn't been on the grid for over a decade
  11. >Besides, worst case scenario was you spent some time in a warm jail cell
  12. >But your musing is interupted by a loud crack and the sound of shattering glass
  13. >You're mind instantly goes full adrenaline, ready to beat the everloving shit out of whoever decided to deface your home
  14. >Sure it was a shitty, rundown factory but home is home!
  15. >So you dash out from the administration office where your "bed" was located (some pilfered sheets and waterproofed cardboard and onto the main floor
  16. >With a quick scan of it, you take in the fact that every single window has been broken
  17. >The floor is littered with glass shards, which would normally make it dangerous to walk on, but your boots would protect you
  18. >At least the army let you keep them
  19. >But among the debris of broken glass, you can see a lumpy, dark sillouhette on the ground
  20. >You realize it's a body of some kind and rush down the stairs to find out more
  21. >It was either your morbid curiousity, or your training as a medic in the military
  22. >Maybe a little of both, but either way you flew down those steps like nobody's business
  23. >When you reached the body you stopped, too shocked to move at the sight of what it was
  24. >Before you was utterly unbelievable, and without a doubt a concotion of your addled mind to ease the pain of your existence
  25. >But the more you stared, the weaker your denial of what, or rather who, was laying in front of you
  26. >Looking ever regal, even battered, burned, and bloody, lay Chrysalis, queen of the changeling swarm
  27. --------------------------------------------------------------
  28. >The spaghetti just pours from your pockets as you drop to you knees, cutting them on some glass in the process, and start cradling the injured changeling in your arms
  29. >But it makes you think for a second
  30. >Wasn't there a thread on /mlp/ about this kinda shit happening?
  31. >Ponies coming to earth on firey chariots or whatever and getting stuck with human companions
  32. >Only, in those stories, no one was allowed to know that the pony existed, otherwise they be returned to Equestria
  33. >While it was almost certainly bullshit, there WAS a changeling laying in your arms so a little exercise of caution wouldn't hurt
  34. >The queen is still out cold, so you bring her up to your humble abode
  35. >After cleaning her injuries as best you can with the few alcohol swabs you had left after you nicked them from the doctor, you wrapped her in all the blankets you had
  36. >But wait, she was a bug wasn't she, or something like one at least
  37. >And bus body temperatures too often relied on the evironment they were in
  38. >With that thought in mind, you sprinted down the rusty steps and out the access door you had broken off its hinges when you started living here
  39. >There was a Sears not too far from the factory so, after wrapping up your face, you ran flat out down to it
  40. >The sun was setting in sky as you ran, and you knew the factory would only be getting colder the longer you were away
  41. >The Sears was hardly crowded, and there were no associates in the bedding area of the store
  42. >So you did the kinda thing that gives the homeless a bad name, besides being smelly and dirty
  43. >You grabbed one of those neat little plastic packages that holds an entire set of bedclothes, undersheet, sheet, and duvet
  44. >Then you took a pillow from the nearest bed you saw
  45. >And after you had accomplished all that, you sprinted down the escalator and out the doors
  46. >After another fifteen or so blocks of outright sprinting, finally convinced no one is coming after you, you slow your pace to a jog
  47. >Fast enough to be way better than walking, but not so fast as to exhaust yourself or draw undue attention
  48. >Within minutes, you reach the factory
  49. >Slipping through the hole in the barbed wire topped fence, you make your way back into the factory and through the maze of corridors to your living space
  50. >Chrysalis is still asleep, but shivering under the thin blankets that barely managed to stave off hypothermia from your body when you were fully dressed
  51. >You immediately pull the old, dirty blankets off her, then you tear open the package of fresh bedclothes
  52. >First on her goes the thin sheet, then the undersheet which looks to be quilted, and on top of it all, the heavy duvet
  53. >For the last touch, you lift her head above the flat, dirt cardboard and slide the new pillow under it
  54. >The bug-like pony smiles a bit and snuggles deeper into her new nest
  55. >Even though you had just woken up, it wasn't like you had anything to do on any given day
  56. >Plus there was no way you could leave her alone, god only knew how many stupid kids broke into this place on dares or whatever
  57. >So you pull the thin, dirty blankets over yourself and lay beside the sleeping queen of changelings
  58. >You decide, before falling asleep, to do something really stupid
  59. >Moving your face in line with hers, you give her a hurried peck on the cheek
  60. >Her skin is more leathery than a humans, and not fuzzy like you'd expect on a pony
  61. >But for you, it's the most lovely sensation in the world
  62. >With the adrenaline receding in your brain, dopamine came to replace it
  63. >So you fell asleep happy
  64. ----------------------------------------------------
  65. >A viscious kick you your belly yanks you out of unfitful rest and you curl around the sharp pain in your belly
  66. >There was nothing in your stomach to be vomited up, but the kick still makes you heave
  67. >Your eyes open and turn upwards to see Chrysalis standing over you, hooves poised for another kick
  68. >You scramble away in spite of the pain and the kick lands on the blankets where you had just been
  69. >Having been prepared to meet soft, yielding flesh, the queen is put off balance when her hooves slam into the concrete floor
  70. >She's clearly still hurting from whatever injuries had been inflicted on her, and the shock from the unexpected resistance brings her to her knees
  71. >You rise slowly, holding both hands palms outward to show you mean no harm to her
  72. >But her only reaction is to bow her head and close her eyes
  73. >It seems she's accepted whatever judgement you decide to pass on her
  74. >So you strike up a conversation
  75. "Queen Chrysalis. What brings you to my humble...home?"
  76. >The bug queen scoffs at your attempt at pleasentries
  77. >"Oh do what you will to me and be damned, ape. But don't waste my time by pretending you care."
  78. >Confusion draws up your face into a scrunch
  79. "Uh, what do you mean, Chrysalis? What did you expect me to do?"
  80. >She gives you a cold look, though inside of it you could see a glimmer of confusion as well
  81. >"Are you not simian? All those creatures ever wanted from me was gratification, and I was starving. Lust isn't as good as true love, but it's a meal anyway."
  82. >She seemed to be more making excuses to herself than to you
  83. >But you knew just how that felt, rummaging through dumpsters for your next meal, begging change and scraps on the curb during a whiteout blizzard
  84. >So you felt nothing but pity and an almost paternal protectiveness for the changeling before you
  85. "Well, I'm a simian yeah, human actually, but I don't want anything from you. Well, except a couple answers to some questions. Namely, how in the nine hells did you get here and what happened to you before you arrived?"
  86. >The queen looked up at you, suspicion evident in her gaze, but then she looked back down and to the side before answering you
  87. >"One of my...meals was a very violent creature. Usually it was only a couple slaps, and maybe a bruise, but this time he brought friends with him."
  88. >She shudders at the all too recent memory, but continues anyway
  89. >"When I came in, one put me in a chokehold while the other two took turns using me as a punching bag. They beat me until I was barely conscious, and with that last shred of my mind, I cast a teleportation spell with all the strength I could garner from my body. I suppose it was powerful enough to deposit me in another world."
  90. >You shrug, not understanding the mechanics behind the magic that ponies used
  91. "Well, whatever it was broke every window in the building, and probably a few more besides. You're lucky it was me that found you, and not some other fellow that would take you to the government, or a sex dungeon or something."
  92. >She bristled, either at the mention of sex or the mention of a dungeon
  93. >Whichever, it would probably be best to avoid any topics involving either of those subjects
  94. >You took her silence as a cue to continue your tale
  95. "So yeah, I cleaned up the cuts I could see with alcohol, ran down to the store and stole some blankets and a pillow for you and then wrapped you up so you wouldn't freeze to death. I was hoping for a thank you instead of a brusing, but it's better than killing me. I think I'd have taken great exception to that."
  96. >For the first time since she came to your home, the queen of the changelings smiled
  97. >"How would you know, you'd be dead."
  98. >You're stunned
  99. >Chrysalis was...telling jokes?
  100. >The absurdity of it makes you burst out laughing
  101. >She chuckles as well, clearly enjoying the pure emotions that must have been leaking out of you like reek from a dirty diaper
  102. "Well, if you don't mind Chrysalis, I'm going to sleep off this nasty feeling in my guts."
  103. >She nods to you and lays down in the nest of blankets, which you notice she had modified to be more like an actual nest
  104. >"I had best sleep as well. The faster I recover, the faster I can return to my children. I only hope they survive."
  105. >Now, you fall asleep with a guilty feeling
  106. >Guilty because you wanted her to stay with you forever, even though it would mean that her children would be destroyed
  107. >Oh the duality of man, no foe more terrifying than oneself
  108. >With that though so deep you'd need a multipass to fully understand it, you close your eyes once again
  109. >Before you fall asleep though, you can feel Chrysalis move herself closer, so that she's pressed against you
  110. >Albiet with plenty of layers separating you two
  111. >But it didn't matter
  112. >You had gained a new friend
  113. --------------------------------------------------------------------------------
  114. >You awoke before Chrysalis when the sun rose over the horizon
  115. >You felt surprisingly well rested, compared to how you usually were
  116. >And you were pleased to find Chrysalis still bundled up in her little nest, breathing evenly and slowly
  117. >Your stomach moans in hunger, a sudden pain that brings you fully awake
  118. >Right...food
  119. >You take your right boot from its resting place that had been where you laid your head, your boots doubled as a pillow, and pulled out the insole
  120. >Underneath the orthapedic insert lay your remaining savings
  121. >Forty-eight dollars, all gained from stealing things, mugging people or begging
  122. >Well, what was left of those ill-gotten gains anyway
  123. >You decide Chrysalis still needs her rest, to recover from the injuries and the shock of being cast into another world
  124. >But you need to eat, and you would guess she does too
  125. >You figure love doesn't exactly come with a calorie count or nutritional value
  126. >She had fangs, right? So maybe some meat would be good
  127. >Your stomach groaned at the prospect of meat, real meat not the stuff they tried to pass off as meat at McDonalds
  128. >So you take a trip to the grocery store across from the abandoned brewing plant
  129. >You hit up the deli and buy a small package of sausages, they were precooked so you could eat them raw if need be
  130. >But you decide, what with a guest around, to splurge a bit
  131. >You buy a small package of steak, the smallest they have but steak nonetheless
  132. >You have a small sheet of metal that you can cook it on, if you can get a fire started
  133. >The clerk gives you a sad look, she had seen you in here before and knew your story
  134. >She takes a small bag of canned goods from under the counter, a favour she sometimes did for you
  135. >She would save up all the bent or dented cans that the store couldn't sell and saved them up for whenever you came in
  136. >Julie was her name, and she knew some of what you were going through, the hunger, the cold
  137. >You thought of her as an angel in a human skin, but she'd always laugh when you said so and respond with 'I'm just a stupid human.'
  138. >It was a good relationship, and if she ever needed anything, she knew that you could be counted on to help in any way you could
  139. >Noticing the steak in your purchase, she smiles and strike up a conversation
  140. >"Fancy stuff there. Special occasion or something?"
  141. >You smile at her, a genuine smile instead of the usual forced one you showed most people
  142. "That'd be the or something, mate."
  143. >She continues the banter, to the annoyance of the customers in line
  144. >"Feeling cryptic tonight, are you then?"
  145. >You shrug and pick up the bags of your groceries
  146. "I just wanted a good meal for once, you know? Besides, some guy gave me a twenty today so I can afford to celebrate."
  147. >She shrugs at you, respecting your privacy
  148. >You give her the usual kiss on the cheek and walk out, carrying your supplies
  149. >You may have been a homeless horsefucker, but you were still smoother than Charles Berkley
  150. >After all, you didn't even need to slam nor even jam to get a chick to like you
  151. >So you walked out with a smile on your face, a song in your heart, and a weeks worth of food
  152. >Well, a weeks for one, who knew how much time it would last with you and a magical bug pony eating it
  153. >The musing carries you all the way back to the factory and up the stairs to your place
  154. >Chrysalis is still sleeping, although it really only had been about twenty minutes
  155. >Unpacking the food and stashing it where most salavagers wouldn't bother looking, you decide to go and get some wood for a fire
  156. >It was simple enough, it was the dead of winter and there was a residential street nearby with dozens of those tree that they all seem to have
  157. >A fifteen minute trip and several bad falls later, you've collected about twenty good bits of timber, which you spend the next ten minutes breaking into pieces to make a fire that won't burn down the building
  158. >Using an old lighter and some discarded newspaper, you get a small fire going then you take out the sheet metal you used as a pan
  159. >It had some holes punched in it so to not smother the fire is was put on
  160. >Once the flames have died down enough, you place the metal plate on top of them
  161. >While the 'pan' heats up, you take the meat from the package and slip the knife you carry with you everywhere from its sheath
  162. >Philly steak style, that was always good, and it cooked fast
  163. >The thought of Philidelphia style steak made you think of the steak sandwiches your mum had always made you for your birthday
  164. >It was the only time of year that she would buy proper steak, but damn wasn't it good
  165. >Lost in your memories of better days, you slip with the knife and cut yourself
  166. >You curse under your breath, but simply breathe and let it go
  167. >With the steak finished cutting and the plate heated up, you drop the slices onto the cooker
  168. >They sizzle and spit when they hit the preheated plate and immediately begin cooking
  169. >The smell they produce is enough to set your stomach rumbling
  170. >And it brings Chrysalis immediately out of her slumber
  171. >Must be some predatory instinct or something
  172. "Good morning, queen Chrysalis. Did you sleep well?"
  173. >She's put off balance by your question, but recovers quickly enough
  174. >"I slept well, thank you. What is it that wonderful smell?"
  175. >You smile and gesture to the plate of frying steak strips
  176. "We call it Philly style steak. It's strips of cow meat cooked in a pan usually, but I'm making do with a fire and metal plate."
  177. >She licks her lips and you notice she's salivating heavily
  178. >"Meat...I didn't know that apes could eat meat."
  179. >Your smile takes on a more sardonic look as you look down the bridge of your nose at her
  180. "We can eat damn near anything, but meat's pretty expensive. What about you, you look like a pony. Can you even eat meat?"
  181. >She snarls at you, baring the fangs that had made her stick out in your mind when you first saw her in "The Canterlot Wedding"
  182. >Well, it was a combination of that and the swiss cheese legs and voice of Roodaka as well, but whatever
  183. "I'll take that as a yes. Don't worry, there's plenty here for both of us. I figure love doesn't have much nutrition, so this'll do you good."
  184. >An awkward ten minutes of silence elapses while the steak cooks
  185. >Finally, the changeling speaks up
  186. >"Why are you so kind to me, human? I trespassed on your home, beat you, and now I'll be eating your food. Why do you treat me so well, when every other being I've encountered, besdes my own children, has disdained me and hurt me?"
  187. >You poke at the steak, checking its status
  188. "Well, I've been treated much the same, except I never had kids. But there's a couple reasons I treat you well. One is that, no matter how you arrive, you're my guest. So I share with you what I have, simply because that is what's expected."
  189. >Her eyes soften at the explaination of what you believed to be common courtesy, but pressed the matter
  190. >"What's the other reason?"
  191. >You smile, and start to speak before your brain can catch your mouth
  192. "Simple. You're best po--"
  193. >Your brain finally gets a leg up on your mouth and puts it in a stranglehold before you can blurt out how you know everything about her
  194. >She hadn't inquired, but then she'd only been awake with you for perhaps twenty minutes before now
  195. >She arches her brow at your choked off statement
  196. >"I'm WHAT, human?"
  197. >You cough, throat and mouth suddenly dry from anticipation
  198. "Eh...you remind me of someone, that's all."
  199. >She seems skeptical, but drops the subject
  200. >Thank god, spaghetti levels were so far into the red zone already that they'd be going around again if it got any worse
  201. "Steak's ready!"
  202. >You spear several chunks and set them down on a napkin you had taken from a McDonalds
  203. "Eat up. You need it more than I do."
  204. >Evidently she agrees and gulps down the meat practically without chewing
  205. >It reminded you a bit of that movie, How To Train Your Dragon
  206. >Only Chrysalis was, if anything, more dangerous than any dragon
  207. >She licks her fangs clean and, for the first time, you notice her tongue is oddly serpentine
  208. >Long and forked, but not as thin or flimsy as a normal snake or lizard has
  209. >"Is something the matter, human?"
  210. >You realize you've been staring at her the whole time, it must be unnerving for her
  211. "Nah, sorry. Just haven't seen a changeling eat before. And please, call me Anonymous, or Anon. 'Human' just sounds dumb after a while."
  212. >She inclines her head
  213. >"Very well, Anonymous. I don't want to impose on you any more than I have to, so I'll be leaving as soon as I can."
  214. >The shock makes you bite down on the piece of steak in your mouth harder than you wanted to
  215. >Your teeth cut clean through the rare bit of meat and right into your tongue
  216. "God damn, mother fucker!"
  217. >You cover your mouth and taste copper, and Chrysalis looks on with a well concealed concern
  218. >"What was that, Anonymous?"
  219. >You spit out a glob of blood onto the concrete floor
  220. "Bit my god damn tongue. That fucking hurt."
  221. >She moves closer to you and brings her face closer to yours, well inside a bubble that bordered on intimacy
  222. >"Let me see, perhaps I may do something to help."
  223. >You're surprised by her concern, but do as you're told
  224. >You stick out your bleeding tongue, a pair of small holes matching your incisors shape in the middle were pouring out blood in a steady stream
  225. >She looked more closely at the wounds and tutted under her breath
  226. >The her horn glowed an unearthy green and you feel your tongue start to burn
  227. -----------------------------------------------------------------
  228. >Your hands instinctively move to the burning on your tongue, but the feeling quickly goes away
  229. >She moves your hands away with magic and examines your tongue again
  230. >"Hm, that was easier than I anticipated. I suppose it's not so difference from a laceration."
  231. >You clear your throat
  232. "Uh, speaking of..."
  233. >You hold up the hand you had cut and show her the laceration
  234. "I cut myself when I was cutting the steak up. It's nothing too bad, just a little painful."
  235. >Without any warning, you feel the burning sensation again
  236. >You look down at the cut and watch an eldritch, emerald fire creep along the bloody line and sealing it
  237. >In its wake only a faint line remained, a small and permanent reminder to be careful with a knife
  238. >You raise your hand to admire her handiwork
  239. "Wow. I wish I could have done that back when I was a soldier. I wouldn't have lost a single patient."
  240. >Her ears fold back on themselves and she bares her teeth
  241. >"You were a soldier?"
  242. >You look into her eyes and see a seething cauldron of anger
  243. >Well, this was no time to pussy out
  244. >You look straight into her eyes, without any malice or contempt
  245. "Yes, I was. But as you can clearly see by my clothing and...home, that is no longer the case."
  246. >Her snarl remains and, without any warning, your clothes are torn from your body
  247. >You do your best to cover your nudity, reacting to the sudden nakedness immediately
  248. "Oi, what the hell are you doing?!"
  249. >She pulls your arms away from your body and spreads your legs, looking over you with a critical eye
  250. >Your body shivers in the cold of the environment and the examination
  251. >You've got many tattoos, as most soldiers do, but when Chrysalis saw the one on the back of your neck, you heard an audible growl
  252. >You knew what it was immediately, a tour tattoo
  253. >Your platoon had all got them done before heading to the sandbox, in the rather likely event of an IED strike, so they could identify your bodies
  254. >It had a service number, blood type, name, and Roto number
  255. >She obviously didn't understand most of the information, but it was clearly military information
  256. >"No longer a soldier, then what is this on your skin?"
  257. >You sigh
  258. >Trying to explain a tattoo like that would be only slightly more fun that being sat on by Oprah Winfrey
  259. >But at least there wouldn't be any niggers
  260. "I got that before me and my platoon were deployed to fight a war. It was so they could identify our bodies if we were killed. But it doesn't come off the skin, so even though I'm not a soldier it's still there."
  261. >She moves back around to your front, throwing a blanket at you with her magic
  262. >"Cover yourself up, I don't want you freezing to death."
  263. >That confuses you
  264. "Wait, you were just snarling at me and stripped me naked, now you're concerned about me dying? What the hell?"
  265. >She gives you a contemptuous look
  266. >"You're my only source of food, and you've treated me well enough so far. But I needed to be sure you weren't a part of one of HER plots."
  267. >Heh...plots
  268. >Wait, her? Oh, she means Celestia
  269. "You know, that would make sense if I was, you know, a pony."
  270. >She blushes and looks away from you
  271. >It occurs to you how odd it is you can see it on such a dark skin, but you decide it would be unwise to point it out
  272. "Hey, don't worry. You're just being cautious. In this world, not to mention the way I live, that's admirable but..."
  273. >You reach under her pillow and take out a knife, still in the sheath
  274. "You've got to learn where to look."
  275. >You toss the knife to the side and sit next to her on her bed, still wearing the blankets as clothing
  276. >You notice her eyes glistening, then see a wet streak appear on her cheek
  277. >Oh, she's crying
  278. >Shit, you were never too good with the emotional stuff
  279. >Your best buddy, while overseas, had received a "Dear John" letter of his fiance breaking up with him
  280. >You'd sat next to him while he read it and cried
  281. >They had been together for four years, and she decided to break up while he was overseas
  282. >She'd also described, explicitely, her having affairs with other men whenever he was in the field
  283. >I gave him a brohug, told him 'We'd get the bitch when we're outta this shit hole' and had gone about my business
  284. >Two days later, he'd taken his sidearm and shot himself
  285. >The newspapers back home had said he was 'heroically trying to restrain an escaped person of interest when his sidearm was wrestled from him and he was shot'
  286. >Only you and your platoon knew what really happened
  287. >But shit like that did happen
  288. >"What are you staring at, human?"
  289. >Chrysalis' shout snaps you back to the present
  290. >You had been far gone in your memories again, dammit
  291. "Sorry, I'm just not good with emotional stuff. What's the matter, why are you crying?"
  292. >She sniffles and wipes her face
  293. >"What few children I have left will be dead soon, I'm far from anything that I've ever known, and I'll never be able to go home."
  294. >You place a hand on her withers
  295. >She looks at you, with teary eyes, wondering what you're doing
  296. >You start stroking her back, and do your best to console her
  297. "Well, I've not got any kids, so I can't say anything for that. But my home is across the country from here and I'm an outcast here. My family disowned me, so I can never go back. And the best friend I ever had killed himself over a girl while I was in a warzone."
  298. >You sigh and scoot a bit closer to her, unconsciously
  299. "I can't understand exactly what you're going through, but I can say that shitty things always happen. We just have to be good enough to keep living to spite them. And you know what? I'm going to do my best to get you back to Equestria, is that cool?"
  300. >She's taken aback by your willingness to help
  301. >Clearly she was more used to being shunned and spit on, rather than accepted and helped by anyone
  302. >"Why would you do that for me? You don't know me or even have a reason to care for me, and yet you do. What's wrong with you?"
  303. >You shrug, simply because you really don't know
  304. "A lot of things. But none of them have to do with me helping out somebody in need. That I do because I know that it's a bitch when you find yourself in a bad way with no one to help. I wouldn't inflict that on anyone."
  305. >Your words just seem to make the tears come faster
  306. >It's a confusing thing, until her head is suddenly buried in your chest and she's sobbing so heavily
  307. >The blanket is soaking up the tears as they fall, but that won't last at the rate she's crying
  308. >You hug her tight and continue to stroke her
  309. >The choked sobs eventually slow, then stop entirely
  310. >You turn your gaze downward to look at her, though her face is still buried in your chest
  311. "Feel a bit better, Chrysalis?"
  312. >She sniffles then looks up at you, her eyes bloodshot from the outpouring that she'd just gone through
  313. >But you couldn't help feeling a tender love towards her, unmatched by any love you'd had before
  314. >"Yes, I-I feel better. Thank you, Anonymous."
  315. >You grin at her
  316. "Good, do you want anything? Some more food, a drink, anything at all?"
  317. >She thinks for a moment, then blushes and looks away
  318. >"Can we get some sleep? It's a little late..."
  319. >As she trails off, you turn your gaze to the shattered windows
  320. >Holy shit, the sun's going down
  321. >Even for winter, that seemed remarkably fast
  322. >She must have been crying for longer than you'd thought, or you'd lost track of time in your memories
  323. >Again
  324. >Either way, you let her go and she moves over to her nest
  325. >When she reaches it, she stops and turns back to you, to your confusion
  326. >"Well, aren't you going to sleep?"
  327. >You look down at the blanket, the only thing covering your otherwise naked body
  328. "Uh, like with you?"
  329. >Her face could not be more condescending if she had tried to be
  330. >"Don't ask questions, just do it."
  331. >You roll your eyes at her
  332. "Yeah, yeah, just give me a minute."
  333. >You walk over to a pile of cardboard scraps and dig out your old, military backpack
  334. >You may or may not have stolen a ton of kit when you left the army behind
  335. >Digging around inside of it, you find a clean pair of underwear, a thermal shirt, and thermal long johns
  336. >Within twenty seconds, you're dressed once again
  337. >You walk over to Chrysalis, who clearly watched you change without a bit of remorse
  338. >It didn't matter to you, you'd changed in front of female officers before with less nervousness
  339. >The blankets rise with the influence of her magic and you crawl under them
  340. >She follows shortly and then covers you both back up
  341. >You take your usual position of sleeping on your back, though this time you've got an actual pillow instead of your boots
  342. >Damn, why the hell didn't you steal this stuff a long time ago?
  343. >Your thoughts are interupted by Chrysalis laying her head down on your chest
  344. >Thankfully, she's curled in such a way so that her crooked, sharp horn is not pointing at your neck and endangering your life
  345. >Almost unconsciously, you wrap and arm around her
  346. >She somehow manages to snuggle up even closer to you
  347. >You'd forgotten how good it felt to sleep with another being
  348. >JUST sleep, you quickly remind yourself
  349. >As much as you'd identified as a horsefucker in ages past, you had never actually fucked a horse
  350. >You'd always pussied out, you little bitch
  351. >Even when Devin had invited you out to his farm when you were in town, and you two got sloshed
  352. >He'd passed out and you'd wandered out to the barn with a bottle of vodka in your hand and intent in your mind
  353. >But then the rational part of your mind fought through the drunken haze and kicked you in the balls with a reminder that you could go to jail for it
  354. >Fucking Canada
  355. >So you'd pussied out and gone back to pass out on his couch
  356. >You shake your head, brining you back to the present once again
  357. >Chrysalis is sound asleep on your chest, so it's not like you've got anything else to do now
  358. >Well, except one thing before you sleep
  359. >You lean down and kiss her forehead
  360. >She smiles in her sleep and her breathing deepens
  361. >The wave of weariness finally washes over you, so you lay back on the pillow and finally, peacefully, fall asleep
  362. -------------------------------------------------
  363. >Once more, the sun is what wakes you
  364. >But the light doesn't hold your attention for long
  365. >No, a sharp, piercing pain in your chest draws your eyes downward
  366. >But before you can even blink, the pain fades and is replaced with a subtle itching
  367. >The sleepiness that addled your mind cleared when you saw what had caused the pain and subsequent discomforting itch
  368. >Chrysalis was biting you
  369. >Or rather, one of her fangs had punctured the skin on your chest
  370. >There was only a slight trickle of blood, the wound must have not  been too deep
  371. >Which was good, you didn't really have the medical supplies to fix abdominal punture trauma
  372. >Your shifting must have woken Chrysalis, because you hear a gasp that isn't yours
  373. >The changeling quickly lifts her head, accidentaly turning the hole into a laceration
  374. >Well, that fucking hurt
  375. >You slap your hand over it and swear, loudly and colourfully
  376. "God damn, shit snacking, motherfucking, piece of shit, cunt licking, tabarnak, callise, perkele!"
  377. >It's not too bad, but god damn does it hurt
  378. >Whatever anethstesia had gone into the small injury evidently hadn't made it to the rest of the wound
  379. >Chrysalis looks halfway between mortified and terrified
  380. >But you have bigger concerns
  381. >Digging into the small pack you had left out the night before, you find a sterile gauze pad
  382. >Well, the label said sterile but, with all the shit it had been though, you doubted it
  383. >You unfold it and press it down on the line torn in your flesh
  384. >You glance over at Chrysalis
  385. >She has her hooves over her mouth and tears forming in her eyes
  386. >You apply some medical tape to keep the gauze from falling off and go over to comfort her
  387. >You take her hooves in your hands and look into those tearful, alien eyes
  388. "Hey, hey, what's wrong?"
  389. >Her breath turns to heaving and the tears start pouring from her eyes
  390. >"I'm sorry Anonymous, I'm so sorry!"
  391. >You take one hand from her hooves and stroke her mane
  392. >It doesn't feel like seaweed, as you thought it would, more like a very fine silk
  393. "Hey, I've lived through worse than this. This is just a scratch. Don't worry, I'll live. I can barely feel it."
  394. >That last part was a lie, you felt it burning like someone was dragging a hot iron across your chest
  395. >But it was better she didn't know that
  396. >As long as she thought you were fine, it would be fine
  397. >But she was older than you, far older
  398. >She knew you were faking, and your lies made it worse
  399. >"Anonymous, please I didn't mean to do that! Sometimes when I'm hungry...and in my sleep I just..."
