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Endeavorance. part V

By: Antioch on Jul 21st, 2012  |  syntax: None  |  size: 6.50 KB  |  hits: 73  |  expires: Never
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  1. Part V
  2. >Just reached the outside of ponyville
  3. >its nearly dark
  4. >stare down the local pharmacy
  5. >crack your knuckles for what your about to do
  6. >rush into town unseen
  7. >move through the back allies trying to remain obscure
  8. >approach the side of the pharmacy
  9. >look at the awning overhead
  10. >pull out the horn
  11. >inhale
  12. >focus deeply
  13. >the beam holding up the other end of the awning starts to shake loose
  14. >it falls out
  15. >the far side of the awning clunks to the ground
  16. >see the pharmacist step outside to try and figure out what happened
  17. >go around to the back end of the pharmacy
  18. >inspect the back door
  19. >its unlocked
  20. >open it slowly
  21. >peer inside
  22. >see the pharmacist still out front
  23. >step in
  24. >start grabbing various minerals off the shelves
  25. >toss them into a bag
  26. >leave some change on the counter
  27. >move to the back door
  28. >open it
  29. >check the area
  30. >all clear
  31. >dart for home
  32. >reach home as it has just become dark
  33. >step inside
  34. >look around
  35. >the place is a complete wreck
  36. >any and every personal object imaginable is now scattered across the floor
  37. >step through the mess
  38. >enter the bathroom
  39. >its an even bigger wreck
  40. >turn on the hot water in the bathtub
  41. >attempt to remove your pants
  42. >cringe in pan from trying to work around your fresh leg wound
  43. >stop
  44. >leave the bathroom
  45. >enter the kitchen
  46. >look for a pair of scissors
  47. >sort through the mess on the floor
  48. >find the scissors
  49. >re enter the bathroom
  50. >cut yourself out of your pants
  51. >sink into the tub
  52. >wash away the dirt still in your wound from crawling on the ground in the forest
  53. >soak for a moment
  54. >slowly start peeling of the clothing fried onto your skin once more
  55. >clean off
  56. >grab the horn out of the pocket from your mutilated pants
  57. >focus on your wound
  58. >it closes over slowly
  59. >dry off
  60. >stand up
  61. >no pain
  62. >no scar
  63. >still limping though
  64. >head for your room
  65. >enter
  66. >its easily the worst wreck out of all the rooms you’ve been in
  67. >touch the bed
  68. >sit on it
  69. >stare down at your scattered personal belongings
  70. >rest for a moment
  71. >get up
  72. >pick out a fresh change of clothes from the many articles flung carelessly onto the ground
  73. >shut the bedroom door on the way out
  74. >step back into the kitchen
  75. >approach the stove
  76. >knock on the top of it
  77. >feel around the sides
  78. >clench the top of it
  79. >lift it off
  80. >inspect the cast iron plating
  81. >walk over to the basement door
  82. >head down the steps with the cast iron
  83. >reach the bottom
  84. >observe the basement
  85. >it hasn’t been trashed
  86. >spread a sheet down on the floor
  87. >unload the minerals onto it
  88. >plop the cast iron down next to the minerals
  89. >grab a two-by-four and set it next to the cast iron
  90. >clench the horn in your hand
  91. >inhale deeply
  92. >start working
  93. >spend the entire night mixing minerals, shaping wood and bending iron
  94. >the sun rises 10 tireless hours later
  95. >look at the finished project
  96. >a single, impractical, makeshift gun
  97. >complete with too many bullets to count
  98. >pick it up
  99. >clench it tightly in your hands
  100. >no idea if it will work properly or explode in your hands
  101. >it probably doesn’t shoot too accurately
  102. >and it doesn’t resemble any known weapon from earth
  103. >but it will serve as a good replacement for the knife
  104. >for self defense or otherwise
  105. >load it up
  106. >inspect its craftsmanship
  107. >The plunking of hooves overhead interrupts your scrutinizing
  108. >look up
  109. >see the dust falling out from the rafters
  110. >hear the guards speaking indistinctively
  111. >the plunking stops
  112. >the basement door opens
  113. >The guard shouts to his associates
  114. >“…start looking through the basement”
  115. >shuts the door
  116. >turns around and sees you
  117. >stare him down
  118. >he stares back
  119. >his eyes move back and forth between your face and the gun
  120. >silence consumes the basement
  121. >only noise is the guard’s breathing patterns
  122. >inadvertently start breathing in sync with him
  123. >try to pull the trigger
  124. >hesitate
  125. >worry the gun might misfire to horrendous effects
  126. >the guards continues to stand frozen in his stare
  127. >he gulps
  128. >see the fear in his eyes
  129. >contemplate on what to do
  130. >feel your lip quivering
  131. >he takes a step back toward the door
  132. >pull the trigger on an sudden impulse
  133. >recoil at the sound of the blast
  134. >the bullet flies through his neck and out the back
  135. >his body topples down the stares clumsily
  136. >walk over to him
  137. >watch him fade out
  138. >no turning back now
  139. >start breathing heavily
  140. >lip continues to quiver
  141. >walk up the steps slowly
  142. >rest a hand on the door
  143. >open it
  144. >“Corporal, what was that noise?”
  145. >see another guard standing in the kitchen
  146. >he freezes upon seeing you
  147. >locks into a similar stare
  148. >aim at him
  149. >pull the trigger
  150. >he screams in agony as body lunges back over the corner of the kitchen table
  151. >blood trails onto the kitchen tiles near your boots
  152. >find it easier to waste this one than the last one
  153. >not tempted to watch him fade out
  154. >see a another move out from around the living room corner
  155. >waste him with even less hesitation than the previous one
  156. >pause
  157. >look over your shoulders
  158. >your lip stops quivering
  159. >breathing patterns go back to normal
  160. >see the guard in the living room moving around
  161. >step over to him
  162. >look down at him
  163. >watch his twitching from nerve reflex
  164. >observe the where the bullet entered
  165. >it punched a clean through his armor
  166. >continue to observe him until he stops moving completely
  167. >see movement out of the corner of your eye
  168. >look towards your bedroom
  169. >the door is ajar
  170. >slowly step down the hallway
  171. >approach the ajar door
  172. >rest a hand on it
  173. >push it the rest of the way open
  174. >see another guard in there
  175. >backed into the corner
  176. >shaking in panic
  177. >tries to speak
  178. >“B-by…By order o-of Celestia, you are under A-arrest”
  179. >there is absolutely no conviction in his voice
  180. >pause for a moment
  181. >hear the shaking in his breathing patterns
  182. >its making his armor chatter
  183. >rest your hand on the doorknob
  184. >shut the door slowly
  185. >aim at it
  186. >pull the trigger
  187. >the bullet punches clean through the door
  188. >the chattering of armor stops
  189. >complete silence fills the air
  190. >hear a loud thud on the ground
  191. >open the door
  192. >observe all your belongings even more violated than they were previously
  193. >the guard lays lifelessly on the ground
  194. >his eyes staring a thousand yards past the ceiling above him
  195. >shut the door
  196. >think on the guards words
  197. >look out the window
  198. >stare down Canterlot in retribution
  199. >plot a payback for being hunted
  200. >head back down into the basement
  201. >take the remaining iron
  202. >grab the horn
  203. >manage to forge a suppressor after an hour
  204. >fit it onto the tip of the gun
  205. >test fire it
  206. >its not the best, but adequate
  207. >step out the back door
  208. >head for Canterlot