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all right so let's talk about comics and
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more specifically how to do the comics
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so you don't look like an amateur so
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there are a few things to keep in mind
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I'm actually gonna just kind of pass
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through some mangas mangoes
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I actually feel that a lot of Japanese
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artists tend to be better with their
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composition and with their consistency
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and then American comics not quite sure
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why because the heavier daily cycle will
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go through or whatever the deal is but I
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feel that there's a they're pretty
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consistent across the board so I'll just
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I'm just going to cover some some points
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that you're gonna see and then and then
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you're gonna go ah so the first thing to
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note with mangoes first thing of course
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on top of that is right-to-left for
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these so don't don't be worried don't
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try to leave these left right so as you
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know if you're making a manga or a comic
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book or whatever the hell you are
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reading like this
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right if if you're reading a comic book
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it's always either left to right right
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to left but you're always going across
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and then when there's a ball you go down
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across town you read down this and then
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you go across I think people who are new
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accountable still want to do this and
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then they'll get confused I mean it's
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not too difficult if there's a panel
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below you read the panel if there's no
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more panels below or it does a border
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that goes across then you go back to
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this it's same thing here oh there's a
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panel below this oh there's no more page
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so I'll go to here there's no panel
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below so I mean across age it's really
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quite simple just imagine this is a full
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panel that's broken up into segments and
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then it's not so hard then it's just
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always this this this this
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it's just imagine that this is an extra
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segment of panels so here's some super
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simple rules to making your comic now
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look like as one when you have text
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although this is in the original text so
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this is someone else you know it's what
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I do typesetting you should almost
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always have space near equi equal
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spacing around your words it's not
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always possible especially since these
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balloons were made for Japanese words
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but most of the time when this is done
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right you've got about an equal spacing
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going around on the thing okay what I
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normally see when something's not done
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right there's a lot of this where
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there's I mean this isn't too bad once
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again these are their original balloons
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so they had the the typesetter I have to
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do what they could with what was there
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well you'll see you know text that's
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like this and then there's just spaces
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on top of the bottom or
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you know crowding where the whole thing
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fills up you know you'll have a bad
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scenario where I've seen this quite
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often actually
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I'll see this and it's horrifying and
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they'll just right up to the edge the
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text is right up to the edge it's just
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kissing the edge and it just drives me
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bonkers so don't do that either
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additionally you'll see that the text is
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almost uniformly consistent now this
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isn't a hard rule a lot of comics can
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conveniently alter their font size my
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rule is use two sizes
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unless you're in a really bad spot and
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he really needs something to fit I mean
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obviously sound effects don't count but
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definitely don't use it for funds as
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someone else here was this was more for
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something else I want to show but here
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you can see more good good space look
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good nice even spaces other than
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everything and this just gives the
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reader good legibility it makes it look
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like you know what you're doing and it's
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better that there's a bunch of you guys
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and you actually will be on empty space
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to zone around a lot of text see how the
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fonts are pretty pretty reliably the
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same size here yeah so that's the first
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thing keep keep your stuff consistent
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same thing here you'll see it and like I
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said sometimes you don't have a choice
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because just translating in Japanese
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this text goes up and down like this so
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it fills up perfectly so unfortunate
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translators only have so many options
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but that's that they still made an
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effort to keep this really consistent
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and nice you know the eyes and a big ah
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there isn't a huge word here and it
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doesn't always feel fill up and so yeah
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secondly this is actually pretty
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consistently I see this problem
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keep your gutter space consistent okay
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so if you're going to do this at 70
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pixels then always do the vertical one
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at 50 pixels or whatever the case it is
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pretty often and I think this is just