  400. >She trails off, breaking into sobs once again
  401. >You move your hand holding her one hoof behind her back and pull her against you
  402. >You start stroking her back and rubbing her head under her mane
  403. >You didn't know what would make her feel better, so you just tried comforting her as you would a child
  404. >You begin to sing a lullaby, the only one you remembered from back in your time when you fucked around on the net more than doing schoolwork, or actual work
  405. http://www.youtube.com/watch?v=FG0miCM8l08
  406. >You're on Luna's part when she finally stops crying
  407. >But she doesn't move away from you
  408. >If anything, she pulls herself closer than before
  409. >But you keep singing, regardless of what she was doing
  410. >And, finally, you realize you're not singing it for her
  411. >You feel a warm trickle run down your cheeks, your breath hitches in your throat and the lyrics, once mediocrely sung are now being strained out in between hiccuping sobs
  412. >You never even finish the song, you bury your head in her mane and sob softly, embracing the changeling you had brought to this hell of a world with your selfishness
  413. >People had bled out in your arms because you didn't know an artery had been hit by stray shrapnel
  414. >Your friend had killed himself because you couldn't help him through his pain
  415. >Your sins had built a mountain over your feelings, your emotions
  416. >Before homelessness, before the war, there had been 4chan
  417. >An outlet for all the bullshit in your life
  418. >Through that, you had discovered /mlp/, and there the feels threads had tunnled into that mountain to let some of it out
  419. >But the last one you had seen was three years ago
  420. >But now, with a pony crying into your chest, and you singing, the mountain was tumbling down
  421. >So, through sobs, you confess everything to Chrysalis
  422. >How you had brought her here just by desiring it, how you knew about here and here failed takeover of the kingdom, but you also confessed the more mundane things, killing in the desert, fighting in the streets
  423. >Your first kill, a junkie that had attacked you, you turned the knife and had stabbed it into his guts and twisted it
  424. >Even now, after all the training, even after a war, it was still the most visceral memory of any in your mind
  425. >And, in some small part at the back of your mind, you were amazed she didn't push you away
  426. >No she, instead, took on the role you had been playing minues ago, that of the comforter, the rock in a raging river of pain
  427. >And you clung to her, because she was the only thing that could save your life, right here and now
  428. >Eventually, you ran out of tears to shed but still you clung to her like a dying man
  429. >And even after you had stopped crying she kept comforting you
  430. >A loud growl tore into the silence that had fallen over your breakdown
  431. >You knew it was your stomach, and she knew it too
  432. >The absurdity of the interuption started both of you laughing
  433. >Just a couple little giggle from her, a chuckle from you but then then you both started laughing like hyenas
  434. >It would have been an odd scene for anyone that had come into the building at that moment
  435. >A filthy, dishevled human hugging a bug/equine creature and laughing about your stomach growling
  436. >Finally, the laughter died down an you let each other go
  437. >Without a word, you started up the fire again, placed the metal pan over it, and placed the sausages you had bought yesterday on top of it
  438. >As they cook, you look up at your newfound companion
  439. >She's staring into the fire, here eyes filled with a mix of trepidation and wonder
  440. >And even without magical powers of your own, you could deduce what she was thinking about
  441. >You could tell the first signs of attatchment, and she had them clearly worn
  442. >But it wasn't sexual in nature, more of a companionship
  443. >And that was okay
  444. >You didn't need any sexual gratification, what you needed was someone to be with
  445. >Someone you could talk to, without fear of being judged
  446. >And there she was, staring into the fire, her eyes catching the light
  447. >They glowed and flickered with the firelight, a reflection of the flames dancing in her irises
  448. >You lost yourself in the glimmering eyes of your companion
  449. >And then you were, once more, lost to your memories
  450. >The first love of your life
  451. >You were only 18 at the time, and she was even younger
  452. >You'd just got out of basic training and she had waited for you
  453. >Your relationship grew and prospered, and eventually you'd asked for her to marry you
  454. >She's been shocked, excited and had accepted with tears of happiness in her amber eyes
  455. >You thought it would last forever
  456. >How wrong you'd been
  457. >You were on your third course, your trade course, eight months away from home and from your fiance
  458. >You texted and called whenever you could, but it was rare that you ever got a response
  459. >So you finished your course, not the best but far from the worst on it
  460. >And then you came home
  461. >She was waiting there for you, sitting at the table with a frown on her face
  462. >She looked up at you, and without a glimmer of remorse told you about how she cheated on you
  463. >She blamed you for suicidal thoughts, for her not having any friends, for not having a job
  464. >As though you'd been the one stopping her at every turn
  465. >Then her new boyfriend walked in
  466. >She greeted you with a smile on his face and offered a hand to shake
  467. >You took it with your left and attempted a firm shake, but his hand was limp
  468. >Your, now ex, fiance had taken his hand, and had told you ever so tearfully how much better this man was than you
  469. >At that point, you snapped
  470. >You vaguely remember the crunching of bone under your fist and the dull thud of a boot kicking in someones groin
  471. >The police said you were lucky you'd not killed him
  472. >Your ex-girlfriends nose was broken, but her boyfriend had been beaten far worse
  473. >The military charged you with conduct unbecoming, a fine and disciplinary action, and the civilian courts tried you with aggravated assault
  474. >The severity was mitigated when it was revealed what had taken place, but you still had to do three months of jail time
  475. >You were out in four weeks
  476. >It was all a downward spiral from there
  477. >A meaty smack on your cheek zaps you back to the present
  478. >Chrysalis is holding a cooked sausage in front of your face
  479. >"You were gone again."
  480. >You shake your head and take a bite of the proffered sausage, smiling and speaking around a mouthful of the cheap food
  481. "Yeah, that happens sometimes, sorry about that."
  482. >As you take another bite, she uses the oppotunity to speak again
  483. >"When you get like that, you're visiting the past aren't you?"
  484. >You simply nod as a response, finishing the last bit of sausage
  485. >"Some of my children, the ones that had to fight against another hive, had that same look when they came back from the war.
  486. They couldn't deal with the idea that they'd killed their kin in a war for reasons they didn't understand."
  487. >She shakes her head at the thought and levitates a sausage to her mouth, eating the entire thing in one bite
  488. "Some of my mates, back in the hellhole of the desert, they had that look whenever we got back from a mission. Killing is a weight you carry with you forever.
  489. Not everyone is made to deal with that kind of thing."
  490. >She looks from the fire to you
  491. >"Are you, Anonymous?"
  492. >That makes you chuckle
  493. "It doesn't really matter, made to or not I'm all kinds of fucked up now."
  494. >She offers you a smile, and another sausage
  495. >You eagerly accept the food, eating the entire thing in two bites
  496. >"You know, I know how you feel about me. And, now, I know why."
  497. >You look into her eyes, waiting for the words that would either damn you, or save you
  498. >"I don't care about how I came to be here, or how you know of me. But it is fact that I am here now. I cannot help my children from here, but you have said you will help me return to them. So I will not judge you, Anonymous. And.."
  499. >She looks back into the fire, her next words a whisper you can barely hear over the crackling flames
  500. >"...Thank you."
  501. >You smile at her and place a hand on her hood nearest to you
  502. >She blushes in the most adorable way
  503. "Thank you too, Chrysalis."
  504. >You both stare out the broken frames of the windows, into the sun that is rapidly setting
  505. >Another day, gone by feeling like nothing at all
  506. >Time flew when you had fun, you figure, or when you were in emotional crisis apparently
  507. >Without another word exchanged, you finish off the food and douse the fire
  508. >And then, you crawl into the nest that you had made for your unexpected guest the first night she had crossed over
  509. >She follows you in and curls up next to you
  510. >She keeps well clear of your chest, instead opting to have you spoon her instead
  511. >You do so, without even a guilty boner
  512. >You're warm, safe, and happy and so is Chrysalis
  513. >And right now, that's all that matters
  514. ----------------------------------------------------------------
  515. >Good morning world!
  516. >Good morning sun!
  517. >Good morning warm friend that I am embracing!
  518. >...And good morning wood
  519. >Well, at least you didn't have it last night, when she was still awake
  520. >Sure, she was amiable enough but you figure, what with the comparison to simians that beat and raped her, a monkey dick would hardly make her happy
  521. >So you slip away from her and go down to the supervisor office on a floor below to take care of the issue
  522. >Ah, that felt nice
  523. >You come back up the stairs and find Chrysalis sitting at the office door, waiting for you
  524. >"What was that all about, Anonymous?"
  525. >Oh shit
  526. "It was a...perimeter sweep. Old habits and all that. Kids sometimes still break in here, and sometimes you just got to give them a couple lumps so they don't come back."
  527. >She nods, apparently accepting your explaination
  528. >"Very well. Please just let me know before you do such things. When I awoke and found you, or rather didn't, I began to worry."
  529. >You crouch down and run a hand through her silky mane
  530. "Hey, don't worry about me. Seriously, if I was going to die or get beaten or something, it's not like there's anything either of us could do to stop it."
  531. >She squints at you, not entirely getting the logic
  532. >"So...whatever happens is going to happen and we're powerless to stop it?"
  533. >You shrug and nod
  534. >She had the gist of it pretty well understood
  535. >A sudden impact on your face sends you flying across the room and into the wall
  536. >"Well now I understand why you live like this! You take your life as it comes instead of bringing yourself to it. You must take life and make it yours, direct it to however you want it to go."
  537. >She sighs and leans her head against a wall
  538. >"Even when you fail, you need to just try again. And if you fail then, go again. Again, and again until you finally succeed. It may take years, decades even. You may fail a hundred times, a thousand even. But so long as you succeed once, then you've won."
  539. >She trots over to where you're slumped against the wall
  540. >Your cheek split with the force of the blow and it was bleeding pretty badly
  541. >You look up from your position and see her towering over you, beautiful, wonderful, and hellish all in the same instant
  542. >Then you look back down
  543. >She was right, living the way you were was shameful
  544. >You resolved then and there to turn your life around for the better
  545. >You rise to your feet and look down at Chrysalis, your eyes hardened with determination
  546. "You're right. It's time to make my life for me."
  547. >You run your fingers through her mane
  548. "Thank you, Chrysalis."
  549. >She rubs her head against the hand now laying there on top of it
  550. >"I don't want to see you become what I am. No one deserves that fate."
  551. >You cup her cheek in your hand and force her to look into your eyes
  552. >But at the same time, you crouch so you're on her level, showing no arrogance or superiority
  553. "Then you come along with me for the journey. We'll become better, together."
  554. >Her eyes shimmer in the morning light and she lowers her head in submission
  555. >"Very well, we will become better. Together."
  556. >Well this is it Anonymous
  557. >Time to grow the fuck up and be a man
  558. "Chrysalis, I need to explain something about this spell or whatever that brought you here, or the magic that infected your own to make you come here."
  559. >She looks up at you, trust blazing in her eyes
  560. >"What is it, Anonymous?"
  561. >You take a deep breath
  562. >This wasn't going to be an easy thing to explain to a creature like Chrysalis, a ruler and conqueror
  563. "You can't be seen by others of my kind as a pony. If you do well...if the other ones are right, you will be taken away. I don't know to where, it doesn't say, but you won't be here."
  564. >Her body stiffens at this revelation
  565. >Apparently, even though she had gathered you had brought her here somehow, that she could walk around as proud as she'd ever been
  566. "I'm sorry, but I don't want you to be in danger. And even if you weren't to be whisked away by some unseen force, you'd still have people after you. They'd want to know the secrets behind your magic and shapeshifting powers, which nothing on this earth has."
  567. >She starts shuddering, the revelations coming faster than she can fully take in
  568. >But you have to say this, all of it
  569. "All you have to do is change into a human when you go outside, that's all. When we get a place, you can be in your natural form all you want. I'm sorry it has to be like this..."
  570. >She takes a shuddering breath and squares herself up
  571. >"I understand. Adversity is bad, but at least I'll be helping. I'll do it Anonymous, but your plan had better work."
  572. >You give her a cheeky grin
  573. "Well you know, even if it doesn't a thousand times, it'll work once."
  574. >She smiles at your recycling of what she'd just told you and nods
  575. >You take her hoof as she concentrates on the transformation to a form she's barely seen
  576. >The green flames start licking around her hooves, including the one you're holding
  577. >But you stick out the burning pain, it was only temporary after all
  578. >As the flames move up her body, the burns on your skin fade away
  579. >And you're no longer holding a hoof, but a human hand
  580. >The nails are black, but as though from a polish instead of grime like yours
  581. >The transformation consumes her entire body, and the changeling that stood before you is gone
  582. >In her place is a young looking human girl
  583. >A naked girl at that
  584. >You reach over with your spare hand and put a blanket over her nudity
  585. >She smiles and kisses your cheek
  586. >"That's sweet of you, Anonymous. Thank you."
  587. >You blush and grin, letting go of her hand and going to search for some clothes for her to wear
  588. >"So, do you humans always feel this soft and this...cold?"
  589. >You shrug at the question
  590. "I suppose when we don't wear clothes, yeah. Don't worry though, you'll be back to your normal form in no time."
  591. >She puts on the clothes you throw to her and puts a jacket over top and a spare pair of boots on her feet
  592. >You grab your pack, your food supplies, and anything else of actual value to you and take Chrysalis with you down to the access door
  593. >A light snow is falling over the world, making a beautiful sight
  594. >She gasps, it's the first time she's seen the outside the close up
  595. >You take her hand and look into her eyes
  596. "Once we step over this threshold, it's going to be a new life. Probably not an easy one, but better nonetheless. Are you ready?"
  597. >She smiles at you, showing the fangs she had kept behind, either by design or by accident
  598. >"Anonymous, as long as I'm with you, I'm ready for anything."
  599. >With that bold statement said, you both take your first step forward into a new life
  600. >Now, it's all about forging it for yourselves
  601. -------------------------------------------------------
  602. >The next several months flew by like none before them
  603. >Your job was good, but the position it put you in was even better
  604. >One of your co-workers had been working at the oils sands before he got hurt and had to leave
  605. >But he had been making six digits a year
  606. >That's insane pay
  607. >So you told him that you wanted to go up north to the sands
  608. >He laughed, until he realized that you were serious
  609. >He'd made a few calls on your behalf, put a good word in, and then you were in
  610. >The day of your departure for a four month term in the sands, Chrysalis cried for hours in your arms
  611. >You'd managed to secure a tiny house for you two, really cheap
  612. >It was practically a single room claiming to be a home, but it was a shelter, and that was all you needed
  613. >Of course, you'd never told Chrysalis how you'd got the money for the house in the first place
  614. >With your first paycheque, well before you two had been in any shelter but broken into garages, you'd bought a pistol and silencer with two magazines of ammunition
  615. >Then you'd memorized the rounds of the armoured cars that filled ATMs and the lot
  616. >Only two guards, easy shit
  617. >You'd been the third best pistol shot in your platoon, after all
  618. >So when they made a stop at a fairly empty parking lot, around 2 in the morning and on only their second stop, you'd made your move
  619. >You burst from the cover of a nearby alcove and had shot the first one in the chest
  620. >Neither bullet penetrated, but the guard was down for the count
  621. >The soft thwip of the pistol had attracted the attention of the other guard
  622. >So you ducked around the side of the van, waiting for him to come to the aid of his partner
  623. >And of course, he did
  624. >So predictable
  625. >At the guard was checking over his buddy for any other injuries, you shot him in the head
  626. >At five yards, it was impossible to miss
  627. >The aider dropped on top of his friend, who made a whoof sound at the air was thrust from his lungs
  628. >And you stepped closer to check your handiwork
  629. >The still living guard stared at you, his face contorted with hatred
  630. >As he opened his mouth to say something, you had opened fire
  631. >Thwip
  632. >Both guards dead
  633. >As you had dug through the bodies for the keys to unlock the back, your stomach had begun to churn
  634. >No, not now
  635. >You couldn't afford to be sick now
  636. >But the gorge rose no further, so you were okay for the time being
  637. >Finally, you had dug out the keys
  638. >You opened the truck, and had hit the motherload
  639. >It wasn't overflowing with money bags, like the movies thought, but there were plenty of lockboxes
  640. >You started jamming keys in locks, unlocking them left, right, and center
  641. >Some took a few tries, but it didn't matter
  642. >Gold, diamonds, jewelry, even plain old cash
  643. >These lockboxes held hundreds of thousands in wealth
  644. >Fucking greedy rich people
  645. >You'd taken out the thin blanket you'd brought along and lay it out on the floor of the truck
  646. >You dumped the contents of several lock boxes into it and wrap up the corners to make a sack of loot
  647. >It's hefty, at least a good fifty pounds
  648. >You tossed it out the back and delivered the final gift to the truck
  649. >A few flasks of gasoline and it was ready
  650. >You struck a match and had thrown it onto the growing pool of gasoline
  651. >It had gone up in flames in an instant
  652. >With that lovely image behind you, you'd walked away from the scene calmly, with your trusty swag sack hanging over your shoulder
  653. >You'd stuck to the back roads, until you got to the seedy bit of town
  654. >118th, notorious as the neighborhood for crime
  655. >There, you had pawned all the jewels and gold for ridiculous prices
  656. >But it didn't matter
  657. >The next day, with all the new money, you'd bought a tiny house right nearby where you worked
  658. >It was on 'The Docks', the industrial sector so named because it resembled a landlocked shipyard
  659. >No one cared about what the neighbors did, because they had their own dirty secrets to hide too
  660. >And when Chrysalis had asked where you got the money, you shrugged and said you got lucky in the lottery
  661. >She didn't ask further
  662. >So you went straight after that, you just needed the one score to get enough for shelter
  663. >With the shelter bought, you could finally focus on going north to the sands and making honest money
  664. >So you'd held Chrysalis as she cried about you going, you were the only one that loved her in this world after all
  665. >But you smiled and told her you'd be back soon enough, that your love was strong enough to feed her over the distance
  666. >She nuzzled against your neck that night, and neither of you slept
  667. >But nor did you do anything to compromise the rather precarious relationship you had
  668. >Cuddles were fine, even kissing was acceptable
  669. >But she couldn't have sex with you, and you wouldn't force yourself on her
  670. >The next day rolled around and you had grabbed your bags, kissed your changeling companion goodbye, and had taken the bus to the oil sands of Alberta
  671. >The work had been hard, dirty, brutal
  672. >You lost count of how many times you'd almost lost your fingers to the unforgiving drills and biting cold temperatures
  673. >But you made it out of there with all your digits and a five digit lump sum in your bank, with the lowest taxes in Canada
  674. >So on the bus back to Edmonton and the changeling you loved, you considered what to do with it
  675. >And then it had come to you in a flash
  676. >You knew exactly what you were going to do
  677. ------------------------------------------------------------------------------
  678. >Finally the hours long bus ride was over
  679. >It had been crowded with filthy oil drillers, just like you
  680. >Running water had been a rare luxury, and it had been a week since any of you had bathed
  681. >But to Chrysalis, it didn't seem to matter
  682. >She was there at the bus terminal, in her human form of course
  683. >She ran up and hugged you as soon as you had come in the door
  684. >You do something completely unexpected at that point
  685. >You push her away from you
  686. >She looks up at you, shocked and tearful at your rejection of her
  687. "Go back to the house. I'll meet you there later."
  688. >It's clear the shock has set her off in a bad way
  689. >She stumbles back to the outside where a cab is waiting for her
  690. >You pass the driver a hundred before you leave her
  691. >Getting right up to his ear, you whisper so the broken changeling in the back seat can't hear you
  692. "Drive her around until about midnight, then take her back to the house, okay?"
  693. >He arches a brow, but the money in his hand isn't lying to him
  694. >It didn't matter to you, it was part of the armoured car heist from months ago
  695. >Better to not hang onto it
  696. >The cab pulls away from the curb as soon as you're out, and you watch it shrink into the distance
  697. >Now, it was time to do some shopping of your own
  698. >You flag down another taxi, who immediately pulls over
  699. >A man with a thick Russian accent speaks up from the interior
  700. >"Where you need go, my friend?"
  701. >You grin at him and respond in fluent Russian
  702. "I need to go to the flashiest jewelry store in the city."
  703. >His jaw drops and you open the door and sit down inside the cabin
  704. "Can you do this for me, friend?"
  705. >This time the driver manages to stammer out a response, also in Russian
  706. >"Of course! Anything for a countryman!"
  707. >You smile at his assumption that you were a Russian, just because you spoke the language
  708. >But you see no reason to switch back to English as the cabbie peels away from the curb and heads downtown
  709. >"So, where are you from in country? Myself, I am from Vladivostok. It is nice this time of year."
  710. >You shrug and stare out the window as the crumbling buildings of the industrial quarter turn to the glass and steel of the business area
  711. "They come from Transnistria, a small village by the Amur River. The valley is very beautiful."
  712. >You had no trouble lying to an absolute stranger
  713. >You'd never meet him again anyway
  714. >"I know of Transnistria, my battalion retook it when the Moldovans tried to invade. I am sorry for the atrocities my comrades commited there. If it is any consolation, I burned no villages."
  715. >You place a hand on his shoulder
  716. "Of course, my friend. I would not take you for a murderer."
  717. >The cab comes to a screeching halt in front of a tall building made of a bleached stone
  718. >"Here we are, friend. Fanciest jewel shop in whole city."
  719. >It did indeed look rather fancy
  720. "How much do I owe you?"
  721. >He smiles and waves away the proffered money
  722. >"For a countryman, this ride is free. Consider it a hello from mother, eh?"
  723. >You smile and put two hundred dollar bills on the seat and close the door before he can protest
  724. >Without looking back, you walk into the door of the swanky bulding
  725. >Fuck, that hurt!
  726. >Rubbing your nose, you notice the 'Pull' sign below the handle
  727. >Oh of course
  728. >The guy dressed in a fancy tuxedo snickers at your failure, but is bro enough to open the door for you
  729. >Maybe he wasn't such an uncool dude after all
  730. >"Pardon me, sir, do you need anything?"
  731. >Clearly catching the smell of your workers overalls and seeing the grime coating your face, he gives you a sneer
  732. >"Perhaps a bath is needed, sir?"
  733. >You snarl at the butler, and it seems he finally notice you tower over him by about a half-foot
  734. "I just got back from the oil sands, and I don't need your shit. What I do need, it the biggest stone you have, preferably onyx or ruby."
  735. >He clears his throat and gestures you inside, understanding the wad of money you would be able to spend
  736. >You shoulder past him and enter the lobby of the shop
  737. >Another guy in a suit gave you most fake smile you've ever seen
  738. >"Good evening sir, how might I help you?"
  739. >You sigh and run a grimy hand through your unkempt hair
  740. "Like I said to the dude outside, biggest gem of onxy or ruby you can get me."
  741. >He coughs at your bluntness, but reaches under the counter for something anyway
  742. >He reveals a rack of pendants, some onyx some ruby
  743. >"This is the finest pieces we have of those varieties. But, judging by how you look, I think I can do you one better."
  744. >Even as he's reaching under the counter, you start to argue
  745. "How the hell would you know what I like better than me?"
  746. >He stops what he's groping for under the counter and looks over the counter at you
  747. >"You're from the sands. Don't try and bullshit me. That's how I made my fortune, back in the 80s."
  748. >He offers you a kind smile
  749. >"You're looking for something for your woman, yeah? No...You're looking for something to MAKE her yours, that's it."
  750. >You smile sheepishly
  751. >But the jeweller continues after chuckling at your grin
  752. >"I was young once too. She had the most dazzling green eyes. But you didn't come here to listen to an old man reminisce. I have just the thing for you, son."
  753. >He takes out a white-gold and yellow-gold pendant, the two metals twisting around each other like twin helixes
  754. >And at the center of the precious ore is the strangest, most beautiful stone you've ever seen
  755. >It was onyx, blacker than a moonless night but there was something off about it..
  756. >Looking closer you realize there's small pockmarks strewn across its surface, and inside of them is a green stone, jade or agate
  757. >Looking closer, you realize how much resemblence it bears to Chrysalis' colour scheme
  758. >And the pockmarks...
  759. >The jeweller was right, it was perfect
  760. "How much?"
  761. >The old mans smile became more genuine
  762. >"It will cost you thirteen thousand, young man."
  763. >You wince at the price, nearly a fifth of your pay
  764. >But Chrysalis was entirely worth it
  765. >You nod
  766. >"I'll do it, you old shill you."
  767. >The old man laughs and you reach into your wallet and take out thirteen thousand dollar bills
  768. >He chokes on the laugh at the sight of the money
  769. "That's enough, yeah?"
  770. >He reaches out and takes the money and promptly drops it and shakes your hand
  771. >"Best of luck with your woman, son. You deserve it."
  772. >Tears begin to glisten in his eyes
  773. >"You know, I promised my wife I wouldn't sell that. That's why I set the price so high, so that no one would buy it. But...I think that Chrysandra would be proud that such a good young man inherited it."
  774. >A good young man...
  775. >If only he knew where you'd got the money from
  776. >Oh well, what the old man didn't know couldn't hurt him
  777. >You pick up the pendant with a gentleness that belied your horrible stench and months old scruff of a beard
  778. >You rub a greasy thumb over it, but it holds its same shine as before
  779. >What an incredible stone...
  780. >Without another word, you turn and walk out
  781. >So distracted you are by the stone that you don't even notice the door being opened
  782. >You look up at the moon
  783. >It's almost midnight
  784. >Oh shit
  785. >You flag down the nearest taxi
  786. >A familiar voice calls out to you in Russian
  787. >"You need a ride, comrade?"
  788. >You can't stop the smile that comes to your face
  789. >You shout back just as loud
  790. "Always, my friend!"
  791. >You hop in the seat next to the Russian driver and he starts driving down the road
  792. "I need to get to The Docks, how fast can you get me there?"
  793. >The Russian grins and shifts into a higher gear
  794. >The needle on the speedometer jumps over a hundred in an instant
  795. >The acceleration slams you against your seat as the driver blows through stop signs and red lights as though they're not even there
  796. >Before you know it, you're at the docks
  797. >You check the watch on your wrist, an old affair from your grandfather before he'd died
  798. >The only thing you had to remind you of your family
  799. >23:42
  800. >Just enough time to shower and change before Chrysalis got back from her 'little' taxi ride
  801. >You drop a thousand on the seat of the cab and sprint out
  802. >You spend a good thirty seconds fumbling with the key
  803. >You're too excited
  804. >Finally, the lock clicks open and you burst inside the hovel you lived in
  805. >Stripping as you ran, you jumped into the shower and turned it on full blast
  806. >The gout of freezing water that erupted from it only enticed you to move faster
  807. >You scrub yourself free of the muck, grime, and sweat that clung to you
  808. >The shampoo that Chrysalis loves the smell of pours into your greasy hair and pulls the filthiness out of it
  809. >The little stall is stained the colour of dirt by the time you finish, but there's no time to worry about that
  810. >You scramble out of the shower and grab a towel, drying yourself as you tear about the house
  811. >You rip open the wardrobe doors and select a nice pair of slacks and a collared shirt
  812. >You pull them on with reckless abandon
  813. >Finally, you're clean and dressed nice
  814. >You're ready now
  815. >Holy shit!
  816. >Where's the necklace?
  817. >You hear a taxi pull up outside the door
  818. >You run into the bathroom
  819. >Oh thank whatever god was watching over you
  820. >It was right there on the counter
  821. >You hear the door open and hurriedly stuff it into your pocket
  822. >The door closes and a familiar crackle sounds in the peaceful home
  823. >"Anonymous, I'm back from my little adventure. We need to talk."
  824. >You step out of the bathroom, a frown on your face
  825. "Damn right we do, Chrysalis."
  826. >She takes an involuntary step back
  827. >All your months in the sands had made you gain a great deal of muscle mass
  828. >You weren't the toothpick that you had been when you were a kid anymore
  829. >You take a step closer to her, and she takes another step away
  830. >Good
  831. >You manoeuver her towards the couch, subtley
  832. >Eventually, she hits it and falls onto it, looking up at you fearfully
  833. >"Wh-what is it, Anonymous? What's wrong? Please talk to me!"
  834. >She's nearly shrieking at this point
  835. >You tower over her and, with a deft and subtle movement, palm the necklace in your hand
  836. >You move both your hands around her throat, as though to choke her
  837. >"Please, Anonymous, don't do this! Please, please, please!"
  838. >Wrapping your hands fully around her throat, you tighten them so the clasps on the chain can connect behind her neck
  839. >But she's too hysterical to notice the new bit of jewellry
  840. >You take your hands away and gently run your fingers through her mane
  841. "Come on, Chrysi, you know I wouldn't hurt you. Just look down."
  842. >She opens her eyes and does as she's told
  843. >When she sees the necklace, her jaw drops
  844. >Tears begin pouring from her eyes again, not in terror but in amazement
  845. "Hey Chrysi? I love you, will you stay will me?"
  846. >She looks out at The Docks, her heart tearing itself between you and her children
  847. >"But, my children...no they'll have starved by now if anything. I haven't been able to care for them. I am a failure."
