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hello my name is Laura Ennis I'm one of
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the co-hosts on paper wings podcast calm
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today I'm going to show you my process
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for lettering my comic the dreamer using
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a program called Comic Life I have my
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file opened here for the next page in my
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webcomic as you can see I don't have
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final art done yet I do all of my
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lettering during the rough stage of my
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comic so this page here is full size for
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print so when I go to send my graphic
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novel off to the publisher it's already
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set up everything is within the proper
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guidelines for print and I won't have to
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make any changes down the road which
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when you get to the end of a book making
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changes on 150 pages takes a lot of time
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so I learned that the hard way so I have
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my panel set up on their own layer and
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then I've got my rough sketch here and
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the reason that I letter my comic at
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this point is because I'm an independent
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comic creator I do every step of the
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artwork myself and if I letter at the
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beginning and there isn't enough room
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for the word balloons it's very easy to
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make a change at this point so it's
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really easy to drag and drop something
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scale something move something make a
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panel longer or taller or whatever needs
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to happen right now whereas if I waited
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all the way till I did final art those
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changes would be a lot more difficult to
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make because I'm lettering it myself it
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makes sense that I would just do it
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earlier in the process rather than later
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so to bring this file in to Comic Life
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in a way that I can use it I'm going to
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save it as a JPEG and I save it straight
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to my desktop so it's really easy to
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find
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after I'm done working in comic life I
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don't need this file so I'll just throw
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it away when you open Comic Life up
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you'll get this template chooser and I'm
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just gonna pick a blank page
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but once I'm in here you can change the
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size of your file to match the print
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size of your file so you can make a
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custom size anytime you want even though
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they have got a bunch of presets in here
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already so they have some of their own
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preset comic paper sizes that you might
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want to use or a book size or just
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traditional print printer paper sizes
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here but I have set up my own particular
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sizes that match the width of the page
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and the height that I need it to be so
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we're gonna go ahead and open this up
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and now my page got much bigger but it's
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the size that I need it to match my JPEG
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so over here on this side window here I
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just picked the finder tab and since I
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saved my page straight to my desktop I
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can find it right there and you just
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drag and drop now it will show up small
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like this but it's it's still full-sized
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you just need to scale it and we're just
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using this in here
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just as a placeholder whenever we export
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our word balloons we're gonna delete
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this jpg out of here anyways up under
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View you can turn on show pages and
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styles which will pop up on the left
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over here so if you have a multiple page
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document they'll be showing up in this
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left Pages box and you also have this
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styled document here for your word
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balloons and down at the bottom here you
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can find all of your different word
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balloon shapes to pick from I'm just
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gonna take a standard balloon this is
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unless I'm doing a caption I almost
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always typically just go for a standard
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balloon now to save yourself time from
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having to retype everything you can just
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open up your comic script in pages or
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word or whatever program that it is that
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you use and from here you can just
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highlight and copy your text
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and then come back into Comic Life and
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paste the text in there now it's not
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going to look good right away so if you
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pull up your font window highlight it
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you can play around here until you find
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the font that you like that's the right
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size that works for your book when you
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export it that's gonna look good on
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print or on the web whatever it is that
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you use but once you know that it's easy
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to repeat it every time because you know
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what size for me I do digital strip with
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their regular font in a size 11 and
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whenever you copy it sometimes it will
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less left justify depending on the
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program that you have it from so up here
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you can just pick the center and center
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that in your balloon now this is too
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thick of a line for me so I'm going to
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go up to stroke and then just reduce it
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slightly to four and you can zoom in if
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you want to zoom in closer
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now this is the part of Comic Life that
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works either really well or not very
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well and so it's sort of a balloon by
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the balloon panel by panel problem as
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you put the words in the balloon it will
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automatically try to Center them in this
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space for you so as you change the
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balloon how tall it is or whatever it's
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automatically resizing in here and
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that's one of the things that I love
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about the program is how easy it is to
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make changes that you're not constantly
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changing your bounding box and things
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like that but sometimes it gets a little
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bit awkward in here and it might work
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better if you make one or two tweaks so
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I'll go in here if something doesn't
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look quite right and I think maybe it
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could fit better and then I'll put some
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of my own returns in manually and when
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that happens it usually resizes it
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pretty well to fit in that space so when
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you're putting your text in the balloon
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you want it to be in a diamond shape the
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best that you can so that it fills up
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that circular space as naturally as
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possible with as few dead spaces as
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possible now you don't need to re select
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your font size and the font name every
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single time or even the stroke on your
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balloon over here on the left is a
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Styles window so we can take this
