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Psychopath in Equestria: Chapter 8 (To Canterlot)

By: Bastinator on May 12th, 2012  |  syntax: None  |  size: 20.14 KB  |  hits: 358  |  expires: Never
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  1. >A sense of relief fills you as Celestia pulls away.
  2. >”How do you feel?”
  3. “Much better thanks.”
  4. >You pull down your shirt.
  5. “We should reach Ponyville in a couple hours.”
  6. >You can remember the scenery as it passes; this is a road you’ve traveled before.
  7. >”Good, from there we can catch the train to Canterlot and set things straight.”
  8. “I will be catching the train, but I have another task for you.”
  9.  
  10. “Apologize to the mane 6 for me. I’d do it myself, but they’ll likely turn me in.”
  11. >”You can apologize yourself when this is over.”
  12. >She’s a bit optimistic about how things will turn out.
  13. “I may not be here when that happens.”
  14. >”Don’t speak in that manner. I know you’ll be fine.”
  15. “Do you though?”
  16. >She doesn’t answer.
  17. “Thought so…”
  18.  
  19. >The two of you walk along the road, neither of you saying a word.
  20. >You did want her to apologize to the mane 6, but more so you didn’t want her there.
  21. >If you know her then Chrysalis will either be sent away or placed on the moon, both not solving the problem.
  22. >This calls for a more crude solution.
  23. >One only you can give.
  24.  
  25. >You make out the outskirts of town, and slow down your pace.
  26. “There it is…”
  27. >”What do you want me to tell them?”
  28. “Tell them…. This is what I am, and that in another world, I hope things would turn out differently.”
  29. >She nods,”Stick to the edge of town, I’ll draw their attention.”
  30. “Affirmative, it was good to have met you Princess.”
  31. >”Likewise.”
  32. >With that she trots into town as you trudge off the road.
  33.  
  34. >She’s greeted with an uproar by the sound of it.
  35. >Royal visits are rare, so an unexpected one is sure to cause quite the stir.
  36. >Thankfully this allows you to pass through virtually unopposed.
  37. >You’re about half-way to the train station when you take a look at yourself.
  38. >This is no way to dress for a royal audience, even if it isn’t truly royalty.
  39. >There’s only one place in town to get clothes that fit you, and that’s home.
  40.  
  41. >Going through the front door would be suicide, there’s too much of a risk to be caught.
  42. >Instead you climb around the back, entering the second story window.
  43. >Most of them were boarded up; you’re just surprised it isn’t burned down yet.
  44. >You ease yourself into your bedroom.
  45. >Everything is just the way you left it; nothing seems to have been disturbed.
  46. >They respect privacy, you’ll give them that.
  47.  
  48. >You literally tear off your clothing which has degraded to little more than scraps of cloth.
  49. >You slip into something more comfortable, just a simple pair of jeans and t-shirt.
  50. >There’s a hooded robe as well which you also put on.
  51. >It’ll at least give you a couple seconds if you’re spotted.
  52. >Every second counts when it comes down to it.
  53. >Your stomach rumbles, reminding you that you haven’t had anything substantial since last went to Canterlot.
  54.  
  55. >You head downstairs, hoping no one has raided your fridge.
  56. >”Ye… kno…”
  57. >You press yourself against the wall and listen closely.
  58. >Someone’s here, but who?
  59. >”We really… him go… a threat.”
  60. >It’s a girl from the sound of it, but you need to get closer to hear exactly what they’re saying.
  61. >You inch closer to the bottom of the stairs.
  62.  
  63. >”Dwelling on the past won’t change anything.”
  64. >”What he did was wrong. You have to let him go.”
  65. >You hear one of them sobbing, trying to keep it in.
  66. >They don’t know you’re here which is enough for you.
  67. >You head back up the stairs, eyes peeled on the bottom in case they decide to come up.
  68. >”Eep!”
  69. >That turned out well.
  70.  
  71. >You turn around fast enough to see a blur of yellow crash into you.
  72. >You lose your balance, crashing down the stairs, forming a crumpled mess at the bottom.
  73. >Why does nothing ever go as planned in this god forsaken place?
  74. >”Oh, I’m so sorry. Are you alright?”
  75. >You can’t see anything, but something about her seems familiar.
  76. >Why does that voice sound… Fucking Fluttershy.