  848. >The pain in her voice breaks your heart, but then she turns to you with a look of painful joy in her eyes
  849. >"But you...you have fed me, cared for me, treated me better than any other being in history. And...I think I love you too, Anonymous."
  850. >You cup her cheeks in your hands and pull her face up to yours
  851. "I will never betray you Chrysalis. And I will never hurt you."
  852. >Her eyes brim with fresh tears
  853. >"I know, Anonymous."
  854. >Your lips meet for the first time
  855. >It was the most passionate kiss you had ever shared with anyone, human or otherwise
  856. >You feel Chrysalis' body warm, her wings standing on end and flicking slightly
  857. >Still kissing her, you stroke the silken membranes
  858. >She moans into your mouth, and the heat ratchets up noticeably
  859. >So the wings are erotic...
  860. >Your thoughts are interupted by your body suddenly being pinned to the couch with magic
  861. >The ex-queen smiles down at you from her lofty position above your body, purring out her words
  862. >"You think that you, a lowly plebian, would be worthy to dominate a queen? Oh, you have much to learn, my little Anonymous."
  863. >And learn you did
  864. >For three hours, you learned over and over
  865. >The changeling brought you to the edge, then right back down again, only to edge you once more
  866. >Your mind was absolute mush while your queen had her way with you
  867. >Your queen? That was an odd thought
  868. >No matter HO GOD
  869. >And suddenly, release from the ceaseless torment of arousal
  870. >Chrysalis finally brought you over the edge, and herself in time with you
  871. >As her feminine walls contracted and relaxed, you pulled the panting changeling fully onto your chest
  872. >She nibbles at your neck in the afterglow, which feels amazing to your oversensitive body
  873. >Her breathing finally steadies and she rests her head on your chest
  874. >"Did you like that, Anonymous?"
  875. >You know that cannot qualitate what you felt tonight, but you tried anyway
  876. "Chrysalis, it wasn't just the sex that was amazing. I could feel a...link between us that ran deeper than that. I felt how you felt while still being stimulated, I can't explain it."
  877. >You run your fingers through her mane as you continue
  878. "I love you, Chrysalis. I always have, even before the sex. All that this has done is made us closer. I can only hope you feel the same way."
  879. >She presses her head deeper into your chest before responding
  880. >"Anonymous, what you have given me tonight is more than security. You have given me your life, I had to return you the favour."
  881. >You think about what she said, and how just a year before, long before she had come to Earth and just after you were homeless, anyone saying such a thing would have had you running
  882. >But now, the words brought you comfort, even peace
  883. >How you had changed
  884. >You feel that Chrysalis has drifted off to sleep
  885. >Moving your body as little as possible, you lean down and kiss the tip of her horn
  886. >Her response is to curl up tighter to you
  887. >And you think, one last time before sleep takes you
  888. >How indeed you have changed
  889. --------------------------------------------------------------------
  890. >You waken to the sound of gunfire
  891. >It wasn't an out of place noise in this part of town, usually blending into the back ground well enough
  892. >But this was close
  893. >The glass on your picture window in the kitchen suddenly shatters and you can hear rounds ricochetting off studs in the walls
  894. >Chrysalis is awakened and screams at the threat, but you clamp a hand over her muzzle to shush her quickly
  895. >The gunfire continues, an occasional stray burst tearing into your walls
  896. >You take your pistol, a S&W .40 M&P with a threaded barrel for the suppressor you had bought along with it
  897. >You slowly let go of your companions mouth, and this time she stays silent, but for a slight whimper whenever bullets fly through the walls
  898. >You both stay low as you load the weapon and attatch the silencer
  899. >With that done, you take a shattered shard of glass and poke it up, keeping your hand slightly under cover, but exposed enough to catch the reflection of who the hell was shooting
  900. >There was an armoured police van outside, and several SWAT types crouching beside it
  901. >You could hear some squawking from the loudspeaker on the van, but it had clearly taken some damage in the firefight
  902. >They must have been after the neighbors
  903. >Then, without warning, the armoured car bursts into flame, fragments flying in every direction
  904. >The body of one of the cops lands in the kitchen where you and Chrysalis are hunkered in cover
  905. >Your first movement is to hide her from his sight, even while she's screaming, and point the gun at his forehead
  906. >But he's just a corpse, nothing to be worreid about anymore
  907. >You risk taking a peek out the window
  908. >The wreckage that was once a well armoured truck was still burning away
  909. >You could see the still bodies of dead officers scattered about, but a couple were moving
  910. >One especially valient fellow wearing what looked like a small demon suit was actively pulling himself away from the twisted remains of his transport
  911. >The trail of blood behind him left little doubt for his survival odds
  912. >But you see figures moving among the smoke, they're holding rifles
  913. >You duck down right away
  914. >You weren't dying over a fight between cops and gangsters
  915. >You'd managed to stay out of the sights of either this whole time, but it seemed that trouble had come knocking
  916. >"Hey you in the house! Get the fuck out here with your hands up!"
  917. >You gesture for Chrysalis to stay down and stand, hands above your head
  918. >"Hey, you ain't a cop. You're that guy that moved him and his girlfriend in here a while back, right?"
  919. >You nod
  920. "Yeah, we don't want any trouble mate. Just leave us the fuck outta this and we'll be good eh? I don't like cops any more than you do, but I don't want to fight either of ya!"
  921. >You feel a warmth spreading on your leg, but won't dare look away from the threat in front of you
  922. >"Look man, I'm real fuckin' sorry, but that shit don't fly with us. We're gonna have to get you outta there. Just do it nice and quiet and we won't hurt ya."
  923. >Well shit
  924. >This certainly wasn't going to according to plan
  925. >The wind is finally blowing the smoke away from the wreck, and you can see four other guys with guns pointed at you
  926. >This was far from ideal
  927. "Alright, we'll do it. Just don't fucking shoot us, eh?"
  928. >As you twist your shoulders and start turning around, you hear a pained screech
  929. >It wasn't the same as a man getting stabbed or shot, or even having his kneecaps broken, or being forced to cut of his own finger
  930. >It was a high pitched keening that went on for far too long, and it was accompanied by a hissing sizzle and the smell of burning fat and meat
  931. >You can hear the gangsters reacting to what could only be one of their number set alight
  932. >"What the fucking fuck man!"
  933. >Jesus Fucking Christ, what the fuck did you do?"
  934. >You hear the telltale sounds of one of the trying valiantly to not be sick
  935. >Then the sound of several torches being lit at once drowns it out, which itself is drowned out by several more screams at the same volume and intensity as the first
  936. >You can feel the heat you'd felt earlier on your leg increasing
  937. >Finally you spare a look down to see what it is
  938. >And there's Chrysalis, her eyes screwed shut with concentration and horn aglow with eldritch light
  939. >You look back out at the gangsters engulfed in fire
  940. >GREEN fire
  941. >The last one falls over, his motions devolving into slight twitches as his tendons cook inside his skin
  942. >Chrysalis peeks her head above the sill of the window
  943. >"Anon...is it over yet?"
  944. >Wait, did she just call you Anon?
  945. >She never referred to you by the shortened form of your name, she said it sounded too childish
  946. >But when look look over to her, you can see that she looks scared by what she's managed to do with her magic
  947. >You place a comforting hand on her head, ignoring the heat radiating from her twisted horn
  948. "It's done, Chrysi. We're safe, and I have to thank you for that. I didn't know you had that much power."
  949. >Her ears quickly lay flat on her head and she looks down
  950. >She's...ashamed?
  951. >"My mom, my mother, told me to never use that spell unless my life depended on it. I didn't...I didn't know..."
  952. >You catch her as she falls to the floor, wracked with sobs
  953. >She hugs you, her sobs muffling themselves against your chest
  954. >With one hand you stroke her mane,  it was the best thing that could calm her down, you had figured out
  955. >The other recovered the firearm you had dropped
  956. >There was no shame in being ready
  957. >And no sooner did you have the piece in your hand, than was the door kicked in
  958. >Chrysalis instinctively changed into a human, not wanting to discover the consequences of being caught as a pony
  959. >She was at a disadvantage, not being able to use magic at all in this form, but you would protect her
  960. >With your pistol at the ready, you let her go and pushed her behind you
  961. >And then the masked figure in body armour rounded the corner aggressively, a submachine gun pointing above you, for now
  962. >He must have seen you in the corner of his eye, because he was quick to focus on you
  963. >But still too slow to stop what was put in motion the second he had rounded that corner
  964. >Your pistol spat lead and fire, the slug tearing through the kneecap of the armoured man
  965. >He dropped on his side, screaming bloody murder
  966. >The next ones were smarter
  967. >They came around at the same time, immediately jumping so that your shots missed
  968. >Their boots came down on your hands, crushing at least two fingers in your weapon hand, and all in your left
  969. >Your scream of pain was drowned out by theirs as they turned into emerald blazes
  970. >Chrysalis must have changed back to her normal form for an instant, before reverting back since, when you looked, she was human
  971. >These two had cooked from the inside, however, so did not last near as long as the five outside
  972. >She crawled out from the corner you had put her in and too your head in her hands, stroking your cheek that was taught with agony
  973. >"Hey, hey, are you okay? You'll be okay, right Anon?"
  974. >You manage to grin up at her tear-steaked face
  975. "Yeah, I'll be fine. It's just a break, it'll heal."
  976. >She keeps stroking your cheek, even when five more SWAT officers come around the corner with their weapons ready
  977. >She ignores their shouts for her to put her hands up and move away from you
  978. >And you do too
  979. >You couldn't fight back, so it didn't matter what they did to you
  980. >But then three of them tore her away from you
  981. >And then it got ugly
  982. >The two officers guiding your shattered hands into a pair of cuffs were blown off you by a hurricane force gale
  983. >You looked up to see Chrysalis with a look of abject hatred on her face, only ashes remaining of the three that had tried to restrain her
  984. >A tornado of emerald fire swirled about her form and she looked down at you, a small broken human
  985. >The hate faded and was replaced by sorrow and she knelt beside you
  986. >You reach up your arms and hug her at the base of her neck
  987. >You kiss the smooth flesh you had felt next to yours and had loved
  988. >You felt the pendant you had bought her to declare your undying love to her bump against your chest
  989. >Glancing around, you see that the burning wind had turned the home to wreckage
  990. >And outside, there were three more police vans
  991. >All of the troopers they had carried were outside, all weapons pointing at you two
  992. >But it wasn't the seeminly cavernous barrels pointed at you that scared you
  993. >It was the look that Chrysalis gave you when you looked up at her
  994. >It was the look of someone who knew that their time had come but had lived a full life and was satisfied
  995. >And then, without warning, her body turned to an ashen grey
  996. >The material that had taken the place of your beloved quickly started crumbling under the harsh wind blowing that day
  997. >You managed to get say up and reach out towards her crumbling form with your half-crippled hand
  998. >The sandy substance that she had become slipped through your fingers leaving no traces behind
  999. >Except for the pendant
  1000. >You can feel tears trickling down your burned, bloody cheeks
  1001. >They splash off the still glistening surface of the necklace, running down and filling the pockmarks as they slide over them
  1002. >A noose begins to tighten around you and your loved ones remains
  1003. >You look into the soot streaked sky and watch the last of her ashes disappear into the heavens
  1004. >She was gone, but were still here
  1005. >You laugh in short, pained barks, tears leaving trails in the grime streaking your face
  1006. >A boot connects with your head and you pitch forward face down into the burned foundation of your home
  1007. >You barely feel your cheekbone shatter, and your nose crumble under the assault
  1008. >The laughter continues as your arms are nearly dislocated as the police roughly place you in irons
  1009. >It doesn't stop when you are thrown into the back of the wagon that is taking you to your future home
  1010. >No, the laughter only stops when the metal door slams shut behind you and you stare out into the night sky
  1011. >The pain of the broken hands, the shattered nose and destroyed cheekbone, finally overwhelm your exhausted frame and you sink softly into the once more cold embrace of slumber
  1012. --------------------------------------------------------------
  1013. >The prison cell is cold, dank, lonely
  1014. >It smells like shit, old blood, and pain
  1015. >It sounds empty, bleak, and hopeless
  1016. >Two days
  1017. >It's been two gruesome, lonely days since the horrific incident that brought you to be here
  1018. >They haven't even brought in someone to fix up your hands yet
  1019. >You've done the best you could, tearing bits from your prison outfit, that they'd thrown at you when you arrived, and tying the fingers together to keep them straight
  1020. >You tried to avoid moving them much
  1021. >When you had first awoken, you'd tried to push yourself up and the grinding of bone on bone, and the blistering pain it brought with it, had sent you straight back into the void of unconsciousness
  1022. >Two days
  1023. >You still can't stop thinking about Chrysalis after all that time
  1024. >You had been the one to choose the neighborhood where you two had lived
  1025. >You'd been the one that decided to poke your nose into the gun battle that had raged outside your house
  1026. >It was you who had shot the cop in the knee when he'd come around the corner with his gun up, instead of surrendering like the innocent man you were
  1027. >So it was your fault, by logical conclusion, that Chrysalis was dead
  1028. >You don't really care about the place they've thrown you into
  1029. >You'd always thought you'd end up in jail for something
  1030. >But not for something you didn't do
  1031. >Well, you'd shot the cop...
  1032. >No matter anymore, he was apparently slated to recover just fine, tech had come far enough recently that the damaged nerves and shattered bone could be replaced easily enough
  1033. >And he had full compensation from the government no less
  1034. >But not you
  1035. >Not the anonymous ex-soldier who'd shot him
  1036. >The one who'd torn your favourite character, from what you thought was just a TV show, away from her children
  1037. >The one who had killed her
  1038. >A comotion sounds outside the room
  1039. >You perk up at the noise
  1040. >Your stomach wasn't teling you it was time to eat, so something must be happening
  1041. >The solid door bursts open, letting in a torrent of stinging light
  1042. >You had been placed in a solitary confinement cell, away from any interaction with anything but the shit food they gave you every five hours
  1043. >A fellow in a familiar uniform walks through the open door, blocking the burning light from your overtaxed eyes
  1044. >And then the uniform speaks, a sound that is absolutely heavenly to you simply because you recognize the speaker
  1045. >"You've really gone and done a number on yourself this time, shit for brains."
  1046. >The black humour pulls you from the depths of rock bottom, and you find yourself laughing at the joke
  1047. "Yeah, Corporal, I guess I did."
  1048. >The shadow gently punches you in the shoulder, not even enough force to rock you backwards
  1049. >"It's 'Staff Sergeant' now, asswipe. Now show me those hands."
  1050. >You smile and hold up your broken appendages, with digits tied together with scraps of Day-Glo orange cloth
  1051. >A light comes on on the shadows head, and finally reveals who you were talking to
  1052. >You were right
  1053. >It was Corporal, now Staff Sergeant apparently, Donahughe from your old regiment
  1054. >When you'd held the position of Section Commander, he'd been your go-to fellow for a great deal of important tasks
  1055. >He had a good head on his shoulders, and the kind of bedside manner that would make a civilian doctor look like a douchebag
  1056. >You two had served in the same platoon in the sandbox on two separate tours
  1057. >You knew that, one day when you were gone, he'd take over your job
  1058. >When you were in, he'd also done volunteer work for the local police service, as a medic of course, usually patching up injured officers or convicts they'd had a little bit of a field day on
  1059. >And even now, years and three promotions later, he still did it
  1060. "So what the hell took you so long, mate?"
  1061. >He looks up at your face before going back to fixing your hands
  1062. >"I just found out about it today, my friend. A good guy in here told me they had a prisoner that hadn't seen medical attention since they'd brought him in. I gave him a hundred bucks as a reward, then beat the everliving shit out of the guy in charge of the arrest."
  1063. >He smiled, an act that accented his cheekbones in such a way that he looked like a skeleton
  1064. >"And now, an hour later, here I am. Fixing up a guy I thought I'd never see again."
  1065. >You flex your newely splinted right hand, the better off of the two
  1066. >The fingers that weren't broken bent just find, and the other two stayed as they were
  1067. "Yeah, well it's not like I wanted to see your ugly mug around me anyway. Any word on what's going on on the legal side of things?"
  1068. >His face becomes a mask of calculated indifference, which you knew all to well was a cover for anger
  1069. >"They're throwing the book at you, sarge. The newspapers are saying that the cops '...want to make and example of those people that think they're above the law.'"
  1070. >You wince at the statement, the courts had been saying they wanted to do that for years now, but maybe they'd finally been bit in the arse too many times to sit by anymore
  1071. >"Look man, I know it's none of my business, but what the fuck happened that day? I read the report and they're saying you blew up a police van and set a bunch of people on fire! Seriously, are you some kinda voodoo wizard shit or are the cops just high?"
  1072. >You sigh and shake your head
  1073. "If I told you what happened that day, you'd think I was insane. I can't tell you Don. Besides, it'd put you in more trouble than you'd think."
  1074. >He frowns, but nods in aquiescence, tightening the last of the splints on your hand
  1075. >He rises and, gripping you by the forearm, pulls you up as well
  1076. >He takes your hand in both of his and gives it a firm shake, but not enough to rattle the bones
  1077. >You feel something small slip from his palm to yours, and immediately hide it between a couple of fingers
  1078. >"You take care of yourself, alright sarge?"
  1079. >You smile at the man, perhaps the last man on earth who considered you a friend
  1080. >He's older than you by a decade, but he had always been the guy with a joke or witty remark to brighten a gloomy day
  1081. "And you make sure that my lads don't get themselves butchered, alright? I hear there's another war in the works."
  1082. >He nods and smiles at you
  1083. >"You know the fucking sandbox, eh? Can't stay outta each others beards long enough for a cup of tea."
  1084. >Nodding in farewell to him, he exits the room and the door slams shut behind him
  1085. >You sit down and feel at the object he'd given you
  1086. >No...
  1087. >It couldn't be, there was no way even Donahughe had that fast of hands to filch this
  1088. >And yet...
  1089. >You scramble over to the tiny bit of light coming from a small grate in the door and hold the item up to the beam
  1090. >It glints in the light, showing off a glossy, black outer shell
  1091. >But several smaller, green glints show off as well
  1092. >The tears pour unbidden from your eyes
  1093. >God damn that man, and God save him all the same
  1094. >You grip the object in as tight a fist as you can manage and bring it up to your heart, curling in a foetal ball around it
  1095. >Your sobs eventually drop off into small snores as you fall asleep, curled in a ball around the pendant you had given the being that your love had killed
  1096. >That night, you dream of Chrysalis
  1097. -----------------------------------------------------------------------------
  1098. >A nightstick rattling against the bars of your cage brings you out of the uncomfortable sleep
  1099. >"Hey, asshole. Word from your old company. Seems like half of them got wiped out in some op overseas."
  1100. >You give the guard a blank stare
  1101. >Of course you don't belive him, guards fucked with inmates all the time
  1102. "Oh really? Seems weird that a bunch of towel-heads could wipe out a hundred guys and get off scot free."
  1103. >The guard chuckled, low and quiet
  1104. >"Scot free? Nah, they must have spent a battalion on those mongrels. Apparently they were down to bayonets and fists when the fuckers finally had mortar fire blast their base to a crater."
  1105. >The guard shook his head slowly
  1106. >"Took their air support another five minutes to wipe out the enemy artillery. By that time, a hundred and twenty-two men were killed, forty wounded."
  1107. >You rise up and walk over to the bars, staring at the guard telling you all this with cold eyes
  1108. "I'll call bullshit."
  1109. >He grins and passes a note through the bars
  1110. >No, not a note
  1111. >A letter, with the paper bordered in black
  1112. >"Call bullshit all you want, it won't bring your friend back."
  1113. >The words of this 'man' in front of you, once no more effective than an autumn breeze, now knocked you onto your cot
  1114. >No, there was no way he was dead
  1115. >It was just an elaborate joke, that was all
  1116. >Yeah, the guards were just fucking with you, taking bets on how long it would take to crack you
  1117. >With shaking hands, you open the letter
  1118. >'To whom it may concern...'
  1119. >Blah blah blah, 'our condolences'
  1120. >Blah blah blah 'in Hajji, Dogfuckistan'
  1121. >'Service will be held November 21st, for family, friends, and comrades.'
  1122. >You read on, and on, it was just more of the same
  1123. >Well, until you flipped the page
  1124. >'Dear Maddy, Jim, Lily, and of course, Anon. First off, looks like I won't be able to bust you out like I wanted mate, sorry about that. I just want to say that, if those bastards ever let you get mail, that I don't believe you did anything wrong. You're a good man, Anon, never forget that.'
  1125. >The rest of the two paged letter was addressed to his family
  1126. >But the significance of being the first one addressed in such a letter was not lost on you
  1127. >And you knew, with what felt like a gutful of mercury, that your friend was indeed dead
  1128. >Your cheeks were warm and wet, your head was cloudy, and your arms leaden
  1129. >But in an instant, you looked at the calendar on your wall
  1130. >November, 13th
  1131. >Shit
  1132. >You dropped the letter and ran up to the bars
  1133. "Hey, guard! Get me some paper and a pen, like yesterday!"
  1134. >The guard, an older fellow on the force and actually a pretty cool guy overall, takes out three leaves of paper and a ballpoint pen
  1135. >"I thought you may want these, son. As much as I hate you for killing those officers, I respect you for your service."
  1136. >You grab his arm as it enters your cell and pull him roughly against the bars
  1137. >The poor fellow is too shocked to move
  1138. >But, after the scare, you simply grasp his hand and forearm tightly, and give it one shake
  1139. "Thank you."
  1140. >With that you let him go, pick up the utensils he gave you, heading back to your bunk and writing what was going to be the most important memo of your life
  1141. >'To Warden Abritch...'
  1142. >An hour later, you passed the sheaf of paper to the guard that had given it to you, along with the pen
  1143. >His smile brightens your day just a little bit, and as he walks off whistling, you find yourself overcome with a tiredness like none other
  1144. >You make your way back to your bunk and lay down, falling asleep as soon as your head touches the thin pillow
  1145. >The next morning, you're clapped in manacles and shackles to be brought before the warden
  1146. >The door to his office opens and you're ushered inside the small room
  1147. >At six feet tall, the office feels more cramped than it really is to you
  1148. >The warden, an average looking man, but one with, as you know, enough strength to beat a bear into submission, stands behind his desk
  1149. >"You know, when your letter arrived on my desk I was in an interview with the local newspaper about the security of this facility, and responding to queries about the mistreatment of prisoners."
  1150. >He sighs and turns to the wired window overlooking the general population section of the prison
  1151. >"You know, boy, when you came to my little slice of hell I wanted you dead. You'd killed eight of the finest officers this city has to offer, two of who I knew very well. Hell, I even bribed one of the crews down there to try and shank you, or I tried to bribe them."
  1152. >His forehead hits the glass with a muffled thump
  1153. >"You're a bad guy and you're guilty, everyone here knows it even if you say you aren't. And now, with this note? I don't have a choice but to let you go to this service. So you're going, four guards are going to escort you. Hell, I'm even going to give you armspan chain. And if you do anything, anything, to make me or my men look bad, your short life is going to be very uncomfortable."
  1154. >Not a word more is spoken, none more need to be said
  1155. >You were going to this service because your friend had died, not to get loose
  1156. >The week went by quickly, and soon enough you were in a wagon in your best clothes on your way to the service
  1157. >You exit the wagon and find yourself face to face with Mrs. Donahughe and her children
  1158. >She immediately pull you into a hug, and her children cling to your legs
  1159. >"Thank you for coming."
  1160. >You kiss the top of her head, not romantically but comfortingly
  1161. "I'd have broken out to come to this. I would never let him down."
  1162. >The service begins, and you sit next to the family, your guards standing immediately behind you and the family
  1163. >It's a pretty normal ceremony, and you hold your friends wife as she cries and stand or sit when you're told
  1164. >But then the coffin carrying Donahughe is walked down the aisle, and his young son, Jim, ran out into the way of the soldiers carrying the coffin and started tugging on their pant legs
  1165. >"No, don't take my daddy away! Daddy!"
  1166. >His mother takes him by the shoulders and guides him away, back to the seats
  1167. >But the child won't stop sobbing and shouting at the soldiers
  1168. >Then a stupid idea comes to your mind
  1169. >It's cliche, spaghetti dumping, and could end up with you getting shot
  1170. >So you choose it
  1171. >You walk over to where the band is playing a mournful march for the coffin travelling down the aisle
  1172. >There's the instrument
  1173. >It's a four-stringed that's similar to a guitar, but had more oriental sound to it
  1174. >You know only one tune on it, and only because you loved what it was from
  1175. >You begin playing it and walking back to the stands
  1176. http://www.youtube.com/watch?v=F3a-5AITqMo
  1177. >The guards had been struck still, not knowing what to do since you weren't really escaping or causing a disturbance
  1178. >You sing along with the song and crouch down to the young boys level, still playing and singing
  1179. >He doesn't stop crying, but he turns and hugs you, which stops you from playing the song simply because you're hugging him back
  1180. >You pick him up in one arm and carry the instrument in the other
  1181. >A short walk back over to the band and a return of the instrument before returning to your seat and giving the child back to his mother
  1182. >The rest of the ceremony was uneventful, and you were even called up to say a few words for your friend
  1183. >Though you were dumbfounded by the honour, you respectfully declined
  1184. >He didn't need a criminal marring his name, since he wasn't around to defend it anymore
  1185. >At the end of the ceremony, you stayed behind, along with the family and guards
  1186. >You walked with the Donahughes to the foot of the grave and knelt with them as they paid their respects
  1187. >"You know, Don always thought the world of you. When he heard you'd been arrested in that fight downtown, he was livid. He started making up plans to go and break you out, plans involving no one but you and him, and some involving the entire company. And I think they all would have followed him and got you out."
  1188. >She smiles, tears pouring from her eyes and breath hitching in her throat
  1189. >"Oh gods...he was such a good man. I can't believe he's just...gone! Why did this happen, why him?"
  1190. >You put a hand on her shoulder and offer her the only comforting thing you can think of, even though it sounded dreary in your head
  1191. "Because, Maddy, evil exists in the world. Your husband understood that and took up arms against it. Just think of how much evil he prevented while he still lived. Just because he's dead, doesn't mean he's gone. You know the saying, eh?"
  1192. >She looks up at you and nods, resting her forehead on your chest
  1193. >The weight made Chrysalis' necklace dig into the flesh of your breast
  1194. >It was too much for you to handle
  1195. >The tears poured from your eyes and the sobs tore the quiet air around the grave
  1196. >When you sank to your knees, Maddy fell with you, embracing your sobbing, shuddering form
  1197. >By the time you had finally quieted yourself, then sun had set and the air was chilly
  1198. >You rise with the family and make one last bow to the grave
  1199. >Before stepping back into the van, you hug each member of the devestated family in turn
  1200. "And don't you guys worry. I'll be out in no time."
  1201. >With no idea if the last statement was true, the door slams shut and you sit on the bench
  1202. >And with a sinking feeling, somehow you knew that would be the last free air you had on this planet
  1203. ------------------------------------------------------------------------------
  1204. >A year ago the judge had pronounced your sentence
  1205. >On one count of assault with a deadly weapon, two counts of murder, and one of theft over five thousand dollars, you were sentenced to life in prison with no chance of parole for twenty-five years
  1206. >The only reason you weren't being charged with the deaths of the officers that had burned to death was because they couldn't prove you had set them alight
  1207. >Though, almost as a counterbalance, they tied you into the armoured car robbery you had commited a long time past
  1208. >So here you were, a maximum security facility in Edmonton
  1209. >For some reason known only to whatever gods looked down at you, they had kept you in the city
  1210. >It really didn't matter where you were, people found reasons to pick on you anyway
  1211. >"Hey, fucker. You'd better be giving me a good chunk o' yer food there."
  1212. >Speak of the devil...
  1213. >Fish was an ugly bastard from Newfoundland
  1214. >He'd been caught illegally fishing lobsters and, instead of giving in to a misdemeanor, killed four fisheries officials
  1215. >He was ugly, he was stupid, but he was strong
  1216. >He always went after the smaller fellows, or the new ones
  1217. >You fell neatly into the latter group, even though you were a good deal taller than him
  1218. >It didn't matter to you anyway, the food was shit
  1219. >But not today
  1220. >A year ago today was when Chrysalis had been killed, or stripped away to an unknown place
  1221. >So when you didn't give up your food, or even respond, the squat, fat piece of shit grabbed you by the only personal belonging you owned, her necklace
  1222. >Well, that was something you just couldn't abide
  1223. >Before either of you could blink, you had sent a devestating punch into your attackers throat
  1224. >The convicts eyes bulged and his cheeks ballooned, making him look even more like his namesake
  1225. >The food line froze in place, besides Fish who was gasping and clawing at his crushed trachea
  1226. >And the guards immediately decended on you
  1227. >Well, now was as good a time as any
  1228. "RIOT!"