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good for legibility horizontal gutters
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are always taller okay and vertical
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gutters are wide you can see
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here okay so before and before you go
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telling me you know well I know I think
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it doesn't matter here's why it matters
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ah a tall horizontal gutter makes it a
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lot easier for the reader to sense the
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vertical sorry the horizontal panel
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reading method they have to take part in
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to read okay
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and actually newer comics today and
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recently shouldn't they notice this
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newer comics especially manga have opted
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for really tall this again skin isn't so
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tall actually that's I picked this one
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up specifically for that reason really
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tall horizontal better spacing and that
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really makes the reading way easier
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there's no missing what you're gonna do
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here this this this this this this
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you have to so basically what we got
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here is I'll way taller and I'm not
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quite sure when this started happening
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but it's been pretty much adopted with a
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lot of the weekly comics so that's
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pretty important and I see a lot of
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comics with just really inconsistent
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panels haphazardly drawn a different
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don't do that guys it's really super
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easy to like this is even a hard thing
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to do
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all you gotta do is you jump in whatever
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program you're using okay here I'm gonna
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just show you how to do this so you're
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grabbing the frame
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I'm inverting so I'm gonna just fill the
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inverted thing with white okay we're
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good put this in the folder alright and
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now I'm gonna grab another layer and
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with the best way to do this is to have
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a brush exactly the pixel size you want
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I usually do this in Photoshop but you
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can do this here so I've got a brush at
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I think thirty is gonna be good you know
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so I'm just going to draw lines right
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across
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right across okay I'm gonna have another
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brush it's probably gonna be 16 okay
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that's about near half but not always
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okay this way I'm not drawing a bunch of
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boxes and trying to isolate everything
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this way okay so now I have two layers
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one with the Lions when with this I was
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gonna ctrl-click both okay and I've
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shown you guys this before in other
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tutorials so I'm just gonna expand
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expand expand go black fill okay now we
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have just literally we this is inside
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are you doing anything fancy I just
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basically if I hide the white you'll see
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it's just black that's bigger than the
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original white I created so getting this
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isn't hard
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isn't hard you just have to keep in mind
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that you're doing it in Reverse you're
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drawing the gutter spaces with cursors
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you shouldn't have don't draw these
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lines one by one do that if you're doing
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some sort of stylized comic and you want
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it to look but if you just want to quick
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easy reliable comics with a really
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decent gutter space do this keep in mind
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to not make your the blocks too dark you
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get this kind of bad effect here you can
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see it gets Ken has this really black
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border and it actually makes it pretty
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hard to read so step one - doing good
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comics I mean - really is legibility so
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the spacing around these words okay
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legibility that's all it is
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having the font size the same legibility
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having this gutter spaced consistent and
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having it taller horizontal legibility
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pretty much everything you do with
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comics is about legibility because it's
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a series of images that all have to
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cohesively work together to tell a story
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if they are not legible or you can't
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understand them or you're the reader is
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fighting against them even if it's
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slightly the readers the text and senses
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this and it comes off as a cheap comic
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and these are really really simple
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things - that vastly improve your comics
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legibility and make you don't make you
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look like a professional even in the
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slightest way I mean we could go further
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talking about the actual paneling itself
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you know picking this is the rule I'm
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sure you guys have heard about the rule
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of thirds if you break up your comic
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into three panels into three it's always
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good to pick a hotspot and you can see
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his faces
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here it obviously because the board
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balloons are in the way yeah we actually
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that's a third I didn't do my third
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right you know so it's actually
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occupying these two it's actually
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occupying this the rule of thirds is
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always about these corners but I
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actually feel that it works better if
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you consider the these things and these
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things these spots but anyway same deal
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here okay point of interest right here
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and the reason why this works is most
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mostly because I get the automatically
