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hello also bear with me I have a dumb
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icon up but I have it here so that
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there's I could upload this without it
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being flagged as a still image so I'm
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gonna answer some of your questions so
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that you guys can get a little bit more
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out of me than you usually do so let's
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look at what we have here first question
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how many tablets have used and one has
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been the most responsive I've used I
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mean if you consider just verrines I've
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used about six if you're talking about
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actual individual tablets probably
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twelve my first tablet was an art z2
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tablet I've had it into I've probably
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used every single into us on graph ire
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up til now as far as responsiveness for
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best bang for your buck at graph fire
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three will do you amazing
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I recommended over a bamboo as far as a
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higher end thing I'd say a 203 I still
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own it in 203 mm-hmm and considering the
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fact that I draw all the time and I
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inked all the time the sensitivity on
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the Intuos 3 is superior than the 8004
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it was 5 and the Intuos Pro you're
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asking me how that's possible that's
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possible by a Wacom having lower
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standards and cheaper products so into
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s3 is by far in my opinion the most
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responsive of the stylus as you are free
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to disagree with that you may say well
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you know 40 40 48 or whatever I'm gonna
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tell you guys past 10 24 you really
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can't perceive the difference it that
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levels of pressure isn't as important as
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the stylus being reliable and pressing
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the up and down with a proper amount of
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force and having it properly
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manufactured and tweaked and set up for
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for good for a good pressure delivery so
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I mean in my opinion if you want to get
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a new tablet and you want to be really
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have really good results and not deal
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with any kind of weirdness that you
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wouldn't want to have to deal with being
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new to drawing get go online and find
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yourself at noon to us three they're
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cheaper they're getting harder to find
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though so sooner or later they're gonna
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actually get more expensive than they
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are than the regular ones but I think
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they're still pretty cheap now so take a
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look at that they also last forever and
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have way less table space and have less
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stuff that breaks on them okay moving on
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to the next question are you going to
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stop doing Marty comics I don't know why
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this keeps coming up people asking I've
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like literally drawn a 32-page comic
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over the year and I'm drawing another 60
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page comic the thing is is you guys just
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don't see them because you're not
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supporting my website hard blush calm
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and the other comic is gonna be coming
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out through Image Comics in September
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October so I'm working on that now so
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are you man I still do many comics yes
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I'm doing as many Marty comics now as
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I've always done at least at least a
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comic a year if not more what made you
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want to be a Ness NSFW artist this is
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kind of a bag big can of worms question
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and here's why even you don't really
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decide to be an NSFW artist you don't
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one of the major I need to cover this
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isn't another thing as it's separate
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thing but one of the major things that I
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recommend to people when they say hey
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how do you get into drawing how do you
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draw a lot how do you
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how do you get into doing the drawings
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because I draw and it's boring but uh
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well the reality is inspiration and
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motivation are your only major friends
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in this factor especially when they're
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starting if you do not find a muse or
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source of inspiration or an artist that
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drives you to draw or and if the process
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is not fulfilling or entertaining and/or
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enjoyable keep in mind these don't
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actually all have to be together some
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people are frustrated by the art process
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but because of the challenge of art they
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persist so everyone's drives gonna be
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different and what drives them and what
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inspires them is all different in your
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job is to find what you're gonna what is
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gonna make you draw all the time the
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problem with that of course I wanna say
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of course but it's actually not that
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obvious what inspires you may not be
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what you want to do it may not actually
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sync up with what your goals are what
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you think you want to do so you know you
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could be you could be like myself
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drawing elf girls and Dragons for five
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years and not really drawing often but
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and when you do you're not really
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thinking about what you're drawing and
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you have no real focus and then at some
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point you could be introduced to an
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artist for me it was pose ooh and then
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be inspired greatly by something kind of
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deep inside of you that made you realize
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hold on this is crazy the amount of
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power this art can have over people
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myself included and and that could be
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addicting to sense that you know you can
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draw something and really kind of impact
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others and maybe you get addicted to
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that or that's the thing that really
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helps you drive you forward but you know
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ideally when I back in the day I
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probably would have much preferred
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having something
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something more socially normal to be