  1229. >Your shout carried across the cafeteria with the volume that even a carreer drill sergeant would be proud of
  1230. >And the cafeteria exploded
  1231. >The guards were the first targets for most inmates, the men who tormented them and kept them from doing whatever they wanted to
  1232. >You were certain that some died, but most were likely just horrifically injured
  1233. >It didn't take long for the convicts to turn on each other though
  1234. >Butter knives were picked up and discarded, usually into somebodys kidney or throat
  1235. >You escaped much of the violence though, weaving your way through the worst of the fighting to reach your destination
  1236. >A grate in the wall that was just big enough for you to squeeze into
  1237. >You knew where it went, and you knew that it was now or never
  1238. >You jump up and tear it from the flimsy, rusted screws holding it in place, discarding it carelessly into the brawl behind you
  1239. >Just as you get your shoulders into the hole, your feet are grabbed
  1240. >You fly out of the vent and slam into a wall, head first
  1241. >Crack
  1242. >Several teeth break, your skull is fractured, and you're sure that something stabbed you
  1243. >Then again, maybe you just had your ribs broken
  1244. >Either way, you had no time to contemplate as a figure loomed over you
  1245. >Oh hell
  1246. >It was Fish's girlfriend, the enormous, and improperly named, Needle
  1247. >He was named for how he supposedly killed his first victim, a red hot needle into the eye and back into the brain
  1248. >Brutal
  1249. >But he had no needle in his hand, just an ugly, steel shank
  1250. >A shank that looked suspiciously like a piece of the grille from the grate you had thrown into the crowd moments ago
  1251. >You have plenty of time to look at it as it stabs into your gut
  1252. >The murderer leaves you there an wades back into the brawl
  1253. >Kidney, liver, diaphram, maybe the pancreas
  1254. >Those were what you knew would be broken and bleeding inside from the stabbing
  1255. >You had about three minutes left at the best
  1256. >As you look into the brawl, which was strangely hypnotizing to your pain-addled mind, the figures seem to move slower
  1257. >And they looked like they were becoming monochromatic
  1258. >You narrow your eyes and turn them downwards
  1259. >No, you were still wearing Day-Glo, bleeding vibrant crimson, and had those ugly brown sneakers from the prison
  1260. >So what was going on
  1261. >In a split second of thought, the entire fight freezes
  1262. >You notice, off in the corners, guards with rubber bullet equiped shotguns, and tear gas canisters
  1263. >But none of them are moving, and all are black, white, and shades in between
  1264. >Then you hear it
  1265. >Tick, tick, tick
  1266. >You had mistaken it as a clock at first, but it clearly wasn't
  1267. >Tick, tick, tick
  1268. >The origin of the noise was getting closer with every passing second, and you struggle to turn your head towards it
  1269. >Tick, tick, tick
  1270. >Finally you rotate your neck enough, and what you see would scare the piss out of you, if you weren't already dying
  1271. >It was a fedora clad, trench coat wearing giant
  1272. >What you could see of his face was covered in a disgusting, tangled mess of a beard that extended over what appeared to be multiple chins
  1273. >The apparent fat continued into a suede trench coat that seemed to be bursting with rolls unseen by any person before
  1274. >More disturbing were the stains on it, and the reek coming from this disgusting beast
  1275. >Tick, tick, tock
  1276. >The hideous thing stopped in front of you and looked down, as though noticing you for the first time
  1277. >"Well, hello there little man."
  1278. >His voice was thin, reedy, and very nasaly, which stood contrary to his expansive figure
  1279. >"You look a bit hurt. Perhaps I can help, eh?"
  1280. >You try to choke out a coherent sentence
  1281. "Hhhnnn...help...lungs...help."
  1282. >The beast leans closer and examines the rod of metal protruding from your abdomen
  1283. >"Well actually, it's the diaphram, along with a kidney and your liver."
  1284. >Heh, you called it
  1285. >If only Donahughe were around, you'd have made a bet on it
  1286. >Snap
  1287. >A blessed warmth poured through your belly and your breathing issues disappeared along with the pain
  1288. >You look down at your stomach
  1289. >No, the chunk of iron is still there, and you're still bleeding
  1290. >But you feel just fine
  1291. >"No, I didn't fix you, but you should be able to respond just fine to me. Now, would you like my help?"
  1292. >Another glance down at the wound, then a look at the hambeast leaning over you
  1293. "Yeah, I could use a hand here..."
  1294. >The man claps his hands together and a smile marres his already hideous visage
  1295. >"Wonderful! Please, call me 'OP'. Everyone else seems to these days anyway."
  1296. >OP?
  1297. >As in, original poster, like an image board?
  1298. >Fucking weird name, though the world was frozen while you bled out so anything was possible it seemed
  1299. "So, uh, OP was it? How can you help me?"
  1300. >He rubs his hands together like a greedy merchant
  1301. >"Well you see, I'm in the business of interdimensional trade. I take beings from one universe and plop them in another one at my leisure. There are terms, of course, but I only let a few people know them. It's more fun that way!"
  1302. >You cough, and a gout of blood comes out, along with what appeared to be a chunk of flesh
  1303. >Well you weren't technically a doctor, but there was no was that was good
  1304. >"Well, anyway. I've come to offer you a deal, Anonymous. I will rescue you from this, from death. I'll bring you over to Equestria, the land of your dreams. I'll fix you up, good as new, and even deliver you to the doorstep of your waifu."
  1305. >It sounds too good to be true, there's no way that's it
  1306. "And what terms are there for this...offer?"
  1307. >His horrific grin stretches inhumanely wide
  1308. >"Well it's very simple. You'll not be allowed to have sex, ever, at all. You'll still have your dick and balls, and all the desires they come with, but no sex allowed. Should you break these terms, I'll pluck you away and put you right back here, bleeding and dying."
  1309. >Well it seemed easy enough
  1310. >Maybe that was just the blood rapidly leaving your body saying that though
  1311. >Time for one more question though
  1312. "Were you the one that brought Chrysalis here?"
  1313. >His once tight-lipped grin breaks into a smile, showing terribly decayed teeth, rotting in place
  1314. >"I was indeed, just as I took her away when the terms were broken."
  1315. >So, he had kidnapped her, then taken her away just because someone saw her?
  1316. >Well, no matter the terms, you needed to repay Chrysalis for what she had done, had sacrificed, for you
  1317. >You stretch out an arm to the fedora topped monster
  1318. "Done. Bring me home, OP."
  1319. >He giggles like a giddly schoolgirl from one of those weird, Chinese cartoons
  1320. >"Oh I was hoping for a yes. So few people choose option one. Come on then!"
  1321. >His trench coat opens with a flutter, a horrible stench leaking from the now open garment
  1322. >But, it was empty
  1323. >There was nothing but a foul smelling void
  1324. >And before you could scream, it had wrapped around you like a funeral shroud, and you could feel yourself tear away from the earth
  1325. >The trauma was just too much for you, and you black right out with a last prayer uttered into the void you were suspended in that you'd wake up again
  1326. ----------------------------------------------------------------------------
  1327. >You float through a world without form, without purpose, meaning, or name
  1328. >A dull, pulsing light grows on the horizon, beating in time with your nonexistent heart
  1329. >More than seeing it, you feel it
  1330. >A warm, wet thud that reverberates through the space inbetween reality and dream
  1331. >You are drawn towards the light
  1332. >It speaks to you without a voice, it whispers in your ear without making a noise
  1333. >It tells you that everything is going to be okay
  1334. >It tells you that it will always be there for you
  1335. >It offers you sanctuary in its residence
  1336. >And if gives you love
  1337. >Now I know, you think as your soul frays and is pulled deeper into the cast off gloom about the light, how Chrysalis felt
  1338. >And with that final thought, the warm light engulfs you, feeding heat through your limbs and form to your soul
  1339. >You snap awake screaming, your body reacting to how your soul felt at being violated in such a fundamental way
  1340. >Wait, your body
  1341. >You have a body again
  1342. >The realization is only half as impacting as the pressure you feel around your chest
  1343. >Something is restraining you
  1344. >With a sudden strike, you tear the offending appendages away from your chest
  1345. >You flip yourself over and pin your gaoler to the bed that it held you in
  1346. >"Anonymous, wait!"
  1347. >Your captor shouted in the same instant that you had frozen at seeing its face
  1348. >Rather, her face
  1349. >Chrysalis
  1350. >Alive and well, and holding you
  1351. >You scoop her into a hug and lift her off the bed, twirling about the room until your head cracks against a low hanging stalactite
  1352. >That promptly drops you on your ass, with Chrysalis landing on top of you and giggling at your antics
  1353. >"Oh, Anon. I thought I'd never see you again! How did you get here? Why did you come? What happened to make you scream like that?"
  1354. >You hold up your hands in mock surrender
  1355. "Well, I think it was the same guy that brought you here. See, I kinda got stabbed while I was in jail, and he may have offered to bring me over to your neck of the woods."
  1356. >She cuts of the explaination that you were going to continue
  1357. >"What? You were in prison? Why did they put you there, you were innocent! And the being that brought me to you brought you here? Why would he do such a thing? None of this makes se--!"
  1358. >You cut her off by putting a hand on her muzzle and giving a gentle squeeze
  1359. "Just let me get to that part, in due time. Don't interupt, okay?"
  1360. >She nods, blushing from the gentle rebuke
  1361. "Now. I was in prison because they blamed me for killing all those cops, along with a few other things that I actually did. I don't know why the thing that brought you to me brought me here. Maybe he just gets off to this kinda stuff. But none of that matters."
  1362. >You stroke her cheeks with your hand and smile
  1363. "I'm here with you now, and that's all that matters."
  1364. >The changeling queen tears up at your statement and flings herself onto your chest, sobbing at the overwhelming idea that you're here
  1365. >And you hold her there, comforting her until the sun breaks over the Eastern sky, and then until you both fall asleep
  1366. -------------------------------------------------------
  1367. >Chrysalis is standing above you with a look of lust in her eyes
  1368. >You're laying back on the couch you were sharing tonight
  1369. >You had been showing her "Avatar: The Last Airbender" over the past couple nights
  1370. >Tonight, you had just finished watching "The Cave of Two Lovers" and she had thought it was the sappiest thing she'd ever seen
  1371. >And it had got her in just the right mood
  1372. >You felt her magic pull your pants down to your ankles, along with the underpants your wore
  1373. >You felt the warmth of her marehood engulf your rapidly swelling member
  1374. >She always made short work of you, her muscle control was unbelievable
  1375. >You felt her tongue wrap itself around your shaft, stroking it in all the right places
  1376. >Wait tongue?
  1377. >You snap back to reality
  1378. >Or rather, wakefulness
  1379. >The groginess that usually came with a quick awakening, especially from a dream like that, was hurridly dispelled when you see the reason for it
  1380. >Chrysalis' head bobs up and down on your crotch, a steady rhythm that feels too damn good for you to stop her
  1381. >But you at least manage to form a coherent sentence in spite of the stimuli
  1382. "Chrysi...hey, stop a second would you?"
  1383. >She does as she's bid and looks up at you, though she keeps her mouth around your dick
  1384. >~What is it, Anonymous?~
  1385. >You feel the words, less than hearing them
  1386. >Oh...she was using telepathy
  1387. >Too bad you don't know how to respond with it
  1388. "The guy that brought me here, he said if I do anything sexual with ponies then...I'll be sent back right to where I was, dying on the floor."
  1389. >She removes herself from her actions and stares at you with a look, of what could be contempt, on her face
  1390. >"You think this is about pleasure, Anonymous? This is about survival! All of my children are dead, I'm the only changeling left in Equestria! You think that I'm doing this because I want to PLEASURE you?"
  1391. >You shrink back from her
  1392. >She was right, why would you immediately assume such a thing
  1393. >Well, because of humans inherent nature to have sex for pleasure, not so much procreating
  1394. "Look, I'm sorry. I just don't want to lose you again."
  1395. >She nuzzles your bare leg and looks up at you
  1396. >"I don't want to lose you either, but I don't want to be the only one left of my entire race. Please..."
  1397. >You smile, lean down, and stroke her horn, eliciting a moan from her
  1398. >She takes her cue and goes back to what she was doing while you were sleeping
  1399. >It doesn't take her long
  1400. >Who knew that changeling tongues were prehensile?
  1401. >As you moan in ecstasy, she deepthroats you quickly and swallows your load
  1402. >With what little strength of will you have left, you take her horn and pull her, gently, towards you
  1403. >She follows the little force you put behind the action and nuzzles up to your neck
  1404. >Well, no OP around, so you figure that this at least was okay to do
  1405. >But then something occurs to you
  1406. "Hold on. I'm a human, you're a changeling. How will our genetics be compatible enough to produce kids?"
  1407. >She purrs into your neck before explaining
  1408. >"When I swallowed your semen, it was directed to a certain gland in my body. There, its genetic material will be absorbed and used to fertilize eggs, after a complex process involving magic to make it compatible. It'll all be done automatically though, so we can do whatever in the mean time."
  1409. >That only raised further questions
  1410. "Wait, then why would you need me? I've been gone for over a year, why not just use the material from any other species around here?"
  1411. >She pulls away from you with a look of shock in her eyes
  1412. >Shock that is accented by the formation of tears
  1413. >"Anon...you're the only thing besides my own children that I've ever loved. How could I use another being after the bond I formed with you? There was no other option but to wait for you, or die alone."
  1414. >That was an incredible testament to her will
  1415. >And reminded you of the weight that hung about your neck
  1416. >You remove the necklace from your person and wrap it around her, once more giving her the only physical object that would ever express your love for her
  1417. >In return, she nips your neck in what you had come to interpret at a sign of her affection
  1418. >You knew that this was a relationship that would last as long as you two were with each other
  1419. >The months passed by rather quickly
  1420. >Especially with a new concern mounting for yourself and Chrysalis
  1421. >Parenthood
  1422. >It seemed that, though your 'material' had been modified to be compatible, the act had also repurposed her reproductive system somewhat
  1423. >She now gestated and gave live birth, instead of laying a clutch of fertilized eggs
  1424. >She was shocked when, in three months, she had given birth to what had looked like a little, human girl
  1425. >Except had a physical structure like her mother from the waist down, and large eyes, entirely robin's egg blue, without a visible pupil
  1426. >Proud tears had come to your eyes when you held the baby in your arms
  1427. >Well, after Chrysalis had nearly bitten your arm off for trying to take her away
  1428. >Once you'd calmed her down, you held the child and softly sang the same lullaby you had sung to your long gone, long vanished girlfriend
  1429. >You never had found out what happened to her
  1430. >You'd cried the entire time you held your little bundle of joy
  1431. >Over the next while, Chrysalis began to birth them in groups of three or more at a time
  1432. >It seemed that her organs were adapting to the stange act of gestation the more they experienced it
  1433. >Or something
  1434. >You weren't a biologist to decide such things
  1435. >You were just a father that enjoyed the company of the being that could best be called hs wife, and his children
  1436. >All near two hundred of them
  1437. >After that many, she seemed to stop producing eggs entirely
  1438. >Maybe her body was just exhausted, her body knew that she'd not be able to produce any more and stay healthy
  1439. >Whatever it was, two years had passed since your coming to the pony world, and you only rarely ventured outside the two or so acres that your family had taken as their own
  1440. >Turns out, they didn't need much food with you around
  1441. >Apparently humans were a better source of love than ponies because something something deeper meaning
  1442. >You didn't care for the explaination, you cared for what it ultimately meant
  1443. >Which in this case, was that you provided for your family simply by hugging them, playing with them, or letting them share your and Chrysi's bed when they had bad dreams
  1444. >But you knew that the peace you enjoyed could only last so long
  1445. >Such was the life you lived
  1446. >Your oldest daughter came running over the hill that crested above the Everfree Forest
  1447. >Your little abode was on the Southern end of the dangerous place, the opposite side that Ponyville was on
  1448. >You had figured if you didn't bother the ponies, they wouldn't bother you
  1449. >You could see tears brimming in her solid blue eyes
  1450. >Even though she was just two years old, her body had matured to the point of a nine or ten year old
  1451. >It seemed that the little satyrs grew faster than normal children, that was good for you
  1452. >The second you saw her crest the hill, you had already been running towards her
  1453. >Normally, you'd walk calmly out, so as to not alarm the rest of your kids, but this was clearly something important, possibly and emergency
  1454. >When she got within ten feet of you, she flung herself into the air and propelled herself on barely visible wings into a tackling hug
  1455. >You hold the hug for a few seconds before pushing her back and holding onto her shoulders while you looked her in the eyes
  1456. "Mistake, what's wrong, why are you crying?"
  1457. >The poor girl sniffled and wiped her eyes
  1458. >Mistake, it sounded like a horrible name to give a child, especially one like her
  1459. >But it hadn't been entirely your fault
  1460. >Neither you nor Chrysalis could think of  name for her as she grew, and by the time she was walking, you both still didn't think of anything
  1461. >One time, when you were sitting in bed with your child and wife, stroking the former and holding the latter, Chrysalis had asked you a question that horrified you
  1462. >"Anonymous...did we make a mistake?"
  1463. >You were shocked at the question, and responded in a sharper way than you intended to
  1464. "What the fuck are you talking about? Our child is not a mistake!"
  1465. >Chrysalis began to cry when you raised your voice
  1466. >"It's my fault, my body must have screwed up somewhere. I know that it made a mistake somewhere!"
  1467. >You grabbed her muzzle forcefully as the last syllable had left her mouth
  1468. >Then you had quieted your voice, conscious of the stirring child clinging to your chest
  1469. "Listen to me Chrysi. We didn't make a mistake. But we do have a responsibility to raise this child, okay? No matter what she is, human, changeling, or something in between. Even if she is a mistake, he's our mistake, okay?"
  1470. >Chrysalis had nodded and laid her head down on your chest, sharing the space with her daughter, and fell asleep
  1471. >After a time, you fell asleep as well
  1472. >The next morning, as you were cooking breakfast for yourself on the stove you had made, your daughter had bounded into the room, excitedly shouting her first word
  1473. >Though the nature of the word stopped it from being a magical moment for you
  1474. >"Mistake! Mistake! Mistake!"
  1475. >It took you a second to realize she was pointing at herself every time she said it
  1476. >You picked the child up in your arms and tried to get her to stop
  1477. >But every time you shushed her, she said it again with a bigger grin
  1478. >Finally, you just gave in
  1479. >Chrysalis was actually relieved by the event
  1480. >"It means that even if she is called a mistake, she'll never take it as an insult. Maybe it's for the best."
  1481. >That was what she had said
  1482. >And you had known, deep down, it was the truth
  1483. >So, in the present and not your memories, Mistake explained what had happened
  1484. >"I was in the forest, deeper than you said to go. I'm sorry daddy!"
  1485. >You shushed her cries and stroked her back
  1486. "Hey, princess, it's okay. What happened to make you cry though?"
  1487. >She looked into your eyes and continued the story
  1488. >"Well, I went pretty far in and found some buildings. There were creatures that looked like mommy but were all colourful. I went to go say hi and they screamed and ran away. I went after them to find out what was wrong, but they ran into a big building with a bell on top."
  1489. >Her sobs have mostly stopped, though the tears are still running down her face
  1490. >"I went in and there was a bigger one that the little ones were all huddled behind, I think it was their mommy. But she started screaming at me to go away because I was bad and I would hurt the children. But I would never hurt them, daddy! Never!"
  1491. >You lift her chin up gently so she looks into your eyes
  1492. "Hey, I know that. Maybe she just made a mistake, eh? You looked different than her, so she got scared. Don't worry, I'll go with you next time, okay?"
  1493. >She smiles up at you and sniffs away the last of the tears
  1494. >"Okay daddy!"
  1495. >You give her another hug, kiss her on the forehead, and send her to go play with her siblings
  1496. >You had to talk to Chrysalis about this
  1497. >Making your way through the throngs of your kids, who were sprawling all over the area, wrestling or playing other games with each other, you headed for the cave you called home
  1498. >When you made it inside, you immediately went to where you knew Chrysalis would be
  1499. >She was there, as expected, reading a story to about eight childlings
  1500. >When you came in, she smiled and closed the book after marking the page
  1501. >"Okay kids, time to go out and play. Mommy and Daddy need to talk?"
  1502. >They moaned and groaned, but did as they were told and left
  1503. >You sat next to her and kissed her cheek
  1504. >"What's the matter?"
  1505. >You smile at the matronly changeling
  1506. "You know me too well, hon. Mistake was walking through the Everfree and...well she made it all the way to Ponyville."
  1507. >Chrysalis gasped and, in the same instant, snarled
  1508. >"Did they do anything to her? I swear if they touched one hair of my daughters head I'll--"
  1509. >You cut her off before she can go on about what horrible things she'd do to the ponies
  1510. "She's fine. They just yelled and scared her off. But we can't avoid it any longer, we need to go and meet with the ponies. The last thing we need is open warfare, okay?"
  1511. >Chrysalis sighs and nods her head
  1512. >"Very well. Tomorrow we will--"
  1513. >For the second time in as many minutes, the queen-mother is cut off
  1514. >This time though, it's by a screaming, crying, scared stampede of her children
  1515. >You immediately thought danger and took the long knife you kept hidden under your bed from its place
  1516. >Chrysalis stood beside you, blocking any access to your kin, protectively
  1517. >And ever so slowly, you two advanced down the tunnel to the entrance
  1518. >Finally, you stepped into the daylight
  1519. >Only to be ordered to halt by an officious looking stallion in fancy armour, flanked by perhaps forty troops also armoured and armed
  1520. >"Come no further, changeling and...consort? We will not tolerate your presence on these sovreign lands of Equestria!"
  1521. >You glance at his cutie mark
  1522. >It had been so long since you'd seen the show, but somehow that mark clicked just so
  1523. "Captain Shining Armour, of the Royal Equestrian Guard. Queen Chrysalis and I, her mate, mean none of you any harm. However, we will do what is necessary to protect our children, even if it means resorting to violence."
  1524. >The captain, who was indeed Shining Armour, brother of the element of magic took a step back wards
  1525. >Clearly he was shocked that you knew about him at all
  1526. >"I..uh that is, the princess' recognize the changeling threat as it is. We witnessed the results of their previous attempt to conquer Canterlot, which was stopped by Princess Cadence!"
  1527. >Chrysalis muttered under her breath at the mention of Cadence
  1528. >"Little whore."
  1529. >You stifle a laugh, remembering making fun of her for being the princess of 'love' of all sorts
  1530. >But the high and mighty captain was on a roll and didn't even notice
  1531. >"Vacate these lands now, or you will be vacated by force. I have a platoon of the finest guardsponies available to me, and we will not hesitate to protect out home."
  1532. >You glance over at Chrysalis, who was breathing heavy with anticipation
  1533. "That sounds like a challenge, my queen. What would you say to that?"
  1534. >She rears up to her full height and laughs before shouting down at Shining
  1535. >"This is my home, little pony. I gave birth to my children here, and I have raised them here. Not even ten thousand guards could stop me from living in this land. So go tell your princess' to come in person if they want to negotiate, not to send belligerent underlings!"
  1536. >One of the unicorns in the troop, a young one with a coat the colour of gamboge, and a mane like a raw sapphire
  1537. >"Don't you dare speak to the captain that way!"
  1538. >A bolt of magic flew from his horn, one that Chrysalis couldn't deflect from being distracted by the captain in question
  1539. >So you react, with speeds far faster than you could have even managed normally, and deflected it from the flat of the blade back to its source
  1540. >The bolt scorched the stupid guards horn and knocked him out cold
  1541. >Unfortunately the rest of the platoon, deciding that was the opening of hostilities, opened fire
  1542. >You grab Chrysalis and throw yourself on top of her, slamming hard into the dirt
  1543. >Your vision flashes red for a second, and you manage to growl an order to Chrysalis before you inexplicably lose control of yourself
  1544. "Stay down!"
  1545. >With that, you throw yourself at the group of ponies, burning out their ley-lines trying to hit you
  1546. >Many go wide because of your erratic movement, but some scorch the jacket you wear over your clothing
  1547. >Then you reach the first guard in the line up, or the closest one to you at least
  1548. >You grab him, by his horn, and throw him into the ranks of his fellows
  1549. >The resulting magical feedback triggers three seizures in other unicorns around him, and gives you a splitting migrane
  1550. >But you had to ignore all that for now
  1551. >You let your hind brain take over the fight, only thinking conscousely in order to make sure no blow was lethal
  1552. >No point in being seen as an animal, it certainly wouldn't help your case
  1553. >It was clear the ponies were out of touch with hand to hoof combat, and you only had a few lucky hits on your ribs
  1554. >Within minutes, the guards were all on the ground, besides their captain
  1555. >As you stalked up on him, knife held low, you felt the corners of your mouth twist up in a grin
  1556. >But he didn't become captain of the guard by being stupid
  1557. >He casts a barrier in front of himself, but it isn't an ordinary barrier
  1558. >You see yourself in it
  1559. >And it frightens you
  1560. >Your face is twisted in a maniac grin, your eyes glowing green and appearing to leak some kind of smoke from the sides
  1561. >Blood covers half of your head from a glancing hit from a bolt of magic
  1562. >And your hands are aglow with some kind of mystic energy
  1563. >With a great force of will, you force yourself to become calm
  1564. >The monster in the barrier fades away and is replaced by a scared, injured human with a knife
  1565. >But you maintain a blank face and look Shining Armour right in his eyes
  1566. "The princess' can come themselves if they want to try and make us leave. Until then, do not dare come back. Next time, I won't hold myself back from killing you all."
  1567. >The guardpony gulped and backed away
  1568. >"I...I will pass on the message to the princesses."
  1569. >To his credit, he didn't look away until he was across the hill
  1570. >You sat down, hard, when he was finally out of sight
  1571. >Chrysalis was immediately  by your side, nuzzling at your neck and licking your wounds
  1572. >"Anon, do you think they'll be back?"
  1573. >You run a hand through your matted hair, dropping the knife at your side
  1574. "I have no doubt. But don't worry, I'd bring the princess' themselves low to keep you and our children safe."
  1575. >You wrap an arm around her withers and she rests her head on your chest
  1576. >And there you sit as your children come out and gather around you, Mistake pushing her way to the front and curling up in your lap
  1577. >So your family spend the night under the moon, sleeping the warm summer night away
  1578. >None of you knew what you'd need to face in the coming weeks and months, but it was certain you would face it as a family
  1579. -------------------------------------------------------------------------
  1580. >Three days passed
  1581. >Nothing happened, so the children relaxed and went back to playing outside after the second day
  1582. >You spent more time with them, as a result of the fear of an attack
  1583. >Chrysalis, as well, was spending much more time outside among the children, but always beside you
  1584. >It was fine by you, you quite enjoyed spending so much time with her
  1585. >It was quite often that you two would simply sit at the top of the hill, basking in the last days of summer, while your children roughed about the area, never straying out of sight
  1586. >But you could feel it, and so could she
  1587. >Something was in the air, a tension that came before something broke
  1588. >So when it did finally break, you were prepared
  1589. >The sun rose on the fourth day, and the sound of trumpets heralded the end of the peace that had consumed the past few days
  1590. >You rose with Chrysalis, the childlings sleeping all around the area getting up more slowly than you two
  1591. >With Mistake, the oldest of her siblings, in tow you make your way outside to greet whatever was here to bother you this time
  1592. >The sight was rather shocking
  1593. >Six gold carriages drawn by, if their uniforms were anything to go by, elite pegasi warriors landed about forty meters from the cave entrance
  1594. >When their passengers disembark Chrysalis immediately hisses, sending a backwash through the limited hive mind shared with her children and with you
  1595. >It warned them to stay inside the cave
  1596. >But the one who was already outside clung to you leg even tighter, too scared to do anything else
  1597. >It was no matter of course
  1598. >You would protect her, you'd protect the entire hive
  1599. >The Bearers of Harmony stepped daintily from their transports, each carrying the embodiment of the element they represented in life
  1600. >Neither you, nor Chrysalis, made any move towards them
  1601. >They weren't guests to be treated with manners; it was clear they had come with intent to get rid of you and your family
  1602. >Eventually, they found their way over to you two and Chrysalis engaged in a staredown with Twilight Sparkle, who was at the head of the pack of friends
  1603. >After a time, Chrysalis smiled
  1604. >You knew that smile, she was going to taunt the shit out of Twilight
  1605. >"So the rumours of your being a princess were true. I'm not sure if congratulations or lamentations are in order. I suppose you'll know once you watch all your friends whither and die in age, while you stay aside of the ravages of time."
  1606. >Twilight huffed, but came back with a barbed retort quickly
  1607. >"And the rumours of your demise, it seems, were greatly exagerated. But it seems that the same can not be said for your brood. Why I personally saw the last one expire in the Canterlot dungeons."
  1608. >You didn't need the mental link with the hive queen to know that Twilight had hit a dangerously raw nerve
  1609. >Oh Twilight, such a smart little mare, but so damn stupid when it came to interacting with anything but her friends
  1610. >Without a sound, Chrysalis engulfed the young princess in a cocoon of magic and threw her against one of the chariots
  1611. >"Do not dare speak of my children with such disdain! I don't care if you're a regular pony, stupid princess, or the embodiment of chaos entirely, I will not tolerate such things!"