  77.  
  78. >More hoofsteps sound off towards you.
  79. >”What happ- Who is that?”
  80. >”I don’t know. I saw him walking upstairs, and he startled me. So I kind of…”
  81. >They can’t tell it’s you yet, likely due to the robe covering you.
  82. >They’ll find out sooner or later, might as well be now.
  83. >You stand up, cracking your neck for dramatic effect.
  84. “Nice to see you all again.”
  85.  
  86. >You face towards them, the rest of your friends now in view.
  87. >”A-anon?” Twilight asks looking upon you.
  88. “Now before you do anything-“
  89. >Her face becomes flushed with anger as she pins you against the wall.
  90. >She never was good at listening.
  91. >You kick your shoe off and fling it at her face, disrupting her control.
  92. “Listen to me. I’m not here-“
  93. >You duck out of the way of an incoming chair.
  94. “Let me explain.”
  95.  
  96. >The others are too transfixed on your appearance to help Twilight.
  97. >”We have nothing to-“she tosses another chair at you, “talk about!”
  98. >You dive over the counter and into the kitchen, the chair nicking you.
  99. >You peek your head over, only to duck from a hail of apples.
  100. >You dust off one of the projectiles and take a bite.
  101. >Mmmmmm… juicy.
  102. “I’m sorry Twilight. I’m sorry about everything.”
  103. >”Sorry is not going to cut it this time.”
  104.  
  105. >”Twilight please you’re scaring her.”
  106. >Her? Who else is here?
  107. >”She won’t be afraid once he’s gone.”
  108. “Who is her?” you ask standing up.
  109. >A pillow plows you in the face doing nothing but irritating you.
  110. >She’s run out of things to hurt you with by now.
  111. >Twilight’s horn begins to spark violently as she charges some sort of attack.
  112. >Guess she isn’t out of moves.
  113.  
  114. >A bolt of lightning tears across the room striking you against the chest.
  115. >You grab onto the counter to keep yourself up as she charges another.
  116. “Twilight- just wait.”
  117. >She grimaces as she gets ready to unleash another.
  118. >”Please…” a little voice cries from behind her.
  119. >Twilight turns halting her attack.
  120. >You can’t see who said that, but you don’t recognize the voice either.
  121. “Who is that?” you ask.
  122. >A filly flies up to the top of the couch, looking at you with curiosity.
  123. >Daisy?
  124.  
  125. >This is a situation you weren’t ready for.
  126. >Daisy flaps over towards you, cornering you in the kitchen.
  127. >”Are you- she pauses clearing her throat, “Anon?”
  128. >You look over to the others who’re nodding their heads.
  129. “Yes I am.”
  130. >”You may not remember me. I was in the uh-“ Her eyes turn red as she holds back the tears.
  131. >Martin took so much from her, good thing you taught him a lesson.
  132.  
  133. >You step forward and hug the distraught filly. Crying is one of the few things you can’t stand.
  134. >You stroke her mane as the tears flow down your back.
  135. “Shh… It’s alright, he’s long gone.”
  136. >”Thank you…” she sobs.
  137. >You look at Twilight who appears to be doubting her previous behavior.
  138. “Daisy, I think you should run home now. I need to talk in private now.”
  139. >She sniffs and does as instructed leaving you all alone.
  140.  
  141. >You take another bite of your apple breaking the awkward silence.
  142. >”So why’d you come back?” Applejack asks.
  143. “For a fresh set of clothes and some food of course.”
  144. >Your joke falls on deaf ears.
  145. “What? I was only going to be here a minute before I moved on.”
  146. >”Moved on to where?”
  147. >”And what for?” Rarity adds.
  148. “Canterlot, I have some unfinished business there.”
  149.  
  150. >All six get ready to attack at yours words.
  151. “Whoa now hold your horses! I’m not going to kill the princess.”
  152. >They back off, but remain wary.
  153. “Not the real one anyways…”
  154. >”And what do you mean by that?”
  155. “Nothing. I’m not here to cause trouble, but since you’re all here anyways I may as well offer my apology.”
  156.  
  157. “It was wrong what I did. I deceived you all into believing I was something I’m not. I did terrible things to those who didn’t deserve it. I don’t deserve your sympathy, but for what it’s worth I’m sorry.”