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inspired by because it would make a lot
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of the things that deal with now a lot
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easier being a not safe for work artist
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is not easy it is literally a series of
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walls it's also as stupid as this sounds
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to say this but you deal you deal with
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slut-shaming apart just apply to you as
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an artist and people having to hire and
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people knowing your name and the
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industry but not really ever speaking
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your name out loud and they're always
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being a kind of thing so it's really not
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the ideal situation especially not in
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North America Japan and Europe's a bit
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of a different deal because they don't
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have their ass their panties in a knot
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over porn not as much but here it's
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pretty much the death death bell death
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bells is that the term it's the death
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note it's the Grim Reaper shows up and
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kills your career depending on where
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you're at but that's kind of sort of
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changing and you're seeing that with a
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lot of artists now that are in the
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industry and also do draw porn and it's
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not it doesn't affect them like it used
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to and the reason that's that way is
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first of all old bucks are dying people
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in the industry and people who drive the
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industry are going away and young people
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are replacing them and they don't give a
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fuck secondly there's more more money
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being pumped into mildly adult content
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and by mildly adult I don't mean like
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straight on porn but content built for
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twenty thirty year olds and with that
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comes people's wish and desires to see
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it more sexual content so I foresee as
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time goes by being an adult artists will
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be less stressful and less walled but I
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could also see society wanting to erect
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more walls around porn as time goes by
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so it's a yeah there's a duality to this
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their society trying to make porn not
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exist and then there's young people not
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really giving a fuck about a point and
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that kind of clash is happening right
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now so there wasn't a decision to gain
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on safer work artist it was simply the
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thing that made me draw the most and
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because it made me draw the most it gave
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me the best results went for yourself if
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you want to draw porn and you when you
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drop one you draw it all the time great
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that's what you want if you're drawing
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porn and you hate it or you're drawing
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porn because you think it's a good idea
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for money I don't know what to tell you
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man there's way better ways to make
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money that's non porn artist if you can
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pull off a few things you know then so
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hope that answers that the decision
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wasn't mine to make it was that the ways
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I decided to not I decided to not turn
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my back to inspiration and brace
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something to help me get ahead with art
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and that's where I'm at now
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next question do you enjoy exaggerating
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the Anatomy more or it feels the same to
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you okay so I assume you mean
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I like well if I assume this is correct
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I mean you mean to ask do I like more
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exaggerated anatomy you know as you get
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into an anime Nia illustrations and
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drawings and junk when you to get things
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right it starts to get boring after a
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while and you start seeing where you can
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go with your shapes and forms while
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still kind of how far you can deform
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something while still fitting correctly
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with the rest of the drawing that
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becomes more challenging and more
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interesting if you're the kind of person
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who enjoys channeling them challenging
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themselves while they're drawing so as
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far as that goes
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yeah it's great I like it it's more fun
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it's tougher and trickier and trickier
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and it has definitely has its pitfalls
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and can you can go overboard but you
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know it's fun to try to make things that
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don't exist come to life while still
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getting away with it and having people
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accept your new deformed version of
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reality so last question I'm gonna be
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doing I've recently picked up drawing
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what should I start with to practice
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improving my skills this is one hell of
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a tricky question I've sort of covered a
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bit of it in the preview when in a
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previous question the first thing you
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want to do to improve your skill is to
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draw a lot to draw a lie you need to be
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inspired or do something that makes you
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draw a lot either that being you being
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very studious or focused or inspired or
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excited or driven but your first thing
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you need above all else is the drive to
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draw so much so I can't tell you a
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specific thing because I don't know if
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you like to draw a cartoony things if
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you like a realistic things if you like
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the paint but until I understand it's
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best you just draw a whole
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a lot all the time and that's gonna take
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your you're gonna need to have a way
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find a way to find out if you've got
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that in you if you don't have that in
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you then you will not you should not
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probably draw so tap in to what it is
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you want to do that you don't feel
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anyone else is doing in a way that you
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want to see maybe that's going to get
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you in the right direction all right so
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that's it for today hopefully we can do
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a few more of these later see you guys