  1612. >Rainbow Dash flew in from what appeared to be nowhere and tackled the brood mother
  1613. >"What the hay are you doing you monster? We came here to offer you a chance, and you attack us?"
  1614. >This time, you step in from the sidelines, slightly encumbered by the frightened childling clining to your shin
  1615. >You grab Dash by the throat, with only a little less force than required to crush her trachea, and pull her away from Chrysalis
  1616. "Don't you dare touch her again, pegasus. We live here with our children in peace, but you bring armoured and armed platoons of uncorns to push us out. Now you come, bearing the Elements no less, to do the same. All we want is peace, but it is clear that we cannot have it so long as you believe us so weak that a few guards can remove us."
  1617. >You throw her back to her friends, who are crowded around Twilight
  1618. >The purple alicorn clambers to her hooves unsteadily, but when she looks back at you her gaze is of iron
  1619. >"Formation girls."
  1620. >You know what they're doing the second it starts, but you're powerless to stop
  1621. >Some kind of hypnotic property of the activation of the Elements held you in place
  1622. >And so, you could only watch the events unfold as they did
  1623. >Chrysalis, it seemed, too was struck by the elements, and froze in a stupor just watching her demise come on
  1624. >But as the prismatic beam tore up through the sky, one soul broke the curse through sheer force of will
  1625. >Chrysalis was thrown a few meters away from where the beam of the elements struck
  1626. >But the place she had occupied wasn't empty when she left it
  1627. >A piercing scream echoes through the valley, as though rising from Tartarus itself
  1628. >It breaks the spell over you, and you sprint over to where the still smouldering crater that the Elements had made was
  1629. >Without regard for your own safety, you jump into the hole
  1630. >Patches of the ground have turned to liquid glass from the heat, and they melt the soles of your boots something awful
  1631. >But when you reach the epicenter of the attack, what you find drops you to your knees in spite of the extreme conditions
  1632. >You grab your firstborn child, Mistake, and cradle her next to your chest
  1633. >Her small frame is burned and bloodied, her huma skin cracking in the heat, and her chitinous legs twisted at odd angles
  1634. >She looks at you with tearful eyes, clouded with a milky precipitate
  1635. >"Daddy...what happened? Why is it so hot?"
  1636. >Her voice is barely loud enough to be heard over the spitting, cooling earth around you
  1637. "Don't worry princess, you're going to be just fine. You've just got a few owies on you. When we get back to the cave, we'll patch you up, okay?"
  1638. >She smiles at you, chapped lips cracking and bleeding
  1639. >"Okay, daddy. Thank you for turning down the heat."
  1640. >Turning down the...? Oh no
  1641. >The child closes her eyes and slumps in your arms
  1642. >With a dreadful certainty, you know that the first casualty of what could be a horrific war has fallen
  1643. >Tears fall down your cheeks, streaking through the soot and ash marring them, as you make your way out of the crater
  1644. >You ignore the attempted apologies of of the shocked ponies, making a beeline for the paralyzed queen just aside the crater
  1645. >Without a word passed between you two, you place the body of your firstborn on her back
  1646. >Chrysalis removes the lifeless child with magic and sinks to the ground, cradling it and sobbing as any mother who has lost her child would
  1647. >But the the mournful wails, the atmosphere is still
  1648. >You decide to break that stillness
  1649. "Twilight Sparkle."
  1650. >Your voice carries no authority, no excessive volume, not even emotion
  1651. >And it carried the point across perfectly
  1652. >The young alicorn, ears flat against her skull with fear, approaches you
  1653. >"I-I'm sorry, we didn't want to kill anypony. Much less a little girl like--"
  1654. >You cut her off with a gesture and step up closer to her
  1655. >Once you're within inches of her, you kneel down so you can look her in the eyes
  1656. "None of us here, but for you, are ponies. And none of us here want anything to do with you, we just wanted to raise our family in peace. But you just couldn't abide that, could you? Creatures living in peace outside your domain."
  1657. >Twilight is locked into staring at you, though tears pour freely down her cheeks
  1658. >It doesn't stop you from reach back and stroking her mane
  1659. "And so you brought a fight to us, thinking we would just keel over at the first sign of a threat and surrender. But you found us to be tougher than you expected, so you sent the most powerful magic items in the universe to bring us low. And with them, you ended the life of a child, my firstborn daughter."
  1660. >Your hand reaches the base of her wings and she shudders
  1661. >Clearly they were indeed quite sensitive, though you had no intention to pleasure her, if they were indeed erotic
  1662. "Do you know the difference between a mistake and a failure, Ms. Sparkle?"
  1663. >Though wracked with sobs, she manages to shake her head slowly
  1664. >Her friends, as you noticed, are too shocked by the scene to do anything, likely because you appear to be comforting her
  1665. "A mistake is a mistake. It only becomes a failure when you refuse to correct it."
  1666. >With that said, you grasp the base of her one with with the hand already there and reach forward and take the second one in your other hand
  1667. >And with one, mighty wrench, fueled by the righteous anger of a father devestated by loss, you snap the hollow bones of her wings
  1668. >She collapses to the ground, screaming and writhing in utter agony
  1669. >But you just stand above her, without any sort of emotion contorting your features
  1670. >Emotion doesn't even taint your voice when you speak down to the screeching mare
  1671. "The mistake has been corrected, Twilight Sparkle. Let us hope you are not foolish enough to attempt something like this again
  1672. >Her friends and the guards, clearly more concerned with her wellbeing than fighting you, carry her back to the chariots and then take off at a breakneck pace
  1673. >But you sink down next to your wife, holding her along with the body of your child, while your children slowly crawl out of the cave to be around you
  1674. >As a family you cry and wail at the death of Mistake, as a family you hold each other in comfort
  1675. >And eventually, as a family, you sleep under the stars unwilling to leave each other, even for a second
  1676. --------------------------------------------------------------------------
  1677. >A year ago the judge had pronounced your sentence
  1678. >On one count of assault with a deadly weapon, two counts of murder, and one of theft over five thousand dollars, you were sentenced to life in prison with no chance of parole for twenty-five years
  1679. >The only reason you weren't being charged with the deaths of the officers that had burned to death was because they couldn't prove you had set them alight
  1680. >Though, almost as a counterbalance, they tied you into the armoured car robbery you had commited a long time past
  1681. >So here you were, a maximum security facility in Edmonton
  1682. >For some reason known only to whatever gods looked down at you, they had kept you in the city
  1683. >It really didn't matter where you were, people found reasons to pick on you anyway
  1684. >"Hey, fucker. You'd better be giving me a good chunk o' yer food there."
  1685. >Speak of the devil...
  1686. >Fish was an ugly bastard from Newfoundland
  1687. >He'd been caught illegally fishing lobsters and, instead of giving in to a misdemeanor, killed four fisheries officials
  1688. >He was ugly, he was stupid, but he was strong
  1689. >He always went after the smaller fellows, or the new ones
  1690. >You fell neatly into the latter group, even though you were a good deal taller than him
  1691. >It didn't matter to you anyway, the food was shit
  1692. >But not today
  1693. >A year ago today was when Chrysalis had been killed, or stripped away to an unknown place
  1694. >So when you didn't give up your food, or even respond, the squat, fat piece of shit grabbed you by the only personal belonging you owned, her necklace
  1695. >Well, that was something you just couldn't abide
  1696. >Before either of you could blink, you had sent a devestating punch into your attackers throat
  1697. >The convicts eyes bulged and his cheeks ballooned, making him look even more like his namesake
  1698. >The food line froze in place, besides Fish who was gasping and clawing at his crushed trachea
  1699. >And the guards immediately decended on you
  1700. >Well, now was as good a time as any
  1701. "RIOT!"
  1702. >Your shout carried across the cafeteria with the volume that even a carreer drill sergeant would be proud of
  1703. >And the cafeteria exploded
  1704. >The guards were the first targets for most inmates, the men who tormented them and kept them from doing whatever they wanted to
  1705. >You were certain that some died, but most were likely just horrifically injured
  1706. >It didn't take long for the convicts to turn on each other though
  1707. >Butter knives were picked up and discarded, usually into somebodys kidney or throat
  1708. >You escaped much of the violence though, weaving your way through the worst of the fighting to reach your destination
  1709. >A grate in the wall that was just big enough for you to squeeze into
  1710. >You knew where it went, and you knew that it was now or never
  1711. >You jump up and tear it from the flimsy, rusted screws holding it in place, discarding it carelessly into the brawl behind you
  1712. >Just as you get your shoulders into the hole, your feet are grabbed
  1713. >You fly out of the vent and slam into a wall, head first
  1714. >Crack
  1715. >Several teeth break, your skull is fractured, and you're sure that something stabbed you
  1716. >Then again, maybe you just had your ribs broken
  1717. >Either way, you had no time to contemplate as a figure loomed over you
  1718. >Oh hell
  1719. >It was Fish's girlfriend, the enormous, and improperly named, Needle
  1720. >He was named for how he supposedly killed his first victim, a red hot needle into the eye and back into the brain
  1721. >Brutal
  1722. >But he had no needle in his hand, just an ugly, steel shank
  1723. >A shank that looked suspiciously like a piece of the grille from the grate you had thrown into the crowd moments ago
  1724. >You have plenty of time to look at it as it stabs into your gut
  1725. >The murderer leaves you there an wades back into the brawl
  1726. >Kidney, liver, diaphram, maybe the pancreas
  1727. >Those were what you knew would be broken and bleeding inside from the stabbing
  1728. >You had about three minutes left at the best
  1729. >As you look into the brawl, which was strangely hypnotizing to your pain-addled mind, the figures seem to move slower
  1730. >And they looked like they were becoming monochromatic
  1731. >You narrow your eyes and turn them downwards
  1732. >No, you were still wearing Day-Glo, bleeding vibrant crimson, and had those ugly brown sneakers from the prison
  1733. >So what was going on
  1734. >In a split second of thought, the entire fight freezes
  1735. >You notice, off in the corners, guards with rubber bullet equiped shotguns, and tear gas canisters
  1736. >But none of them are moving, and all are black, white, and shades in between
  1737. >Then you hear it
  1738. >Tick, tick, tick
  1739. >You had mistaken it as a clock at first, but it clearly wasn't
  1740. >Tick, tick, tick
  1741. >The origin of the noise was getting closer with every passing second, and you struggle to turn your head towards it
  1742. >Tick, tick, tick
  1743. >Finally you rotate your neck enough, and what you see would scare the piss out of you, if you weren't already dying
  1744. >It was a fedora clad, trench coat wearing giant
  1745. >What you could see of his face was covered in a disgusting, tangled mess of a beard that extended over what appeared to be multiple chins
  1746. >The apparent fat continued into a suede trench coat that seemed to be bursting with rolls unseen by any person before
  1747. >More disturbing were the stains on it, and the reek coming from this disgusting beast
  1748. >Tick, tick, tock
  1749. >The hideous thing stopped in front of you and looked down, as though noticing you for the first time
  1750. >"Well, hello there little man."
  1751. >His voice was thin, reedy, and very nasaly, which stood contrary to his expansive figure
  1752. >"You look a bit hurt. Perhaps I can help, eh?"
  1753. >You try to choke out a coherent sentence
  1754. "Hhhnnn...help...lungs...help."
  1755. >The beast leans closer and examines the rod of metal protruding from your abdomen
  1756. >"Well actually, it's the diaphram, along with a kidney and your liver."
  1757. >Heh, you called it
  1758. >If only Donahughe were around, you'd have made a bet on it
  1759. >Snap
  1760. >A blessed warmth poured through your belly and your breathing issues disappeared along with the pain
  1761. >You look down at your stomach
  1762. >No, the chunk of iron is still there, and you're still bleeding
  1763. >But you feel just fine
  1764. >"No, I didn't fix you, but you should be able to respond just fine to me. Now, would you like my help?"
  1765. >Another glance down at the wound, then a look at the hambeast leaning over you
  1766. "Yeah, I could use a hand here..."
  1767. >The man claps his hands together and a smile marres his already hideous visage
  1768. >"Wonderful! Please, call me 'OP'. Everyone else seems to these days anyway."
  1769. >OP?
  1770. >As in, original poster, like an image board?
  1771. >Fucking weird name, though the world was frozen while you bled out so anything was possible it seemed
  1772. "So, uh, OP was it? How can you help me?"
  1773. >He rubs his hands together like a greedy merchant
  1774. >"Well you see, I'm in the business of interdimensional trade. I take beings from one universe and plop them in another one at my leisure. There are terms, of course, but I only let a few people know them. It's more fun that way!"
  1775. >You cough, and a gout of blood comes out, along with what appeared to be a chunk of flesh
  1776. >Well you weren't technically a doctor, but there was no was that was good
  1777. >"Well, anyway. I've come to offer you a deal, Anonymous. I will rescue you from this, from death. I'll bring you over to Equestria, the land of your dreams. I'll fix you up, good as new, and even deliver you to the doorstep of your waifu."
  1778. >It sounds too good to be true, there's no way that's it
  1779. "And what terms are there for this...offer?"
  1780. >His horrific grin stretches inhumanely wide
  1781. >"Well it's very simple. You'll not be allowed to have sex, ever, at all. You'll still have your dick and balls, and all the desires they come with, but no sex allowed. Should you break these terms, I'll pluck you away and put you right back here, bleeding and dying."
  1782. >Well it seemed easy enough
  1783. >Maybe that was just the blood rapidly leaving your body saying that though
  1784. >Time for one more question though
  1785. "Were you the one that brought Chrysalis here?"
  1786. >His once tight-lipped grin breaks into a smile, showing terribly decayed teeth, rotting in place
  1787. >"I was indeed, just as I took her away when the terms were broken."
  1788. >So, he had kidnapped her, then taken her away just because someone saw her?
  1789. >Well, no matter the terms, you needed to repay Chrysalis for what she had done, had sacrificed, for you
  1790. >You stretch out an arm to the fedora topped monster
  1791. "Done. Bring me home, OP."
  1792. >He giggles like a giddly schoolgirl from one of those weird, Chinese cartoons
  1793. >"Oh I was hoping for a yes. So few people choose option one. Come on then!"
  1794. >His trench coat opens with a flutter, a horrible stench leaking from the now open garment
  1795. >But, it was empty
  1796. >There was nothing but a foul smelling void
  1797. >And before you could scream, it had wrapped around you like a funeral shroud, and you could feel yourself tear away from the earth
  1798. >The trauma was just too much for you, and you black right out with a last prayer uttered into the void you were suspended in that you'd wake up again
  1799. ----------------------------------------------------------------------------
  1800. >You float through a world without form, without purpose, meaning, or name
  1801. >A dull, pulsing light grows on the horizon, beating in time with your nonexistent heart
  1802. >More than seeing it, you feel it
  1803. >A warm, wet thud that reverberates through the space inbetween reality and dream
  1804. >You are drawn towards the light
  1805. >It speaks to you without a voice, it whispers in your ear without making a noise
  1806. >It tells you that everything is going to be okay
  1807. >It tells you that it will always be there for you
  1808. >It offers you sanctuary in its residence
  1809. >And if gives you love
  1810. >Now I know, you think as your soul frays and is pulled deeper into the cast off gloom about the light, how Chrysalis felt
  1811. >And with that final thought, the warm light engulfs you, feeding heat through your limbs and form to your soul
  1812. >You snap awake screaming, your body reacting to how your soul felt at being violated in such a fundamental way
  1813. >Wait, your body
  1814. >You have a body again
  1815. >The realization is only half as impacting as the pressure you feel around your chest
  1816. >Something is restraining you
  1817. >With a sudden strike, you tear the offending appendages away from your chest
  1818. >You flip yourself over and pin your gaoler to the bed that it held you in
  1819. >"Anonymous, wait!"
  1820. >Your captor shouted in the same instant that you had frozen at seeing its face
  1821. >Rather, her face
  1822. >Chrysalis
  1823. >Alive and well, and holding you
  1824. >You scoop her into a hug and lift her off the bed, twirling about the room until your head cracks against a low hanging stalactite
  1825. >That promptly drops you on your ass, with Chrysalis landing on top of you and giggling at your antics
  1826. >"Oh, Anon. I thought I'd never see you again! How did you get here? Why did you come? What happened to make you scream like that?"
  1827. >You hold up your hands in mock surrender
  1828. "Well, I think it was the same guy that brought you here. See, I kinda got stabbed while I was in jail, and he may have offered to bring me over to your neck of the woods."
  1829. >She cuts of the explaination that you were going to continue
  1830. >"What? You were in prison? Why did they put you there, you were innocent! And the being that brought me to you brought you here? Why would he do such a thing? None of this makes se--!"
  1831. >You cut her off by putting a hand on her muzzle and giving a gentle squeeze
  1832. "Just let me get to that part, in due time. Don't interupt, okay?"
  1833. >She nods, blushing from the gentle rebuke
  1834. "Now. I was in prison because they blamed me for killing all those cops, along with a few other things that I actually did. I don't know why the thing that brought you to me brought me here. Maybe he just gets off to this kinda stuff. But none of that matters."
  1835. >You stroke her cheeks with your hand and smile
  1836. "I'm here with you now, and that's all that matters."
  1837. >The changeling queen tears up at your statement and flings herself onto your chest, sobbing at the overwhelming idea that you're here
  1838. >And you hold her there, comforting her until the sun breaks over the Eastern sky, and then until you both fall asleep
  1839. -------------------------------------------------------
  1840. >Chrysalis is standing above you with a look of lust in her eyes
  1841. >You're laying back on the couch you were sharing tonight
  1842. >You had been showing her "Avatar: The Last Airbender" over the past couple nights
  1843. >Tonight, you had just finished watching "The Cave of Two Lovers" and she had thought it was the sappiest thing she'd ever seen
  1844. >And it had got her in just the right mood
  1845. >You felt her magic pull your pants down to your ankles, along with the underpants your wore
  1846. >You felt the warmth of her marehood engulf your rapidly swelling member
  1847. >She always made short work of you, her muscle control was unbelievable
  1848. >You felt her tongue wrap itself around your shaft, stroking it in all the right places
  1849. >Wait tongue?
  1850. >You snap back to reality
  1851. >Or rather, wakefulness
  1852. >The groginess that usually came with a quick awakening, especially from a dream like that, was hurridly dispelled when you see the reason for it
  1853. >Chrysalis' head bobs up and down on your crotch, a steady rhythm that feels too damn good for you to stop her
  1854. >But you at least manage to form a coherent sentence in spite of the stimuli
  1855. "Chrysi...hey, stop a second would you?"
  1856. >She does as she's bid and looks up at you, though she keeps her mouth around your dick
  1857. >~What is it, Anonymous?~
  1858. >You feel the words, less than hearing them
  1859. >Oh...she was using telepathy
  1860. >Too bad you don't know how to respond with it
  1861. "The guy that brought me here, he said if I do anything sexual with ponies then...I'll be sent back right to where I was, dying on the floor."
  1862. >She removes herself from her actions and stares at you with a look, of what could be contempt, on her face
  1863. >"You think this is about pleasure, Anonymous? This is about survival! All of my children are dead, I'm the only changeling left in Equestria! You think that I'm doing this because I want to PLEASURE you?"
  1864. >You shrink back from her
  1865. >She was right, why would you immediately assume such a thing
  1866. >Well, because of humans inherent nature to have sex for pleasure, not so much procreating
  1867. "Look, I'm sorry. I just don't want to lose you again."
  1868. >She nuzzles your bare leg and looks up at you
  1869. >"I don't want to lose you either, but I don't want to be the only one left of my entire race. Please..."
  1870. >You smile, lean down, and stroke her horn, eliciting a moan from her
  1871. >She takes her cue and goes back to what she was doing while you were sleeping
  1872. >It doesn't take her long
  1873. >Who knew that changeling tongues were prehensile?
  1874. >As you moan in ecstasy, she deepthroats you quickly and swallows your load
  1875. >With what little strength of will you have left, you take her horn and pull her, gently, towards you
  1876. >She follows the little force you put behind the action and nuzzles up to your neck
  1877. >Well, no OP around, so you figure that this at least was okay to do
  1878. >But then something occurs to you
  1879. "Hold on. I'm a human, you're a changeling. How will our genetics be compatible enough to produce kids?"
  1880. >She purrs into your neck before explaining
  1881. >"When I swallowed your semen, it was directed to a certain gland in my body. There, its genetic material will be absorbed and used to fertilize eggs, after a complex process involving magic to make it compatible. It'll all be done automatically though, so we can do whatever in the mean time."
  1882. >That only raised further questions
  1883. "Wait, then why would you need me? I've been gone for over a year, why not just use the material from any other species around here?"
  1884. >She pulls away from you with a look of shock in her eyes
  1885. >Shock that is accented by the formation of tears
  1886. >"Anon...you're the only thing besides my own children that I've ever loved. How could I use another being after the bond I formed with you? There was no other option but to wait for you, or die alone."
  1887. >That was an incredible testament to her will
  1888. >And reminded you of the weight that hung about your neck
  1889. >You remove the necklace from your person and wrap it around her, once more giving her the only physical object that would ever express your love for her
  1890. >In return, she nips your neck in what you had come to interpret at a sign of her affection
  1891. >You knew that this was a relationship that would last as long as you two were with each other
  1892. >The months passed by rather quickly
  1893. >Especially with a new concern mounting for yourself and Chrysalis
  1894. >Parenthood
  1895. >It seemed that, though your 'material' had been modified to be compatible, the act had also repurposed her reproductive system somewhat
  1896. >She now gestated and gave live birth, instead of laying a clutch of fertilized eggs
  1897. >She was shocked when, in three months, she had given birth to what had looked like a little, human girl
  1898. >Except had a physical structure like her mother from the waist down, and large eyes, entirely robin's egg blue, without a visible pupil
  1899. >Proud tears had come to your eyes when you held the baby in your arms
  1900. >Well, after Chrysalis had nearly bitten your arm off for trying to take her away
  1901. >Once you'd calmed her down, you held the child and softly sang the same lullaby you had sung to your long gone, long vanished girlfriend
  1902. >You never had found out what happened to her
  1903. >You'd cried the entire time you held your little bundle of joy
  1904. >Over the next while, Chrysalis began to birth them in groups of three or more at a time
  1905. >It seemed that her organs were adapting to the stange act of gestation the more they experienced it
  1906. >Or something
  1907. >You weren't a biologist to decide such things
  1908. >You were just a father that enjoyed the company of the being that could best be called hs wife, and his children
  1909. >All near two hundred of them
  1910. >After that many, she seemed to stop producing eggs entirely
  1911. >Maybe her body was just exhausted, her body knew that she'd not be able to produce any more and stay healthy
  1912. >Whatever it was, two years had passed since your coming to the pony world, and you only rarely ventured outside the two or so acres that your family had taken as their own
  1913. >Turns out, they didn't need much food with you around
  1914. >Apparently humans were a better source of love than ponies because something something deeper meaning
  1915. >You didn't care for the explaination, you cared for what it ultimately meant
  1916. >Which in this case, was that you provided for your family simply by hugging them, playing with them, or letting them share your and Chrysi's bed when they had bad dreams
  1917. >But you knew that the peace you enjoyed could only last so long
  1918. >Such was the life you lived
  1919. >Your oldest daughter came running over the hill that crested above the Everfree Forest
  1920. >Your little abode was on the Southern end of the dangerous place, the opposite side that Ponyville was on
  1921. >You had figured if you didn't bother the ponies, they wouldn't bother you
  1922. >You could see tears brimming in her solid blue eyes
  1923. >Even though she was just two years old, her body had matured to the point of a nine or ten year old
  1924. >It seemed that the little satyrs grew faster than normal children, that was good for you
  1925. >The second you saw her crest the hill, you had already been running towards her
  1926. >Normally, you'd walk calmly out, so as to not alarm the rest of your kids, but this was clearly something important, possibly and emergency
  1927. >When she got within ten feet of you, she flung herself into the air and propelled herself on barely visible wings into a tackling hug
  1928. >You hold the hug for a few seconds before pushing her back and holding onto her shoulders while you looked her in the eyes
  1929. "Mistake, what's wrong, why are you crying?"
  1930. >The poor girl sniffled and wiped her eyes
  1931. >Mistake, it sounded like a horrible name to give a child, especially one like her
  1932. >But it hadn't been entirely your fault
  1933. >Neither you nor Chrysalis could think of  name for her as she grew, and by the time she was walking, you both still didn't think of anything
  1934. >One time, when you were sitting in bed with your child and wife, stroking the former and holding the latter, Chrysalis had asked you a question that horrified you
  1935. >"Anonymous...did we make a mistake?"
  1936. >You were shocked at the question, and responded in a sharper way than you intended to
  1937. "What the fuck are you talking about? Our child is not a mistake!"
  1938. >Chrysalis began to cry when you raised your voice
  1939. >"It's my fault, my body must have screwed up somewhere. I know that it made a mistake somewhere!"
  1940. >You grabbed her muzzle forcefully as the last syllable had left her mouth
  1941. >Then you had quieted your voice, conscious of the stirring child clinging to your chest
  1942. "Listen to me Chrysi. We didn't make a mistake. But we do have a responsibility to raise this child, okay? No matter what she is, human, changeling, or something in between. Even if she is a mistake, he's our mistake, okay?"
  1943. >Chrysalis had nodded and laid her head down on your chest, sharing the space with her daughter, and fell asleep
  1944. >After a time, you fell asleep as well
  1945. >The next morning, as you were cooking breakfast for yourself on the stove you had made, your daughter had bounded into the room, excitedly shouting her first word
  1946. >Though the nature of the word stopped it from being a magical moment for you
  1947. >"Mistake! Mistake! Mistake!"
  1948. >It took you a second to realize she was pointing at herself every time she said it
  1949. >You picked the child up in your arms and tried to get her to stop
  1950. >But every time you shushed her, she said it again with a bigger grin
  1951. >Finally, you just gave in
  1952. >Chrysalis was actually relieved by the event
  1953. >"It means that even if she is called a mistake, she'll never take it as an insult. Maybe it's for the best."
  1954. >That was what she had said
  1955. >And you had known, deep down, it was the truth
  1956. >So, in the present and not your memories, Mistake explained what had happened
  1957. >"I was in the forest, deeper than you said to go. I'm sorry daddy!"
  1958. >You shushed her cries and stroked her back
  1959. "Hey, princess, it's okay. What happened to make you cry though?"
  1960. >She looked into your eyes and continued the story
  1961. >"Well, I went pretty far in and found some buildings. There were creatures that looked like mommy but were all colourful. I went to go say hi and they screamed and ran away. I went after them to find out what was wrong, but they ran into a big building with a bell on top."
  1962. >Her sobs have mostly stopped, though the tears are still running down her face
  1963. >"I went in and there was a bigger one that the little ones were all huddled behind, I think it was their mommy. But she started screaming at me to go away because I was bad and I would hurt the children. But I would never hurt them, daddy! Never!"
  1964. >You lift her chin up gently so she looks into your eyes
  1965. "Hey, I know that. Maybe she just made a mistake, eh? You looked different than her, so she got scared. Don't worry, I'll go with you next time, okay?"
  1966. >She smiles up at you and sniffs away the last of the tears
  1967. >"Okay daddy!"
  1968. >You give her another hug, kiss her on the forehead, and send her to go play with her siblings
  1969. >You had to talk to Chrysalis about this
  1970. >Making your way through the throngs of your kids, who were sprawling all over the area, wrestling or playing other games with each other, you headed for the cave you called home
  1971. >When you made it inside, you immediately went to where you knew Chrysalis would be
  1972. >She was there, as expected, reading a story to about eight childlings
  1973. >When you came in, she smiled and closed the book after marking the page
  1974. >"Okay kids, time to go out and play. Mommy and Daddy need to talk?"
  1975. >They moaned and groaned, but did as they were told and left
  1976. >You sat next to her and kissed her cheek
  1977. >"What's the matter?"
  1978. >You smile at the matronly changeling
  1979. "You know me too well, hon. Mistake was walking through the Everfree and...well she made it all the way to Ponyville."
  1980. >Chrysalis gasped and, in the same instant, snarled
  1981. >"Did they do anything to her? I swear if they touched one hair of my daughters head I'll--"
  1982. >You cut her off before she can go on about what horrible things she'd do to the ponies
  1983. "She's fine. They just yelled and scared her off. But we can't avoid it any longer, we need to go and meet with the ponies. The last thing we need is open warfare, okay?"
  1984. >Chrysalis sighs and nods her head
  1985. >"Very well. Tomorrow we will--"
  1986. >For the second time in as many minutes, the queen-mother is cut off
  1987. >This time though, it's by a screaming, crying, scared stampede of her children
  1988. >You immediately thought danger and took the long knife you kept hidden under your bed from its place
  1989. >Chrysalis stood beside you, blocking any access to your kin, protectively
  1990. >And ever so slowly, you two advanced down the tunnel to the entrance
  1991. >Finally, you stepped into the daylight
  1992. >Only to be ordered to halt by an officious looking stallion in fancy armour, flanked by perhaps forty troops also armoured and armed
  1993. >"Come no further, changeling and...consort? We will not tolerate your presence on these sovreign lands of Equestria!"