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sort of gives the breathing room and
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flow right if you're always putting so
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if you put something way up here it's
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gonna be kind of you know crunched in
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the corner if you put something in the
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dead center which this isn't technically
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that Center it's actually this is dead
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center this is actually a lower bottom
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half because the frame is this big even
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though the balloon takes up that space
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you're still considering as a whole
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shape you know as soon as you put
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something in the center you're saying
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this is super important so it'll happen
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this is dead center but it's not really
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because that Center would be in the
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middle this is actually more I would say
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a column in the middle here's dead
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center right here
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so it's not as something you avoid but
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there's a focus point here so I kind of
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chose the eye over here
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it's not something you avoid but it's
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not something you rely on just keep keep
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an eye on where your keep were you kind
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of put into focus and additionally this
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is something I've have to still learn
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myself
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you really gotta make room for your
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balloons man because like if I'm gonna
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I'm gonna remove these balloons these
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word balloons okay and you're gonna see
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kind of how much content is missing and
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how empty everything looks okay it's uh
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it's one of those cases where you go if
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you just just make the room and you have
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way less weight less problems because
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sometimes I mean some of these panels
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are half a drawing they're half the half
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the panel half this one's half this
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one's half this one's half and when
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you're drawing it without the words kind
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of there you're filling up the whole
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panel and then having to shove balloons
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on the side you know
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oh well you know I've got to draw the
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whole thing and then you're gonna go oh
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geez now I believe dripping it over I
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still have this problem because I don't
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actually plot out I don't actually plot
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out my work balloons when I'm doing my
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thumbs and I really really got to so
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that's a thing I need to learn to do
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so that's
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we need to look at the man do all this
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that's not all and I'll I'll freakin
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laugh alright so I've had a YouTube
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video remove recently cuz I had a breast
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in it I'll freaking laugh if this is
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removed because it's a breast anoon
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remember YouTube has people's being bird
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having their dick shot off and a simple
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boob has has mean losing videos so I
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don't know man we'll see what happens
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with this video let's see if how crazy
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their rules are so yeah those are some
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pretty pretty much those are the major
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factors now of course paneling and how
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you should break everything down man
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that is its own headache I'll say this
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this is the works of Natsu and Oshiro
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considered a very good comic artist okay
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he's not doing anything crazy with his
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panels he's just breaking him down break
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break break he's not making inserts he's
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not doing this he's just telling his
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story as legibly as possible he's not
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overlaying any kind of fancy little
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doodads or explosive effects or panels
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that are leaking out to the edges he's
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just he does it but he does it sometimes
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he's just occupied with telling you a
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story not trying to dazzle you with his
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camera then with his artists camera so
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keep that in mind
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here have another comic here you can see
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this is one piece
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more more just simple good legible stuff
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simple art although this guy looks
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pretty credit here oh sorry that was
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these my bad well bad don't kill me
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Internet
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don't kill me we have
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so same thing man just your stuff
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legible blacks simple silhouettes if you
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put like there's a background here
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because they want to kind of establish
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this a sequence but if you keep putting
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the background and you're just gonna
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because this is not gonna be easy to
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read same for here and then we've kind
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of see a background again just to kind
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of establish where this guy is he's not
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some floating in some field he's looking
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in on this conversation
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so put your backgrounds in when you got
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to gauge can he tends to put backgrounds
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everywhere I don't know if he's got an
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assistant as a job of it but nice good
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legibility with him as well with this
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comic as well you know it's actually
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kind of interesting because I was
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reading some looking at some earlier
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comics and he not only does he have his
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borders black - too dark and his gutter
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spaces equal both vertically and
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horizontally
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cutting off characters at the wrong