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balloon that we just created and you can
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save a style right here it has a check
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mark so you can see which balloon it is
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that is your favorite way of making word
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balloons so now when I create a new word
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balloon it'll automatically pop up in
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that style and if it doesn't then you
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can just click that style right there
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and it will format everything to match
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the way that you've saved it so this is
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just a big time-saver
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sometimes if it's just a small balloon I
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won't if it's just small text I won't
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copy and paste from my pages document
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now I'm gonna add an extension balloon
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here this little balloon down here with
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the plus mark is an extension you grab
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this and drag it up until you get that
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yellow circle around your balloon and it
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will add a second one connected to this
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one so I'll just paste my text there and
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again you can see it's pasting the
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strange colors but when we go back here
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and click on our style it will
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automatically format it for us it even
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does the center justification so we
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don't even need to worry about that and
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then you can just do it again if you
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have another bit that you want to drop
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in and this will format the whole thing
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now the downside to that
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is that it I had this panel here in bold
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but that's an easy fix to to change
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so you can grab the the ends of your
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balloons and point them towards your
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characters mouths but you also can
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change the curvature and the thickness
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depending on how and what you do with
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this anchor and you can do a complicated
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tale if something's coming from around a
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corner this is really customizable too
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because he's sort of interjecting I
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don't want a soft curve I want it to
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look like he's his Texas kind of darting
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out of his mouth so I'll take the curve
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out of there and by breaking up his
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balloons a little bit like this then
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seems more like he's stuttering now just
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looking at it right now I am assuming
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that when I go into Photoshop these two
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characters back here are covered that
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his head is covered by her word balloon
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so I will probably come in and grab them
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and drag them down a little bit either
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make them smaller or move them down a
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little bit so that they have a bit more
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breathing room from that balloon which
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is why you want a letter at this point
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did the downside to using the style
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button just like I said before is that
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you lose your formatting on italics in
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bold so I just have to if I notice over
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here that there is a word that's in
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italics I need to just make sure I make
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that change myself so right now I'm
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noticing a problem in this layout
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it's not looking like I have much room
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at all to drop in this second word
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balloon that this character on the right
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is saying this is probably going to be a
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little bit of a problem
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he's going to be overlapping our main
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character in the foreground and that's
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since he's the star of this page it's
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not a great idea because this balloon in
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panel one is overlapping these
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characters heads and I was going to have
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to make a change anyways I will probably
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go back into Photoshop and stretch these
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panels out and give them more breathing
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room at the top and the bottom and make
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that fix there because there's not very
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much lettering on the rest of the page
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so I easily can cut into some of these
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other panels a little bit still have
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plenty of room on them but they're not
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going to feel cramped but it's gonna
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give these word balloons up here some
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some space to breathe so I'm really glad
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that I did my lettering at this stage
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because if not I would have been unhappy
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with a final art if it was covering up
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these some of these key elements if you
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want to move along you could copy and
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paste all of your text at the same time
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and then come back in and do the
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formatting doing things in bulk just
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often speeds up process so these are my
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four remaining word balloons and I'll
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just format them all at the same time
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and then come back one at a time so this
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is a voiceover a character is talking to
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her from off camera so I'm just going to
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cover up the tails of the word balloons
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you there's actually no way to delete
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them but you can just take your balloon
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and pull it down so it overlaps with
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that tail and then it disappears if you
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want to get it back then you just grab
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it drag it and it reappears at any time
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so just a quick note on lettering as I'm
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dropping these balloons in because your
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leave reading left to right top to
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bottom when I have a voiceover like this
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on a panel I try to put the first one on
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the top left and the last one on the
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bottom right and you can sort of stagger
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them throughout for the panel a bit if
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that's what you if you have multiple
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ones just to make sure that it's reading
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left to right top to bottom and then
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once we get down here a reader
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intuitively is going to know to jump
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back to the left and then work down to
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the bottom so
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by staggering these panels like this
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you're forcing a reader to read through
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the panel and notice the artwork in
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between and on this panel here number
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five of the blank sheet of paper there's
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going to be important text on there that
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I drop it in Photoshop once I have the
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final art of the page so by doing that
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by spacing these voiceover word balloons
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in the places that I have I'm forcing
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the reader to read through the page
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they'll read the text on the piece of
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paper and then jump back to the
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voiceover and then they will jump down
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to this balloon read through her
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expression and then wind up on this
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final word balloon down there so you
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want to be thinking through that through
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that sort of thing up here in panel two