  158. >They part as you step towards the stairs.
  159. “I wish we had met under different circumstances… Bye.”
  160. >You go back upstairs, no sign of pursuit on their part, and climb out the window.
  161. >If you hurry you can make the train to Canterlot.
  162.  
  163. >Celestia’s arrival still has Ponyville’s undivided attention.
  164. >You stick to the back alleys masking yourself in the darkness.
  165. >It’s not difficult to move around incognito.
  166. >You’re almost at the train station when you’re blinded by a yellow glare.
  167. >Moving out of the way you spot a contingent of royal guards patrolling the station.
  168. >Why the hell are they here?
  169. >They’re seldom seen outside the castle, let alone in Ponyville.
  170.  
  171. >They keep a tight watch on the perimeter, though you’re barely able to slip through them.
  172. >The door is tightly guarded, two of them standing ready.
  173. >You’re not going to get on that way.
  174. >You could go in through one of the windows, but you’re sure to be seen if you go on that route.
  175. >There’s no conceivable way to get on undetected. *clash*
  176. >”Watch it!” a guard says to one of the loaders, “We’ll put you in the stockade if you drop another one.”
  177.  
  178. >That gives you an idea.
  179. >You loosen the side of one of the crates and open it.
  180. >You can’t see too clearly, but there appears to be enough space for you to squeeze in.
  181. >It’s a tight fit, but you manage to get in.
  182. >Resealing the side the waiting game begins.
  183. >Time passes slowly, and you find yourself counting sheep.
  184. >You’re interrupted by a rumbling as you feel yourself being lifted.
  185.  
  186. >”They don’t pay us enough for this. This box weighs a ton.”
  187. >”Quit your yammering, or we’ll make you.”
  188. >”Dude shut up, I don’t know about you, but I like my teeth where they are.”
  189. >”I don’t know what’s up with everyone recently. After that foreigner got banished everything’s gone to Tartarus.”
  190. >He has no idea how right he is.
  191. >”I’m more worried about today. Let’s just get this shipment loaded and head home.”
  192. >At least someone values their time.
  193.  
  194. >They drop you off in the train, a sliding door signaling their exit.
  195. >”All loaded up!” he shouts.
  196. >The train roars to life as it pulls off down the tracks.
  197. >You can’t take the confinement of this box any longer.
  198. >You kick open the side and hurl yourself out.
  199. >You find yourself where you think is the storage car, a surplus of boxes crammed within.
  200. >You’re mildly interesting what the cargo is, but you don’t care enough to investigate.
  201.  
  202. >You look through the door into the next car, just more crates lying inside.
  203. >From car to car you move trying to get to the front of the train.
  204. >The train suddenly shifts, tossing a crate off of its shelf, crashing against the floor.
  205. >”What was that?”
  206. >”Probably just the crates, I’ll check it out.”
  207. >Damn guards.
  208.  
  209. >You conceal yourself behind a stack as the guard enters.
  210. >He whistles a tune to himself as he scours the storage car.
  211. >That sounds awfully familiar to you.
  212. >”Aha,” he shouts finding the fallen crate, “Just a crate after all!”
  213. >He sets it back on the shelf and heads back to the door.
  214. >The train shifts again, sending another box flying off the shelf, right next to you.
  215. >”You need to be more careful or else-“ He silences as he spots you.
  216.  
  217. >”Stop right there criminal scum! Nobody breaks the law on my watch! I’m confiscating your stolen goods. Now pay your fine or it’s off to jail.”
  218. “Resist Arrest?”
  219. >”Then pay with your blood!”
  220. >Anon vs. Royal Guard. Fight!
  221. >The both of you leap towards each other.
  222. >He strikes first knocking you against the wall.
  223. “If you wanted to play rough then you should have said so.”
  224.  
  225. >You pick up one of the smaller crates and throw it at him.
  226. >He cradles the package and sets it down giving you the opportunity you needed.
  227. >You mount him, tearing off his helmet as he bucks wildly.
  228. “I think you need to take a nap.”
  229. >You bring down your fist against his neck, knocking him out like a light.
  230. >This fight was curiously easy. Why did he let himself open like that?
  231. >”You alright in there?” another guard shouts.
  232. >Another person to deal with, how fun.
  233.  