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areas like he's cutting off things at
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hairlines characters are being shoved in
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heads are being cut across heads are
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being cut across heads are being cut
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across like it's a it's a pretty
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consistent and it's not bad to cut
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across a head but it's better than the
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head touching but you know yeah I
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couldn't help but feel that there are
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probably better ways to present this
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than to cut across the head I mean you
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can do that but not concern you know
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that it's not being done anywhere else I
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think it's being propped properly now
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and you know if you look at this car
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in this kind you know the layout has
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more consideration for all the dialog
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whereas here the dialogue seems like a
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second an afterthought so you can see
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dialogue dialogue everything seems to
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really have the room for what it what it
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is and before I don't think he had that
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kind of understanding so even as an
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artist you can totally totally solve
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00:20:19,480 --> 00:20:24,490
this on your own
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a few other things to keep note of
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course and this is the more Naurang in
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things and he actually you can see a
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little bit here is is tangents and
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there's a there's only so much you can
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do with tangents but I'm gonna show you
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word tangents don't exist so there could
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have been a tangent here but because
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they decided to leave a little bit of
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white it's not a problem same thing here
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the balloon doesn't touch this line I do
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a little touch this line there's a
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reason to do this because otherwise the
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artist the reader started the reader
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will look at it and then will get really
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00:21:00,369 --> 00:21:03,669
annoyed here there's a bit of a tangent
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but it's so subtle that I think you can
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get away with it other styles of
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00:21:05,920 --> 00:21:10,000
tangents that are really annoying to try
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00:21:07,839 --> 00:21:14,799
to get with our panel to panel tangents
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00:21:10,000 --> 00:21:16,420
a good example would be these legs and
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00:21:14,799 --> 00:21:18,789
there being a post that matches up
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00:21:16,420 --> 00:21:22,660
almost exactly with the post with the
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00:21:18,789 --> 00:21:25,149
with the previous panel you know it's
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00:21:22,660 --> 00:21:28,050
it's it actually happens pretty pretty
403
00:21:25,150 --> 00:21:29,650
often only a little the straight line
404
00:21:28,049 --> 00:21:32,440
that actually happens pretty
405
00:21:29,650 --> 00:21:34,300
consistently cost pretty pretty often
406
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when you're drawing and then having to
407
00:21:34,299 --> 00:21:38,649
undo all of it it's a really frustrating
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00:21:37,029 --> 00:21:40,960
sometimes because you'll have a
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00:21:38,650 --> 00:21:42,970
perfectly fine drawing that just looks
410
00:21:40,960 --> 00:21:45,130
weird because
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00:21:42,970 --> 00:21:47,169
this sort of thing is happening where
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00:21:45,130 --> 00:21:48,429
you have like a detail in another panel
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00:21:47,169 --> 00:21:49,600
that looks like it makes the arm go
414
00:21:48,429 --> 00:21:52,330
through like this and you're like well
415
00:21:49,599 --> 00:21:53,859
shit what am I going to do basically you
416
00:21:52,329 --> 00:21:55,750
have to kind of fix a drawing that's
417
00:21:53,859 --> 00:22:03,279
already okay they drive to be totally
418
00:21:55,750 --> 00:22:04,599
fine but because because the the things
419
00:22:03,279 --> 00:22:05,798
are matching up see yeah
420
00:22:04,599 --> 00:22:08,009
you know this tube could have just
421
00:22:05,798 --> 00:22:10,480
easily been just going the wrong angle
422
00:22:08,009 --> 00:22:16,179
and then look like it was a continuation
423
00:22:10,480 --> 00:22:19,419
of this thing you know so you gotta you
424
00:22:16,179 --> 00:22:22,659
gotta keep an eye on that know there's a
425
00:22:19,419 --> 00:22:24,460
bit of a tangent here there's a I think
426
00:22:22,659 --> 00:22:27,909
there's always gonna be some level of
427
00:22:24,460 --> 00:22:30,909
tangent when you're working but you have
428
00:22:27,909 --> 00:22:39,909
to make some strides to make sure it's
429
00:22:30,909 --> 00:22:43,929
kept that Bay you know when things line
430
00:22:39,909 --> 00:22:46,120
up when things line up too much this
431
00:22:43,929 --> 00:22:48,309
edge this edge could have been moved
432
00:22:46,119 --> 00:22:49,178
over and right up against the frame and
433
00:22:48,308 --> 00:22:53,649
it would have looked bad but
434
00:22:49,179 --> 00:22:55,900
they drop it into the they cropped it
435
00:22:53,650 --> 00:23:00,400
right into the thing so it doesn't look
436
00:22:55,900 --> 00:23:03,240
it doesn't look weird so keep an eye out
437
00:23:00,400 --> 00:23:03,240
for that stuff
438
00:23:05,890 --> 00:23:10,940
and that's about it I think there's
439
00:23:08,390 --> 00:23:14,570
definitely more about comics but these
440
00:23:10,940 --> 00:23:17,200
are the mistakes I see all the time so
441
00:23:14,569 --> 00:23:17,200
to repeat
442
00:23:20,119 --> 00:23:26,058
right horizontal gutters tend to be
443
00:23:23,000 --> 00:23:27,490
taller equal spacing and well aware
444
00:23:26,058 --> 00:23:30,798
balloons
445
00:23:27,490 --> 00:23:32,750
consistent font size only varying when
446
00:23:30,798 --> 00:23:35,058
you want to bold or when you have a lot
447
00:23:32,750 --> 00:23:39,288
of some sort of reason to do so maybe
448
00:23:35,058 --> 00:23:41,418
yelling or whispering or you have really
449
00:23:39,288 --> 00:23:44,558
tight confines because you screwed up
450
00:23:41,419 --> 00:23:51,700
somehow all right
451
00:23:44,558 --> 00:23:51,700
keeping making room for your dialogue
452
00:23:52,058 --> 00:24:00,558
pacing your comic in that way that isn't
453
00:23:54,710 --> 00:24:02,569
that it's completely legible and keeping
454
00:24:00,558 --> 00:24:08,720
an eye on tangents so you're not leading
455
00:24:02,569 --> 00:24:10,730
the reader to to look at another panel
456
00:24:08,720 --> 00:24:13,370
because a line leads into a previous one
457
00:24:10,730 --> 00:24:17,538
you know like if something here if there
458
00:24:13,369 --> 00:24:18,979
was another tube here you know just it
459
00:24:17,538 --> 00:24:20,990
would just look wrong I didn't you go
460
00:24:18,980 --> 00:24:26,419
here you read here and it's like that's
461
00:24:20,990 --> 00:24:27,409
not where you should be looking and
462
00:24:26,419 --> 00:24:31,340
that's it
463
00:24:27,409 --> 00:24:33,110
so that that's why that's all the
464
00:24:31,339 --> 00:24:35,119
observations I've made and like I said
465
00:24:33,109 --> 00:24:38,569
and a while ago this didn't exist these
466
00:24:35,119 --> 00:24:40,278
really have these really thick this is
467
00:24:38,569 --> 00:24:42,740
something that recently noticed and I
468
00:24:40,278 --> 00:24:45,890
hadn't looked at comics manga like
469
00:24:42,740 --> 00:24:47,028
critically in a while and I noticed this
470
00:24:45,890 --> 00:24:49,220
and I was like you know that makes sense
471
00:24:47,028 --> 00:24:52,190
you know it's it's kind of a cheap way
472
00:24:49,220 --> 00:24:54,470
to double space your your weekly comic
473
00:24:52,190 --> 00:24:56,929
because that means this means you can
474
00:24:54,470 --> 00:25:00,079
kind of draw less but it also means that
475
00:24:56,929 --> 00:25:02,149
there's more legibility and it's just a
476
00:25:00,079 --> 00:25:07,158
little bit more spacing that let the
477
00:25:02,148 --> 00:25:10,129
reader be able to your story without
478
00:25:07,159 --> 00:25:15,320
getting confused with the with the
479
00:25:10,130 --> 00:25:17,590
breakdown alright that's it for this see
480
00:25:15,319 --> 00:25:17,589
you guys