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I do the same thing I'm going to have
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one at the top and one at the bottom so
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that the reader is going to spend the
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time to go through the panel if this
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word balloon even though I don't have
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the space but if I put it up here
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somewhere I've got a little bit tangled
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up if I put it up here and you know
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we'll say that we have the extra panel
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space now that these guys can breathe
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with their dialog you jump from one to
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one and you instinctively are gonna want
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to go down to the next panel so by
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spacing the balloons apart from each
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other you spend more time reading
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through his expression as he leans into
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the character in the foreground and
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really talks to him and this is just it
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reads a lot better your readers gonna
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spend a lot more time on this panel and
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after you take the time to to make the
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art you want someone to notice it and
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more than that I think the magic of
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comics is that comics are stories that
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are told with words and pictures and the
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wonderful thing about being both writer
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and artist is that you can decide
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whether a picture or a word tells your
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story better sometimes it's a little bit
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of both but whatever it is you want to
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make sure that that is not being
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overlooked by a reader just because you
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made a poor layout decision so if an
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expression or a reaction is a key part
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of telling that story there's no need to
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write it into the
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dialogue but make sure that your art is
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actually able to convey the types of
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events and reactions and emotions and
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things clues that you can hide in
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through script you want to make sure
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that all that is showcased and is
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evident so as you can see on this page
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there is a lot that is happening that
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has nothing to do with the dialogue but
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it's just the art alone is sort of
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telling the story especially we've got
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this strong reaction panel here and in
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these two panels the word balloons are
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coming from a character off screen and
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the more important part of the story is
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what we're actually looking at than what
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we're hearing because she's not really
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paying attention to him so it's supposed
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to be more in the distance and her
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reaction is the strongest point so make
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sure that when you're creating your
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layouts your layouts showcase that
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there's no need that we see her cousins
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snarky comments to her when the poll
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point of the stories that she's about to
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make a very serious revelation well I'm
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gonna save my document you could put it
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wherever it is that you you will know
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where it is and I always save it at this
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point so that if I make changes all I
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00:16:04,450 --> 00:16:08,830
need to do is make sure that there's a
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JPEG with this same name on the desktop
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and it will automatically load it into
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this document next time I open it but I
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want to export just the word balloons so
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I'm going to without saving it delete
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out that background image and then go up
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to export and I'm going to export to
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images I'm gonna pick JPEG and I'm going
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to make sure it's 300 dpi so it's a
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high-res print quality and I'm going to
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save it straight to the desktop
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now in Photoshop I'm going to open up
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00:16:45,828 --> 00:16:50,918
the panel with the word balloons and at
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00:16:48,678 --> 00:16:52,338
this point I do a really quick once-over
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00:16:50,918 --> 00:16:55,399
again
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Comic Life isn't a perfect program when
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it comes to sin during some things and I
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did notice a few problems now I'm gonna
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00:17:01,999 --> 00:17:06,259
go ahead and just go through this now
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00:17:03,769 --> 00:17:08,838
during my rough stages just to show you
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the my entire process but typically I
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00:17:08,838 --> 00:17:15,740
don't put the final word balloons in
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until I've had a chance to drop in the
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00:17:15,740 --> 00:17:20,240
final finished line art and make sure
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00:17:18,318 --> 00:17:22,938
that I don't have any strange tangents
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happening at the last minute but I want
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00:17:22,939 --> 00:17:34,070
to show you this process and centering
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00:17:25,308 --> 00:17:35,388
it into these word balloon spaces I just
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want to make sure that it's in there
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perfectly and sometimes it's not always
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00:17:37,490 --> 00:17:46,278
in there perfectly now to grab my word
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balloons because it is a flat JPEG image
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I get my my magic wand and I set the
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tolerance high I set it to 45 so that
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00:17:52,788 --> 00:17:57,079
you don't get a white halo around the
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edges of the balloon and then just
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00:17:57,079 --> 00:18:03,528
select the inverse and copy it come back
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00:18:00,589 --> 00:18:06,019
above your panels layer and paste your
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00:18:03,528 --> 00:18:10,240
word balloons in now I'm going to make
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00:18:06,019 --> 00:18:10,240
some really simple changes at this point
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00:18:19,858 --> 00:18:28,678
just gonna make that panel longer and
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00:18:24,579 --> 00:18:28,678
under my rough sketch here
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00:18:32,259 --> 00:18:40,249
just gonna move all that artwork down a
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00:18:35,058 --> 00:18:41,690
little bit now in that top panel I've
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00:18:40,249 --> 00:18:44,259
just got a little bit more breathing
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00:18:41,690 --> 00:18:44,259
room to play with
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00:18:49,380 --> 00:18:54,278
and I'm gonna reduce the art in this
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00:18:51,940 --> 00:18:57,730
panel slightly so it's not overlapping
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00:18:54,278 --> 00:19:04,298
though one character's head then it can
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00:18:57,730 --> 00:19:07,470
come back here to my balloons layer grab
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00:19:04,298 --> 00:19:07,470
this stuff and tweak it
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00:19:21,960 --> 00:19:27,720
well now I feel confident that I am
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00:19:25,079 --> 00:19:29,908
ready to take my layout sketch and move
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on to final art everything's going to
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read in the right orders and my readers
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00:19:32,519 --> 00:19:37,950
won't be confused my artwork will stand
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out and everything is clear the way that
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it ought to be so that's the way that I
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personally use Comic Life to letter my
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comic the dreamer and hopefully you will
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find it out full - if you have any of
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00:19:49,499 --> 00:19:53,850
your own Comic Life time-saving tips
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00:19:51,659 --> 00:19:56,220
head on over to Paper Wings podcast.com
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00:19:53,849 --> 00:19:58,138
and leave us a comment on the blog and
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00:19:56,220 --> 00:20:01,730
while you're there be sure to sign up
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00:19:58,138 --> 00:20:01,729
for our storytelling tips newsletter