  234. >You slide open the door and walk into the next car, a passenger car.
  235. >The guard is the only one there oddly enough.
  236. >He’s staring out the window, not paying you any attention.
  237. >”Everything alright in there? What was the commotion all about?”
  238. “He had a little slip, nothing compared to what’s going to happen to you.”
  239. >He turns to you glaring, “We’ll see.”
  240. >Round Two. Fight!
  241.  
  242. >He swipes you with his hooves a couple times, each of you exchanging blows.
  243. >Neither of you seem to be able to land a hit.
  244. >You see a turn coming up, one he doesn’t notice.
  245. >You brace yourself as the shift throws him off balance.
  246. >You land your first blow against his unguarded snout, making him reel back.
  247. “At least you’re putting up a better fight than the other guy.”
  248. >He wipes his nose on his hoof, a stream of blue blood running down his nose.
  249. >Blue?
  250.  
  251. “Why is your blood blue? The others always had-“
  252. >He smiles and attacks again, you dodging easily.
  253. >You swing off the seats and kick him backwards.
  254. >Where have you seen blue blood before?
  255. >This isn’t the first time you’ve seen it.
  256. >Your eyes widen at the thought.
  257. >The guard’s smile grows at your expression.
  258.  
  259. >”You should have stayed in that forsaken land.”
  260. >He disappears in a puff of smoke, appearing once more as… you.
  261. >He dances around on his legs for a minute, getting used to his new form.
  262. >”How interesting. Chrysalis will reward me for bringing in the fugitive.”
  263. “You’ll have to catch me first changeling.”
  264. >”Not a problem.”
  265. >He lurches forward and charges.
  266.  
  267. >You haven’t fought a human since before you got here.
  268. >His feet frantically stomp on the ground as he continues leaning forward.
  269. >You jump and pull yourself to the ceiling as the changeling comes crashing beneath you.
  270. >You land on his back, inciting a small groan from him.
  271. “You have to learn to walk before you can run.”
  272. >Picking him up by the collar you slam him against the wall repeatedly, bloodying his face even further.
  273.  
  274. >You flip him around to admire your work.
  275. “So this is what I’d look like if I sucked.”
  276. >He coughs up a wad of blood and laughs at you.
  277. >”You have no *cough* idea who you’re dealing with.”
  278. “I kinda do,” you reply punching him in the ribs.
  279. >”You’ll never stop us all.” *cough cough*
  280. >He squirms as you introduce your knee to his gonads.
  281. “Watch me.”
  282.  
  283. >You open the door dragging his body behind you.
  284. >”Never… stop…”
  285. “I have a question. You like trains?”
  286. >He coughs up more blood in response.
  287. “Let me introduce you to his friend. Tracks.”
  288. >You grab his arms and toss him underneath the train, giving the wheels a new blue coat.
  289. >Flawless Victory. Fatality.
  290.  
  291. >You close the door and sit down, finally able to relax.
  292. >You’ve had enough surprises for one day.
  293. >Sleep eludes you, the changeling’s words keeping you awake.
  294. >Why does it feel like he knew more than he let on?
  295. >You jump out of your seat and back into the storage car.
  296. >The guard is still knocked out, lying in a pool of drool.
  297.  
  298. “What were you trying to protect?
  299. >You grab the package and rip it open.
  300. >You reach inside, pulling out some type of black object.
  301. >The lack of light cloaks it, but it feels wet and squishy.
  302. >You squeeze it lightly, its fluid bursting from the core.
  303. >It smells disgusting, so you wipe off your hand on the unconscious guard.
  304. >The smell seems to have stirred him from his slumber, giving you a chance to obtain some answers.
  305.  
  306. >You grab another box and drag him into the next car.
  307. “I think we got off on a bad start.”
  308. >You heave him onto a seat where he stays due to your show of force.
  309. “Let’s cut the bull and you tell me what I want to know, starting with this.”
  310. >You place the box before him, his expression telling you that he has the info you want.
  311. “What is this?”
  312. >”It’s a box.”
  313. “Wrong answer.”
  314.  
  315. >You slam his head against the table and grip his jugular.
  316. “Maybe I wasn’t being specific.”
  317. >You smash the package, destroying the object within.
  318. >He tries to stop you, but your grip assures his cooperation.
  319. “What is that?” you ask pointing towards the goopy mess.