  1994. >You glance at his cutie mark
  1995. >It had been so long since you'd seen the show, but somehow that mark clicked just so
  1996. "Captain Shining Armour, of the Royal Equestrian Guard. Queen Chrysalis and I, her mate, mean none of you any harm. However, we will do what is necessary to protect our children, even if it means resorting to violence."
  1997. >The captain, who was indeed Shining Armour, brother of the element of magic took a step back wards
  1998. >Clearly he was shocked that you knew about him at all
  1999. >"I..uh that is, the princess' recognize the changeling threat as it is. We witnessed the results of their previous attempt to conquer Canterlot, which was stopped by Princess Cadence!"
  2000. >Chrysalis muttered under her breath at the mention of Cadence
  2001. >"Little whore."
  2002. >You stifle a laugh, remembering making fun of her for being the princess of 'love' of all sorts
  2003. >But the high and mighty captain was on a roll and didn't even notice
  2004. >"Vacate these lands now, or you will be vacated by force. I have a platoon of the finest guardsponies available to me, and we will not hesitate to protect out home."
  2005. >You glance over at Chrysalis, who was breathing heavy with anticipation
  2006. "That sounds like a challenge, my queen. What would you say to that?"
  2007. >She rears up to her full height and laughs before shouting down at Shining
  2008. >"This is my home, little pony. I gave birth to my children here, and I have raised them here. Not even ten thousand guards could stop me from living in this land. So go tell your princess' to come in person if they want to negotiate, not to send belligerent underlings!"
  2009. >One of the unicorns in the troop, a young one with a coat the colour of gamboge, and a mane like a raw sapphire
  2010. >"Don't you dare speak to the captain that way!"
  2011. >A bolt of magic flew from his horn, one that Chrysalis couldn't deflect from being distracted by the captain in question
  2012. >So you react, with speeds far faster than you could have even managed normally, and deflected it from the flat of the blade back to its source
  2013. >The bolt scorched the stupid guards horn and knocked him out cold
  2014. >Unfortunately the rest of the platoon, deciding that was the opening of hostilities, opened fire
  2015. >You grab Chrysalis and throw yourself on top of her, slamming hard into the dirt
  2016. >Your vision flashes red for a second, and you manage to growl an order to Chrysalis before you inexplicably lose control of yourself
  2017. "Stay down!"
  2018. >With that, you throw yourself at the group of ponies, burning out their ley-lines trying to hit you
  2019. >Many go wide because of your erratic movement, but some scorch the jacket you wear over your clothing
  2020. >Then you reach the first guard in the line up, or the closest one to you at least
  2021. >You grab him, by his horn, and throw him into the ranks of his fellows
  2022. >The resulting magical feedback triggers three seizures in other unicorns around him, and gives you a splitting migrane
  2023. >But you had to ignore all that for now
  2024. >You let your hind brain take over the fight, only thinking conscousely in order to make sure no blow was lethal
  2025. >No point in being seen as an animal, it certainly wouldn't help your case
  2026. >It was clear the ponies were out of touch with hand to hoof combat, and you only had a few lucky hits on your ribs
  2027. >Within minutes, the guards were all on the ground, besides their captain
  2028. >As you stalked up on him, knife held low, you felt the corners of your mouth twist up in a grin
  2029. >But he didn't become captain of the guard by being stupid
  2030. >He casts a barrier in front of himself, but it isn't an ordinary barrier
  2031. >You see yourself in it
  2032. >And it frightens you
  2033. >Your face is twisted in a maniac grin, your eyes glowing green and appearing to leak some kind of smoke from the sides
  2034. >Blood covers half of your head from a glancing hit from a bolt of magic
  2035. >And your hands are aglow with some kind of mystic energy
  2036. >With a great force of will, you force yourself to become calm
  2037. >The monster in the barrier fades away and is replaced by a scared, injured human with a knife
  2038. >But you maintain a blank face and look Shining Armour right in his eyes
  2039. "The princess' can come themselves if they want to try and make us leave. Until then, do not dare come back. Next time, I won't hold myself back from killing you all."
  2040. >The guardpony gulped and backed away
  2041. >"I...I will pass on the message to the princesses."
  2042. >To his credit, he didn't look away until he was across the hill
  2043. >You sat down, hard, when he was finally out of sight
  2044. >Chrysalis was immediately  by your side, nuzzling at your neck and licking your wounds
  2045. >"Anon, do you think they'll be back?"
  2046. >You run a hand through your matted hair, dropping the knife at your side
  2047. "I have no doubt. But don't worry, I'd bring the princess' themselves low to keep you and our children safe."
  2048. >You wrap an arm around her withers and she rests her head on your chest
  2049. >And there you sit as your children come out and gather around you, Mistake pushing her way to the front and curling up in your lap
  2050. >So your family spend the night under the moon, sleeping the warm summer night away
  2051. >None of you knew what you'd need to face in the coming weeks and months, but it was certain you would face it as a family
  2052. -------------------------------------------------------------------------
  2053. >Three days passed
  2054. >Nothing happened, so the children relaxed and went back to playing outside after the second day
  2055. >You spent more time with them, as a result of the fear of an attack
  2056. >Chrysalis, as well, was spending much more time outside among the children, but always beside you
  2057. >It was fine by you, you quite enjoyed spending so much time with her
  2058. >It was quite often that you two would simply sit at the top of the hill, basking in the last days of summer, while your children roughed about the area, never straying out of sight
  2059. >But you could feel it, and so could she
  2060. >Something was in the air, a tension that came before something broke
  2061. >So when it did finally break, you were prepared
  2062. >The sun rose on the fourth day, and the sound of trumpets heralded the end of the peace that had consumed the past few days
  2063. >You rose with Chrysalis, the childlings sleeping all around the area getting up more slowly than you two
  2064. >With Mistake, the oldest of her siblings, in tow you make your way outside to greet whatever was here to bother you this time
  2065. >The sight was rather shocking
  2066. >Six gold carriages drawn by, if their uniforms were anything to go by, elite pegasi warriors landed about forty meters from the cave entrance
  2067. >When their passengers disembark Chrysalis immediately hisses, sending a backwash through the limited hive mind shared with her children and with you
  2068. >It warned them to stay inside the cave
  2069. >But the one who was already outside clung to you leg even tighter, too scared to do anything else
  2070. >It was no matter of course
  2071. >You would protect her, you'd protect the entire hive
  2072. >The Bearers of Harmony stepped daintily from their transports, each carrying the embodiment of the element they represented in life
  2073. >Neither you, nor Chrysalis, made any move towards them
  2074. >They weren't guests to be treated with manners; it was clear they had come with intent to get rid of you and your family
  2075. >Eventually, they found their way over to you two and Chrysalis engaged in a staredown with Twilight Sparkle, who was at the head of the pack of friends
  2076. >After a time, Chrysalis smiled
  2077. >You knew that smile, she was going to taunt the shit out of Twilight
  2078. >"So the rumours of your being a princess were true. I'm not sure if congratulations or lamentations are in order. I suppose you'll know once you watch all your friends whither and die in age, while you stay aside of the ravages of time."
  2079. >Twilight huffed, but came back with a barbed retort quickly
  2080. >"And the rumours of your demise, it seems, were greatly exagerated. But it seems that the same can not be said for your brood. Why I personally saw the last one expire in the Canterlot dungeons."
  2081. >You didn't need the mental link with the hive queen to know that Twilight had hit a dangerously raw nerve
  2082. >Oh Twilight, such a smart little mare, but so damn stupid when it came to interacting with anything but her friends
  2083. >Without a sound, Chrysalis engulfed the young princess in a cocoon of magic and threw her against one of the chariots
  2084. >"Do not dare speak of my children with such disdain! I don't care if you're a regular pony, stupid princess, or the embodiment of chaos entirely, I will not tolerate such things!"
  2085. >Rainbow Dash flew in from what appeared to be nowhere and tackled the brood mother
  2086. >"What the hay are you doing you monster? We came here to offer you a chance, and you attack us?"
  2087. >This time, you step in from the sidelines, slightly encumbered by the frightened childling clining to your shin
  2088. >You grab Dash by the throat, with only a little less force than required to crush her trachea, and pull her away from Chrysalis
  2089. "Don't you dare touch her again, pegasus. We live here with our children in peace, but you bring armoured and armed platoons of uncorns to push us out. Now you come, bearing the Elements no less, to do the same. All we want is peace, but it is clear that we cannot have it so long as you believe us so weak that a few guards can remove us."
  2090. >You throw her back to her friends, who are crowded around Twilight
  2091. >The purple alicorn clambers to her hooves unsteadily, but when she looks back at you her gaze is of iron
  2092. >"Formation girls."
  2093. >You know what they're doing the second it starts, but you're powerless to stop
  2094. >Some kind of hypnotic property of the activation of the Elements held you in place
  2095. >And so, you could only watch the events unfold as they did
  2096. >Chrysalis, it seemed, too was struck by the elements, and froze in a stupor just watching her demise come on
  2097. >But as the prismatic beam tore up through the sky, one soul broke the curse through sheer force of will
  2098. >Chrysalis was thrown a few meters away from where the beam of the elements struck
  2099. >But the place she had occupied wasn't empty when she left it
  2100. >A piercing scream echoes through the valley, as though rising from Tartarus itself
  2101. >It breaks the spell over you, and you sprint over to where the still smouldering crater that the Elements had made was
  2102. >Without regard for your own safety, you jump into the hole
  2103. >Patches of the ground have turned to liquid glass from the heat, and they melt the soles of your boots something awful
  2104. >But when you reach the epicenter of the attack, what you find drops you to your knees in spite of the extreme conditions
  2105. >You grab your firstborn child, Mistake, and cradle her next to your chest
  2106. >Her small frame is burned and bloodied, her huma skin cracking in the heat, and her chitinous legs twisted at odd angles
  2107. >She looks at you with tearful eyes, clouded with a milky precipitate
  2108. >"Daddy...what happened? Why is it so hot?"
  2109. >Her voice is barely loud enough to be heard over the spitting, cooling earth around you
  2110. "Don't worry princess, you're going to be just fine. You've just got a few owies on you. When we get back to the cave, we'll patch you up, okay?"
  2111. >She smiles at you, chapped lips cracking and bleeding
  2112. >"Okay, daddy. Thank you for turning down the heat."
  2113. >Turning down the...? Oh no
  2114. >The child closes her eyes and slumps in your arms
  2115. >With a dreadful certainty, you know that the first casualty of what could be a horrific war has fallen
  2116. >Tears fall down your cheeks, streaking through the soot and ash marring them, as you make your way out of the crater
  2117. >You ignore the attempted apologies of of the shocked ponies, making a beeline for the paralyzed queen just aside the crater
  2118. >Without a word passed between you two, you place the body of your firstborn on her back
  2119. >Chrysalis removes the lifeless child with magic and sinks to the ground, cradling it and sobbing as any mother who has lost her child would
  2120. >But the the mournful wails, the atmosphere is still
  2121. >You decide to break that stillness
  2122. "Twilight Sparkle."
  2123. >Your voice carries no authority, no excessive volume, not even emotion
  2124. >And it carried the point across perfectly
  2125. >The young alicorn, ears flat against her skull with fear, approaches you
  2126. >"I-I'm sorry, we didn't want to kill anypony. Much less a little girl like--"
  2127. >You cut her off with a gesture and step up closer to her
  2128. >Once you're within inches of her, you kneel down so you can look her in the eyes
  2129. "None of us here, but for you, are ponies. And none of us here want anything to do with you, we just wanted to raise our family in peace. But you just couldn't abide that, could you? Creatures living in peace outside your domain."
  2130. >Twilight is locked into staring at you, though tears pour freely down her cheeks
  2131. >It doesn't stop you from reach back and stroking her mane
  2132. "And so you brought a fight to us, thinking we would just keel over at the first sign of a threat and surrender. But you found us to be tougher than you expected, so you sent the most powerful magic items in the universe to bring us low. And with them, you ended the life of a child, my firstborn daughter."
  2133. >Your hand reaches the base of her wings and she shudders
  2134. >Clearly they were indeed quite sensitive, though you had no intention to pleasure her, if they were indeed erotic
  2135. "Do you know the difference between a mistake and a failure, Ms. Sparkle?"
  2136. >Though wracked with sobs, she manages to shake her head slowly
  2137. >Her friends, as you noticed, are too shocked by the scene to do anything, likely because you appear to be comforting her
  2138. "A mistake is a mistake. It only becomes a failure when you refuse to correct it."
  2139. >With that said, you grasp the base of her one with with the hand already there and reach forward and take the second one in your other hand
  2140. >And with one, mighty wrench, fueled by the righteous anger of a father devestated by loss, you snap the hollow bones of her wings
  2141. >She collapses to the ground, screaming and writhing in utter agony
  2142. >But you just stand above her, without any sort of emotion contorting your features
  2143. >Emotion doesn't even taint your voice when you speak down to the screeching mare
  2144. "The mistake has been corrected, Twilight Sparkle. Let us hope you are not foolish enough to attempt something like this again
  2145. >Her friends and the guards, clearly more concerned with her wellbeing than fighting you, carry her back to the chariots and then take off at a breakneck pace
  2146. >But you sink down next to your wife, holding her along with the body of your child, while your children slowly crawl out of the cave to be around you
  2147. >As a family you cry and wail at the death of Mistake, as a family you hold each other in comfort
  2148. >And eventually, as a family, you sleep under the stars unwilling to leave each other, even for a second
  2149. --------------------------------------------------------------------------
  2150. >A year ago the judge had pronounced your sentence
  2151. >On one count of assault with a deadly weapon, two counts of murder, and one of theft over five thousand dollars, you were sentenced to life in prison with no chance of parole for twenty-five years
  2152. >The only reason you weren't being charged with the deaths of the officers that had burned to death was because they couldn't prove you had set them alight
  2153. >Though, almost as a counterbalance, they tied you into the armoured car robbery you had commited a long time past
  2154. >So here you were, a maximum security facility in Edmonton
  2155. >For some reason known only to whatever gods looked down at you, they had kept you in the city
  2156. >It really didn't matter where you were, people found reasons to pick on you anyway
  2157. >"Hey, fucker. You'd better be giving me a good chunk o' yer food there."
  2158. >Speak of the devil...
  2159. >Fish was an ugly bastard from Newfoundland
  2160. >He'd been caught illegally fishing lobsters and, instead of giving in to a misdemeanor, killed four fisheries officials
  2161. >He was ugly, he was stupid, but he was strong
  2162. >He always went after the smaller fellows, or the new ones
  2163. >You fell neatly into the latter group, even though you were a good deal taller than him
  2164. >It didn't matter to you anyway, the food was shit
  2165. >But not today
  2166. >A year ago today was when Chrysalis had been killed, or stripped away to an unknown place
  2167. >So when you didn't give up your food, or even respond, the squat, fat piece of shit grabbed you by the only personal belonging you owned, her necklace
  2168. >Well, that was something you just couldn't abide
  2169. >Before either of you could blink, you had sent a devestating punch into your attackers throat
  2170. >The convicts eyes bulged and his cheeks ballooned, making him look even more like his namesake
  2171. >The food line froze in place, besides Fish who was gasping and clawing at his crushed trachea
  2172. >And the guards immediately decended on you
  2173. >Well, now was as good a time as any
  2174. "RIOT!"
  2175. >Your shout carried across the cafeteria with the volume that even a carreer drill sergeant would be proud of
  2176. >And the cafeteria exploded
  2177. >The guards were the first targets for most inmates, the men who tormented them and kept them from doing whatever they wanted to
  2178. >You were certain that some died, but most were likely just horrifically injured
  2179. >It didn't take long for the convicts to turn on each other though
  2180. >Butter knives were picked up and discarded, usually into somebodys kidney or throat
  2181. >You escaped much of the violence though, weaving your way through the worst of the fighting to reach your destination
  2182. >A grate in the wall that was just big enough for you to squeeze into
  2183. >You knew where it went, and you knew that it was now or never
  2184. >You jump up and tear it from the flimsy, rusted screws holding it in place, discarding it carelessly into the brawl behind you
  2185. >Just as you get your shoulders into the hole, your feet are grabbed
  2186. >You fly out of the vent and slam into a wall, head first
  2187. >Crack
  2188. >Several teeth break, your skull is fractured, and you're sure that something stabbed you
  2189. >Then again, maybe you just had your ribs broken
  2190. >Either way, you had no time to contemplate as a figure loomed over you
  2191. >Oh hell
  2192. >It was Fish's girlfriend, the enormous, and improperly named, Needle
  2193. >He was named for how he supposedly killed his first victim, a red hot needle into the eye and back into the brain
  2194. >Brutal
  2195. >But he had no needle in his hand, just an ugly, steel shank
  2196. >A shank that looked suspiciously like a piece of the grille from the grate you had thrown into the crowd moments ago
  2197. >You have plenty of time to look at it as it stabs into your gut
  2198. >The murderer leaves you there an wades back into the brawl
  2199. >Kidney, liver, diaphram, maybe the pancreas
  2200. >Those were what you knew would be broken and bleeding inside from the stabbing
  2201. >You had about three minutes left at the best
  2202. >As you look into the brawl, which was strangely hypnotizing to your pain-addled mind, the figures seem to move slower
  2203. >And they looked like they were becoming monochromatic
  2204. >You narrow your eyes and turn them downwards
  2205. >No, you were still wearing Day-Glo, bleeding vibrant crimson, and had those ugly brown sneakers from the prison
  2206. >So what was going on
  2207. >In a split second of thought, the entire fight freezes
  2208. >You notice, off in the corners, guards with rubber bullet equiped shotguns, and tear gas canisters
  2209. >But none of them are moving, and all are black, white, and shades in between
  2210. >Then you hear it
  2211. >Tick, tick, tick
  2212. >You had mistaken it as a clock at first, but it clearly wasn't
  2213. >Tick, tick, tick
  2214. >The origin of the noise was getting closer with every passing second, and you struggle to turn your head towards it
  2215. >Tick, tick, tick
  2216. >Finally you rotate your neck enough, and what you see would scare the piss out of you, if you weren't already dying
  2217. >It was a fedora clad, trench coat wearing giant
  2218. >What you could see of his face was covered in a disgusting, tangled mess of a beard that extended over what appeared to be multiple chins
  2219. >The apparent fat continued into a suede trench coat that seemed to be bursting with rolls unseen by any person before
  2220. >More disturbing were the stains on it, and the reek coming from this disgusting beast
  2221. >Tick, tick, tock
  2222. >The hideous thing stopped in front of you and looked down, as though noticing you for the first time
  2223. >"Well, hello there little man."
  2224. >His voice was thin, reedy, and very nasaly, which stood contrary to his expansive figure
  2225. >"You look a bit hurt. Perhaps I can help, eh?"
  2226. >You try to choke out a coherent sentence
  2227. "Hhhnnn...help...lungs...help."
  2228. >The beast leans closer and examines the rod of metal protruding from your abdomen
  2229. >"Well actually, it's the diaphram, along with a kidney and your liver."
  2230. >Heh, you called it
  2231. >If only Donahughe were around, you'd have made a bet on it
  2232. >Snap
  2233. >A blessed warmth poured through your belly and your breathing issues disappeared along with the pain
  2234. >You look down at your stomach
  2235. >No, the chunk of iron is still there, and you're still bleeding
  2236. >But you feel just fine
  2237. >"No, I didn't fix you, but you should be able to respond just fine to me. Now, would you like my help?"
  2238. >Another glance down at the wound, then a look at the hambeast leaning over you
  2239. "Yeah, I could use a hand here..."
  2240. >The man claps his hands together and a smile marres his already hideous visage
  2241. >"Wonderful! Please, call me 'OP'. Everyone else seems to these days anyway."
  2242. >OP?
  2243. >As in, original poster, like an image board?
  2244. >Fucking weird name, though the world was frozen while you bled out so anything was possible it seemed
  2245. "So, uh, OP was it? How can you help me?"
  2246. >He rubs his hands together like a greedy merchant
  2247. >"Well you see, I'm in the business of interdimensional trade. I take beings from one universe and plop them in another one at my leisure. There are terms, of course, but I only let a few people know them. It's more fun that way!"
  2248. >You cough, and a gout of blood comes out, along with what appeared to be a chunk of flesh
  2249. >Well you weren't technically a doctor, but there was no was that was good
  2250. >"Well, anyway. I've come to offer you a deal, Anonymous. I will rescue you from this, from death. I'll bring you over to Equestria, the land of your dreams. I'll fix you up, good as new, and even deliver you to the doorstep of your waifu."
  2251. >It sounds too good to be true, there's no way that's it
  2252. "And what terms are there for this...offer?"
  2253. >His horrific grin stretches inhumanely wide
  2254. >"Well it's very simple. You'll not be allowed to have sex, ever, at all. You'll still have your dick and balls, and all the desires they come with, but no sex allowed. Should you break these terms, I'll pluck you away and put you right back here, bleeding and dying."
  2255. >Well it seemed easy enough
  2256. >Maybe that was just the blood rapidly leaving your body saying that though
  2257. >Time for one more question though
  2258. "Were you the one that brought Chrysalis here?"
  2259. >His once tight-lipped grin breaks into a smile, showing terribly decayed teeth, rotting in place
  2260. >"I was indeed, just as I took her away when the terms were broken."
  2261. >So, he had kidnapped her, then taken her away just because someone saw her?
  2262. >Well, no matter the terms, you needed to repay Chrysalis for what she had done, had sacrificed, for you
  2263. >You stretch out an arm to the fedora topped monster
  2264. "Done. Bring me home, OP."
  2265. >He giggles like a giddly schoolgirl from one of those weird, Chinese cartoons
  2266. >"Oh I was hoping for a yes. So few people choose option one. Come on then!"
  2267. >His trench coat opens with a flutter, a horrible stench leaking from the now open garment
  2268. >But, it was empty
  2269. >There was nothing but a foul smelling void
  2270. >And before you could scream, it had wrapped around you like a funeral shroud, and you could feel yourself tear away from the earth
  2271. >The trauma was just too much for you, and you black right out with a last prayer uttered into the void you were suspended in that you'd wake up again
  2272. ----------------------------------------------------------------------------
  2273. >You float through a world without form, without purpose, meaning, or name
  2274. >A dull, pulsing light grows on the horizon, beating in time with your nonexistent heart
  2275. >More than seeing it, you feel it
  2276. >A warm, wet thud that reverberates through the space inbetween reality and dream
  2277. >You are drawn towards the light
  2278. >It speaks to you without a voice, it whispers in your ear without making a noise
  2279. >It tells you that everything is going to be okay
  2280. >It tells you that it will always be there for you
  2281. >It offers you sanctuary in its residence
  2282. >And if gives you love
  2283. >Now I know, you think as your soul frays and is pulled deeper into the cast off gloom about the light, how Chrysalis felt
  2284. >And with that final thought, the warm light engulfs you, feeding heat through your limbs and form to your soul
  2285. >You snap awake screaming, your body reacting to how your soul felt at being violated in such a fundamental way
  2286. >Wait, your body
  2287. >You have a body again
  2288. >The realization is only half as impacting as the pressure you feel around your chest
  2289. >Something is restraining you
  2290. >With a sudden strike, you tear the offending appendages away from your chest
  2291. >You flip yourself over and pin your gaoler to the bed that it held you in
  2292. >"Anonymous, wait!"
  2293. >Your captor shouted in the same instant that you had frozen at seeing its face
  2294. >Rather, her face
  2295. >Chrysalis
  2296. >Alive and well, and holding you
  2297. >You scoop her into a hug and lift her off the bed, twirling about the room until your head cracks against a low hanging stalactite
  2298. >That promptly drops you on your ass, with Chrysalis landing on top of you and giggling at your antics
  2299. >"Oh, Anon. I thought I'd never see you again! How did you get here? Why did you come? What happened to make you scream like that?"
  2300. >You hold up your hands in mock surrender
  2301. "Well, I think it was the same guy that brought you here. See, I kinda got stabbed while I was in jail, and he may have offered to bring me over to your neck of the woods."
  2302. >She cuts of the explaination that you were going to continue
  2303. >"What? You were in prison? Why did they put you there, you were innocent! And the being that brought me to you brought you here? Why would he do such a thing? None of this makes se--!"
  2304. >You cut her off by putting a hand on her muzzle and giving a gentle squeeze
  2305. "Just let me get to that part, in due time. Don't interupt, okay?"
  2306. >She nods, blushing from the gentle rebuke
  2307. "Now. I was in prison because they blamed me for killing all those cops, along with a few other things that I actually did. I don't know why the thing that brought you to me brought me here. Maybe he just gets off to this kinda stuff. But none of that matters."
  2308. >You stroke her cheeks with your hand and smile
  2309. "I'm here with you now, and that's all that matters."
  2310. >The changeling queen tears up at your statement and flings herself onto your chest, sobbing at the overwhelming idea that you're here
  2311. >And you hold her there, comforting her until the sun breaks over the Eastern sky, and then until you both fall asleep
  2312. -------------------------------------------------------
  2313. >Chrysalis is standing above you with a look of lust in her eyes
  2314. >You're laying back on the couch you were sharing tonight
  2315. >You had been showing her "Avatar: The Last Airbender" over the past couple nights
  2316. >Tonight, you had just finished watching "The Cave of Two Lovers" and she had thought it was the sappiest thing she'd ever seen
  2317. >And it had got her in just the right mood
  2318. >You felt her magic pull your pants down to your ankles, along with the underpants your wore
  2319. >You felt the warmth of her marehood engulf your rapidly swelling member
  2320. >She always made short work of you, her muscle control was unbelievable
  2321. >You felt her tongue wrap itself around your shaft, stroking it in all the right places
  2322. >Wait tongue?
  2323. >You snap back to reality
  2324. >Or rather, wakefulness
  2325. >The groginess that usually came with a quick awakening, especially from a dream like that, was hurridly dispelled when you see the reason for it
  2326. >Chrysalis' head bobs up and down on your crotch, a steady rhythm that feels too damn good for you to stop her
  2327. >But you at least manage to form a coherent sentence in spite of the stimuli
  2328. "Chrysi...hey, stop a second would you?"
  2329. >She does as she's bid and looks up at you, though she keeps her mouth around your dick
  2330. >~What is it, Anonymous?~
  2331. >You feel the words, less than hearing them
  2332. >Oh...she was using telepathy
  2333. >Too bad you don't know how to respond with it
  2334. "The guy that brought me here, he said if I do anything sexual with ponies then...I'll be sent back right to where I was, dying on the floor."
  2335. >She removes herself from her actions and stares at you with a look, of what could be contempt, on her face
  2336. >"You think this is about pleasure, Anonymous? This is about survival! All of my children are dead, I'm the only changeling left in Equestria! You think that I'm doing this because I want to PLEASURE you?"
  2337. >You shrink back from her
  2338. >She was right, why would you immediately assume such a thing
  2339. >Well, because of humans inherent nature to have sex for pleasure, not so much procreating
  2340. "Look, I'm sorry. I just don't want to lose you again."
  2341. >She nuzzles your bare leg and looks up at you
  2342. >"I don't want to lose you either, but I don't want to be the only one left of my entire race. Please..."
  2343. >You smile, lean down, and stroke her horn, eliciting a moan from her
  2344. >She takes her cue and goes back to what she was doing while you were sleeping
  2345. >It doesn't take her long
  2346. >Who knew that changeling tongues were prehensile?
  2347. >As you moan in ecstasy, she deepthroats you quickly and swallows your load
  2348. >With what little strength of will you have left, you take her horn and pull her, gently, towards you
  2349. >She follows the little force you put behind the action and nuzzles up to your neck
  2350. >Well, no OP around, so you figure that this at least was okay to do
  2351. >But then something occurs to you
  2352. "Hold on. I'm a human, you're a changeling. How will our genetics be compatible enough to produce kids?"
  2353. >She purrs into your neck before explaining
  2354. >"When I swallowed your semen, it was directed to a certain gland in my body. There, its genetic material will be absorbed and used to fertilize eggs, after a complex process involving magic to make it compatible. It'll all be done automatically though, so we can do whatever in the mean time."
  2355. >That only raised further questions
  2356. "Wait, then why would you need me? I've been gone for over a year, why not just use the material from any other species around here?"
  2357. >She pulls away from you with a look of shock in her eyes
  2358. >Shock that is accented by the formation of tears
  2359. >"Anon...you're the only thing besides my own children that I've ever loved. How could I use another being after the bond I formed with you? There was no other option but to wait for you, or die alone."
  2360. >That was an incredible testament to her will
  2361. >And reminded you of the weight that hung about your neck
  2362. >You remove the necklace from your person and wrap it around her, once more giving her the only physical object that would ever express your love for her
  2363. >In return, she nips your neck in what you had come to interpret at a sign of her affection
  2364. >You knew that this was a relationship that would last as long as you two were with each other
  2365. >The months passed by rather quickly
  2366. >Especially with a new concern mounting for yourself and Chrysalis
  2367. >Parenthood
  2368. >It seemed that, though your 'material' had been modified to be compatible, the act had also repurposed her reproductive system somewhat
  2369. >She now gestated and gave live birth, instead of laying a clutch of fertilized eggs
  2370. >She was shocked when, in three months, she had given birth to what had looked like a little, human girl
  2371. >Except had a physical structure like her mother from the waist down, and large eyes, entirely robin's egg blue, without a visible pupil
  2372. >Proud tears had come to your eyes when you held the baby in your arms
  2373. >Well, after Chrysalis had nearly bitten your arm off for trying to take her away
  2374. >Once you'd calmed her down, you held the child and softly sang the same lullaby you had sung to your long gone, long vanished girlfriend
  2375. >You never had found out what happened to her
  2376. >You'd cried the entire time you held your little bundle of joy
  2377. >Over the next while, Chrysalis began to birth them in groups of three or more at a time
  2378. >It seemed that her organs were adapting to the stange act of gestation the more they experienced it
  2379. >Or something
  2380. >You weren't a biologist to decide such things
  2381. >You were just a father that enjoyed the company of the being that could best be called hs wife, and his children
  2382. >All near two hundred of them
  2383. >After that many, she seemed to stop producing eggs entirely
  2384. >Maybe her body was just exhausted, her body knew that she'd not be able to produce any more and stay healthy
  2385. >Whatever it was, two years had passed since your coming to the pony world, and you only rarely ventured outside the two or so acres that your family had taken as their own
  2386. >Turns out, they didn't need much food with you around
  2387. >Apparently humans were a better source of love than ponies because something something deeper meaning
  2388. >You didn't care for the explaination, you cared for what it ultimately meant
  2389. >Which in this case, was that you provided for your family simply by hugging them, playing with them, or letting them share your and Chrysi's bed when they had bad dreams
  2390. >But you knew that the peace you enjoyed could only last so long
  2391. >Such was the life you lived
  2392. >Your oldest daughter came running over the hill that crested above the Everfree Forest
  2393. >Your little abode was on the Southern end of the dangerous place, the opposite side that Ponyville was on
  2394. >You had figured if you didn't bother the ponies, they wouldn't bother you
  2395. >You could see tears brimming in her solid blue eyes
  2396. >Even though she was just two years old, her body had matured to the point of a nine or ten year old
  2397. >It seemed that the little satyrs grew faster than normal children, that was good for you
  2398. >The second you saw her crest the hill, you had already been running towards her
  2399. >Normally, you'd walk calmly out, so as to not alarm the rest of your kids, but this was clearly something important, possibly and emergency
  2400. >When she got within ten feet of you, she flung herself into the air and propelled herself on barely visible wings into a tackling hug
  2401. >You hold the hug for a few seconds before pushing her back and holding onto her shoulders while you looked her in the eyes
  2402. "Mistake, what's wrong, why are you crying?"
  2403. >The poor girl sniffled and wiped her eyes
  2404. >Mistake, it sounded like a horrible name to give a child, especially one like her
  2405. >But it hadn't been entirely your fault
  2406. >Neither you nor Chrysalis could think of  name for her as she grew, and by the time she was walking, you both still didn't think of anything
  2407. >One time, when you were sitting in bed with your child and wife, stroking the former and holding the latter, Chrysalis had asked you a question that horrified you
  2408. >"Anonymous...did we make a mistake?"
  2409. >You were shocked at the question, and responded in a sharper way than you intended to
  2410. "What the fuck are you talking about? Our child is not a mistake!"
  2411. >Chrysalis began to cry when you raised your voice
  2412. >"It's my fault, my body must have screwed up somewhere. I know that it made a mistake somewhere!"
  2413. >You grabbed her muzzle forcefully as the last syllable had left her mouth
  2414. >Then you had quieted your voice, conscious of the stirring child clinging to your chest
  2415. "Listen to me Chrysi. We didn't make a mistake. But we do have a responsibility to raise this child, okay? No matter what she is, human, changeling, or something in between. Even if she is a mistake, he's our mistake, okay?"
  2416. >Chrysalis had nodded and laid her head down on your chest, sharing the space with her daughter, and fell asleep
  2417. >After a time, you fell asleep as well
  2418. >The next morning, as you were cooking breakfast for yourself on the stove you had made, your daughter had bounded into the room, excitedly shouting her first word
  2419. >Though the nature of the word stopped it from being a magical moment for you
  2420. >"Mistake! Mistake! Mistake!"
  2421. >It took you a second to realize she was pointing at herself every time she said it
  2422. >You picked the child up in your arms and tried to get her to stop
  2423. >But every time you shushed her, she said it again with a bigger grin
  2424. >Finally, you just gave in
  2425. >Chrysalis was actually relieved by the event
  2426. >"It means that even if she is called a mistake, she'll never take it as an insult. Maybe it's for the best."
  2427. >That was what she had said
  2428. >And you had known, deep down, it was the truth
  2429. >So, in the present and not your memories, Mistake explained what had happened
  2430. >"I was in the forest, deeper than you said to go. I'm sorry daddy!"
  2431. >You shushed her cries and stroked her back
  2432. "Hey, princess, it's okay. What happened to make you cry though?"
  2433. >She looked into your eyes and continued the story
  2434. >"Well, I went pretty far in and found some buildings. There were creatures that looked like mommy but were all colourful. I went to go say hi and they screamed and ran away. I went after them to find out what was wrong, but they ran into a big building with a bell on top."
  2435. >Her sobs have mostly stopped, though the tears are still running down her face
  2436. >"I went in and there was a bigger one that the little ones were all huddled behind, I think it was their mommy. But she started screaming at me to go away because I was bad and I would hurt the children. But I would never hurt them, daddy! Never!"
  2437. >You lift her chin up gently so she looks into your eyes
  2438. "Hey, I know that. Maybe she just made a mistake, eh? You looked different than her, so she got scared. Don't worry, I'll go with you next time, okay?"
  2439. >She smiles up at you and sniffs away the last of the tears
  2440. >"Okay daddy!"
  2441. >You give her another hug, kiss her on the forehead, and send her to go play with her siblings
  2442. >You had to talk to Chrysalis about this
  2443. >Making your way through the throngs of your kids, who were sprawling all over the area, wrestling or playing other games with each other, you headed for the cave you called home
  2444. >When you made it inside, you immediately went to where you knew Chrysalis would be
  2445. >She was there, as expected, reading a story to about eight childlings
  2446. >When you came in, she smiled and closed the book after marking the page
  2447. >"Okay kids, time to go out and play. Mommy and Daddy need to talk?"
  2448. >They moaned and groaned, but did as they were told and left
  2449. >You sat next to her and kissed her cheek
  2450. >"What's the matter?"
  2451. >You smile at the matronly changeling
  2452. "You know me too well, hon. Mistake was walking through the Everfree and...well she made it all the way to Ponyville."
  2453. >Chrysalis gasped and, in the same instant, snarled
  2454. >"Did they do anything to her? I swear if they touched one hair of my daughters head I'll--"
  2455. >You cut her off before she can go on about what horrible things she'd do to the ponies
  2456. "She's fine. They just yelled and scared her off. But we can't avoid it any longer, we need to go and meet with the ponies. The last thing we need is open warfare, okay?"
  2457. >Chrysalis sighs and nods her head
  2458. >"Very well. Tomorrow we will--"
  2459. >For the second time in as many minutes, the queen-mother is cut off
  2460. >This time though, it's by a screaming, crying, scared stampede of her children
  2461. >You immediately thought danger and took the long knife you kept hidden under your bed from its place
  2462. >Chrysalis stood beside you, blocking any access to your kin, protectively
  2463. >And ever so slowly, you two advanced down the tunnel to the entrance
  2464. >Finally, you stepped into the daylight
  2465. >Only to be ordered to halt by an officious looking stallion in fancy armour, flanked by perhaps forty troops also armoured and armed
  2466. >"Come no further, changeling and...consort? We will not tolerate your presence on these sovreign lands of Equestria!"
  2467. >You glance at his cutie mark
  2468. >It had been so long since you'd seen the show, but somehow that mark clicked just so
  2469. "Captain Shining Armour, of the Royal Equestrian Guard. Queen Chrysalis and I, her mate, mean none of you any harm. However, we will do what is necessary to protect our children, even if it means resorting to violence."
  2470. >The captain, who was indeed Shining Armour, brother of the element of magic took a step back wards
  2471. >Clearly he was shocked that you knew about him at all
  2472. >"I..uh that is, the princess' recognize the changeling threat as it is. We witnessed the results of their previous attempt to conquer Canterlot, which was stopped by Princess Cadence!"
  2473. >Chrysalis muttered under her breath at the mention of Cadence
  2474. >"Little whore."
  2475. >You stifle a laugh, remembering making fun of her for being the princess of 'love' of all sorts
  2476. >But the high and mighty captain was on a roll and didn't even notice
  2477. >"Vacate these lands now, or you will be vacated by force. I have a platoon of the finest guardsponies available to me, and we will not hesitate to protect out home."
  2478. >You glance over at Chrysalis, who was breathing heavy with anticipation
  2479. "That sounds like a challenge, my queen. What would you say to that?"
  2480. >She rears up to her full height and laughs before shouting down at Shining
  2481. >"This is my home, little pony. I gave birth to my children here, and I have raised them here. Not even ten thousand guards could stop me from living in this land. So go tell your princess' to come in person if they want to negotiate, not to send belligerent underlings!"
  2482. >One of the unicorns in the troop, a young one with a coat the colour of gamboge, and a mane like a raw sapphire
  2483. >"Don't you dare speak to the captain that way!"
  2484. >A bolt of magic flew from his horn, one that Chrysalis couldn't deflect from being distracted by the captain in question
  2485. >So you react, with speeds far faster than you could have even managed normally, and deflected it from the flat of the blade back to its source
  2486. >The bolt scorched the stupid guards horn and knocked him out cold
  2487. >Unfortunately the rest of the platoon, deciding that was the opening of hostilities, opened fire
  2488. >You grab Chrysalis and throw yourself on top of her, slamming hard into the dirt
  2489. >Your vision flashes red for a second, and you manage to growl an order to Chrysalis before you inexplicably lose control of yourself
  2490. "Stay down!"
  2491. >With that, you throw yourself at the group of ponies, burning out their ley-lines trying to hit you
  2492. >Many go wide because of your erratic movement, but some scorch the jacket you wear over your clothing
  2493. >Then you reach the first guard in the line up, or the closest one to you at least
  2494. >You grab him, by his horn, and throw him into the ranks of his fellows
  2495. >The resulting magical feedback triggers three seizures in other unicorns around him, and gives you a splitting migrane
  2496. >But you had to ignore all that for now
  2497. >You let your hind brain take over the fight, only thinking conscousely in order to make sure no blow was lethal
  2498. >No point in being seen as an animal, it certainly wouldn't help your case
  2499. >It was clear the ponies were out of touch with hand to hoof combat, and you only had a few lucky hits on your ribs
  2500. >Within minutes, the guards were all on the ground, besides their captain
  2501. >As you stalked up on him, knife held low, you felt the corners of your mouth twist up in a grin
  2502. >But he didn't become captain of the guard by being stupid
  2503. >He casts a barrier in front of himself, but it isn't an ordinary barrier
  2504. >You see yourself in it
  2505. >And it frightens you
  2506. >Your face is twisted in a maniac grin, your eyes glowing green and appearing to leak some kind of smoke from the sides
  2507. >Blood covers half of your head from a glancing hit from a bolt of magic
  2508. >And your hands are aglow with some kind of mystic energy
  2509. >With a great force of will, you force yourself to become calm
  2510. >The monster in the barrier fades away and is replaced by a scared, injured human with a knife
  2511. >But you maintain a blank face and look Shining Armour right in his eyes
  2512. "The princess' can come themselves if they want to try and make us leave. Until then, do not dare come back. Next time, I won't hold myself back from killing you all."
  2513. >The guardpony gulped and backed away
  2514. >"I...I will pass on the message to the princesses."
  2515. >To his credit, he didn't look away until he was across the hill
  2516. >You sat down, hard, when he was finally out of sight
  2517. >Chrysalis was immediately  by your side, nuzzling at your neck and licking your wounds
  2518. >"Anon, do you think they'll be back?"
  2519. >You run a hand through your matted hair, dropping the knife at your side
  2520. "I have no doubt. But don't worry, I'd bring the princess' themselves low to keep you and our children safe."
  2521. >You wrap an arm around her withers and she rests her head on your chest
  2522. >And there you sit as your children come out and gather around you, Mistake pushing her way to the front and curling up in your lap
  2523. >So your family spend the night under the moon, sleeping the warm summer night away
  2524. >None of you knew what you'd need to face in the coming weeks and months, but it was certain you would face it as a family
  2525. -------------------------------------------------------------------------
  2526. >Three days passed
  2527. >Nothing happened, so the children relaxed and went back to playing outside after the second day
  2528. >You spent more time with them, as a result of the fear of an attack
  2529. >Chrysalis, as well, was spending much more time outside among the children, but always beside you
  2530. >It was fine by you, you quite enjoyed spending so much time with her
  2531. >It was quite often that you two would simply sit at the top of the hill, basking in the last days of summer, while your children roughed about the area, never straying out of sight
  2532. >But you could feel it, and so could she
  2533. >Something was in the air, a tension that came before something broke
  2534. >So when it did finally break, you were prepared
  2535. >The sun rose on the fourth day, and the sound of trumpets heralded the end of the peace that had consumed the past few days
  2536. >You rose with Chrysalis, the childlings sleeping all around the area getting up more slowly than you two
  2537. >With Mistake, the oldest of her siblings, in tow you make your way outside to greet whatever was here to bother you this time
  2538. >The sight was rather shocking
  2539. >Six gold carriages drawn by, if their uniforms were anything to go by, elite pegasi warriors landed about forty meters from the cave entrance
  2540. >When their passengers disembark Chrysalis immediately hisses, sending a backwash through the limited hive mind shared with her children and with you
  2541. >It warned them to stay inside the cave
  2542. >But the one who was already outside clung to you leg even tighter, too scared to do anything else
  2543. >It was no matter of course
  2544. >You would protect her, you'd protect the entire hive
  2545. >The Bearers of Harmony stepped daintily from their transports, each carrying the embodiment of the element they represented in life
  2546. >Neither you, nor Chrysalis, made any move towards them
  2547. >They weren't guests to be treated with manners; it was clear they had come with intent to get rid of you and your family
  2548. >Eventually, they found their way over to you two and Chrysalis engaged in a staredown with Twilight Sparkle, who was at the head of the pack of friends
  2549. >After a time, Chrysalis smiled
  2550. >You knew that smile, she was going to taunt the shit out of Twilight
  2551. >"So the rumours of your being a princess were true. I'm not sure if congratulations or lamentations are in order. I suppose you'll know once you watch all your friends whither and die in age, while you stay aside of the ravages of time."
  2552. >Twilight huffed, but came back with a barbed retort quickly
  2553. >"And the rumours of your demise, it seems, were greatly exagerated. But it seems that the same can not be said for your brood. Why I personally saw the last one expire in the Canterlot dungeons."
  2554. >You didn't need the mental link with the hive queen to know that Twilight had hit a dangerously raw nerve
  2555. >Oh Twilight, such a smart little mare, but so damn stupid when it came to interacting with anything but her friends
  2556. >Without a sound, Chrysalis engulfed the young princess in a cocoon of magic and threw her against one of the chariots
  2557. >"Do not dare speak of my children with such disdain! I don't care if you're a regular pony, stupid princess, or the embodiment of chaos entirely, I will not tolerate such things!"
  2558. >Rainbow Dash flew in from what appeared to be nowhere and tackled the brood mother
  2559. >"What the hay are you doing you monster? We came here to offer you a chance, and you attack us?"
  2560. >This time, you step in from the sidelines, slightly encumbered by the frightened childling clining to your shin
  2561. >You grab Dash by the throat, with only a little less force than required to crush her trachea, and pull her away from Chrysalis
  2562. "Don't you dare touch her again, pegasus. We live here with our children in peace, but you bring armoured and armed platoons of uncorns to push us out. Now you come, bearing the Elements no less, to do the same. All we want is peace, but it is clear that we cannot have it so long as you believe us so weak that a few guards can remove us."
  2563. >You throw her back to her friends, who are crowded around Twilight
  2564. >The purple alicorn clambers to her hooves unsteadily, but when she looks back at you her gaze is of iron
  2565. >"Formation girls."
  2566. >You know what they're doing the second it starts, but you're powerless to stop
  2567. >Some kind of hypnotic property of the activation of the Elements held you in place
  2568. >And so, you could only watch the events unfold as they did
  2569. >Chrysalis, it seemed, too was struck by the elements, and froze in a stupor just watching her demise come on
  2570. >But as the prismatic beam tore up through the sky, one soul broke the curse through sheer force of will
  2571. >Chrysalis was thrown a few meters away from where the beam of the elements struck
  2572. >But the place she had occupied wasn't empty when she left it
  2573. >A piercing scream echoes through the valley, as though rising from Tartarus itself
  2574. >It breaks the spell over you, and you sprint over to where the still smouldering crater that the Elements had made was
  2575. >Without regard for your own safety, you jump into the hole
  2576. >Patches of the ground have turned to liquid glass from the heat, and they melt the soles of your boots something awful
  2577. >But when you reach the epicenter of the attack, what you find drops you to your knees in spite of the extreme conditions
  2578. >You grab your firstborn child, Mistake, and cradle her next to your chest
  2579. >Her small frame is burned and bloodied, her huma skin cracking in the heat, and her chitinous legs twisted at odd angles
  2580. >She looks at you with tearful eyes, clouded with a milky precipitate
  2581. >"Daddy...what happened? Why is it so hot?"
  2582. >Her voice is barely loud enough to be heard over the spitting, cooling earth around you
  2583. "Don't worry princess, you're going to be just fine. You've just got a few owies on you. When we get back to the cave, we'll patch you up, okay?"
  2584. >She smiles at you, chapped lips cracking and bleeding
  2585. >"Okay, daddy. Thank you for turning down the heat."
  2586. >Turning down the...? Oh no
  2587. >The child closes her eyes and slumps in your arms
  2588. >With a dreadful certainty, you know that the first casualty of what could be a horrific war has fallen
  2589. >Tears fall down your cheeks, streaking through the soot and ash marring them, as you make your way out of the crater
  2590. >You ignore the attempted apologies of of the shocked ponies, making a beeline for the paralyzed queen just aside the crater
  2591. >Without a word passed between you two, you place the body of your firstborn on her back
  2592. >Chrysalis removes the lifeless child with magic and sinks to the ground, cradling it and sobbing as any mother who has lost her child would
  2593. >But the the mournful wails, the atmosphere is still
  2594. >You decide to break that stillness
  2595. "Twilight Sparkle."
  2596. >Your voice carries no authority, no excessive volume, not even emotion
  2597. >And it carried the point across perfectly
  2598. >The young alicorn, ears flat against her skull with fear, approaches you
  2599. >"I-I'm sorry, we didn't want to kill anypony. Much less a little girl like--"
  2600. >You cut her off with a gesture and step up closer to her
  2601. >Once you're within inches of her, you kneel down so you can look her in the eyes
  2602. "None of us here, but for you, are ponies. And none of us here want anything to do with you, we just wanted to raise our family in peace. But you just couldn't abide that, could you? Creatures living in peace outside your domain."
  2603. >Twilight is locked into staring at you, though tears pour freely down her cheeks
  2604. >It doesn't stop you from reach back and stroking her mane
  2605. "And so you brought a fight to us, thinking we would just keel over at the first sign of a threat and surrender. But you found us to be tougher than you expected, so you sent the most powerful magic items in the universe to bring us low. And with them, you ended the life of a child, my firstborn daughter."
  2606. >Your hand reaches the base of her wings and she shudders
  2607. >Clearly they were indeed quite sensitive, though you had no intention to pleasure her, if they were indeed erotic
  2608. "Do you know the difference between a mistake and a failure, Ms. Sparkle?"
  2609. >Though wracked with sobs, she manages to shake her head slowly
  2610. >Her friends, as you noticed, are too shocked by the scene to do anything, likely because you appear to be comforting her
  2611. "A mistake is a mistake. It only becomes a failure when you refuse to correct it."
  2612. >With that said, you grasp the base of her one with with the hand already there and reach forward and take the second one in your other hand
  2613. >And with one, mighty wrench, fueled by the righteous anger of a father devestated by loss, you snap the hollow bones of her wings
  2614. >She collapses to the ground, screaming and writhing in utter agony
  2615. >But you just stand above her, without any sort of emotion contorting your features
  2616. >Emotion doesn't even taint your voice when you speak down to the screeching mare
  2617. "The mistake has been corrected, Twilight Sparkle. Let us hope you are not foolish enough to attempt something like this again
  2618. >Her friends and the guards, clearly more concerned with her wellbeing than fighting you, carry her back to the chariots and then take off at a breakneck pace
  2619. >But you sink down next to your wife, holding her along with the body of your child, while your children slowly crawl out of the cave to be around you
  2620. >As a family you cry and wail at the death of Mistake, as a family you hold each other in comfort
  2621. >And eventually, as a family, you sleep under the stars unwilling to leave each other, even for a second
  2622. --------------------------------------------------------------------------
  2623. >A year ago the judge had pronounced your sentence
  2624. >On one count of assault with a deadly weapon, two counts of murder, and one of theft over five thousand dollars, you were sentenced to life in prison with no chance of parole for twenty-five years
  2625. >The only reason you weren't being charged with the deaths of the officers that had burned to death was because they couldn't prove you had set them alight
  2626. >Though, almost as a counterbalance, they tied you into the armoured car robbery you had commited a long time past
  2627. >So here you were, a maximum security facility in Edmonton
  2628. >For some reason known only to whatever gods looked down at you, they had kept you in the city
  2629. >It really didn't matter where you were, people found reasons to pick on you anyway
  2630. >"Hey, fucker. You'd better be giving me a good chunk o' yer food there."
  2631. >Speak of the devil...
  2632. >Fish was an ugly bastard from Newfoundland
  2633. >He'd been caught illegally fishing lobsters and, instead of giving in to a misdemeanor, killed four fisheries officials
  2634. >He was ugly, he was stupid, but he was strong
  2635. >He always went after the smaller fellows, or the new ones
  2636. >You fell neatly into the latter group, even though you were a good deal taller than him
  2637. >It didn't matter to you anyway, the food was shit
  2638. >But not today
  2639. >A year ago today was when Chrysalis had been killed, or stripped away to an unknown place
  2640. >So when you didn't give up your food, or even respond, the squat, fat piece of shit grabbed you by the only personal belonging you owned, her necklace
  2641. >Well, that was something you just couldn't abide
  2642. >Before either of you could blink, you had sent a devestating punch into your attackers throat
  2643. >The convicts eyes bulged and his cheeks ballooned, making him look even more like his namesake
  2644. >The food line froze in place, besides Fish who was gasping and clawing at his crushed trachea
  2645. >And the guards immediately decended on you
  2646. >Well, now was as good a time as any
  2647. "RIOT!"
  2648. >Your shout carried across the cafeteria with the volume that even a carreer drill sergeant would be proud of
  2649. >And the cafeteria exploded
  2650. >The guards were the first targets for most inmates, the men who tormented them and kept them from doing whatever they wanted to
  2651. >You were certain that some died, but most were likely just horrifically injured
  2652. >It didn't take long for the convicts to turn on each other though
  2653. >Butter knives were picked up and discarded, usually into somebodys kidney or throat
  2654. >You escaped much of the violence though, weaving your way through the worst of the fighting to reach your destination
  2655. >A grate in the wall that was just big enough for you to squeeze into
  2656. >You knew where it went, and you knew that it was now or never
  2657. >You jump up and tear it from the flimsy, rusted screws holding it in place, discarding it carelessly into the brawl behind you
  2658. >Just as you get your shoulders into the hole, your feet are grabbed
  2659. >You fly out of the vent and slam into a wall, head first
  2660. >Crack
  2661. >Several teeth break, your skull is fractured, and you're sure that something stabbed you
  2662. >Then again, maybe you just had your ribs broken
  2663. >Either way, you had no time to contemplate as a figure loomed over you
  2664. >Oh hell
  2665. >It was Fish's girlfriend, the enormous, and improperly named, Needle
  2666. >He was named for how he supposedly killed his first victim, a red hot needle into the eye and back into the brain
  2667. >Brutal
  2668. >But he had no needle in his hand, just an ugly, steel shank
  2669. >A shank that looked suspiciously like a piece of the grille from the grate you had thrown into the crowd moments ago
  2670. >You have plenty of time to look at it as it stabs into your gut
  2671. >The murderer leaves you there an wades back into the brawl
  2672. >Kidney, liver, diaphram, maybe the pancreas
  2673. >Those were what you knew would be broken and bleeding inside from the stabbing
  2674. >You had about three minutes left at the best
  2675. >As you look into the brawl, which was strangely hypnotizing to your pain-addled mind, the figures seem to move slower
  2676. >And they looked like they were becoming monochromatic
  2677. >You narrow your eyes and turn them downwards
  2678. >No, you were still wearing Day-Glo, bleeding vibrant crimson, and had those ugly brown sneakers from the prison
  2679. >So what was going on
  2680. >In a split second of thought, the entire fight freezes
  2681. >You notice, off in the corners, guards with rubber bullet equiped shotguns, and tear gas canisters
  2682. >But none of them are moving, and all are black, white, and shades in between
  2683. >Then you hear it
  2684. >Tick, tick, tick
  2685. >You had mistaken it as a clock at first, but it clearly wasn't
  2686. >Tick, tick, tick
  2687. >The origin of the noise was getting closer with every passing second, and you struggle to turn your head towards it
  2688. >Tick, tick, tick
  2689. >Finally you rotate your neck enough, and what you see would scare the piss out of you, if you weren't already dying
  2690. >It was a fedora clad, trench coat wearing giant
  2691. >What you could see of his face was covered in a disgusting, tangled mess of a beard that extended over what appeared to be multiple chins
  2692. >The apparent fat continued into a suede trench coat that seemed to be bursting with rolls unseen by any person before
  2693. >More disturbing were the stains on it, and the reek coming from this disgusting beast
  2694. >Tick, tick, tock
  2695. >The hideous thing stopped in front of you and looked down, as though noticing you for the first time
  2696. >"Well, hello there little man."
  2697. >His voice was thin, reedy, and very nasaly, which stood contrary to his expansive figure
  2698. >"You look a bit hurt. Perhaps I can help, eh?"
  2699. >You try to choke out a coherent sentence
  2700. "Hhhnnn...help...lungs...help."
  2701. >The beast leans closer and examines the rod of metal protruding from your abdomen
  2702. >"Well actually, it's the diaphram, along with a kidney and your liver."
  2703. >Heh, you called it
  2704. >If only Donahughe were around, you'd have made a bet on it
  2705. >Snap
  2706. >A blessed warmth poured through your belly and your breathing issues disappeared along with the pain
  2707. >You look down at your stomach
  2708. >No, the chunk of iron is still there, and you're still bleeding
  2709. >But you feel just fine
  2710. >"No, I didn't fix you, but you should be able to respond just fine to me. Now, would you like my help?"
  2711. >Another glance down at the wound, then a look at the hambeast leaning over you
  2712. "Yeah, I could use a hand here..."
  2713. >The man claps his hands together and a smile marres his already hideous visage
  2714. >"Wonderful! Please, call me 'OP'. Everyone else seems to these days anyway."
  2715. >OP?
  2716. >As in, original poster, like an image board?
  2717. >Fucking weird name, though the world was frozen while you bled out so anything was possible it seemed
  2718. "So, uh, OP was it? How can you help me?"
  2719. >He rubs his hands together like a greedy merchant
  2720. >"Well you see, I'm in the business of interdimensional trade. I take beings from one universe and plop them in another one at my leisure. There are terms, of course, but I only let a few people know them. It's more fun that way!"
  2721. >You cough, and a gout of blood comes out, along with what appeared to be a chunk of flesh
  2722. >Well you weren't technically a doctor, but there was no was that was good
  2723. >"Well, anyway. I've come to offer you a deal, Anonymous. I will rescue you from this, from death. I'll bring you over to Equestria, the land of your dreams. I'll fix you up, good as new, and even deliver you to the doorstep of your waifu."
  2724. >It sounds too good to be true, there's no way that's it
  2725. "And what terms are there for this...offer?"
  2726. >His horrific grin stretches inhumanely wide
  2727. >"Well it's very simple. You'll not be allowed to have sex, ever, at all. You'll still have your dick and balls, and all the desires they come with, but no sex allowed. Should you break these terms, I'll pluck you away and put you right back here, bleeding and dying."
  2728. >Well it seemed easy enough
  2729. >Maybe that was just the blood rapidly leaving your body saying that though
  2730. >Time for one more question though
  2731. "Were you the one that brought Chrysalis here?"