  320. >He refuses to answer, instead raising his head defiantly.
  321. “Have it your way.”
  322.  
  323. >You scoop up the remains and tighten your grip, forcing his mouth open.
  324. >He shakes violently as you shove the mess into his mouth, wood and all.
  325. >You ease off his throat and coax it all down his gullet.
  326. “I’m tired of playing games, what is that?!”
  327. >He gasps for air, furiously trying to gag himself.
  328. >You slam him down again.
  329. “We’ve got hours before we reach Canterlot. Until then you’re my bitch! Now what is it!?”
  330. >”It’s an egg!” he cries.
  331.  
  332. “A what?”
  333. >”You heard me!”
  334. >You slam him down again and again.
  335. “Don’t smart mouth me you little bitch. Now what is it?!”
  336. >”An egg.” He mutters painfully.
  337. >”An egg from what?”
  338. “A changeling…”
  339.  
  340. >You turn back to the storage cart.
  341. >That place is full of boxes like this, hundreds of them stacked on top of each other.
  342. >If Chrysalis raises them in Canterlot…
  343. “I’ll never stop them all.”
  344. >You look back to the bleeding guard, wallowing in pain.
  345. >The damage finally got to him as he returns to his regular form.
  346. >You can’t let them reach Canterlot.
  347.  
  348. >You pull him to the back cabin, tossing him on his back.
  349. >Placing a foot on his spine you grip his tiny wings.
  350. >You pull with all your might, tearing both of them off of him.
  351. >He pisses himself in agony, losing control of his bodily functions.
  352. “You helped me out so I’m going to let you live. Tell your buddies to call it quits, because there’s a new sheriff in town.”
  353. >You lock the door behind you, sitting down on the median between the two cars.
  354. >You pull the pins holding the two together, the storage car slowing down behind you.
  355.  
  356. >The crisis is averted for now, but who knows how many shipments have been made to Canterlot already.
  357. >You sit down and lay your head against the window.
  358. >You close your eyes and drift to sleep watching the passing scenery.
  359. >Several hours later…
  360. >A screech pulls you back into reality.
  361. >You stretch, cracking your back and neck with a satisfying series of pops.
  362. >The guards’ voices echo around you, though none have entered the car yet.
  363. >You manage to slip out the back and run to cover before anyone notices you.
  364.  
  365. >Canterlot. If only you were here under better circumstances.
  366. >Being a fugitive tends to dampen the mood.
  367. >You look back to the tram station, the conductor arguing with some guards regarding a “lost shipment.”
  368. >Happy to disappoint you boys.
  369. >Sensing the opportunity you sprint into a nearby alley and away from the scene.
  370. >Hope they liked the paint job.
  371.  
  372. >You proceed through the alleys unfortunately far more crowded than those of Ponyville.
  373. >It’s filled with garbage, street raff and some fluid you don’t want to know about.
  374. >You eventually take to running amongst balconies as the roofs are too tall and guards patrol the walls above.
  375. >Your cloak does eventually come in handy, hiding you long enough to escape from an oncoming group of guards.
  376. >Chrysalis certainly has increased security now that she’s in command.
  377. >Leaders do tend to be paranoid after all.
  378. >At least this time, someone really is after her.
  379.  
  380. >You make it to the Castle Courtyard, dodging in and out of the hedges.
  381. >Guards pass by obliviously, allowing you further access to the castle.
  382. >You pass by multiple statues, taking time to admire Discord’s.
  383. >So much power, so misguided. Tragic really.
  384. >The next statue is strikingly familiar.
  385. >Though it’s incomplete, you look as dashing as ever.
  386. >At least the sculptor got your nose right, you might have had to kill-
  387. >No Anon. You’re over that. This is your final job and then you’re done.
  388.  
  389. >You slide next to the wall, hiding within the bushes.
  390. >Two guards are standing at the doors.
  391. >Great, the only accessible entrance and it’s blocked.
  392. >Quick Anon, how do you distract someone?
  393. >Bing! You pick up a small rock and toss it away, its thud echoing.
  394. >The guards look towards the noise and follow it. Huh? That was easy.
  395. >They must be more changelings; no trained p0ny would abandon their post.
  396. >Now free, you creak open the door and slip inside, Chrysalis awaiting.