  2732. >His once tight-lipped grin breaks into a smile, showing terribly decayed teeth, rotting in place
  2733. >"I was indeed, just as I took her away when the terms were broken."
  2734. >So, he had kidnapped her, then taken her away just because someone saw her?
  2735. >Well, no matter the terms, you needed to repay Chrysalis for what she had done, had sacrificed, for you
  2736. >You stretch out an arm to the fedora topped monster
  2737. "Done. Bring me home, OP."
  2738. >He giggles like a giddly schoolgirl from one of those weird, Chinese cartoons
  2739. >"Oh I was hoping for a yes. So few people choose option one. Come on then!"
  2740. >His trench coat opens with a flutter, a horrible stench leaking from the now open garment
  2741. >But, it was empty
  2742. >There was nothing but a foul smelling void
  2743. >And before you could scream, it had wrapped around you like a funeral shroud, and you could feel yourself tear away from the earth
  2744. >The trauma was just too much for you, and you black right out with a last prayer uttered into the void you were suspended in that you'd wake up again
  2745. ----------------------------------------------------------------------------
  2746. >You float through a world without form, without purpose, meaning, or name
  2747. >A dull, pulsing light grows on the horizon, beating in time with your nonexistent heart
  2748. >More than seeing it, you feel it
  2749. >A warm, wet thud that reverberates through the space inbetween reality and dream
  2750. >You are drawn towards the light
  2751. >It speaks to you without a voice, it whispers in your ear without making a noise
  2752. >It tells you that everything is going to be okay
  2753. >It tells you that it will always be there for you
  2754. >It offers you sanctuary in its residence
  2755. >And if gives you love
  2756. >Now I know, you think as your soul frays and is pulled deeper into the cast off gloom about the light, how Chrysalis felt
  2757. >And with that final thought, the warm light engulfs you, feeding heat through your limbs and form to your soul
  2758. >You snap awake screaming, your body reacting to how your soul felt at being violated in such a fundamental way
  2759. >Wait, your body
  2760. >You have a body again
  2761. >The realization is only half as impacting as the pressure you feel around your chest
  2762. >Something is restraining you
  2763. >With a sudden strike, you tear the offending appendages away from your chest
  2764. >You flip yourself over and pin your gaoler to the bed that it held you in
  2765. >"Anonymous, wait!"
  2766. >Your captor shouted in the same instant that you had frozen at seeing its face
  2767. >Rather, her face
  2768. >Chrysalis
  2769. >Alive and well, and holding you
  2770. >You scoop her into a hug and lift her off the bed, twirling about the room until your head cracks against a low hanging stalactite
  2771. >That promptly drops you on your ass, with Chrysalis landing on top of you and giggling at your antics
  2772. >"Oh, Anon. I thought I'd never see you again! How did you get here? Why did you come? What happened to make you scream like that?"
  2773. >You hold up your hands in mock surrender
  2774. "Well, I think it was the same guy that brought you here. See, I kinda got stabbed while I was in jail, and he may have offered to bring me over to your neck of the woods."
  2775. >She cuts of the explaination that you were going to continue
  2776. >"What? You were in prison? Why did they put you there, you were innocent! And the being that brought me to you brought you here? Why would he do such a thing? None of this makes se--!"
  2777. >You cut her off by putting a hand on her muzzle and giving a gentle squeeze
  2778. "Just let me get to that part, in due time. Don't interupt, okay?"
  2779. >She nods, blushing from the gentle rebuke
  2780. "Now. I was in prison because they blamed me for killing all those cops, along with a few other things that I actually did. I don't know why the thing that brought you to me brought me here. Maybe he just gets off to this kinda stuff. But none of that matters."
  2781. >You stroke her cheeks with your hand and smile
  2782. "I'm here with you now, and that's all that matters."
  2783. >The changeling queen tears up at your statement and flings herself onto your chest, sobbing at the overwhelming idea that you're here
  2784. >And you hold her there, comforting her until the sun breaks over the Eastern sky, and then until you both fall asleep
  2785. -------------------------------------------------------
  2786. >Chrysalis is standing above you with a look of lust in her eyes
  2787. >You're laying back on the couch you were sharing tonight
  2788. >You had been showing her "Avatar: The Last Airbender" over the past couple nights
  2789. >Tonight, you had just finished watching "The Cave of Two Lovers" and she had thought it was the sappiest thing she'd ever seen
  2790. >And it had got her in just the right mood
  2791. >You felt her magic pull your pants down to your ankles, along with the underpants your wore
  2792. >You felt the warmth of her marehood engulf your rapidly swelling member
  2793. >She always made short work of you, her muscle control was unbelievable
  2794. >You felt her tongue wrap itself around your shaft, stroking it in all the right places
  2795. >Wait tongue?
  2796. >You snap back to reality
  2797. >Or rather, wakefulness
  2798. >The groginess that usually came with a quick awakening, especially from a dream like that, was hurridly dispelled when you see the reason for it
  2799. >Chrysalis' head bobs up and down on your crotch, a steady rhythm that feels too damn good for you to stop her
  2800. >But you at least manage to form a coherent sentence in spite of the stimuli
  2801. "Chrysi...hey, stop a second would you?"
  2802. >She does as she's bid and looks up at you, though she keeps her mouth around your dick
  2803. >~What is it, Anonymous?~
  2804. >You feel the words, less than hearing them
  2805. >Oh...she was using telepathy
  2806. >Too bad you don't know how to respond with it
  2807. "The guy that brought me here, he said if I do anything sexual with ponies then...I'll be sent back right to where I was, dying on the floor."
  2808. >She removes herself from her actions and stares at you with a look, of what could be contempt, on her face
  2809. >"You think this is about pleasure, Anonymous? This is about survival! All of my children are dead, I'm the only changeling left in Equestria! You think that I'm doing this because I want to PLEASURE you?"
  2810. >You shrink back from her
  2811. >She was right, why would you immediately assume such a thing
  2812. >Well, because of humans inherent nature to have sex for pleasure, not so much procreating
  2813. "Look, I'm sorry. I just don't want to lose you again."
  2814. >She nuzzles your bare leg and looks up at you
  2815. >"I don't want to lose you either, but I don't want to be the only one left of my entire race. Please..."
  2816. >You smile, lean down, and stroke her horn, eliciting a moan from her
  2817. >She takes her cue and goes back to what she was doing while you were sleeping
  2818. >It doesn't take her long
  2819. >Who knew that changeling tongues were prehensile?
  2820. >As you moan in ecstasy, she deepthroats you quickly and swallows your load
  2821. >With what little strength of will you have left, you take her horn and pull her, gently, towards you
  2822. >She follows the little force you put behind the action and nuzzles up to your neck
  2823. >Well, no OP around, so you figure that this at least was okay to do
  2824. >But then something occurs to you
  2825. "Hold on. I'm a human, you're a changeling. How will our genetics be compatible enough to produce kids?"
  2826. >She purrs into your neck before explaining
  2827. >"When I swallowed your semen, it was directed to a certain gland in my body. There, its genetic material will be absorbed and used to fertilize eggs, after a complex process involving magic to make it compatible. It'll all be done automatically though, so we can do whatever in the mean time."
  2828. >That only raised further questions
  2829. "Wait, then why would you need me? I've been gone for over a year, why not just use the material from any other species around here?"
  2830. >She pulls away from you with a look of shock in her eyes
  2831. >Shock that is accented by the formation of tears
  2832. >"Anon...you're the only thing besides my own children that I've ever loved. How could I use another being after the bond I formed with you? There was no other option but to wait for you, or die alone."
  2833. >That was an incredible testament to her will
  2834. >And reminded you of the weight that hung about your neck
  2835. >You remove the necklace from your person and wrap it around her, once more giving her the only physical object that would ever express your love for her
  2836. >In return, she nips your neck in what you had come to interpret at a sign of her affection
  2837. >You knew that this was a relationship that would last as long as you two were with each other
  2838. >The months passed by rather quickly
  2839. >Especially with a new concern mounting for yourself and Chrysalis
  2840. >Parenthood
  2841. >It seemed that, though your 'material' had been modified to be compatible, the act had also repurposed her reproductive system somewhat
  2842. >She now gestated and gave live birth, instead of laying a clutch of fertilized eggs
  2843. >She was shocked when, in three months, she had given birth to what had looked like a little, human girl
  2844. >Except had a physical structure like her mother from the waist down, and large eyes, entirely robin's egg blue, without a visible pupil
  2845. >Proud tears had come to your eyes when you held the baby in your arms
  2846. >Well, after Chrysalis had nearly bitten your arm off for trying to take her away
  2847. >Once you'd calmed her down, you held the child and softly sang the same lullaby you had sung to your long gone, long vanished girlfriend
  2848. >You never had found out what happened to her
  2849. >You'd cried the entire time you held your little bundle of joy
  2850. >Over the next while, Chrysalis began to birth them in groups of three or more at a time
  2851. >It seemed that her organs were adapting to the stange act of gestation the more they experienced it
  2852. >Or something
  2853. >You weren't a biologist to decide such things
  2854. >You were just a father that enjoyed the company of the being that could best be called hs wife, and his children
  2855. >All near two hundred of them
  2856. >After that many, she seemed to stop producing eggs entirely
  2857. >Maybe her body was just exhausted, her body knew that she'd not be able to produce any more and stay healthy
  2858. >Whatever it was, two years had passed since your coming to the pony world, and you only rarely ventured outside the two or so acres that your family had taken as their own
  2859. >Turns out, they didn't need much food with you around
  2860. >Apparently humans were a better source of love than ponies because something something deeper meaning
  2861. >You didn't care for the explaination, you cared for what it ultimately meant
  2862. >Which in this case, was that you provided for your family simply by hugging them, playing with them, or letting them share your and Chrysi's bed when they had bad dreams
  2863. >But you knew that the peace you enjoyed could only last so long
  2864. >Such was the life you lived
  2865. >Your oldest daughter came running over the hill that crested above the Everfree Forest
  2866. >Your little abode was on the Southern end of the dangerous place, the opposite side that Ponyville was on
  2867. >You had figured if you didn't bother the ponies, they wouldn't bother you
  2868. >You could see tears brimming in her solid blue eyes
  2869. >Even though she was just two years old, her body had matured to the point of a nine or ten year old
  2870. >It seemed that the little satyrs grew faster than normal children, that was good for you
  2871. >The second you saw her crest the hill, you had already been running towards her
  2872. >Normally, you'd walk calmly out, so as to not alarm the rest of your kids, but this was clearly something important, possibly and emergency
  2873. >When she got within ten feet of you, she flung herself into the air and propelled herself on barely visible wings into a tackling hug
  2874. >You hold the hug for a few seconds before pushing her back and holding onto her shoulders while you looked her in the eyes
  2875. "Mistake, what's wrong, why are you crying?"
  2876. >The poor girl sniffled and wiped her eyes
  2877. >Mistake, it sounded like a horrible name to give a child, especially one like her
  2878. >But it hadn't been entirely your fault
  2879. >Neither you nor Chrysalis could think of  name for her as she grew, and by the time she was walking, you both still didn't think of anything
  2880. >One time, when you were sitting in bed with your child and wife, stroking the former and holding the latter, Chrysalis had asked you a question that horrified you
  2881. >"Anonymous...did we make a mistake?"
  2882. >You were shocked at the question, and responded in a sharper way than you intended to
  2883. "What the fuck are you talking about? Our child is not a mistake!"
  2884. >Chrysalis began to cry when you raised your voice
  2885. >"It's my fault, my body must have screwed up somewhere. I know that it made a mistake somewhere!"
  2886. >You grabbed her muzzle forcefully as the last syllable had left her mouth
  2887. >Then you had quieted your voice, conscious of the stirring child clinging to your chest
  2888. "Listen to me Chrysi. We didn't make a mistake. But we do have a responsibility to raise this child, okay? No matter what she is, human, changeling, or something in between. Even if she is a mistake, he's our mistake, okay?"
  2889. >Chrysalis had nodded and laid her head down on your chest, sharing the space with her daughter, and fell asleep
  2890. >After a time, you fell asleep as well
  2891. >The next morning, as you were cooking breakfast for yourself on the stove you had made, your daughter had bounded into the room, excitedly shouting her first word
  2892. >Though the nature of the word stopped it from being a magical moment for you
  2893. >"Mistake! Mistake! Mistake!"
  2894. >It took you a second to realize she was pointing at herself every time she said it
  2895. >You picked the child up in your arms and tried to get her to stop
  2896. >But every time you shushed her, she said it again with a bigger grin
  2897. >Finally, you just gave in
  2898. >Chrysalis was actually relieved by the event
  2899. >"It means that even if she is called a mistake, she'll never take it as an insult. Maybe it's for the best."
  2900. >That was what she had said
  2901. >And you had known, deep down, it was the truth
  2902. >So, in the present and not your memories, Mistake explained what had happened
  2903. >"I was in the forest, deeper than you said to go. I'm sorry daddy!"
  2904. >You shushed her cries and stroked her back
  2905. "Hey, princess, it's okay. What happened to make you cry though?"
  2906. >She looked into your eyes and continued the story
  2907. >"Well, I went pretty far in and found some buildings. There were creatures that looked like mommy but were all colourful. I went to go say hi and they screamed and ran away. I went after them to find out what was wrong, but they ran into a big building with a bell on top."
  2908. >Her sobs have mostly stopped, though the tears are still running down her face
  2909. >"I went in and there was a bigger one that the little ones were all huddled behind, I think it was their mommy. But she started screaming at me to go away because I was bad and I would hurt the children. But I would never hurt them, daddy! Never!"
  2910. >You lift her chin up gently so she looks into your eyes
  2911. "Hey, I know that. Maybe she just made a mistake, eh? You looked different than her, so she got scared. Don't worry, I'll go with you next time, okay?"
  2912. >She smiles up at you and sniffs away the last of the tears
  2913. >"Okay daddy!"
  2914. >You give her another hug, kiss her on the forehead, and send her to go play with her siblings
  2915. >You had to talk to Chrysalis about this
  2916. >Making your way through the throngs of your kids, who were sprawling all over the area, wrestling or playing other games with each other, you headed for the cave you called home
  2917. >When you made it inside, you immediately went to where you knew Chrysalis would be
  2918. >She was there, as expected, reading a story to about eight childlings
  2919. >When you came in, she smiled and closed the book after marking the page
  2920. >"Okay kids, time to go out and play. Mommy and Daddy need to talk?"
  2921. >They moaned and groaned, but did as they were told and left
  2922. >You sat next to her and kissed her cheek
  2923. >"What's the matter?"
  2924. >You smile at the matronly changeling
  2925. "You know me too well, hon. Mistake was walking through the Everfree and...well she made it all the way to Ponyville."
  2926. >Chrysalis gasped and, in the same instant, snarled
  2927. >"Did they do anything to her? I swear if they touched one hair of my daughters head I'll--"
  2928. >You cut her off before she can go on about what horrible things she'd do to the ponies
  2929. "She's fine. They just yelled and scared her off. But we can't avoid it any longer, we need to go and meet with the ponies. The last thing we need is open warfare, okay?"
  2930. >Chrysalis sighs and nods her head
  2931. >"Very well. Tomorrow we will--"
  2932. >For the second time in as many minutes, the queen-mother is cut off
  2933. >This time though, it's by a screaming, crying, scared stampede of her children
  2934. >You immediately thought danger and took the long knife you kept hidden under your bed from its place
  2935. >Chrysalis stood beside you, blocking any access to your kin, protectively
  2936. >And ever so slowly, you two advanced down the tunnel to the entrance
  2937. >Finally, you stepped into the daylight
  2938. >Only to be ordered to halt by an officious looking stallion in fancy armour, flanked by perhaps forty troops also armoured and armed
  2939. >"Come no further, changeling and...consort? We will not tolerate your presence on these sovreign lands of Equestria!"
  2940. >You glance at his cutie mark
  2941. >It had been so long since you'd seen the show, but somehow that mark clicked just so
  2942. "Captain Shining Armour, of the Royal Equestrian Guard. Queen Chrysalis and I, her mate, mean none of you any harm. However, we will do what is necessary to protect our children, even if it means resorting to violence."
  2943. >The captain, who was indeed Shining Armour, brother of the element of magic took a step back wards
  2944. >Clearly he was shocked that you knew about him at all
  2945. >"I..uh that is, the princess' recognize the changeling threat as it is. We witnessed the results of their previous attempt to conquer Canterlot, which was stopped by Princess Cadence!"
  2946. >Chrysalis muttered under her breath at the mention of Cadence
  2947. >"Little whore."
  2948. >You stifle a laugh, remembering making fun of her for being the princess of 'love' of all sorts
  2949. >But the high and mighty captain was on a roll and didn't even notice
  2950. >"Vacate these lands now, or you will be vacated by force. I have a platoon of the finest guardsponies available to me, and we will not hesitate to protect out home."
  2951. >You glance over at Chrysalis, who was breathing heavy with anticipation
  2952. "That sounds like a challenge, my queen. What would you say to that?"
  2953. >She rears up to her full height and laughs before shouting down at Shining
  2954. >"This is my home, little pony. I gave birth to my children here, and I have raised them here. Not even ten thousand guards could stop me from living in this land. So go tell your princess' to come in person if they want to negotiate, not to send belligerent underlings!"
  2955. >One of the unicorns in the troop, a young one with a coat the colour of gamboge, and a mane like a raw sapphire
  2956. >"Don't you dare speak to the captain that way!"
  2957. >A bolt of magic flew from his horn, one that Chrysalis couldn't deflect from being distracted by the captain in question
  2958. >So you react, with speeds far faster than you could have even managed normally, and deflected it from the flat of the blade back to its source
  2959. >The bolt scorched the stupid guards horn and knocked him out cold
  2960. >Unfortunately the rest of the platoon, deciding that was the opening of hostilities, opened fire
  2961. >You grab Chrysalis and throw yourself on top of her, slamming hard into the dirt
  2962. >Your vision flashes red for a second, and you manage to growl an order to Chrysalis before you inexplicably lose control of yourself
  2963. "Stay down!"
  2964. >With that, you throw yourself at the group of ponies, burning out their ley-lines trying to hit you
  2965. >Many go wide because of your erratic movement, but some scorch the jacket you wear over your clothing
  2966. >Then you reach the first guard in the line up, or the closest one to you at least
  2967. >You grab him, by his horn, and throw him into the ranks of his fellows
  2968. >The resulting magical feedback triggers three seizures in other unicorns around him, and gives you a splitting migrane
  2969. >But you had to ignore all that for now
  2970. >You let your hind brain take over the fight, only thinking conscousely in order to make sure no blow was lethal
  2971. >No point in being seen as an animal, it certainly wouldn't help your case
  2972. >It was clear the ponies were out of touch with hand to hoof combat, and you only had a few lucky hits on your ribs
  2973. >Within minutes, the guards were all on the ground, besides their captain
  2974. >As you stalked up on him, knife held low, you felt the corners of your mouth twist up in a grin
  2975. >But he didn't become captain of the guard by being stupid
  2976. >He casts a barrier in front of himself, but it isn't an ordinary barrier
  2977. >You see yourself in it
  2978. >And it frightens you
  2979. >Your face is twisted in a maniac grin, your eyes glowing green and appearing to leak some kind of smoke from the sides
  2980. >Blood covers half of your head from a glancing hit from a bolt of magic
  2981. >And your hands are aglow with some kind of mystic energy
  2982. >With a great force of will, you force yourself to become calm
  2983. >The monster in the barrier fades away and is replaced by a scared, injured human with a knife
  2984. >But you maintain a blank face and look Shining Armour right in his eyes
  2985. "The princess' can come themselves if they want to try and make us leave. Until then, do not dare come back. Next time, I won't hold myself back from killing you all."
  2986. >The guardpony gulped and backed away
  2987. >"I...I will pass on the message to the princesses."
  2988. >To his credit, he didn't look away until he was across the hill
  2989. >You sat down, hard, when he was finally out of sight
  2990. >Chrysalis was immediately  by your side, nuzzling at your neck and licking your wounds
  2991. >"Anon, do you think they'll be back?"
  2992. >You run a hand through your matted hair, dropping the knife at your side
  2993. "I have no doubt. But don't worry, I'd bring the princess' themselves low to keep you and our children safe."
  2994. >You wrap an arm around her withers and she rests her head on your chest
  2995. >And there you sit as your children come out and gather around you, Mistake pushing her way to the front and curling up in your lap
  2996. >So your family spend the night under the moon, sleeping the warm summer night away
  2997. >None of you knew what you'd need to face in the coming weeks and months, but it was certain you would face it as a family
  2998. -------------------------------------------------------------------------
  2999. >Three days passed
  3000. >Nothing happened, so the children relaxed and went back to playing outside after the second day
  3001. >You spent more time with them, as a result of the fear of an attack
  3002. >Chrysalis, as well, was spending much more time outside among the children, but always beside you
  3003. >It was fine by you, you quite enjoyed spending so much time with her
  3004. >It was quite often that you two would simply sit at the top of the hill, basking in the last days of summer, while your children roughed about the area, never straying out of sight
  3005. >But you could feel it, and so could she
  3006. >Something was in the air, a tension that came before something broke
  3007. >So when it did finally break, you were prepared
  3008. >The sun rose on the fourth day, and the sound of trumpets heralded the end of the peace that had consumed the past few days
  3009. >You rose with Chrysalis, the childlings sleeping all around the area getting up more slowly than you two
  3010. >With Mistake, the oldest of her siblings, in tow you make your way outside to greet whatever was here to bother you this time
  3011. >The sight was rather shocking
  3012. >Six gold carriages drawn by, if their uniforms were anything to go by, elite pegasi warriors landed about forty meters from the cave entrance
  3013. >When their passengers disembark Chrysalis immediately hisses, sending a backwash through the limited hive mind shared with her children and with you
  3014. >It warned them to stay inside the cave
  3015. >But the one who was already outside clung to you leg even tighter, too scared to do anything else
  3016. >It was no matter of course
  3017. >You would protect her, you'd protect the entire hive
  3018. >The Bearers of Harmony stepped daintily from their transports, each carrying the embodiment of the element they represented in life
  3019. >Neither you, nor Chrysalis, made any move towards them
  3020. >They weren't guests to be treated with manners; it was clear they had come with intent to get rid of you and your family
  3021. >Eventually, they found their way over to you two and Chrysalis engaged in a staredown with Twilight Sparkle, who was at the head of the pack of friends
  3022. >After a time, Chrysalis smiled
  3023. >You knew that smile, she was going to taunt the shit out of Twilight
  3024. >"So the rumours of your being a princess were true. I'm not sure if congratulations or lamentations are in order. I suppose you'll know once you watch all your friends whither and die in age, while you stay aside of the ravages of time."
  3025. >Twilight huffed, but came back with a barbed retort quickly
  3026. >"And the rumours of your demise, it seems, were greatly exagerated. But it seems that the same can not be said for your brood. Why I personally saw the last one expire in the Canterlot dungeons."
  3027. >You didn't need the mental link with the hive queen to know that Twilight had hit a dangerously raw nerve
  3028. >Oh Twilight, such a smart little mare, but so damn stupid when it came to interacting with anything but her friends
  3029. >Without a sound, Chrysalis engulfed the young princess in a cocoon of magic and threw her against one of the chariots
  3030. >"Do not dare speak of my children with such disdain! I don't care if you're a regular pony, stupid princess, or the embodiment of chaos entirely, I will not tolerate such things!"
  3031. >Rainbow Dash flew in from what appeared to be nowhere and tackled the brood mother
  3032. >"What the hay are you doing you monster? We came here to offer you a chance, and you attack us?"
  3033. >This time, you step in from the sidelines, slightly encumbered by the frightened childling clining to your shin
  3034. >You grab Dash by the throat, with only a little less force than required to crush her trachea, and pull her away from Chrysalis
  3035. "Don't you dare touch her again, pegasus. We live here with our children in peace, but you bring armoured and armed platoons of uncorns to push us out. Now you come, bearing the Elements no less, to do the same. All we want is peace, but it is clear that we cannot have it so long as you believe us so weak that a few guards can remove us."
  3036. >You throw her back to her friends, who are crowded around Twilight
  3037. >The purple alicorn clambers to her hooves unsteadily, but when she looks back at you her gaze is of iron
  3038. >"Formation girls."
  3039. >You know what they're doing the second it starts, but you're powerless to stop
  3040. >Some kind of hypnotic property of the activation of the Elements held you in place
  3041. >And so, you could only watch the events unfold as they did
  3042. >Chrysalis, it seemed, too was struck by the elements, and froze in a stupor just watching her demise come on
  3043. >But as the prismatic beam tore up through the sky, one soul broke the curse through sheer force of will
  3044. >Chrysalis was thrown a few meters away from where the beam of the elements struck
  3045. >But the place she had occupied wasn't empty when she left it
  3046. >A piercing scream echoes through the valley, as though rising from Tartarus itself
  3047. >It breaks the spell over you, and you sprint over to where the still smouldering crater that the Elements had made was
  3048. >Without regard for your own safety, you jump into the hole
  3049. >Patches of the ground have turned to liquid glass from the heat, and they melt the soles of your boots something awful
  3050. >But when you reach the epicenter of the attack, what you find drops you to your knees in spite of the extreme conditions
  3051. >You grab your firstborn child, Mistake, and cradle her next to your chest
  3052. >Her small frame is burned and bloodied, her huma skin cracking in the heat, and her chitinous legs twisted at odd angles
  3053. >She looks at you with tearful eyes, clouded with a milky precipitate
  3054. >"Daddy...what happened? Why is it so hot?"
  3055. >Her voice is barely loud enough to be heard over the spitting, cooling earth around you
  3056. "Don't worry princess, you're going to be just fine. You've just got a few owies on you. When we get back to the cave, we'll patch you up, okay?"
  3057. >She smiles at you, chapped lips cracking and bleeding
  3058. >"Okay, daddy. Thank you for turning down the heat."
  3059. >Turning down the...? Oh no
  3060. >The child closes her eyes and slumps in your arms
  3061. >With a dreadful certainty, you know that the first casualty of what could be a horrific war has fallen
  3062. >Tears fall down your cheeks, streaking through the soot and ash marring them, as you make your way out of the crater
  3063. >You ignore the attempted apologies of of the shocked ponies, making a beeline for the paralyzed queen just aside the crater
  3064. >Without a word passed between you two, you place the body of your firstborn on her back
  3065. >Chrysalis removes the lifeless child with magic and sinks to the ground, cradling it and sobbing as any mother who has lost her child would
  3066. >But the the mournful wails, the atmosphere is still
  3067. >You decide to break that stillness
  3068. "Twilight Sparkle."
  3069. >Your voice carries no authority, no excessive volume, not even emotion
  3070. >And it carried the point across perfectly
  3071. >The young alicorn, ears flat against her skull with fear, approaches you
  3072. >"I-I'm sorry, we didn't want to kill anypony. Much less a little girl like--"
  3073. >You cut her off with a gesture and step up closer to her
  3074. >Once you're within inches of her, you kneel down so you can look her in the eyes
  3075. "None of us here, but for you, are ponies. And none of us here want anything to do with you, we just wanted to raise our family in peace. But you just couldn't abide that, could you? Creatures living in peace outside your domain."
  3076. >Twilight is locked into staring at you, though tears pour freely down her cheeks
  3077. >It doesn't stop you from reach back and stroking her mane
  3078. "And so you brought a fight to us, thinking we would just keel over at the first sign of a threat and surrender. But you found us to be tougher than you expected, so you sent the most powerful magic items in the universe to bring us low. And with them, you ended the life of a child, my firstborn daughter."
  3079. >Your hand reaches the base of her wings and she shudders
  3080. >Clearly they were indeed quite sensitive, though you had no intention to pleasure her, if they were indeed erotic
  3081. "Do you know the difference between a mistake and a failure, Ms. Sparkle?"
  3082. >Though wracked with sobs, she manages to shake her head slowly
  3083. >Her friends, as you noticed, are too shocked by the scene to do anything, likely because you appear to be comforting her
  3084. "A mistake is a mistake. It only becomes a failure when you refuse to correct it."
  3085. >With that said, you grasp the base of her one with with the hand already there and reach forward and take the second one in your other hand
  3086. >And with one, mighty wrench, fueled by the righteous anger of a father devestated by loss, you snap the hollow bones of her wings
  3087. >She collapses to the ground, screaming and writhing in utter agony
  3088. >But you just stand above her, without any sort of emotion contorting your features
  3089. >Emotion doesn't even taint your voice when you speak down to the screeching mare
  3090. "The mistake has been corrected, Twilight Sparkle. Let us hope you are not foolish enough to attempt something like this again
  3091. >Her friends and the guards, clearly more concerned with her wellbeing than fighting you, carry her back to the chariots and then take off at a breakneck pace
  3092. >But you sink down next to your wife, holding her along with the body of your child, while your children slowly crawl out of the cave to be around you
  3093. >As a family you cry and wail at the death of Mistake, as a family you hold each other in comfort
  3094. >And eventually, as a family, you sleep under the stars unwilling to leave each other, even for a second
  3095. --------------------------------------------------------------------------